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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Oroborous
    Joined:
    11/20/78

    Not sure if we did this one, if so, I forgot to mark it down. (and please excuse).
    Perhaps I tried/started at work but wasn’t able?
    Anywho, looks interesting and I think I might have heard locals at the time who went speak highly off it?
    Unfortunately I was still too young, at least according to those who supplied food and shelter ahem—to be going “all the way” to Cleveland lol.

    EDIT: POTD MUST LISTEN!
    If nothing else, you MUST hear this IIHTWTG!
    Really, the whole second set as it’s very unusual, but the Playing sandwich is like a whole separate show, and the meat (Shakedown>World to Give) is simply delicious and should be enjoyed!
    World to Give, another of those weird awesome but much too brief Jer tunes, and this one is phuching awesome!

    Overall, the show is sorta all over the place. Especially the recording.
    1/2 Step>Franks opener is always nice, but this is average and suffers from weird technical anomalies. Next few perhaps underwhelming? It’s all good, just doesn’t seem to have the usual 78 spark. PEGGY O is always welcome but prefer Goldilocks version: not too slow, or not too fast. This one perhaps a tad too slow? Decent Lightning/Supplication to round out the first. NOTE: Bob is present throughout and seems fine thus far.
    Why dat? Weeeeeeeelllll, depending on who you ask this was either the worst show or one of the best lol.
    Also much todo about Bob being sick, with some accounts claiming: he missed the set opening jams (he did); to he missed jam, came out to begin playing and left again until end of show…
    Well, inspector Clue so says you can hear him throughout the whole show on tape, except the aforementioned Jam>Drums>Jam.
    The jam sounds more like waiting around then the spectacular inprov mind melt that some describe? Though I bet it was interesting there in real time. Bob is back for the era typical slow Jack a Roe, but then things seem to really step up.
    PITB seems more energetic and though not a pre hiatus beast, nice just the same, then…., then they slide into an awesome Shakedown to take it higher, but then! Jer bear breaks out the gold, it’s gold i tell ya! and JG wants to give it to you! The last of three World to Gives is just plain sweeeeetttt!
    By the time they segway back into the PITB reprise you can feel the relief? definitely positive vibes, like phew, we made it!
    The band, the crowd, even the sometimes inconsistent recording is on when it matters. Though the recording does slip into an extended section of aud, it almost helps this vibe! Plus, sometimes it’s nice to feel that in the midst happy communal energy often missing in boards. So big A&A to end it and the crowd loves it. No encore guessing due to time?
    So I wouldn’t call it top shelf, but cool, unique interesting show, which don’t know bout you, but that’s why I come here to explore. Definitely not the worst show, in fact, as often the case, the adversity helps step things up and makes the show. When the going gets weird…indeed.

    Ha, told myself only one show today but I’m already into the next night in good ole Crotchfester. 11/21/78
    Sounds like typical crazy Rochester scene, kinda like the Spectrum lol. But they sure sound more like usual fall 78 so far (Big River…) recording too, not a Beatty, but so far so good.
    If only I’d been just a wee bit older, this might of been my first?
    That’s ok, I’ll take the first I did get lol.

    Ok, onward, must be fired up after sleeping with the Elk! Literally, several slept within feet of us just outside our bedroom window last night! Cool sheet Mon!

  • 1stshow70878
    Joined:
    DiP 20

    Had lots of time yesterday afternoon and this morning with steady drizzle coming down here. Gloomy the last month or more and no big accumulations but over our average moisture already for this time of year. San Juan basin snow pack at 150% of normal. Best in the state?
    The Cap. Center, Landover beats War Mem. Syracuse hands down in my book. Expected more out of 9-28-76 with that set list and continuous 2nd set. Just didn't have the energy that 9-25-76 has. I noticed that in 2001 only two years into Dave L. taking over from Dick there were no liner notes yet from Dave. But that letter from a Deadhead from 1976 was prescient. The idea came from Relix where he read the Dead were "toying with the idea" of the eventual Dick's/Dave's series' which didn't come about until 1993(?). Man, can you imagine how many more we would have had? (edit: wouldn't have worked until CDs came out around 1984, wouldn't have put them on tapes and vinyl would have been economically unviable?) Anywho the start of 9-25 is so up-tempo with Keith well up in the mix and twinkling marvelously. The Travis Bean has such a vocal quality to it on this Cassidy. Not so great on Loser where it didn't have that chippy sound that song is known for. Keith and Jerry so pretty on Peggy-O. Nice long set lists still then. Nice stretched versions of Let It Grow and Sugaree for a solid set closer. 2nd set is just exactly perfect and whoever coined the disco dead slur just isn't reading it right. It's more like Dancin' Dead with Jerry dancing up and down the frets on Dancin' like a wild man. I mean they're a dance band, right? I know I would have been boogying to that! Audience has minds blown when Cosmic Charlie appears and there is so much newly reworked material in this era. Stand alone Scarlet is TIGHT! The drummers seem to be driving the bus by then coming on strong. And where Fire would usually come in it could have gone anywhere. That's the game isn't it? Guessing where they're going in real time? Do they even know? The St. Stephen samwich has Jerry saying "Yes it does" to one man gathers what another man spills. Smooth vocal harmonies and a Phil moment stomping with the drummers coming back into the St. Steve reprise. And a tight Sugar Mag finish. This has the '77 deliberateness but great energy too. So imagine my surprise when I found 9-28-76 a little slower and predictably mellow. Not that there's anything wrong with a great show with those characteristics but I was ready for a mind blower after reading the set list. The true tango was a real surprise though and overall a fantastic two show release. A fair number of repeats only three days apart but it didn't influence my opinion like the tempo comparison did. Glad we are still getting those two show releases every once in a while. Thanks Dave L.! And thanks to the POTD posse for suggesting these. Onward and upward. Got the jones for JGB - Don't Let Go from 5-21-76 now.
    Cheers
    It's not on us, Dennis will buy anything. Bless his heart!

  • Oroborous
    Joined:
    10/17/83

    Hit 3/20/70 for a lil snack, now I need to hear some 80s to regain my energy as I’m pooped after digging first round of Sierra cement. Plenty of moisture today brother vguy and you other desert rats.

    3/20/70 was ok. Not much of a HTH jam. Weird, no weir acoustic numbers? Cool acoustic set though, lil Jer fest going on with an always welcome Katie Mae! Electric set alright, but not mind blowing. Pig has some extra spunk in LL: “ put your hand in her pocket, take out her Id and make sure she’s 18” etc.
    Viola always cool, but so so version? Not the best 70 we’ve heard, but not bad for a 53 year old boot.

    10/17/83: another coulda, woulda, shoulda.
    Always wondered what this one was about?
    EDIT: yep, wish things woulda worked out and I made it to this one, sigh.
    So what do you do after 2 Stephen comebacks and a Revolution.
    Just the usual GOGD! Nice Sugaree to open a solid first set. Status quo fall 83 second but with the return of Lay Me Down, and the second Revolution for an encore. Really enjoyed this show, mostly good recording though I think levels during peaks might occasionally have been a tad hot. Perhaps not the tape level, but some instruments being fed to the tape? Fall 83, another sorta under the radar excellent tour. Guess that’s why there’s been four shows officially released from it so far. Check it out!

    Buckeye 88: I’ve had a tape that I combined the first set with the 3 new songs. I think I did that because I didn’t think (at the time) the second was worth another tape? I’ll have to hear the whole show again…

    Yeah Dennis! I NEED to know! tap, tap, tap (sound of foot tapping) lol
    Look forward to more GO reviews. Need to acquire some more new music, but only so many spots on the team, so might wait and see. Mostly wondering if I should get the studio or live album?

    Ok, this Sugaree from 10/17 is jumping. Get coffeed up, cop some 83 energy…then probably time to shovel again ; )

  • bluecrow
    Joined:
    GO

    had a long post last night that got shut down because of perceived lynx (there weren't any - booo). below is abbreviated

    1st Show - I have the GO studio on vinyl, bought it as a cut out ca. 45 years ago probably same time as Heavy Traffic and undoubtedly because Winwood was on it. I had been confused by your references to a 2 lp release until ConeKid solved the mystery. Turntable is mothballed so streamed it (2x/3x) through the Sennheisers after my post last week (and again last night). first listen in a few years. Really enjoyed it, particularly the spacier passages. Then streamed previous album by Yamashta (no Winwood), Raindog, and dug that also. Where my head was at. I'll get to the live album soon.

    Want to highlight again an obscure Wayne Shorter album, Moto Grosso Feio, 2 tracks in particular, title track and Iska. very cool and out there. Turned onto that by aquarium drunkard. Cool discussion there, as always.

    Also Dave might be listening in (surprise). After my recent comments re summer '88 and fact that most of Buckeye wasn't circulating in soundboard (just a chunk of Set 1 i think), he has Set II predrumz on Tapers Section this week. Has Set I from next show Pittsburgh on Jam of the Week. Listened to the Buckeye segment last night. Victim (3rd time)>Blow Away (2nd time)>Foolish Heart (3rd time)>Terrapin>Drumz. Of much greater interest to me now (I was sorta/kinda fried from Alpine). Def would like to hear rest of the show. What Dave served up is a straight board, not an ultramatrix. Also none of the panning back and forth across stage that is so prominent on the board portion of the Alpine '88 run ultramatrixes. Buckeye was 1st show for several younger folk that I knew at the time. They had a gas.

  • 1stshow70878
    Joined:
    GO Dennis!

    I hope you read my review(s) beforehand.
    Where is BC? I'm not taking the heat alone here.
    The pressure! Give us a review when you get them Dennis.
    Inquiring minds, like Oro, want to know.
    Cheers

    Firing up DiP 20 Syracuse 9-28-76 now. Only got through Landover 9-25 yesterday. Holding the review until I've got both done. But dang, forgot that disc 4 is one > solid > jam > ? Orange Tango indeed!

  • Dennis
    Joined:
    Never heard, but bought

    Just bought the two cd's off amazo, Go and Go Live.

    If they suck, it's you's people fault. If their great,,,,can I find great music or what!

  • 1stshow70878
    Joined:
    Cool Kid!

    Apparently I have the Live in Paris LP.
    It really feels like a concept album, different sequence of songs live.
    Not as rare as I thought and appreciated more widely too.
    Thanks and cheers

  • icecrmcnkd
    Joined:
    I googled Steve winwood go

    Because I had never heard of it.
    There’s a Wikipedia page and you can buy it from Uncle Bezos, CD or vinyl.

    Edit:
    That’s the studio album Go I saw.
    After rechecking, the 6-12-76 show is also available on CD from 3rd-party sellers at Uncle B’s house.

  • Oroborous
    Joined:
    Tanks Bra!

    Definitely helps

  • 1stshow70878
    Joined:
    Oro, On GO

    I wouldn't give GO a super high rating. It has a great spacey feel from the fabulous synthesizer work (not an easy thing to master and so abused back then) which is used throughout and Al Di Meola goes very distortion, delay cool and of course some fiercely quick riffs which take the thing to a fusion level. Then there's the female background singer(s?) which are somewhere between Jerry's Jackie LaBranch and the lady on Dark Side OTM. It's that first side that goes way out there, then some cohesive songs, then back to the space jam, Then a Winwood tune, then Winwood sings Stomu's songs, then the best piece which comprises most of side four, Man of Leo, with Al Di Meola getting some focused time. I'd give it a 7/10 and something I will go to again in a more "focused" mood since I did it first thing in the morning. Overall a little darker than what I usually go to. Which gets me back to the Floyd reference. I like lots of Floyd, especially early psychedelic, but in general they are a bit depressing. But sometimes we need to be reminded of what's wrong out there and we can't blame the messenger, LOL. Hope that helps, but you would really have to check it out on the Tube to see if it's something worth investing in. Rare enough I doubt it is even in print, maybe on CD? Good hunting!
    Cheers

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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Strider...do you remember much about the ESP experiments at these shows?

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .