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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • CaseyJanes
    Joined:
    WilfredT UJB

    You are correct sir about the Bm...also a Dm and Dsus2 according to Ultimate Guitar Tabs on the “Official Version”. I love the above mentioned app. Has most every song that you can think of and usually there are many versions to play so if you’re not quite getting one arrangement there is usually a way for guys like me to dumb it down a bit. That said I need to add those chords on UJB as they are in my range. Will also try the riff....I have a little pentatonic game as well! (I’m guessing there)

    For the record, and if memory serves, I do believe I’ve seen youtube of you playing WilfredT, and you are an excellent player. I’m like a wanna be campfire player at best, but it’s more fun then a frog in a glass of milk.

  • Oroborous
    Joined:
    Hola Senor Janes

    Good to see ya!
    I think Bob was alluding to what I’ve heard/read all of them say over the years; it got harder and harder to get the band (especially Jerry) to rehearse and some of those songs you just couldn’t do well without rehearsal: LS, Cosmic Charlie, St Stephen etc. Unfortunately another side effect of ole Jer Bears monkey...especially when you consider how hard many of Jer’s parts were on these songs...it’s a bummer but no wonder many of the greats were set aside.

    GUITARS & CADDILACS; used to play all the time. Tried to play guitar for ten years, occasionally professionally, once in the studio....switched to bass and rarely looked back. Did try the solo acoustic/apre thing briefly, but wasn’t that good and it’s really hard carrying the whole show by your self. And Scarry! Don’t have that front man Mojo either “star waaarrrsss, nothing but staaaarrrrr wwwaaaarrrsss” much prefer to play with 3 to 5 people, the interaction is where it’s at. But the rush of playing in a hot band in front of a bunch of people IS uncompareble....talk about a high!
    But yeah, I preferred being in the back row under the dark lights grooving on the Bass. Played that professionally on and off for 20 years, last ten it was my main, though not only job...It was a gas, but after 100-150 nights a year, often at shitty bars and clubs, when your feet are killing you and your back can’t take that heavy lumber anymore, we’ll sometimes it’s a double edge sword doing what you love for a living....unfortunately haven’t really played in like ten years now. Had to TRY and grow up and get a real job....plus after I got booted out of my main gig, eventually all the calls stopped coming as it is a small, close knit group that gets the gigs here.
    I truly miss it in my minds eye, but I don’t miss schlepping that heavy ass gear at 3 in the morning, or getting hassled by the law, or trying to get inspired when your back hurts and it’s late, and there’s only 4 drunks left, but I do miss it.
    GUITARS
    - Ibanez Muscian Series I got in 79 and modified with Alembic circuitry/pickups in 84.
    - Madeira Acoustic
    - 84 Alembic Spoiler 4 string electric Bass
    - Michael Kelly Club Deluxe 5 String Acoustic/Electric Bass. picked this up early century when I was playing a lot to get upright sound etc. Never spent enough on upright to be proficient as it’s physicaly painful, and it’s a drag trying to play live with a loud band. I liked the sound I good get with the Kelly and a Sans Amp tech 21 Acoustic DI. It’s made for Acoustic guitar but works awesome for the Acoustic Bass. Seceret is the adjustable mid....
    shit, ramblin again, sorry, fun topic. DAVEROCK sportin’ the Bobbie Dazzler! Nice axe bra! My guitar teacher always played and sold Gretches. Wish I would of got one, but wanted a Bob Weir Ibenez so bad. Almost had one but got the Muscian series instead. I’ve seen pictures of both Bob and Jerry playing one but not sure what show (s)? Think it was around when Bob was first using Ibenez?

  • wilfredtjones
    Joined:
    Casey Janes UJB chords and guitars

    There's a B Minor in there somewhere...I think after the G. The riff is fun, too! Don't forget to learn that :-)

    Thanks for sharing info. on your guitars, too. I also have a '96 Washburn (D-20 in Koa). My brother just bought his first guitar, a Seagull S6... :-)

  • Oroborous
    Joined:
    6/22/83 source

    Yeah I think that’s the same source as I had. As I say at the time it was definetly my best sounding tape which in those days wasn’t saying much, but this one shined! Great show too, and looks like it must of been a great place to freak freely from the news clip.
    So my buddy Doug hooked up with some dude who either was doing the taping or ? Not sure I really knew, but they knew WTF they were doing, had like Nac with sennhieser mics and were usually low generation and near that quality.
    I had the best gear so most of my friends/cousins would bring their new tapes to my house for coping etc so I’d usually get decent generations. Some shows better than others depending on where they were located. Remember, this was before taper section so some diehard pros would poach in front of board, which sometimes was awesome, other times too loud or tone unbalanced etc...
    Anyway, we start getting some killer 83’s, probably end of year I’m guessing. Unfortunately I never got the source guys info and next thing you know ole Doug’s knocked up the bosses daughter, whose family is super religious so shotgun wedding and no more fun for ole druggles, poor bastard! And no more tapes for us! Dooaah
    Funny part was he got our band to play his ultra conservative wedding, but’s that’s a whole nother story for the bonfire....

  • CaseyJanes
    Joined:
    Guitars and UJB

    Hey all, COVID seems to have me busier than I’ve ever been with both the wife and kid working and schooling here at the cave...so I’ve just been lurking here lately on the site, but I have to jump in on a good guitar convo.

    Dennis, I’ve read that 1983 is right around when Gibson started producing great acoustics again, shifting back to some of the methods that they used on 60s flat top guitars. I would love to play that Hummingbird. I’ll bet it sounds awesome, and from knowing what I know of you, it is probably very well cared for! I just recently learned UJB. It was surprisingly (to me at least) very easy to learn and made up of only 5 basic chords (G, D, C, Am, Em) which are some of the first chords (and easiest) that most guitar players will learn. Rhythmically, the toughest part of the song IMO is probably in what would be considered to be the chorus....that is the part that goes “whoa-o what I want to know is ______________....there are some quick chord changes in that line which take some practice, but all in all, not to difficult. That said, singing it and playing at the same time for me is much more difficult. I have only recently been able to incorporate some singing along with my playing and I have been playing for more than 20 years. Some of that I think is confidence factor of worrying about what others think I sound like, which I really don’t give a shit about anymore, but the other part is that rhythmically it is not easy to learn, especially if the song has difficult chord phrasing. Did anyone hear the Bob Weir Shakedown interview from Friday night? He had some interesting comments about Lost Sailor and the reason it didn’t stay around for too long in the bands repertoire. Too difficult to play and the other band members didn’t want to spend the time on it. And we’ve seen that LS has only recently been brought back into D&Cs repertoire. So this got me thinking about the progression of Bob Weirs playing ability. Of course it’s widely know that Bob was nearly kicked out of the band early on because of complaints about his guitar playing. And to be fair he only started playing guitar at the age of 13 and then met Garcia just 3 years later. And any player is going to experience some plateauing, especially early on. That said, it make me wonder if the shift in style on WMD and AB were at least partly made in efforts to help with this handicap as the arrangements are much simpler and back to the basics. (Here is a quote from wiki on the subject:
    “The incident apparently led to a period of significant growth in Weir's guitar playing. Phil Lesh said that when drummer Mickey Hart left the band temporarily in early 1971, he was able to hear Weir's playing more clearly than ever and "I found myself astonished, delighted and excited beyond measure at what Bobby was doing." Lesh described Weir's playing as "quirky, whimsical and goofy" and noted his ability to play chord voicings on the guitar (with only four fingers) that one would normally hear from a keyboard (with up to ten fingers).[13].

    Cousins: what kind of guitars do you own? What gets the most play? Based on your bands genre, I’m going to guess a Fender Telecaster?

    Here are my guitars:

    1). 1996 Washburn Limited Edition Acoustic
    2). 2017 Gibson Les Paul High Performance in Cherry Red Sumburst
    3). Seagull Artist Studio CW Deluxe Element
    4). MJT Custom Telecaster build that is aged vintage relic...Taos Turquoise over 3-Tone burst
    5). Rhino issued Grateful Dead Dancing Bear/Stealie ukulele (don’t really play this one just decoration
    6). I also recently ordered a Taylor GS Mini Koa Plus E with edge burst on my 4 years zero interest Sweetwater card. I needed a good travel guitar and this one gets phenomenal reviews....can’t wait!, but sshhhhhh! Don’t tell Mrs Casey!

    -the one I play the most (currently) is the Seagull...most accessible hanging on the wall right next to the couch in my living room. It has a pick up so I can plug it in but I rarely do as it projects nicely anyway. It as a solid Sitka Spruce Top, with Solid Rosewood back and sides, Mahogany neck and Ebony fingerboard, gold vintage tuners. It’s a beautiful guitar that sounds just as good as it looks.

    Oro - Great repo car story...had me LOL as usual! For those interested, I promise to finish my Gorge story very soon. Fell off the wagon on that one, but the details are still there. Anniversary is also fast approaching....bummed I can’t do the repeat as I planned for Boulder in July...hopefully we can get back at it soon!

    Doc - Great to read your regular posts again. Glad you’re back.

    Be Well Dead People!

    KCJ

    Led Ded: just read your post...couldnt agree more. No better hobby and incredibly gratifying when you are able to overcome a plateau....repitition and practice....I’m at least one hour a day usually early mornings or later at night!

  • LedDed
    Joined:
    Yes, some of us really play...

    I am a guitar freak. I have about two dozen electrics, two acoustics and a couple basses, untold effects pedals and several amps. I actually do pick up those instruments with my two hands and play the shit out of them, every day, sometimes only for a half hour and other times all day long, esp. on weekends.

    It's the most gratifying hobby I've ever known. When you start out, you suck and sound like shit. Over time, you learn other people's songs, chord changes, scales, etc. One day you find yourself sitting there with a drink and wailing along to "Layla" at full volume, kicking ass and blending right into the record. And then, you start coming up with your own stuff. Some people eschew covers and play as themselves right off, but if there's a kind of music you like, learning that stuff gives you a toolbox of techniques from which to start doing your own thing.

    You get out of it what you put into it, practice practice practice. I don't really practice so much as play, but you hone your skills through repetition and hours devoted as you pick up new things here and there. One of my favorite things is to crank up a "Big River" like the one on One From The Vault, and wail along with Jerry. He was so good in his prime it's sick.

    I'm not in a band. I have a straight job and a family (and a mortgage etc.) However now and again getting in a room with other musicians, especially with drums present, and turning up is as much fun as it looks. Unfortunately it looks like a bleak time right now for anyone struggling to make it as a musician. First album sales were destroyed by the internet and bands had to depend on live concerts and merch sales. What are they going to do now?

    A long time ago, I might have leaned that way, but I'm glad I went with the straight job, keeping the guitar playing on the side, pure artistic expression with no strings attached or record company bullshit. Last, anyone who's always wanted to learn to play the guitar, go buy a decent one and get after it! If you keep with it, it will reward you more than you can imagine.

    \m/

  • Deadheadbrewer
    Joined:
    Did someone say, "Saint Paul"?

    LOVE that show from '77 (AND the Saint Paul show from the 1978 box), but cannot allow myself to get distracted from my E72 studies. I still need to finish Bickershaw AND Amsterdam, then get to Rotterdam on its anniversary today. The back-to-back concerts on this tour make things difficult . . .

    I didn't get into Grateful Dead until I was 21 (1991), but if I had been born ten or fifteen years earlier, I would have attended those old MN and upper-midwest shows.

  • Cousins Of The…
    Joined:
    @Dennis

    Hey Dennis, I'll take your Hummingbird if it's lonely :-)
    I play guitar in a band(Western Swing/Honky Tonk) , although not sure when we'll be able to play out again this year.

  • Dennis
    Joined:
    Dave's guitar and Dave's Pick

    Just got DP29 in from Real Gone Music. I never bought any of the DP's when they were coming out, my buddy was getting them and sending me copies, money was tight and what the hell. In the end, wish I had bought them all as they came. Now I'm too cheap to pay some of the prices I see for complete sets, and the wife would never understand :-).

    I have to say for anyone who hasn't bought these real gone music releases, they did a nice job on it. At first blush I thought the bonus tracks weren't included, but though not listed, they are there. It was 60 bucks from amazon (got a price cut before it shipped!) So maybe I'll look into getting the real gone collection,,,,, if it's cheap enough :-)

    Dave the Rock and the Gretsch - I know Dave's not the only one on these boards who has guitars AND I know absolutely NOTHING about guitars or playing. But I looked up your guitar and yeah, pricey things. The demo's online made it sound very nice. My question, can you really play? I've met many people over the years who have instruments of all types, played "in my youth", they can still strum a few basic cords, but really can't play. I have a Gibson hummingbird my wife gave me back in 83-ish, why, I have no idea. Maybe she thought I develop unknown talents. I told it's a nice guitar, quite a few people have strummed it over they years and say "very nice". But one night at the store a customer who came in all the time (doctor of some sort), had just bought a new hummingbird, asked me bring in my old one. Bastard sat down and knocked out UJB off top of head. Blew me away. BTW - said my old hummingbird was much louder than new ones.

    So Dave, do you play? Also other folks out there, do you really play? I believe some of you are in bands?

    Just curious.

  • musicnow
    Joined:
    bonus disc

    The bonus disc is simply amazing! Classic songs/jams and the sound is superb. This was a GRATE addition to a magnificent show. Thank you Dave!

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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Is it too early to ask if anyone scanned the artwork for DaP 34 and bonus disc? Apparently I'm one of the few who received their copy? According to the posts I've read

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In reply to by kyleharmon

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my guess (and if anybody has covered this earlier my apologies for redundancy) - with Mail Innovations, which is a tag team with UPS doing the long haul and handing package off to USPS for delivery, there appear to be 2 tracking #s generated, one for each entity. If you have been provided with a USPS tracking #, as I was (and guessing many others here also), UPS has to haul the package to your local USPS hub, hand it over to USPS, and then your USPS tracking # suddenly registers with USPS as a package actually moving, rather than a tracking number that has simply been generated. So its waiting, waiting, waiting with a generated tracking #, and then suddenly it shows up with USPS a day or so before delivery some locale half way close.. Seems imperfect and inherently frustrating."My" DaP 34 was in limbo for 4-5 days, then showed up at the the USPS hub for my area as a moving package in their system, this weekend, and was delivered to local post office today. sadly, i wasn't around, so its still there. tomorrow will be a good day.

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No, It's not too early to ask, but JeffSmith hasn't received his copy yet. There have been scans shared here though, Kyle. Just hop back a few pages and you should find them...

I hope this helps... :-)

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Weir's comment at the beginnng of El Paso, courtesy of Kreutzmann taking off at breakneck pace is telling. Billy didn't really care for the cowboy songs and likely wanted it over, and is also antsy on the follower, To Lay Me Down.

Wonder why? Miami, 1974. Feels like a Johnny Depp movie.

Outstanding concert, though the sound is SO clear, crystalline and crisp, there's a certain amount of thick air missing (sorry, Bob).

I think to have been present and felt the air move would have enhanced this listen. That is not a complaint, only an observation. This setlist is supreme, the only dogs being Seastones and China Doll. China Doll is a casualty; it feels like a Lennon/McCartney song where Lennon rocked the verse and McCartney tanked the chorus.

Oh well. #16756 finally has a home in Denver. I actually listened to the bonus disc first; also brilliant, sans the lack of thick air.

\m/

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Thanks to all involved on this release, it’s a gem! Absolutely delightful throughout. It may not be the COVID-19 cure but it sure makes us feel a lot better!
Hope everyone waiting gets theirs soon!
Keep ‘em coming, Dave, more, more, more!!!

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10 years 10 months
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And the tracking says "Pre-Shipment" on my subscription, and I grabbed an a la carte because I've always loved this show and am gonna give it to somebody who needs to hear it, and that one says "USPS Currently Awaiting Package". This does represent progress of a sort, perhaps, from the "Status Not Available" of a couple days ago, but it was the Bonus Disc one that I got screwed on last year. That was my first really bad experience with dead.net/Rhino as I got replacements for the ones lost in the warehouse move a couple weeks before DaP 32 came right at November 1. Hoping that a package awaits me at the mailbox tomorrow, and not more frustration.

Not that I lack for music, having just gotten the ABB Deluxe Edition of the 2/11, 13, 14/70 partial tapes Owsley made, along with the Doc and Merle box set Never the Same Way Once, also recorded by the alchemist, as well as Real Gone DP 36 and Road Trips 3.3 5/15/70. The wife was pleasantly surprised with how good they sounded on the acoustic portion, and was digging Good Lovin' as we took a little road adventure this past weekend.

Hope everybody gets their DaP's soon and in pristine condition, and stay safe, and crank up the music!

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17 years 4 months

In reply to by alvarhanso

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....well, it was only fractured and just a little nervous from the fall, to be fair.
Curious about why it feels like a Depp movie though. Bolo. Is that you?

I have two different orders for Dave’s Picks 34 in which the status showed “USPS Currently Awaiting Package”. Tonight, one of those orders now says “Pre Shipment”. To me, both of these mean the same thing, a tracking number has been generated but the package has not left the warehouse. The other weird thing, this is the first time I’ve had a DAP shipment start and finish with USPS. Anybody else with this problem live in Maryland? I’m hoping for one of those “suddenly on my doorstep miracles”.

....cue the slogan for 2020.
But seriously. I've had DAP's handed off from UPS to USPS. I've had DAP's delivered solely by either. Had one delivered by marye on a bike.
Stop Making Sense - Talking Heads.

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What's with the avatar? It reminds me of a knitted illustration on some pot holders at my grandma's house. Just saying.

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Looks like the current VGuy avatar is a cover from one of the Spring '90 TOO shows. But as fast as VGuy has been cycling through avatars lately I fully expect it may be something different before I finish this post;)

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17 years 4 months

In reply to by Charlie3

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....one of the Spring TOO shows. Its tomorrow's pick of the day, with commentary, which can be found here
https://www.dead.net/forum/pick-day-discussion.
Courtesy of deadvikes. Ever since bolo started this project, im trying to reflect said pick with my avatar. Consider it a friendly public service announcement.
Carlos's grandma has good taste.

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10 years 6 months
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get a day job boys and girls

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7 years 6 months
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Ha! That's funny. I think that's a good idea. Pot holders with a SYF logo on the dead.net product page.

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7 years 6 months
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I think I will jump in the fire for tomorrow's pick of the day. It's a good one for 1990. Althea has always been a favorite of mine.

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Get a day job boys and girls? What's next, you're gonna tell me to grow up and act my age?

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Like LedDed, I also went with the bonus disc first. I've had a ton of interruptions since its arrival this afternoon, and I refuse to give THIS SHOW a half listen. So I've listened to the half-hour Playing in the Band 3 times now. It's one of the best I've ever heard. I'm finally getting on to China Cat.

LedDed, what's this thick air thing you mentioned?

So far, aside from listening to the 3 Playing in the Bands and now enjoying the outstanding mix of China Cat Sunflower, I'm back to wondering if they can re-engineer all of the Dick's Picks '74 tapes to make them sound this good, especially DP 7 & 31.

Also Led Ded - whoah wait, timeout- Rider just had a fucking moment and a half.....holy shit, I just keep thinking Doc hearad this shit in the same room by the young peaking Dead.

Anyway Led Ded , I started writing about order huge Zeppelin ahead I wasn't High School. I don't remember if I clicked the save button or nodded off and never posted it. Anyway, at the time The Song Remains the Same was all that was available for live Zeppelin, and I thought they sounded like shit. Then I saw them at Live Aid and thought they sounded like shit. I also saw them as Page / Plant a couple of times and they sounded great but that was not a true Zeppelin incarnation. Then I bought How the West Was Won and thought, hmmm that's better - who'da thunk it. Now I see there is so much good YouTube content of them live from '75 to '79 it's incredible. And I had read the Hammer of the Gods in high school, Anna touched upon their dabbling supposedly into Satan worship, and I did listen to Stairway to Heaven backwards on my turntable with my high achool buddy, right at "there's still time to change the road you're on" and the backward masked words are definitely there. Then I saw the 2007 O2 Arena concert at Best Buy when it first came out and bought it without a second thought.
I was surprised that this setlist selection, so good it was. And then I put the fucker on in my car on the way home and thought holyshit, I couldn't believe how good it sounded. Plant would do a tour with Page in the 90s but not see a Zeppelin reunion through? I believe Jimmy Page will outlive us all and once all of the witnesses are dead begin aging backwards. He doesn't really look any older except for the white hair, which looks pretty cool on him. Then I saw a documentary with Jimmy and Lori Maddox and thought, well at least he was enjoying the ride.

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I received no shipping notice, was checking my email in bow and spam folder for the past week and nothing. Much to my chagrin # 12557 arrived in Northwest Ohio. Hope this puts some who are still awaiting at ease. It's on next, right now it's a bit of 5/6/80 on Today In Grateful Dead history...

@KeithFan2112 About the only thing Jeff Norman could add to DiP 7 and 31 is Plangent Processing, which I believe he first used with the multitracks for the Cow Palace release in 2007, three years after DiP 31 came out Note that because DiP 7 and 31 are, like all in the series, only 2-track recordings, there is only so much he or anyone else can do (and nothing he can do in connection with the mix, which is set in stone). EQ, compression, Plangent Processing, various overall things like that, but as I indicated, all of that except for the Plangent Processing was presumably done with the original release. I doubt they'll go back to any pre-2007 2-track release just to add the Plangent.

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13 years 4 months

In reply to by Charlie3

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Get off my lawn, hippie.

Edit: Shouldn't you be in school, get a haircut.

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7 years 3 months
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While recording/mixing the Anthem Of The Sun L.P., Bob Weir was trying to tell producer Dave Hassinger what he wanted to hear in the mix. “Right here, I want the sound of Thick Air”.
This comment seemingly was the last (Jack) straw for Hassinger,, who promptly quit the project. Weir later stated that at the time, he couldn’t accurately describe what he wanted, but many years later, described it as “a mix of white noise & compression“. Go figure.

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16 years 11 months
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You also thanks for letting me know...

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17 years 5 months
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Anyone else notice that they printed a picture of Bobby in reverse, so that he appears to be left-handed? Sloppy.

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17 years 4 months

In reply to by L. Mo.

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....here's hoping he can play the slide better left-handed then.

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14 years 10 months
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I highly highly highly recommend you go to the archive and listen to 5/6/70 today. One of my first tapes back in 82.

Oh how I wish it could be officializedly released.

The weather was apparently "too fucking cold", but wowzer. The music is HOT.

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My copy has supposedly been in north Houston, about 2 hours from me, since Sunday. There’s been no updates on tracking, but I have been eagerly checking the mail box since then with no luck. I really hope it shows up today because I’m ready to dive into this thing..

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16 years 1 month
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stuck, lost, misplaced, missing, at post office, pending, what ever you want to call it, it still ain't here. Tracking says it's at the post office since 5/1, I guess it is so good, the mailmen have confiscated it and are listening to it before they rewrap and send to me? I don't know but I sure hope it gets here soon.
On a separate note, the t shirt is completely sold out, all sizes.

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15 years 2 months
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Another musical innovator gone. The sound of Kraftwerk is the sound of the modern world

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9 years 1 month
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This showed up for me on Monday along with DP 32 and Garcialive 13, banner day at the mailbox, but I haven't had a chance to listen before today. Currently on Let It Rock on disc 1 and so far so good. This is an excellent recording, kudos to Kidd Candelario. Everything is really balanced and the vocals are right where they should be, not sounding a little faded like some other '74 wall of sound recordings. And yeah, as others have noted, this is a really fine Cumberland ...

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17 years 5 months
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LOL V-guy

Or maybe all these years Bobby has had the slide on his right hand.

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14 years 10 months
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I, out of the blue, decide to post a greeting auf Deutsch (in German). (Guten Abend, Herr grateful gerd!)

then I find out from Colin that Deutscher Florian Schneider has passed.

SHEESH.

Trans Europe Express and Computer World will be played sometime today.

Europe...endless (oder, entlos)

AUTOBAHN "die Sonne scheint, mit Glitzerstrahl"

:__(

Here's a raise of the glass to you, Florian.

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9 years 1 month
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To Lay Me Down is sounding fucking amazing.

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14 years 9 months
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The monkey's got the locomotive under control! It's that coked-up Casey that will likely cause the train to jump the tracks. :) (just don't be there when it rolls over . . . )

VGuy, you're killing it with the humor today!

DaP 34 (oh, the SOUND!) arrived Friday, the Rolling Stones Mono Box (oh, the SOUND!) arrived Monday, and GarciaLive 13 (with t-shirt (AND a Let It Rock)) arrived yesterday. A Steal Your Feathers hoodie supposedly shipped from Generation T Monday, and my Dancing Bears face mask should be on its way. Good week at my mailbox.

Be well, all!

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11 years 4 months
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Just got mine, and read Dave's notes about a person who knew someone who has since passed on, and contributed their photos. Then in the credits the photos are attributed to ForensicDoc! Our buddy! I have been scarce here and may have missed this being discussed.... I know Doc had some health issues a few years back.... is he OK? Not sure if Doc contributed a friend's photos, or if someone contributed Doc's photos. Hope he's OK! Please someone fill me in, either publicly or with a direct message if you know anything.

And yay for the Workingman's Dead re-release and the attached 2/21/71 2-disc Bonus material. Ordering mine RIGHT NOW! Woohoo!

I hope Doc's OK. He was always a passionate advocate for 1971 on these boards, and even started a complete 1971 show-by-show analysis - shared with me the transcript of what he had so far at the time, and it was a great read.

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6 years 8 months
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Hello fellow heads! Hope everyone is doing well. Just started listening and as others have said, sound is phenomenal!! Only up to half-step, but yeah, good stuff. So I noticed from the photos(thanks doc and docs friend) jerry is playing the wolf. Anyone know when he started playing this? I know it was damaged and not back till englishtown? As someone who works at the post office I can tell y'all if it's there it gets delivered. It doesn't sit around. Dont know why,but that tracking is definitely fubar. Mine said delivered last friday but didnt get it till monday. Wish I could be more help about it,but that's all I got. Workingman's looks great with bonus show!

Sorry to read of his passing. I agree that Kraftwerk were true musical innovators. I was lucky enough to see them in 1975, just after they had a hit single with Autobahn. They were truly unlike any other band I had ever seen, both in terms of sound and presentation. The future started there. Just played Radio Activity - great album.

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11 years 4 months
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Thanks for the heads up icecrmkonkid - I'm kind of in a wind tunnel with work these days, crazy busy - Haven't been lurking too much (I think that's natural after 7 years of activity in these boards - it get's kinda redundant, and lord knows I contributed my fair share and folks know where I stand on... well, everything! - LOL).

Doc, SO glad you're well! My heart sank when I read that comment from Dave and then saw you referenced.... Rumors of your demise have been greatly exaggerated....

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7 years 6 months
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Strange. My dap has been at p.o. since may 1st with no movement too. I think new england has a stalled mail service since lots of people here are saying may 1st. Did you get yours yet sixtus? By the way I'm running with scissors.

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10 years

In reply to by carlo13

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...Running with Scissors = Dangerous yet Tempting

I have not received any updates - and, I am in the same boat - stuck in Shrewsbury at the Post Office apparently, since the common date of May 1st. I did, however, actually receive an email reply from the USPS last evening at 840 PM noting: "Your inquiry has been forwarded to the appropriate management team for research and response. You can expect initial contact within one-business day." That 'one-business day' is fast approaching it's end and I'm not overly optimistic.

Good thing I have this giant Lego Pirate-shipwreck to build and keep me occupied wile listening to GD on Sirius - now that my work day has wrapped. Wait, who am I kidding. I've been sayin' Arrrrggh! for the past several hours....

Sixtus

As I recall the relationship, Hassinger's troubled work during Anthem of the Sun included a long, unproductive session in New York involving Constanten's prepared grand piano. There was lots of downtime, and Hassinger sat in the control room, pissed off at the band and perhaps dosed. And he'd forgotten the room's monitors were cranked. Upon which somebody with no warning suddenly dropped a spinning top toy onto the piano's soundboard inside, creating a huge, otherworldly noise, and causing Hassinger to leap from his chair in terror. The end of this remarkable musique concrete passage, I didn't notice until years later when I graduated from vinyl to cd, included multiple members of the band lightly tapping their fingertips on the piano strings during the fade into The Other One. Until then, this delighful passage always had been drowned out by the record's surface noise. The album also includes perhaps and probably the only recorded holy grail of trios -- harpsichord, celeste, glockenspiel -- and this coming from a primitive hard rock band just starting its recording career. Wow and phew.

To me, Anthem remains a favorite production achievement of all time. Half a century later I'm still discovering new delights hidden within. And I hated it for the first few years because my college roommate back in 1969 played it all the time. Now, I can't thank him enough. Mixed for the hallucinations they said. Right-o.

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13 years 4 months

In reply to by Sixtus_

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Wait for the Workingman's Dead Hatchet. Besides.. running with scissors is so 1990's. Now running down the road with a Workingman's Dead hatchet in each hand.. now that will get peoples attention. Put a little fake blood drooling out of the corner of your mouth for good measure.. but don't overdo it. Just a little dribble will get the point across.

What were they thinking.. making us all buy hatchets. They will be here just as we awaken from our shelter in place marathon.. oh.. it's going to be a good summer, I can tell. Better pony up a couple grand to get a decent lawyer on retainer just in case. Hatchets and scissors. Rock, paper, scissors, hatchet anyone?

edit: Couldn't agree more about Anthem.. far and away my favorite GD album. I think it's a masterpiece. I had never heard that story of Hassinger before.. probably dosed? Put's a whole new light on the subject. Thanks for sharing.

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