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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • bluecrow
    Joined:
    8/6, 8/7, 8/8, 8/9 (reverse order)

    8/9 - somehow forgot the import of the date until I saw Strider's post. in '95 I was just beginning a whole new life chapter in the southwest, one that continues to this day. 8/9/95 actually started out with some very beautiful Grateful Dead energy, that turned very spooky once we found out about Jerry's death at the end of the work day. By chance had been back in Chi-town in early July visiting family and had caught the 2 Soldier Field shows, totally unplanned, brother had extra tickets. Whole different scene/planet from what I'd experienced in Seattle that spring. Seattle was fun and very well played. Chicago was seriously heavy. But still never expected the news of his death. And yes Strider - the Days Between is an absolute masterpiece. First heard it on the GD hour that featured Landover '93 (at time didn't know that my brother was there.) Hair stood up on end, super eerie, emotionally charged from that first listen - it is always like that. It seemed like Hunter somehow was shown the future that lay before us. For me in some ways as emotionally powerful as any song he wrote. Brings me close to tears anytime I hear it, or really even think about it.

    8/8 - GOGD - Alpine 82 - I was in the cheap "seats" on the lawn, but by 2nd set against rail at back of the shed. i don't "think" I was full on smoking crater but it was getting awfully close. agog as this force of nature swept past us, just drinking it in. remember Zakir throwing a drum stick at Mickey as he walked onto stage. Cippolina was just suddenly "there" and Healy had him dialed up loud, no fooling around. I had zero clue who those guys were. The Satisfaction was unreal - Phil was at 11 both in terms of sound and energy. The Brokedown that followed is my all time favorite. Left that show with Phil's bass tattooed across my brain. That show took me to a whole new level.

    8/7 - Oro, so glad you enjoyed the rediscovery! I don't know much about Phil and instrument history, I figured it was more of Healy thing. At the time, 8/8 made a bigger impression, but a couple of years later I was gifted with a killer low gen of 8/7 with most 2nd set and show opener and that further opened the door as to how magical 8/7 was. i ended up calling that cassette "Sacred Alpine" and it got more play than any tape in my collection back in the day, and that's a LOT. turned a bunch of folks onto it.

    8/6 - that Palladium show is crazy good, and its got a smoking Cumberland! A dub of the legendary bootleg record highlighting the 2nd set was one of my earliest tapes from a pre-hiatus show - love love love the sound from that era. in terms of sources - a wealth of riches there - the Bertrando audience is fantastic and that's where I generally head (there now in fact!) i think it was the source for the bootleg record.

    The night of 8/9/95 ended up camping with a friend in a canyon up on Cedar Mesa. I remembered 2 dreams from that night. 1) Jerry playing solo acoustic guitar to about 20 of us in a small room (sort of like the Rambler Room.) He was overweight, sweating, and he was pouring himself into it, giving everything he had. 2) I was on a stage with the rest of the band (no Jerry) watching them perform. I have a clear picture of that scene to this day, I was stage left in the wings, it was dusk, outdoors, no backdrop, lighting was all soft violets and silver, Phil was closest but still a good ways distance. The stage was HUGE and there was something like 40 meters between band members, as in, nobody was close. The music was unearthly and beautiful, but what they were playing wasn't the Grateful Dead.

    Love you Jerry.

    Take care and stay safe everyone. Time for a cold one!

  • Oroborous
    Joined:
    A Toast

    Yaaasss, have a mini bottle of “champagne”...perfect for a Mimosa or 2...need a little hair of the mutt after Playing in the sand last night. Started off with one of those Tall Pliney the Elders and didn’t let up. If we weren’t seasoned veterans it might of been too much too fast, but you and I have been through that, and this is not our fate...
    So a toast....to the Fat Man! We miss you more than words can tell....
    I used to say today was the day the music died, but as evident by how many awesome folks are still putting it out there and lighting people up as Bob would say, it truly is a testament to just how amazing the Music is, never mind the players. Been tuning in occasionally this week on Daze Between etc and who’d a thunk 25 years later there’d still be anyone, let alone the ridiculous plethora of fine musicians, and the magnitude of popularity that exists. Crazy!
    So to JG, Hunter, AND the amazing gifts they bequeathed us!, my old departed Buddies favorite toast: “ here’s to swimming with bowl legged women, and swimming between their knees”
    Nostrovia!

  • Oroborous
    Joined:
    8/7/82 and Quarter Century

    8/7/82:Bluecrow great pick! Another Lil nugget that gets lost in the couch cushions so to speak....I think part of your displeasure with the Bass sound is complicated by that G&L Bass Phil was playing between the Irwin and when he started playing Modulus....not a huge fan of the Irwin, but really didn’t like the G&L. Remember first seeing/hearing the Modulus, with the Meyer Sound rig, spring 83 twice, front row in front of Phil....my jaw is still probably stuck to the floor of Broome County Arena!

    STRIDER: great post as usual...I felt like I was there with you, especially cruising around the desert at night with the midnight radio playing all Dead...
    Interesting to about this date, betting there’s more interesting history! Weird though, the misses has been getting freaked out lately. She keeps a journal and for a while now every time she opens it up it always opens to the week of August 10th...? I’ve asked if there’s pages stuck or what ever and she says no, no matter what it keeps opening to this page? Very weird and kinda freaky, she’s starting to get the fear! Somehow I feel you would understand this?

    PLAYING IN THE SAND: great show last night. Besides a couple snoozers in the first really good show!
    Looks like a cool scene too. If not for the vid I’d be down for a winter get away, but alas, I fear never more quoth the Raven...

  • icecrmcnkd
    Joined:
    Jim, my usual

    Columbian Supremo, black and oily.
    Got 25 lbs of green unroasted beans this spring.
    Roasted a batch a few weeks ago. Had the roaster out on the deck in the sun when temps were in the 90’s. Really helps get the roaster really hot to achieve the black oily beans I prefer. The thing I like about Columbian Supremo is that when they are black and oily a chocolate flavor comes out. The chocolate flavor doesn’t seem to exist in beans from other parts of the world. Not that I don’t like those beans too.

    Wrapping up 8-6-74%, now heading outside to do various jobs around the house.

  • JimInMD
    Joined:
    Coffee with Jerry

    I have to ask.. what beans, assuming a dark and oily roast.

    Just finished converting and combining the best version of each song from 8/6/71 into a single folder and have imported it into my electronic world.. in about 10 min I will start my listen to strong black coffee myself.. Ethiopia Limu Musa Aba Lulesa somewhere between full city and a French roast. (sounds like a song they came out of space with Hamza El Din sitting in.

    As for beer later, I promised myself this week would begin a period of summer discipline and scaling back. All good things in all good time.

  • The Good Ole G…
    Joined:
    A Toast

    Here's to Jerry!

    Let it be said often and with more eloquence and poetry.

    Truly remarkable how many people he touched in one lifetime.

    Glad to be one of the many.

    Cheers to all the others!

  • icecrmcnkd
    Joined:
    A toast to Jerry

    With strong black coffee now, and again with beer later today.

  • Strider 808808
    Joined:
    Quarter Century

    August 9th, 1995. Driving up into the Burro Mountains south of Silver City I could scan the FM airwaves and hear the Grateful Dead on a half dozen FM radio stations everywhere from El Paso, Texas to Las Cruces and Truth or Consequences in New Mexico to Phoenix and Tucson, Arizona, just about non-stop all day. Only time that’s ever happened. That night I drank Guinness Stout and smoked strong Ganga with a friend who played both sides of the first Garcia album vinyl version on his powerful stereo system that included a Macintosh Amp and Kliptch speakers. Being inebriated certainly fit the mood.
    Today would have been my brothers 72nd birthday. He was responsible for first turning me on to the Dead clear back in the fall of 1968 by way of Anthem of the Sun. He once said that heavy duty events happened in this date. 75 years ago the atomic bomb was dropped on Nagasaki, Japan. On this date in 1974 Richard Nixon resigned. I happened to be hitchhiking cross country going over the bridge from Ontario into to Upper Michigan while hearing his resignation speech.
    And of course twenty five years ago the news that was less surprise but still a great shock to the many of us who love the music of the Grateful Dead.
    Phil Lesh once spoke of how the music of Dark Star is always playing in the Universe and how they would tap into that force. I paraphrase his quote but you get the concept. On the subject of Dark Star, about 30 years ago I was at a gathering of long hairs on Ash Creek at the foot of Mount Graham in southeast Arizona. Some kind of barter fair or something on private land. There was a deadhead who was playing an acoustic guitar, jamming with a sitar player. I requested Dark Star and without delay they started playing the melody and formless form of that universal composition. That early spring day on the edge of the desert became filled with the beautiful music of East meets West. A transcendent American raga.
    I posted on the daze? Days Between page on Jerry’s birthday but hardly anyone seems to go there. Speaking of Days Between, by far the most powerful Robert Hunter composition of the 1990s.
    Time is fleeting, try and make the most of it.

  • JimInMD
    Joined:
    Ha.. it's got a Cumberland

    ...and so it is. Nice mix up, Dave, a worthy adventure.

    I think I am going to try and cobble together a complete show from the various sources.. this is always a hassle, but usually worth the effort.

  • daverock
    Joined:
    8/6/71

    It doesn't looks as though you did this one on the day in question - but its a great show any day of the year. Serious cowboy boot funk on Hard to Handle, an Other One-Uncle-Other One that holds your attention to the last note. And, as you say, its got a Cumberland. One of the best, I would say.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .