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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Vguy72
    Joined:
    I got busy and missed the 21st....

    ....life sometimes gets in the way.
    Happy Birthday to Vince. 🍻

  • Oroborous
    Joined:
    Moving right along, 2/21/71

    2/21
    Overall, Relaxed, but in a good way..

    The question with these 71 shows for some of us less initiated is; why? Why no more jams, short country or country like songs, etc....why did they stop doing what the proverbial “I” liked (think early 69).
    Why, because it’s actually what they need and wanted to do! Lesson here perhaps is to not compare too much between different “dead’s”, but consider what dead THEY were at or after, at that time? The tunes, the length, the tone and style, the AUTHENTICITY they seemed to continually be after with most different styles, sometimes completely so.
    So the trap is to not compare styles, or apples to oranges, but rather concentrating on how well they assimulated and perfected the style du jour! Of course it all ended up gumbo style, flavoring the whole.
    What ever their current focus, identity or style, without being over the top, they would throw themselves totally into, while always maintaining just a bit of the “old” former styles, until it was time to go furthur, and try something else. That trying to avoid the whole closed in thing JG speaks of...think how much they, especially JG, would delve/deep dive into some of these styles;
    Blues
    Psychedelic
    Folk, Americana
    Jazz, free form, just to name a few...and now shoot em up, straight ahead Bakersfield country bar rock. Yee haw pass me a longneck and let’s get rocking!

    Cold Rain &Snow opener, followed by a Bobby McGee; tight, but JG hits a few clams, though he has nice feel.
    Loser: well played, already not like a new song, except JG solo, still searching for the sound there...
    Easy Wind: prime grease, and though he flubs, he actually recovers nicely and improvs outta it. Nice solid, relaxed jam, no ones in a hurry, JGs on now, nothing stratospheric, just G.O. 71 GD!
    Playing in the Band: progressing, Phil better every version? See now why they didn’t use any of these shows for Skull Fuck; probably wanted some of the new material on the live album but most of these just weren’t there yet compared to the versions they did use from April...
    Luckily we get the multi-track snapshots of this historic little run anyways...Sure we’ll get more... : )
    Bertha: progressing nicely. more of the nice relaxed energy versus forced. ....and then....damn tuning.
    Eventually, the advent of tuners was a blessed event for them as well as us!
    But in the mean time, ahem.
    Nice if perhaps apprehensive electric version of Ripple with nice harmonies, including Phil, whom I haven’t noticed so much this run? You can feel the confidence build with the music and with the energy of the crowd.
    Lied Cheated: : after perhaps stepping outta their comfort zone a tad, it’s back with some solid straight up, bacon, no chaser! Again that relaxed, confident, comfortable, we own this shit and thus are in no hurry vibe.
    Same with another nice countrified Sugar Mag.
    Greatest Story: still not fully entraining on this one. Not bad for a new tune though, but another example of the infancy of some of these tunes..
    Interestingly, it seems like Garcia’s songs are a bit tighter and more formulated with the band then Bobs new songs...
    Nice one 2 punch with rocking JBG to close the set. Rocking, but still that nice in control, what I’ve been calling relaxed vibe, not the frantic, slightly unsteadiness sometimes found

    China Cat/Rider: Phun Phil messing with the intro! before they slid into by now an old regular, Really feeling like this version of the band is better served by one drummer. Just as I believe the psychedelic stuff was better with 2 drummers. Nice solid, familiar versions of these including nice Phil harmonies.
    Bird Song: smooth and getting smoother by the version.Blows me away that this is only the fourth version!
    And it’s got a Cumberland, a second set Cumberland!, though that wasn’t really a thing back then, but boy it’s just right for typing! More settled in/relaxed vibe.PROPER!
    King Bee: please pass the napkins cuss there’s a grease hog buzzin’ around my brain! And just like that they tap back into the blues band of yore. And the folk band with, BIODTL by request? is another by now fun, old chestnut. It’s like they’ve done the heavy lifting by this point on a “Sunday” and are just having fun cruising now on some familiar, so easier terrain toward their day off?
    RAT; well, maybe not just yet..though by this point it doesn’t sound new. Besides Bob being a little outta tune, it’s pretty damn tight! Another that blows me away knowing this is only the fourth version. Diggin the stand alone versions too.
    Trucking: amusingly starts a little slow but they quickly bring up to the M.O. that is this evenings nice relaxed, smooth vibe. A band comfortable with who they are and where there going.
    Cool to think several of these Working Mans/AB tunes aren’t really all that old on this night, but already sound like tight old classics.
    HA! New York’s got the ways and means, but just won’t let you be, makes me think of ole Strider able to have the means to just hop on the subway, and no big deal head down to the Capitol, but almost gets jumped in the alley!
    More of the nice “status quo” of many of the above, on Casey J., and of course got ta keep on moving on up and pushing’ on. Pig Fest!
    Like y’all have had your drinks, appts.,soups and salads, but now it’s time for the main corse..the greasy BBQ simmered to fine perfection by this point in time! (I can see BTK drooling out there ; ) ready for some Cherry pie now!
    And then, like a 80s brokedown to close a run on a Sunday, a nice UJB, unfortunately marred by the damn tuning issues. It must of been really frustrating to be so hampered, but such was life back then. Guess that’s downside of not hiding behind a wall of distortion like many other guitarist of the time.
    When I first heard this show when released last year, I hadn’t heard any of these shows except the 19th. But now that we’re going in order, it fits in just right in the overall flow. Nice Sunday, relaxed, confident, feeling of achievement? Like we did what we had to do, now we get a day off, then 1,2, end of the run and onward.
    I’d have a tough time picking wether I liked this one better than the 18th, but I liked it more than the 20, but not as much as the 19th? So far...
    Like the band, I’m ready for a day off. Might not listen to any dead at all tomorrow to keep my reference inside this run, but allow a cleanse elsewhere...
    But really looking forward to the last 2 on Tuesday and Wednesday as I’ve never heard either.
    Until then amigos!

  • proudfoot
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    Agreed Oro

    2 20 is ok, not stratospheric

    2 23 71 is stratospheric

  • Oroborous
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    2/20/71

    Another fine show but it didn’t quite...? It seemed just a pinch....less? Words aren’t working, it’s a feeling...maybe I was influenced by Bobs opening Hangover comments, cause that’s how it felt (projecting my own experiences); they killed it the night before, now settled in after two big shows, breaking out 7 new tunes, whilst dealing with inter organizational turmoil, it’s Friday night, their in NY, after the big show they relax a tad and blow off steam, perhaps a lot of steam, only to find themselves right back up there before ya know it in a mere few hours and well, time to go to work boys!
    It’s subtle, but they seem to have to ease into it slightly, versus turbo charged on all cylinders out the gate?
    They start out ok, but the first part of the first set their not quite there yet, good, but not great; a little slop, more tuning issues I.e., Bob in Loser...Bertha and Playin perhaps sound more like new songs then the first two versions. Hard to Handle, similarly to 2/18 is again good, but not quite the preacher come to meetin’ fire and brimstone compared to say some 70 versions?
    But by Bird Song they seem to be settling in, like after that first drink/joint and a few tunes under the belt, and away we go. Big Boss then into a nice Cryptical suite, if not the big launchpad it would become, a good rendition of the times I.e., Skull Fuck etc, and they seem to have shook off the cob webs. Another good rookie outing of the Rat, followed by a nice Maggy closer. In some ways I like these Sugar Mags not being the full drawn out beast it could become. They have that more country flavor and like many of these songs, that sorta short and sweet vibe. Like Doc says of these early Bird Songs.
    I guess I’d call the second set “status quo”, not in a bad way, just typical songs, played according to the times.
    Perhaps some of my feelings about this are situational? Though i might of been influenced by the drop in audio quality from those first two official releases with all that voodoo, I did listen to most of this on the big system versus the first 2 we’re mostly on the lesser living room zone.
    Not sure why it’s nagging me to come up with “words” but I can’t, just a feeling. A good show, but I’d take the bling and set list of the first night, and 2/19 overall, so far...
    This is where doing the whole run comes in. If I hadn’t moved in order, I might have felt different about this one, so I’m sure much of my “feeling” was influenced by the previous two...
    2/21/71: back to the multitrack full treatment goodness!
    Onward!

  • Strider 808808
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    2/20/71

    It was as high energy as I remember being there. I do remember during the end of the New Riders set while they were playing Honky Tonk Woman the crowd was going wild, Bob Weir, Pigpen and Veronica Barnard ( Pigs girlfriend) stood backstage on the right side checking out scene. Bobby was shaking his head in the affirmative. The balcony used to shake during the more rocking songs. 2/21/71 tonight.

  • JimInMD
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    Re:

    Much like George Foreman.. all my kids (and turtles) are named Charlie Miller.

  • bob t
    Joined:
    Capitol Theatre- How cool does Phil's bass sound

    That's all. Bob t

  • Vguy72
    Joined:
    2.20 relisten options....

    ... I just closed my eyes and picked one.
    Shall we go??

  • Oroborous
    Joined:
    Miller High Life

    Both seem ok? I listened to parts of Loser from all four, think the fourth is better than the first, and the third is better still, but the levels are low so I’m going with the Miller. It seems to breath a bit more in the High end like you said, more clear/transparent, the ole difference between a clean window and a dirty window...I.e., you can hear the crowd trying to clap along at the start of Loser better...though the Miller does have some artifacts, but as you say it hsas the Mark just as plain as day, so will hedge our proverbial bets on that horse!
    Sounds like somebodies still hungover LOL

  • The Good Ole G…
    Joined:
    What's Become Of The Betty's

    Speculating:
    To my ears the 2006 Betty's circulating sound like some Dolby application happened (says Dolby A)
    the 2011 CM doesn't mention any Dolby info.
    Possibly same original source just different transfers.
    Charlie would know for sure ;)

    EDIT: Could be a personal pref thing, comparably they both sound good. I'm not sure I have the pro jargon for what I'm hearing. But I guess I would say, Miller has more high end / dynamics. But curious how would you describe it?

    EDIT2: Now I'm worm holing, but almost sounds like the 2006 is close to clipping as well and potentially a pitch correction needed. Now I'm really curious to hear what you hear ;)

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In process and it has been a while. Sound quality from my perspective is somewhat lacking. Love the Dupree's, It's all over now, good Passenger, Brown Eyed Women. Just finished Eyes, really good. Again, wish the sound quality was better.

Thanks Bolo and Mary!

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In reply to by DeadVikes

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Disc one is fun (it's a mix of several shows, me remembers...CR&S is always welcome)
Disc two is sublime. Eyes, Playin' > Wheel > Playin'. I do notice some sound quality issues at times, but they are not horrific and permanent. I remember the Playin' is good as always, and then gets reeeeeeally good
Disc three is phenomenal. As I listened recently, I remember smiling at the glory of the show. Scarlet > Fire, Truckin' > The Other One > Wharf > Around

the Madison show took place about 50 miles north of where l lived at the time. but since I was in 8th grade, I had no clue or awareness of that fact.

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One of my favorites Scarlet>Fire's of all time.... Also love the Samson when after a prolong opening jam Weir does the woohoo type of shout out!! I've posted about the Scarlet>Fire before but there is a Jerry Keith chord interaction after the singing in Scarlet that for me is mind melting!!! Good first choice Bolo... One last ramble, for me this show 2/5/78 is in my mind is the last show of 77... The April tour after this has a different vibe..

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In reply to by bob t

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....listened to the first disc last night. Cold Rain, All Over Now, Duprees and BE Woman all top shelf renditions. Man. Iowa got all the good shows. Will start up disc two a little later.
Thats the show with the extended Samson due to Bob's mic difficulties, correct?

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A few momentous stand outs for me: The Music Never Stopped; this version easily made it onto a "best of" compilation early on and has never been supplanted. Fight me. Also, the Estimated > Eyes of so so good. Beautiful elongated Eyes intro, then just mad jamming all the way through, nice upbeat Eyes tempo. Great exploratory Estimated as well. I love the drop into Eyes here; expertly pulled off. The Scarlet > Fire is very awesome too. Long, jammy. Nothing new here, just adding my love.

Nice idea.
Sixtus

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In reply to by Sixtus_

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The first thing I noticed is that it features two nights, but unless I am looking in the wrong place, there is no indication which nights which songs are from. I could have checked in Deadbase...but that's upstairs and as I was settled down to listen I didn't bother. It looks like one first and two second sets.

I have just played the first cd so far. Coming from Europe 72, this sounds a lot simpler rhythmically. During Spring 72, you can focus on Bill, Phil, Bob, or Keith - as well as Jerry obviously-and they are all playing with energy and imagination. Here, the focus is more just on Jerry. I like his fiery guitar sound on here, but I am not as keen on Bob's sound. Donna, on the other hand, sounds nice on Looks Like Rain. I prefer this version of Good Lovin to the ones played in 72. It sounds almost calypso-a real celebratory sound.
The cd picks up pace nicely on the last three songs, with great guitar solos from Jerry. It seems a bit more like standard "rock" in a way, compared to the swing they had with one drummer and a fully functioning Keith. I enjoyed listening to it, but I will probably leave the first of the set 2s for tomorrow.

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Not much left to say LLR crackled like a thundercloud!

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In reply to by fourwindsblow

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....Jerry fresh off his laryngitis. The crackling in his voice during Wharf Rat proves it. His voice was never the same, but still rocks my soul.
Trey Pistachio dropped another song. "Are You There Colleen?". With a message of getting off drugs. Methinks Colleen was his dealer back in the day. Might be wrong. Never right.
I had a dealer back in the day. Name was Chill. Called him from payphones. That was a long time ago though. Thank God.

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At the start of 1978 I'd sort of lost interest in the Dead, having last seen them in 74. 78 was my fifth year in college (yeah I know) and I was way more into jazz than rock in large part due to an awesome jazz club on campus, the Backdoor. The place just had a constant stream of major talent coming through. McCoy Tyner, Charlie Mingus, Elvin Jones, Roland Kirk etc. So in early January I see the Dead are gonna be at Golden Hall so my girlfriend and I say "What the hell?" and I get tickets for 1/07. Now in 78 the Dead were not that big of a draw and I wasn't expecting much, sort of a nostalgia trip. Wrong. They were great, just awesome. So after the show we immediately get tickets for 1/08. These were the Bobby songs only nights but that didn't matter a bit. My girlfriend (now my wife) cried during Looks Like Rain. We were back on the bus until 85 when the arrival of our first kid changed everything. Footnote to that is our last show was a week before his birth and she was major prego and treated like royalty by all you wonderful heads. So I love DP 18 and I especially like the Eugene show release. Stay home.

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Nice! I'm overdue for a listen.

RE: DP18, agree with Jim - Brown-Eyed Women is PERFECT! For that matter, so is TMNS - powerful! And then there's disc 3. If I had to rescue only one single disc from my burning house, this one would be in the running. That Scarlet/Fire is a half-hour blissfest, Truckin' is solid, TOO is insanely good. Masterful music!

On to Wichita!

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In reply to by bolo24

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....has metal influences. Garcia tapping into his inner Iommi. My ear told me so.
Wichita this soon into the game? Bold move Cotton. Let's see how it pans out.

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Love the Dodge Ball reference!!

funny how they didn't list out what shows the songs are from. even funnier, the songs in Disc 1 are actually from 3 shows - Its All Over Now and Duprees are from 2/4/78 Milwaukee! The Wikipedia entry for DP 18 lays it out if you're interested. Deadbase IX also lists a soundcheck of Ripple x3 in Milwaukee - what the heck is that??!!

As others have noted, among many highlights a great Music Never Stopped and Eyes of the World from 2/3 - love the super long intro to Eyes, it reminds me of a post-hiatus favorite, 6/8/77. They Love Each Other is fantastic. The 2nd set from 2/5 is just wild. Such a raw sound to the Wolf! Would love to see released the Uptown shows that immediately proceed this. Worth noting how rare The Wheel was at this time - 2/3 was first time played since mid fall '77, another year until played again on 2/17/79 (Keith & Donna's last show), and then another year and a half before it finally re-entered regular rotation.

A couple technical notes - based on Dick's Caveat Emptor, 2/3 appears to have been recorded at a slower tape speed (7.5 ips vs. 15), and so the sound quality is a bit rougher. Also, IIRC, there is an unpatched gap (sad face) in the jam between verses 2 and 3 in Eyes of the World. There's a very nice audience of 2/3 on the Archive if anyone wants to hear that.

Now on to Wichita!!

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After listening to almost 4 hours of insanely wonderful music, the overriding conclusion is that, in my opinion, NO ONE can play guitar like Garcia did. At times subtle and nuanced, at other times raging, but always just exactly perfect within the context of the song they were playing. Remarkable, really. Feeling blessed to have experienced GD/JGB live so many times.

Garcia may not be the "best" guitarist (highly subjective, as most of those inane "best of" polls demonstrate), but he is the only guitarist I can listen to every day. That includes Hendrix, Page, Clapton, Gilmore and whoever else you want to throw in there.

It's grate to be a Deadhead!!

http://www.quickmeme.com/meme/3p838b

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In reply to by bolo24

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You're a harsh taskmaster! Listening to Grateful Dead concerts will continue until morale improves.

Bluecrow - thanks for the tip. There were a couple of compilations that came out in the 1990s that featured songs from multiple shows, but didn't indicate in the sleeve notes which song came from which show. Ladies and Gentlemen from April 1971 and Dozin' at the Knick from Spring 1990 were two others.

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Agree 100% with your comments on Jerry, what a genius! The whole band was.

Just finishing up Dave's 11 now. Comments to follow.

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In reply to by Sixtus_

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Dooo, just listened to that last week, for first time, so maybe we’ll sneak another round in after this 71 grease fest we’ve got going on today .....fall 72 is def fo shizzle....

EDIt: MHAMMOND12...whoa. I’m not sure what’s more impressive, seeing the laryngitis shows or all that top shelf jazz in a club setting???

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Dicks picks vol 21 , not the main show the extras , Iko iko > morning dew > sugar magnolia . Absolutely sublime , and without doubt one of the best dew’s 😸

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I shouldn't really call the Backdoor a club. It was an empty room on the ground floor of the Student Union and Performing Arts building on campus that the A.S. booking people converted into a small concert venue. Just a stage and corked walls. No seats. No refreshments. Bring your own. The talent that appeared there was unbelievable looking back. Freddie King. John Lee Hooker. Two memories...sitting under McCoy Tyner and watching his right sock working its way down past his ankle has he stomped his foot keeping constant time...Roland Kirk playing the flute with his nose, playing three saxophones at once, playing the piano with his elbows and head, and careening around the room playing saxophone being led by his handler (Rahsaan was blind you know) who had an air raid siren he would blow off in your face if you didn't get out of the way fast enough. And none of this seemed like a gimmick. Bright moments indeed.

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In reply to by mhammond12

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This show and bonus tracks from Oklahoma City is definitely top stuff. Sound quality is A+. A great Bear recording! Man, he did great work.
The whole show flows nicely, although not a long second set. Love the Sugaree, Bird Song is awesome, Jack Straw, Box of Rain! Come on. Casey Jones to close the first set and than open with Cumberland. Great Truckin Other One, very unique Other One. Always loved Brokedown Palace and this one they play flawlessly.

I will throw out 12/28/79 Road Trips 3.1??

Let me know Gents.

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I like the post-space UJB and Bertha on that one a lot mainly for Brent's harmonies. Overall a classic pick with a lot to like. I might give DP5 (12/26/79) the edge however. That pick is hefty.

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Listened to both Dave Picks 11, 11/17/72, and Europe 72, 04/07/72, as assigned by Bolo. Dave's Picks 11 is one of my favorite releases. Great recording by Owsley improved by the treatment of Mr. Norman. Has an incredible Bird Song. Just a wonderful release.

Europe 72, 04/07/72 Wembley just blows it away. Leaves a smoking crater where Wichita used to be. Europe 72 can not be bettered.

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This one has a nice slow relaxed build up with some ripping Jerry. TOO than blows the roof off! The only TOO>Brokedown Palace. End of set 2 all great. A perfect prelude to the next to nights.

ps. 4/7 Rips the paint off the walls from the first note. No contest.

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In reply to by fourwindsblow

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Okay Bolo, what are your thoughts?
Next show for today?

I suggested 12/28/79. RT3.1

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In reply to by DeadVikes

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I’m down, right after my John Prine compilation

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I relocated last week and since that time I have been unpacking as much as I can and maintaining my workload from home. So I have been out of commission here for a while. I came across this pick of the day and I am all for it.

Just to throw a show out there ( not for today) but how about 9/8/73? I have never heard it but Dick Latvala spoke highly of it. It might be nice to give it a listen.

Meanwhile it looks RT 3.1 will it be for today. Maybe I will add 4/8/72 as well.

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Nice - been a while since that one hit my headphones.

MHammond gets a gold star. But what did you listen to AFTER lunch?

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I was at this show, it was a blast! Sugaree, High Time, The Music Never Stopped, this show was great from start to finish. This show sounds so much better then Dave's Picks 31 from just a .sound point of view. Yeah, this show was a hell of a lot of fun!

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Sugaree lovely, the rest of the set is okay Music rocks! Set 2 Alabama grooving, GSET explosive!, Terrapin super sweet jam, PITB end jam is sick!, UJB outta drums/space yes!, short Miracle, Bertha>Good Love, CJ , OMSN rockin!

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In reply to by fourwindsblow

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....on it. (I'm the tour buddy still in the car doing bong rips as y'all are heading to the gate.)

https://relisten.net/grateful-dead/1983/09/10
Santa Fe Downs. Give me this. But for Friday. I'm working tomorrow, but off Friday.
I've stood at Santa Fe Downs and looked east. The view is spectacular.
Whats all the hubbub, bub?
It's got a Music opener and a Cold Rain encore. Warts and all.
Things are strange outside. Bird Songs all day.
edit. Found something!!
https://faroutmagazine.co.uk/grateful-dead-jerry-garcia-favourite-song/
Spoiler alert. Row Jimmy. Also a favorite of Bill The Drummer. It was playing as I read it (12.28.79. Disc one. Track four).
I still don't believe in coincidences.

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DaP11: Last half of disc two - the whole He’s Gone thru BDP is incredible

Just starting RT3.1 now , if the first song is any indication of this night, I’m in for something special!

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In reply to by DeadAreMyDealers

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Hendrix Freak threw this one out a couple days ago but yall were onto something else.....it got me thinking about some primal dead, and haven’t had a good 68 fix for a bit....So Wadaya say Laddys?

MHammond: RT 3.1, nice pick. Started to go through the 79 stuff when DaP 31 came out but didn’t make it, rember liking this one more than 31, and yesterday confirmed that. Really need to get to DP 5 from 12/26, it’s been so long for that one. Maybe this weekend I’ll roll that?

VGUY: I’m down with some Santa Fe tomorrow. Heard about this one for years but don’t think I’ve ever checked it out. Plus 83 would be a nice change up here....

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12/28/79! Is this the best RT release? Maybe, certainly the best 79 release from the Vault so far. Betty did another excellent job here.
I like this release more and more every time I listen to it. Sound quality is A+.Sugaree opener! Different feel to this show without Keith and Donna, but I dig it. Brent's keyboards really shine. Really good flowing Terrapin, Playing, UJB. The show closers are fun and groovy. Makes me want to get up and dance.
And then there is the bonus disc, from 12/30/79. 10 additional songs of bliss. Scarlet Fire, Let it Grow, Truckin! Sweet.

Would love to see more 79 and of course 80. The early Brent years! I know the Chicago release didn't match this release but 79 has a lot to offer.
Yesterday I also listened to 9/1/79. Not an official release, but again great 79 sound.
If you have not heard it, check it out.

Looking forward to our next pick. Let us know!

I can't take credit for that pick. I'm trying the Europe 72 night by night thing and I'm already behind.

Playing now.
Is that today’s pick?

First got this on cassette in mid-90’s and loved it right away. Then got a CD-R copy. Was really happy to get it as a commercially released CD.

This show needs a Plangentized/Normanized remaster 180g vinyl record store day release.

Edit:
Looks like I’m a day behind. No worries, I’ll catch up.

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8 years

In reply to by icecrmcnkd

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Good to have you kid.

Bolo, what are your thoughts on the last pick. Sounds like the crowd is feeling Dick's 22 for today/ tonight. I will have to sit this one out as I don't have this one. Looking forward to tomorrow's choice.
Be well folks!
Snowed here in MN today☹️