Grateful Dead

Hilarious.

Let's just hope she doesn't read this stuff.

Edit: I seem to have misplaced her PIN. Can someone PM me? I need the new Stax/Volt box set.

Per your suggestions, doing the 9-18-87 anniversary.

I suspect that everything in the Vault that sounds good will get digitized, and a lot has probably been done already since the tapes are degrading and the job needs to get completed. Also, storing digital copies at various geographic locations can be an insurance policy against things like the Universal Music warehouse fire, California Earthquake(s), etc. Futhurmore, I assume that when Dave is perusing potential releases he listens to a digital copy, not a cassette copy, then he picks a few shows to discuss at the next business meeting.

Some will get the Full Norman.
Some will even get Plangentized.
Everything that gets digitized will be available for download and/or streaming in the future, we may just not be alive to spend the money on such.
The Vault will become the Catalog.
We are financing the digitization of the Vault by buying the new releases.
So bust out Dennis’ wife’s credit card and keep buying.
(Well, at least Dennis can bust out the credit card)

Yeah 1stshow I hadn’t planned to do it.I mean I’ve been meaning to, but, like many things nowadays, always low on roundtoits ; ). Reminds me of this guy we picked up on Ziggy Marley tour doing merch back in 96 I believe.
Flew into DC, met PK from Jersey, counted stuff in at the 9:30 club, then just tried to keep up with ole PK. Out on town all night, then immediately had to drive to next show etc…
Dude knows everyone everywhere and can get you ANYTHING you need in almost any city!
Damn Rastas were asking him to get them weed everywhere as he had better connections lol
Been a road dog forever! Anywho, somewhere in the mayhem we ran into a buddy of his from Virginia who decided one show wasn’t enough fun. He only ment to go to the next one, and every night kept saying “ok, this is the last one, then I have to get back”…we’ll this went on for over a week until finally, after Panama beach show we literally had to make him get on a bus and go home lol. Guy was helpful and we all had big fun, but the poor bastard was wearing the same clothes etc and didn’t have anything with him, totally spontaneous trip. Think after a couple daze we bought him some fresh underwear and gave him a couple tour shirts to change into lol.
So that’s kinda how I started E72 this time, ok, I’ll do one more. Finally, though this isn’t a good time, time wise etc, figured, fug it, buy the ticket, take the ride! So, always more fun with a tour buddy!

Yeah, I’m with you on 5/3. It is a damn good show, but I didn’t get as blown away as some…
But I’ll need to reacquaint with it…top five, good luck. I can’t do it. Their all so good, sure I like some perhaps more, but their just different enough I can’t pick a top dog…
Yeah, what a surprise, the French were the most vocal lol

Yeah DV, im worried about the VIKS, Bills too, though they seemed like their old selves again this week. But like the Viks, ya never know what’s next lol. Rootin for underdog Lions, and Falcons, though I really like this kid Field with Da Bears…
I’ll have to try and find that Dave article. He always says that and he doesn’t do it all the time, and they have mostly stayed clear of anniversaries, but he has been dipping liberally from that early possibilities list he mentioned back at the start of DaP.

Those all sound familiar Jim, but I’m on a job site so can’t look up in my Db.
Tempting all, but I’m on tour in Europe with ole 1stshow and don’t like to listen to other Dead until the trip is over…
1970 is perhaps last frontier I haven’t really got the toe wet yet. Need another roundtoit!

Hey OB, not off to a good start here in MN, but actually not that surprised. Go Bills!

There is an interesting article in Relix with Dave L. that was posted last week I believe. Check it out.
Dave claims there is no list and they don't generally release shows or box sets based on anniversaries. This year's box was just a coincidence. So, what does that mean for 2024? Not sure. Would love to see that October 74 Winterland box released. Who wouldn't?
I thought the 74 Winterland shows were recorded by Bill Wolf as part of the Movie production agreement with United Artists. I believe everything is there and based on the material from the 2005 soundtrack, and bonus material, it is fantastic.

Madison Square Garden 87. Those are some good shows Jim. Might have to join you on 9/18 as I have that 30 Trips show handy.

Huge and another damn near perfect show with 3 Other Ones! The crowd seems more engaged and yelling a bit more than some of the more polite audiences. And interestingly they didn't understand that the show wasn't over at set break. Read attendee Bob Welle's review in DeadbaseX and his cool viewpoint of having been cruising around EU and just luckily caught this one, wondering who are these new people on stage.
After all these good ones in a row it's hard to see the almost Barton Hall fervor over this one though. I'm having a tough time doing a top 5 of the first 11 shows they are all so good but this one is certainly in there. Onward indeedy! Didn't expect anyone to join in my insanity to do them all so good on ya' Oro. Had to do it once in a lifetime, lol.
Cheers

I was talking about a mini box of Feb '74 before they released 2/24 (and now 2/23), but I like the way you think.

I always assumed, probably incorrectly, that there were problems with the recordings of much of the October 74 run. I know Owsley was very vocal that they had excessive bleeding from mic to mic, etc.

As for something to listen to today.. not that I am strictly a Today in GD History person but 9/18/70, 9/18/74 and 9/18/87 were all excellent shows. 9/16/87 was surprisingly good for the period also.

That's all I have for now.

Hit 5/7, 5/10, and 5/11 this WE. Of course I’ve forgotten the finer points and things I wanted to say, but I’ve not wanted to be overly analytical, or get distracted with notes, and instead, just get right, relax, and try to enjoy them. (Which has not been hard ; )
5/7 is just too much! It’s not always the most precise or perfect of the tour, but that’s because it’s a freight train on steroids!
I’ve always preferred full steam ahead Dead even when that leads to more worts, not that this one has many, perhaps just a few more noticeable than some of the more reserved, precise (hey, they were trying to make an album) shows.
Actually, I think the album factor is one reason this tour is so good. They’re in a place where they’re ontop of their game and can let it rip, but keeping it just enough under raps to keep the consistency high for recording purposes.
Win win, but 5/7 seems more about the live gig, the large miserable crowd that seems to really appreciate the effort etc, more than playing it straight for the tape machine?
Choo Choo, all aboard! what a beast! Garcia starts out in 5th gear and doesn’t let up for almost 4 hours!
Dark Star AND an Other One! Full on grease fest with six beauties, including a nice LL that fits the format better than going on too long, and a nice unusual Segway into GDTRFB. Clearly they were enjoying themselves in spite of the conditions? They joke about blowing the big ones, but not this time bubba!
I’ve had this one so have heard it several times, but it was a real treat to sit outside in a warm but not super hot day and just groove on this one!
Yesterday I hit 5/10 for the first time and unfortunately didn’t get quite the best listen, at least to the later parts.
But I did enjoy it, even if it was perhaps a little more laid back than 5/7 etc. Hey they all can’t be rocket ships lol.
The word that kept coming to me was Smooth…this show seemed smooth. They’re gelling as a unit so well by now, and the consistency is so good. Sure there’s a miscue or clam every once in awhile, (I dare you to find a show that there isn’t ; ) but the overall tightness, energy, musicianship is truly better or on par with any tour they ever did!
Of course there’s the sweet He’s Gone they finally got right, and why it’s the one! Another Sing me as they’ve worked that one in the repertoire nicely. And if I remember correctly, this had another of those unusual Other Ones, kinda jazzy perhaps and similar to 4/16? Unfortunately this one’s a blur for various reasons including hitting 5/11 afterwards. I’ll definitely want to rehit this, 5/3, and the Wembleys after the tour…but for now I want to go in order…
Ok, 5/11, this one for whatever reason has always been perhaps my favorite?
Not saying it’s the best show of the tour, just for whatever reasons perhaps my favorite?
Certainly the set list is part of it: Nice Playing if not huge opener, plenty o grease, including a cool and final Caution, with final WHO Do You Love tease, Nice Truckin ender to mix it up, and a very cool, perhaps unusual Dark Star!
Maybe it’s just because I think this might have been the first ala cart show I bought when I hand to the head realized what I was missing not having these Dark Stars? (Now realizing same about the cool spacey TOO’s)
Other One can get real repetitive but these ones are often very diverse and different! The weirder the better I say!
Whatever the reasons, this show, even after taking the tour plunge, still resonates very strong for me? Hey, I even think the cover art might be my fav? Ok, maybe I’ll hit it again streaming while working, before moving onto 5/13 and 5/16, both I’ve never heard yet, so hoping I’ll get to spend some extra time with em during the week…
ONWARD! Ok, who stole my Heineken Dark?

That’s all I ment.
Everyone’s made good points, and there’s no easy answer.
I was going for a conversation starter more than just to editorialize.
Like most things, no easy answers.
It’s just now that I’m all addicted to this collecting nonsense, I need as many RJ shows as they’ll give us, and I’m afraid things are going to start slowing down, and eventually it won’t be worth it to them, and so many great shows will never get fixed up and released. And don’t you worry 1stshow ole buddy, there’s still plenty of RJ shows in the vault.
As a rabid nut trying to tag as many of em as I can before I croak, I’m here to tell ya there’s plenty of gold left in them there hills! Yes many are cassette, but the gang has been getting better and better every year at fixing em up!
And, there’s still lots of DATs and still a decent amount of killer multitracks, all just rotting in the vault!

I totally get what yer saying, but think of it this way: suppose the summer 78 box was never released and only a couple others from that year. If they came out and said “this is your one chance to get the 20 best of 78”, including those shows in the July box, would you not find some way to get it? For sure, not everyone is going to want all of em, but I think you’d be able to scrape up at least 10k folks who would want at least one or 2?
Really they should be digitizing them all, or at least the top 20 or 30 from each year that haven’t been released, and have a system where they announce a certain number, or block at a time, and do pre orders, to have inventory control.
Some shows might sell big, some not so much. Perhaps have a rule that shows that don’t meet a certain threshold won’t get released?
I guess the solution would involve somehow having a cost effective way to prep them, but pre order so you don’t always have to have such big sales numbers for every show? Perhaps DL like you say, but that hasn’t worked so well, so far anyway…
Again, no easy answers, and I totally understand other pov. I just would hate to see so much good music not get the treatment it deserves. And yeah, the archive is awesome, but there’s nothing like getting a great show that’s been fully fixed/Normaned!

Hey DV, where ya been hiding? Good to see ya, and sorry, I won’t mention you know who. It has got to be really tough being a fan. It’d be one thing if they just stunk, but they have potential, if only they could stop beating themselves.
A well, it’s early still…

Would love to see more shows released. My preference is still CDs.
It would be interesting to know what the terms of the contract are with Rhino? Are they able to release as much as they want or are there limits?
Do they even have the ability to release more per year then they currently are? Is Jeffrey Norman able to mix and master much more than he is now. He might need help. Maybe you could assist OB?

There are some shows they already mixed and mastered that could be released on CD. For example, the two shows from the first Road Trips that they released as digital downloads, 11/5 and 11/6 1979. Also, the shows from the download series.
Would also be interested in more video. Why not release the shows from the MUATM. They did this with the 91 show in the Giants stadium box, but would love to see the others released at some point. The 91 Chicago show was really good.

Okay, seems others are talking about 1988 for #48. We will see next month.

I'm a dinosaur as Oro describes it and know zero about streaming and how younger folks get their music, movies, and TV but I'm guessing the Dinos are the ones buying hard copy CDs. My question is, if the '80s and '90s scene was populated by more younger concertgoers in huge stadiums in numbers way beyond the earlier shows shouldn't there be a demand for those shows in a format they like? I'd bet lots of folks will buy a show they attended. Mickey's model may fit that some day. That said, I'm ignoring the fact that some earlier shows had attendance in the 100,000+ range (Englishtown?) but there were just a few of those. I know Dave said that the last increase to 25,000 copies per release would be the last increase and maybe that's the limit for profitability for hard copy. I'm guessing the download option would be more profitable regardless of sales numbers (if they could ever get the damn things to work!) as all you need is a bank of servers and a few tech savvy people to run it. Large box offerings could be done as a pick and choose your favorite with quantity discounts for more shows. I know I won't be buying twenty shows from individual years I don't like as much and there is likely some truth in the theory that a good portion of "the good stuff" has already been released. Seems like, as with many things, tech is going to have to save us in this dilemma. Affordability is key either way. I can't afford $500 boxes even if I like the offering. It's as simple as that. So Mickey, let's get digitizing! Us Dinos will just have to figure out how to download and stream.
Cheers
Oh, and the price of the downloads needs to come down. Currently makes no sense if the price is almost the same just without the shipping. No incentive to be green.