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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    STRIDER: 2/18/71 is one of…

    STRIDER: 2/18/71 is one of my all time favorite tapes.

    Sorry for the double post.

  • rockthing
    Joined:
    gd1973-05-15impressions

    Starting to have a hard time figuring out which show I should be posting about, but I saw two clear references to this one, so here's my 2 cents.

    Sampled the GEMS, and the newest full length (?) master, but sticking with the powell-ladner shn. Even this, despite the constant hiss, sounds like there is some sort of filter compression of some kind. Still, I’ll take a bit a hiss to the muffled fluctuations of the noise-reduced alternatives. I’ve spent enough time listening to Nth generation tapes and incredible shows in horrendous sound quality, that this is no problem.

    First impressions, very crisp. This impression may be enhanced by the compression of the tape source. Playin’ (not the song) is nice and crisp, too. Tight and professional as I’d expect from this era. Being an old soundboard it also feels kind of sparse without the air filling in the gaps, and the frequencies bouncing around off one another and blending in the venue. The isolation kind of feels lonely.

    Ah, Box of Rain from back in the day. This is a treat.

    Love that long, mellow Playin’ in the Band.

    Been listening while doing work, so I’ll spare you the song by song impressions. Some of this is colored by the fact that I just listened to the raging Feb 6, ’69 Kiel show right before this.

    Overall, low key, but solid, as I feel like I should expect from this period. Some interesting lyric alterations in a number of songs by both Jerry and Bobby. Early days in some cases, I think. Donna Jean seems to be fitting in nicely at this show, getting a bit more manic as the evening progresses, but seemingly in control of her voice. Fantastic set list. Casey Jones seems really early in the show. Love that little Jerry fill, Ga-get-get Ga-get-get, between vocal lines.

    Right now checkin’ out this Greatest Story jam, which is something I’m not used to hearing. I was amazed when Jerry took a couple extra spacey choruses in the ’79 Goodbye to Keith and Donna show I wrote about most recently, but this is almost a certified jam, with Donna even piping in with some improvised vocal parts. Not sure I’ve ever heard a GSET get this far out… I mean, it’s not a Playin’ jam, but considering the song, this is pretty radical. Maybe I just haven’t heard enough of these early ones.

    Good night to chill out and melt into your seat. Folding chairs and bleachers really would not cut it for the level of mellow they’re oozing out onto the crowd this lovely evening, though. I keep hearing some warm phaser-colored tones, but that may just be the condition of the tape. No, Bobby’s got some coloring effects on his guitar, I think.

    My show, however, is interrupted before the He’s Gone jam gets going. Peeking at the set list now, mmmm… looking forward to continuation after a brief, but too long to post later because it seems like the topic will have changed, intermission.

  • Strider 808808
    Joined:
    Cassady / Cassidy

    Today would have been the 95th birthday of Neal Cassady. Yesterday was three years since John Perry Barlow checked out. Barlow died 50 years and three days after Cassady checked out. (2/4/68)
    But all those cars Neal stole as a youth I can’t help but think, Neal Cassady didn’t die , he stole another body.
    I’m giving Grateful Dead music a rest until February 18th, going to throw in my bid for 2/18/71 on its 50th anniversary. Excellent music should never be abused and relegated to background music. Smoking Ganga nonstop will send a person into the netherworld. Not stoned, not clear minded. Maybe dulled senses. Coastal fog. I try to keep my wits honed to a fine edge. CBD salve for pain is a different story.

  • proudfoot
    Joined:
    11 20 78

    Taaaaaasty

  • bob t
    Joined:
    5/13/73 Des Moines...Nice Call Good Ole....

    I think this one could end up in a May 1973 Box.... I haven't looked at the time length on all 3 of the shows but Kezar would have a tough time fitting on 3 Discs... So I don't see how it gets a Dave's release. But it you join them with 5/13/73 Des Moines and 5/20/73 . The sound clarity of the Betty Kezar show in my opinion is right there with 6/14 &15 1976 Beacons... Oh well.. Lots of snow here today in Rhode Island... Bob t

  • icecrmcnkd
    Joined:
    I like Drums/Space

    The weirder the better.

  • Oroborous
    Joined:
    I’m going 3/21/92

    Decent sounding Miller....
    Was @, but never heard, so why not.

    AFTERWORD:
    Glad I finally checked this one out. Kinda typical for the era; overall good, but, not, quite, iiiiitttt!
    Set 2A seemed a bit subdued? Decent first set if not a tad brief...Awesome midi/space weirdness if your into that kinda thing. Decent set 2B with the BP being the highlight...
    Remember really diggin space at these shows and Candace had what to us (me and the “20” year old), to be a giant amoeba, slowing inching across the ?upper seats behind the stage. We had great vantage being opposite, direct center from stage, in the lower section of upper , I think?
    But both nights I believe she gave us that ole warm fuzzy glow during these big weirdness jams.
    Like trippin without lol. 3/20/92 is definitely way better, but this one like many for us the last couple years, could be a bit subdued, with great moments, and awesome drumzspace....

  • Strider 808808
    Joined:
    Turtle Island / Terrapin!!

    Gary Snyder is 90 years old. Lawrence Ferlinghetti is 101. City Lights Bookstore in North Beach,San Francisco is such an awesome landmark and legacy. My last trip to the Bay Area was to attend the 50th anniversary of the occupation of Alcatraz. After being out on “the Rock” all day with my old friend Jeff we walked from the waterfront up through North Beach and stopped at City Lights and lo and behold a poetry reading was going to happen that night with the great beat poet and translator of Native American languages, Jerome Rothenberg. It was a wonderful reading. They also asked the audience to turn off cellphones.
    Gary Snyder has always been a role model for me since first meeting him in Missoula in 1978. Really it was a few months earlier reading his book “The Old Ways” 1977. I once brought his oldest best friend Nanao to a Dead show in Oakland 2/14/86.
    There used to be an amazing literary group that met in San Francisco in the 80s at a place called Cloud House run by Kush. Kush was a great recordist of poetry readings in the Bay Area. His video work is priceless and should be preserved. Really the same is true for the old Merry Prankster/ Acid Test film that seems to fade from view and availability. A shame really. But alas as the old Prankster saying goes , “nothing lasts”. Really the same is true with our grandparents and elders who may have amazing stories to share. Seek them out. Maybe interview them with audio or video. The beats are checking out fast with the original hippies not far behind. And fewer everyday.
    I like the tall tale connection to mythology in regards to the Paul Bunyon story. Some of the “jacks” at the Oregon Pavilion in 64/65 were from northern Michigan, Jim Ogle and family. I became friends with his kids. But the stories I share really happened. My sister worked at the Simmons Pavilion across from the Oregon Pavilion. She had a lot of class but not always a lot of money. Hard working and creative.
    So when I followed up my first Bay Area visit with my sister in Sausalito and first west coast Dead shows 8/14,15/71 I hitch-hiked up to Oregon to visit my brother. It was that first experience of visiting Oregon that summer that I was determined to leave the confines of a Connecticut and New York upbringing to pursue a western reality and life.
    Read Lew Welsh “The Song That Mount Tamalpais Sings”. It describes the post World War 2 San Francisco Poetry Renaissance and the western movement of youth into the 60s.
    Now what the hell does all this have to do with Pick of the Day.
    Looking forward to to the 50th anniversaries of the famed Capitol Theater February 1971 concerts.
    “There were days
    And there were days
    And there were days between
    Summer flies and August dies....”

  • The Good Ole G…
    Joined:
    Sometimes A Great Notion

    I like strawberry-rhubarb pie for breakfast, Ken Kesey & Jack Kerouac novels, collecting lossless Grateful Dead bootlegs and long strolls in the moonlight.

    Sounds like a good dating profile :)

    Whatever those are.

    I think I've been in isolation too long.

    Dig the raps you all.

    Sounds like some peeps are in the polar vortex today.

    Our winter has been non-existent.

    Listening to 5/13/73 this AM. This Monster sure could use some love from the powers that be.
    Set 1 & 2 have some major hiss factor (2 sources have tried to address this, but I'll stick with the hiss)
    Set 3 partial is pretty crispy and what a trip it is! Not sure how strange, but it's long.
    14 minute He's Gone > 13 minute Truckin' > 19 minute Other One > 16 minute Eyes = 62 minutes of Good Stuff

    Check it out Yo's!

    I just wanted to say hi ya and to tell you to all to keep up the good work.

  • bluecrow
    Joined:
    the '64 World's Fair Oregon Pavilion?

    Strider - that's not a tall tale your telling? located a ways off from the rest of the states along the river so they could demonstrate log rolling, among the many logging feats/competition. giant Paul Bunyan at the entrance. Funny but as a Midwesterner I always associated Paul Bunyan with the woods of Minnesota. I can't help but think of pole climbing competition and certain Puebloan feast days where a pole is featured.

    yes all those guys influenced me deeply, but in the end it was Snyder that had the most profound affect and the one that I still turn too on a regular basis. certainly an integral part of my ending up in love and drawn to the West while growing up in the Chi-town suburbs. feel real lucky to end up where I have.

    I'll go back to Cold Mountain several times a year. And by chance just yesterday noticed Axe Handles by the couch and discovered anew some of Little Songs for Gaia - "bodies of water tuned to the sky." Smokey the Bear Sutra read aloud at least once a year.

    Looks like nobody else was up for strawberry-rhubarb pie for breakfast. I had a fun listen and it set the tone for a pretty out there relaxed day. beautiful day here again. headed out now to the wide open with my sweetie and my doggle woggle.

    be safe and enjoy the day everyone.

    onward!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .