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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • bluecrow
    Joined:
    as for the Weirwolf screaming

    There are some early Pig Lovelights where Bob's screaming at the end is pretty much unlistenable to me. Some early NFAs are a close second. Not sure how he didn't permanently mess up his vocal cords way early on. And for the record, I have no problems with Donna on Playing. Not even close.

    I have no issues with his later theatrics with Estimated, etc.

  • bluecrow
    Joined:
    10/31/79

    what a freaking screamer of a show. awesome pick. thanks DV.

    went with the Dr Goodseeds matrix.

    also really enjoyed Doc's rec of 6/14/69. sounded sweet to my ears.

  • billy the kiddd
    Joined:
    Weir screaming

    Weir screaming on St. Stephen, on Aoxomoxoa, sounds great. Also with Pig Pen on Not Fade Away is a knockout.

  • JimInMD
    Joined:
    Careful Guys

    I'm a recovered bobslideahateaholic. After years of therapy, I have finally embraced Bob as the artist and songwriter he deserved to be. In truth, my favorite Bob days were with his Gibson ES-335. The slide and Ibanez never fully gelled with me.. as for histrionics, I think they started with Not Fade Away circa early on, thinking late 70 through 71 might have done the most damage to his vocal chords.

    I don't know man.. but at this point, I think he fully deserves his seat at the throne. I have forgiven him for years of slide abuse and yelping that outside of pornhub and the Jackson Five, has never been captured on tape before or since. God love'em.. Bob is ok with me.

  • wilfredtjones
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    @OB re: Bob's screaming

    Ok, maybe not over the top rock and roll screaming a la a vintage Minglewood, say 5-15-70 or earlier. I'm more thinking about when the effeminate yelping began in tunes like LL Rain and Estimated. He wasn't pulling that kind of stuff in earlier incarnations of at least those 2 tunes, so I was wondering if anyone really nailed down when those sorts of antics started or was it more of an evolution. He doesn't do that kind of crap anymore does he? Sometimes he can sound to me like Will Ferrell's Harry Caray impression. I forget which tune it was that I hear that in, but it's definitely 80's/90's. :-P

  • Oroborous
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    Hola

    6/14/69: another hot but dirty 69. Recording a tad oversaturated, but not bad and a fine 69.
    Thanks to Doc for being our primal concierge! Boy it’s a shame they didn’t break some of these tunes out years later: Doin that Rag, Friend of Mine, and not here but Mountains of the Moon etc. can you imagine, well at least Phil broke em out eventually. The Eleven too! Interesting early Dire Wolf, sounds like Bobs sitting out and Phil’s playing very basic accompaniment. Cool sheet Mon.

    Gary, you talking bout Ventura? Bet those were fun. Only got there once working Futhur tour in 96 but I was Dead dreaming the whole time. Can only imagine…

    WTJ: I’d say the screaming started long before those. Maybe it was because of Janis, or, seemed like it was a thing early on in rock, and hey I’ve heard those Lysergic sugar cubes can give ya a real energy boost too. I think maybe they got Donna doing it too? I also believe I read somewhere once that Bob got all into primal scream when that was a “thing” BITD? But that would of been probably more around when those songs you speak of came round?

    I’m sure it’s an acquired taste, and BITD there were times when I loved it. But sometimes…not so much.
    Really it’s just more nowadays as at 60 it doesn’t resonate like it used to. An occasional short blast for affect is one thing, but sometimes you think “unless he strokes out he’s never gonna stop” LOL.
    Good ole Weir, always good for a laugh, it must of been fun hanging with the crew especially when they picked on the kid!

    Wish I had something else on the short side lined up. Don’t think I could get a full show in?
    Oh well, perhaps hang it up and see what tomorrow brings…

  • Gary Farseer
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    Memories

    Misty watercolor memories...

    Just sittin (on top of the world) here.

    Reflecting back 35 years. Sitting on the rail right in front of Jerry. Dosed to the tilt. Only around 3,500 present, beautiful late spring day. Palm trees swaying, fronds crackling with electricity. Very nice show to reflect on...as is the whole weekend.

    Been spending a pretty good amount in deadbase. Just a wealth of info. Sometimes, just chasing rabbits and thinking statistically. Just in case, thanks to John, Stu, Mike.

    I remember getting the two big binders xeroxed, pre-publication, and just spending countless hours reviewing and playing fantasy dead.

    Hope Dead & Company have a great show tonight. Thought about PPV but show wont start until 9:30 my time, I am too old for this sht. I am sure I will grab one or two PPV before all over.

    Dead and company have now placed a + in their logo, good job. Way back yonder, in days of old, when trade was by camels and caravans, that is what company meant. Caravan. So by adding the plus sign the fellas are giving an inclusion of the travelling caravan, the heads who keep pushing this bus forward.

    Saw 3 panic shows a couple of weeks back. Then ordered 3 PPV/on demand of the same weekend with Phish. Just a lot of great music. Really noticed on Phish, wow, average age is late 20's to early 30's. Was a bit shocking to me, especially seeing the one old deadhead there. Man, more power to you Sir!

    G

  • wilfredtjones
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    Weir's histrionic tendencies

    It would be interesting to nail down precisely when they started in tunes like LL Rain, Estimated, etc. Was it a gradual thing or did it begin in a specific tour or show?

    To the archive! :-) Stay cool all...

  • Oroborous
    Joined:
    69, 79, hut, hut, omaha, hike,

    6/14/69: I’m in!

    10/31/79: didn’t get a good listen, but most of what I heard I liked!
    Don’t recall much of the first set standing out, perhaps the newish Sailor/Saint, but the second set definitely had some big moments. Seemed like the medication factor both helped and hindered at times? I’ve always liked it when they get a little over the top and taking chances. Sure the slop quotient can go up, but more so the X factor and interesting directions and variations.
    That’s how this cool Shakedown seemed to me, as especially noteworthy near the back of the jam if you listen to the unique sorta one note pounding foundation that Phil’s laying down. It’s a good representation of the sort of full throttled boozey, cocky, machismo vibe that permeates much of this show.
    Sure it’s not pristine, but it’s what makes this a great Shakedown.
    Same with Passenger. Not always pretty, and Bob fumbles early, but full on roaring R&R!
    A nice Ramble On in an unusual (non 70s) second set slot, followed by Estimated Eyes. I like that Bob hasn’t started to scream so much in Estimated as the screaming nonsense has not aged well for me at least. Funny I never realized just how much screaming went on BITD. But unfortunately today it is sometimes hard to take, for moi anyway.
    Perhaps one of the coolest parts of this show for me was the sweet jam outta Eyes, with a drums/space perhaps more indicative of the future than the status quo? That whole sequence was a highlight for me, landing in yet another Rat, but Bob brings it up again with another of those aforementioned rowdy and jammy rockers, Truckin, which ends up being the big closer. Of course a rowdy rockish night like this needs a R&R finish, and what’s more R&R than JBG!
    Interesting show, good, but not sure I’d call it 11/6 or 12/1 good?

  • Forensicdoceleven
    Joined:
    I am a sandwich man……

    Hey, rockers!!!

    Pick of the day: Monterey June 14 1969

    How about a Lovelight sandwich? It’s huge! Subway would be jealous……………

    The Dead are still a bit of a west coast cult jam band, so here we are in a gymnasium again. It’s not the Pigfest that Moraga was, but it’s still very fine and very enjoyable. It clearly demonstrates that not only could the Dead jam out on their psychedelic magnum opus Star, but they could do it backing Pigpen’s blues rave-ups.

    Plus it has another cool version of He Was A Friend Of Mine……………

    Scott Clugston put out a very nice---and pitch corrected---remaster of this unheralded show last December. We should be grateful, and it’s worth a listen. And while it may never be officially released (there’s a couple of edits), it does reveal that, given modern sonic technology, some Summer 69 shows are potentially releasable……………………..

    So what are they waiting for????

    Doc
    I’m a couple sandwiches short of a picnic…..

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .