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    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    10/21/83

    Looking at 10/21/83 from the 30 Trips box for tomorrow. Hope you all can squeeze it in.

  • Oroborous
    Joined:
    Berry Interesting…

    …Juxtaposition between 68 and 92 Dead.
    12/7/68 was pretty cool with great set lists including of course the one and only Rosemary and all that youthful exuberance!
    12/5/92 definitely has a much different energy/feel, but much more professional sounding all around!
    I enjoyed both comparatively to other shows from their respective years, but it’s kinda pointless to compare them to each other. Thought 92 started out kinda slow which is not unusual for the time, but built up nicely as it progressed.
    68 they come right outta the gate with a decent Dark Star and rarely let up!
    Two completely different shows that illustrate just how prolific and versatile this band beyond description is!
    Shooting for 12/6/92 to start today off…

    Yep BC, I think we’ve reached some kind of tipping point. Nobody seems capable of doing/completing anything anymore!, and worse, they don’t give a shit!
    feel your pain! After a month and a half I still can’t get a lousy estimate to fix my car!
    Towed it there almost three weeks ago. Was told it should only take a couple days for an estimate, after nothing for a week, I mailed em a week ago Monday, no reply, no calls nothing! I go in this past Monday after being patient for two weeks “oh yeah we’re going to get to it today”, now end of the week, nothing…it’s like the whole world is so short handed, burned out and out of give a fucks! Like, we don’t care, and we don’t care if we lose business either…
    And don’t even think about complaining! Passive aggressiveness is another widespread pathology of these modern times too!
    Meanwhile up here as the clueless tourons roll in by the thousands, we’re on the CDCs no bueno list and yet everyone just keeps on like nothings happening!
    WTF happened to people?
    Ok, sorry, Debbie downers headed down to the mine now and thank goodness for the GOGD!
    ONWARD, through the snow and fog! (Shoveled another foot and it’s still snowing)
    Am I miserable, yes, yes I am lol.

  • JimInMD
    Joined:
    String Theory

    That must explain the timing and overlap of the posts this am. I didn't see docs and dvcvt's until now.. I'm switching gears and hitting 68, maybe fitting in one of Striders tonight and the other tomorrow.. which gets us to one of the Alaska shows I think..

    So we have a bit of listening to do. Hope everyone's having a good day. Big fun here.. water water everywhere, a big adrenaline day with no carniage whatsever. 62 degrees here in December. Crazy.

  • 1stshow70878
    Joined:
    Thanks again BC

    From my same disorganized batch.
    I must have slipped it in with the 3 Rockin' the Cradle discs.
    I had a ton of stuff donated to me that were in those single paper/cellophane sleeves and I transferred it all to heavier cardboard covers that hold 4 discs each (Ironically they are Muzac subscription covers from a ski shop I worked at that would discard them when the new ones came in - "Creating experiences with audio architecture" LOL) and clearly I was stoned when I "reorganized" and relabeled their new covers. My initial impression of The Cradle wasn't so great apparently as I'm not sure I've even listened to it twice. Got to remedy that too as '78 is my year. Another mystery solved by the sleuth BC! Thanks again.
    Cheers and happy listening today

    Today's Dead related trivia: Was looking up Stanley Mouse and did not know he had done stuff with Big Daddy Ed Roth in the monster's driving fast cars art era. Article said he lost a suit against Pixar-Disney over copyright infringement over the characters Mikey & Sully in Monsters Inc. which he claimed they took from one of his ideas.

    Edit: The new icon is the new boy cats from the shelter. Name suggestions? No, not Bob & Jerry.

  • bluecrow
    Joined:
    R.T. Vol.1, No.4

    Maybe some confusion? R.T. Vol.1, No.4 is From Egypt with Love - taken from October '78 Winterland shows. Rocking the Cradle is the Egypt box. I still need to revisit that From Egypt With Love Road Trips - I was trying to track down the discs scattered through my collection a little while ago and 1 is still MIA.

    I hear you with with the lack of nearby places to have certain work done, sort of the price for living a long ways from a true metro area. For me it's auto work. As luck would have it I just drove an insane distance to have a truly critical repair done in a correct and timely fashion and guess what. Everything was going just exactly perfect until it wasn't and something else got screwed up right at the tail end, that as it turns out they could not immediately fix. So I get to make that drive again this Friday and hope they can get it right this go around (and I'm not fully confident right now.) Ouch.

  • 1stshow70878
    Joined:
    R.T. Vol.1, No.4 Bonus Disc

    Still trying to get to the Rockin' the Cradle bonus.
    Good chance today w/ snow and cold weather.
    Only got partial listens on the '79 & '80 recommendations.
    Stupidly missed the '92 Phx. (Gila Resv.) shows in person. Doh! What was I thinkin'? But I got 1 show each of the '90 and '94 versions. The '90 outshone the '94 by a wide margin with Bruce there in '90.
    Interrupted by a system failure. Had to tear apart the stack. Switched on the bedroom stereo and no lights on the tuner. I've listened to CPR Classical every night at bedtime for a couple of years and now my mellow blue glow of incandescent bulbs (LEDs suck, way too bright) on the Pioneer silver face are missing. Really messing me up. And no tech in town! They've all died or moved to bigger markets. Asking all my local network who still toys with electronics in their basement shops. May have to drive 65 miles and drop it off with the only known repair shop. Two trips in winter, argh.
    Be careful out there Jim. Many brave hearts are asleep in the deep, so beware, be-e-e-e-ware. ( I can never hit that bottom bass note) And you beat me to the ski tracks, I'm slacking. Feels like when Lucy Van Pelt says she never eats December snowflakes, they're just not ripe yet.
    Cheers

  • Oroborous
    Joined:
    Summer 1980

    Really every show between 5/29 and 6/21 are solid. I’ve listened to them sporadically over time so don’t have a cohesive comparison, but I recall thinking the Alaska shows seemed to improve each night, really liked the 21.
    Perhaps Portland gets slight edge of the PNW?. 5/29 is a solid tour opener, 5/30 has a hot Jack Straw>>Franks, and passenger etc, and 5/31 seemed to step it up as well as the interesting set list, and ending.
    I saw the Band in 84 and nobody left and continued to raise hell, and even though the crew started to breakdown, they made em set it back up and eventually came out and kept playing, probably to avoid a riot! So can only imagine what it must have been like to see that happen with the dead! Thought it might happen on 4/12/83 but after long time they eventually brought up the lights, but even then nobody left!
    Compton seemed to settle into a longer more classic flow of songs, but then there’s Boulder too? So I can’t really pick just one or two Jim lol.

    12/7/68 looks interesting as well as the 92 Compton, so I’ll try to get to those next couple daze…

  • JimInMD
    Joined:
    92 AZ it is..

    A new one for me and comes with a Strider story. I really enjoy connecting stories with shows. It's always the music, but the culture, life and times matter. I think most of us grew up with the GD. It's more than just notes and chords. The music certainly spoke to me and I bet most if not all of us. These are no simple pop ditties.

    Have a good day folks.. heading out and testing out a new boat at high water in December, what could possibly go wrong?

  • dmcvt
    Joined:
    Bellarmine

    A well deserved spotlight, thanks Doc. Tagged this one here a few weeks ago, part of my 1968 quest this fall, rough cut but essential because of Rosemary, not to forget NPC. Reputedly only 500 or so were there, would love to hear further details from anyone. Apparently some missing cuts, probably did not start with Dark Star. Another example of a show that will never get released due to recording issues, nonetheless so very worthwhile.

  • Forensicdoceleven
    Joined:
    Cosmic, rich, full-bodied honest victories over desperation…….

    Hey there space rockers!!

    Pick Of The Day: Bellarmine College, Louisville Kentucky, December 7 1968

    If you can explain string theory to me, maybe you can explain this show………try not to go all Hawking on me…..

    The strings are played, dulcet tones result. It sounds like a small yet enthusiastic crowd witnessed this cosmic spectacle, which begins in slightly typical big jam form, a nice Star/Stephen followed by an Eleven which is cut inexplicably short. The band restarts the trippy festivities with a mournful Death Don’t followed by a crunchy CE/TOO/CE suite, which foreshadows the closing weirdness to follow by melding seamlessly into New Potato Caboose. How to explain the closing Rosemary (?the only existing recorded live version?)-He Was Friend Of Mine-It Hurts Me Too-Morning Dew-And We Bid You Goodnight? Good luck with that one…..

    In essence, string theory describes space and time, matter and energy, gravity and light, indeed all of God's creation... as music…..

    Mr Miller’s remaster is very decent and worth a listen. That being said, it might never be officially released due to the numerous cuts and edits. Enjoy what’s there!!!

    On a cosmic scale, our life is insignificant, yet this brief period when we appear in the world is the time in which all meaningful questions arise…….

    Rock on!!

    Doc
    Our posturings, our imagined self-importance, the delusion that we have some privileged position in the universe, are challenged by this point of pale light, our planet is a lonely speck in the great enveloping cosmic dark……

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .