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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • daverock
    Joined:
    Bucking the trend

    I also enjoyed listening to 4/7 more than 4/8 this time around. It seemed higher energy all round - a more exciting show. Not that there's anything wrong with 4/8 - very serene Dark Star, I thought. And again, I liked the rocking ending. Caution seemed like a nod back to the 60's to me - back to the acid tests, with a few tasty flourish's on organ, as John Peel might have said. Both Dark Star and The Other One sound very, very different at this stage from the 60's styles- but Caution seems to catch that old groove.

    I've only played the first cd of the Newcastle show - but that opening "Greatest Story" must be one of the best versions ever.

  • 1stshow70878
    Joined:
    Here I Am

    With news from the front lines.
    Blaspheme warning: This may contain heresy.
    OK, I get why the consensus is that 4-8 is better than 4-7 but....
    I like 4-7-72 better. The 4-8 from Dark Star on is amazing and unique but it is more primal. And while I dig Phil's insistent bass groove in the Caution, I mean he's leading the band at that point, but the DS gets a little disjointed at times. And there are better versions of Pig's songs coming later in the tour as well even if that Mojo is darn good. Now Jerry on pedal steel is more my cup-o-tea and even Phil singing a duet with Bob on that LLRain can't spoil that (truth be told he does a good job of it). And of course the MLB jam is great and they had a few notes leaning that way in 4-7 but never got there. But.... I was floored by the 4-7 second set altogether. It just builds and builds and, as I previously said, the Sugar Mag>NFA>GDTRFB>NFA closing just hit me right. Jerry en fuego! And every first set song was done to perfection so it's close but 4-7 edges out 4-8 for me.
    So onward to Newcastle! Storm the battlement! And thanks for the support. Cleansing with classical this AM.
    Cheers

  • Oroborous
    Joined:
    Sorry Dennis, er I mean Jim ; )

    Maybe Dennis will let you borrow his wife’s CC lol
    Or hey, since yer working too damn much, you should have some extra bread left over, even after the cost of your expanding empire ; ) Pretty soon they’ll be calling it Jimsville! Which is nice….

    I went with the 12/26 goodness from DaP 43, and then the Stepping out segment from 4/8/72.
    Chefs kiss fo sho!

    Bob being his usual youthful self, ready to yell out in front of a crowd of young Christian types about last I saw Phil he was going to the dressing room with some chick lol. You can see why eventually they needed McNally…

    Now time to hang it up, and see what tomorrow, oh, wait, that’s today? ,,,oh oh, where does the time go!
    Gonna need another RJ caliber shooo…
    ONWARD,

    EDIT: wonder where 1stshow is, he should of left England by now…hopefully no situations at the border?

  • MDJim
    Joined:
    Great.. just great

    So now I have to get another book before I delve into E72. Just great...

    If you google Blogspot Europe 72, the first listing is a reprint of the old Europe 72 Notebook that has been floating around on archive dot org for a dozen years or so, except it is in the correct order and mildly edited. Most importantly, it looks like they added many pictures of each venue. It really gives you a better feel for what it must have been like to be there. ...and man, there are some historic venues on that tour. For me, it would be worth it the next time I am in Europe to visit one, three or all of the venues (assuming they all still exist), just for kicks and giggles.

    The GD did all kinds of things wrong in their tenure, but this tour was not one of them.

    mmm.... The Other One is working this WE, hitting something epic and it sounds like officially released? oh the pressure.. If you're going to warm up the tube amps.. goodness.. the DS>MD from DP19 (hey, it's 73), DP16, DP4, 2/14/68, Feb and March 69, 4x/5x 72 or go for one of the other multi-tracks, any of the From the Vault, the WD or AB 50th's. The picking is the easy part, keeping the plaster on the ceiling, not so much.

    I'm also a big fan of 85 for the same reasons mentioned. Also, taking the risk of introducing all those new songs. It was like they were climbing out of a rut and freshening up the place with vibrant and loud electricity.

    For the second time this year, JimInMD isn't working. I have no idea why... Why do you mock me so oh dead net website?

  • Oroborous
    Joined:
    Right o,

    More than one way to skin a rabbit lol
    My way is hard, but I find it worth it, though perhaps why I haven’t done this whole tour, YET.
    In fact, I’m not sure I’ve even heard every show yet? All the Dark Stars to be sure, but not all The Other Ones.
    Yuck, yuck, see what I did there ; )
    I have this book staring at me I’ve not read yet as I’m probably saving it and the remaining shows for when/if I do take the Pepsi challenge…it’s called Europe 72 Revisited by Howard F Weiner. (Think I have one by him on Cornell too?)
    But after just randomly glancing it mentions the first England shows we’re supposed to be 4 at the Rainbow, but the place went outta business right before the tour so ole Cutler had to punt and go with 2 biggins at Wembley. He then starts to mention how good 4/7 is and how he, like many, perhaps overlooked it due to the greatness of 4/8 etc…
    Hmmmm, sounds familiar lol
    ONWARD! You go 1stshow, man if I knew I had the time I’d be tempted…

    I just hit 11/20/73: never heard more than the RT taste. Another looonnngggg but fine 73!
    Think I’m down to just a handful of 73s I’ve not heard!
    Hmmmm, what now?? The Other One is working this WE so I should probably pick something official top shelf and warm up the ole transistors : )

  • daverock
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    Everyone is right

    There's clearly no right or wrong way in how we listen to all these shows. For me, with E72, I have started to think of them in terms of the few shows in one country, and listen to them before moving on towards something else. For example, the first three shows in England stand as a whole for me. So I listen to them one after the other - then take a break. Then go on to Denmark and do the same thing. The first three shows are so good I defy anyone to just listen to just one of them without listening to the next. But I don't want to over do it, so a break comes in handy - then the next one sounds fresh and will blow my socks off like the first one does.

    Oro - I think you listen more deeply than I do!

  • Oroborous
    Joined:
    Other Music DR…

    …just not Dead. But hey, that’s just my methodology.
    If I start listening to other Dead, I lose my hyper focus of the tour and all the little things, the nuances. I need to marinate in the shit lol
    It’s like sometimes you switch to a different kind of beer midstream, one you know you really like, but because of the style of the one you were drinking is so different, the new one doesn't taste right. It’s your taster is off…
    Best example is in 2021 when I did all of 1971 in order, listening to Phil figuring out his line in PITB. Every one was a bit different until he had what he wanted. If I was listening to other dead I might have missed that…
    It’s hard to go a whole tour and not switch it up, but I think it’s the best way to do it!
    Now a little Jazz or something else now and again,sure, but no other Dead!
    But again, that’s just me…
    I did hit the 4/7 stuff from Steeping out. The energy is like a fright train. You can tell they were itching to play!
    But I think their holding the stick a little too tight because of that. I can hear JG saying something like “we have the whole Europe scene watching us so we can’t Fuck up…no pressure or anything lol”
    So to me sometimes it’s a bit off the rails. But I like em when their going beyound the comfort zone, that’s why I like 85 so much. Sure occasionally there is an accident, but that’s ok when yer riding the edge!
    The amazing part is, as good as this one is, it’s kinda just a warm up and indicator of what’s ahead!
    Just amazing they could play that consistently at that level for 2 months straight AND get into all the shenanigans!

    And yaassss, ole Jimmy Bufet, may the Caribbean winds blow him safely home to the big Cheese Burger in Paradise!
    A son of a son of a son of a son of a son of a son of a sailor! Now you and Hunter behave now ; )
    I

  • 1stshow70878
    Joined:
    Report from EU

    I won't try to do reviews on every one but maybe in groups of a few at a time.
    DR was spot on. 4-7-72 gave me a new perspective of that year. It was:
    - Polished, energetic, and played with stamina.
    - Darn near perfect, as if trying to impress.
    - Had a religious experience moment for me in GDTRFB where I kept saying Jerry is a monster by '72, and how does he do that. Just keeps coming up with a new riff every few seconds. Unbelievable. Rivals anything I can think of from any era.
    Cheers

    RIP Jimmy, always liked him even if he didn't get played at my house as the wife didn't care for him.

  • PT Barnum
    Joined:
    Jimmy Buffett

    has passed. Used to see him regularly in Florida, every year for many years. A great excuse to get out there and have a little fun and get a great buzz. Been a while since I saw him, he got real busy there after a while and wasn't around the local bars that he used to frequent back in the day. Many a time down in the keys he would be there and he would discuss those "square groupers" that had been seen floating around back then. After one peeled off the outer layer that most were wrapped in what was inside was usually "gold". I remember a great show back in 1980, Jimmy opened for the Eagles and he had a broken leg. Of course he did "Margaritaville" and had changed some of the lyrics to include his mishap. Blew out my flip-flop, stepped on a pop top, broke my leg had to crawl on back home, man I'm in real pain, wish I had some cocaine, but that's been gone since early this morn. a gifted wordsmith for sure. RIP Jimmy, may those Jamaican winds blow you safely home.

  • daverock
    Joined:
    palate cleansers

    I would have thought that was essential if your going through a box the size of E72. You don't want to put yourself off it. Obviously very different following a tour at home than it would have been in the flesh. But even if you had been following this tour in real time, as it happened, you would have heard other music in between shows. Unless you're a monk.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .