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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    Thanks BC

    Was wondering what Spirit looked like.
    Here's to him.
    Cheers

  • JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • DeadVikes
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    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
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    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Vguy72

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Yes, for sure Vguy!I

Holy shit, not that I forget about it, but, this one for me always deserves a very loud and focused listen.

I know there have become naysayers regarding this release, but man it is really good.

Be well folks.

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I have been keeping an eye out for them, but they are pricey! I would love to see an "All Music Edition" released - I would be all over that, but if I recall, there was mention at release of the original box that there would not be an AMR, nor would the individual shows be released for sale.

Thankfully, I have access to most (all?) of these shows from LMA, and I have a number of them DL'd that sound good.

Now, I think I hear Cornell calling...

Happy Friday, DeadLand

Peace

I’m going to save my listen of 5-8-77 until late afternoon/evening, when the beer starts flowing.

Oh yeah, Shakedown Stream. Don’t think I’ve ever seen the 7-2-89 video, so need to fit that into the schedule too.

But for now it’s coffee, and what to listen to....?

6-24-85 30 Trips it is.
One of only two official 85 releases.....
More 85 please Dave.
So many good ones from the summer, can’t pick just one, might need a Box.

I think I'll join you! I started Set I of Cornell, but only made it to "El Paso" before work interfered. I think I will put a pause on 5/8/77 and hop on that 30 Trips 85 show with you! Looks like a killer 2nd set, and there is a nice looking Miller SBD on Archive.

Of course, things at Cornell will resume once I can sit down for a nice focused (read drink in hand) listen :)

Shadowboxing the apocalypse...

Peace

and the occasional story. Nice.

I will try to fit in 5/8 today.. I wanted to take advantage of downtime coinciding with Morel Mushroom season this year too. Perhaps I will load up a device and head out / try to undo my so/so luck at finding these tasty critters.

Big fan of Summer (and fall) '85. Yes.. the tapes can sound just a tad thin, but at least for the most part Healy was not pumping a bunch of audience noise into the boards. I am biased.. but I could really did a twofer 6/30 and 7/1/85. And that marked the end of the GD at Merriweather Post Pavilion. There were tents tucked away in just about every semi-secluded spot in town. What a scene (cool for the most part) but a scene that was sure to clash with suburban life and the city council.

I only just started because I first went out to retrieve the trash can and recycle bin, which then meant I also had to let my dog walk around the street sniffing stuff and peeing on other people’s mailboxes.

Yes, I want to be in the right frame of mind for Cornell.

Good luck shroom hunting Jim. Wonder if I could train my dog to sniff out morels? He would probably just eat them.

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Listened to Cornell Set 1, didn’t have that back in the day, it’s good, nothing mind blowing (in my current state of mind) but good.

I’ll save set 2 for later and hop on the 6/24/85 Riverbend train.

Definitely a favorite tape growing up. Love me some Cryptical, was just getting into the Dead in ’85 and was stoked to get Cryptical ’85 on tape. Would play this show and the next night 6/25 from Blossom with Day Tripper all the time! Heavy Rotation, takes me back…

Went to Riverbend the next year but alas, no Cryptical.

Hot Dog, gonna jam some epic Dead followed by Shakedown Stream with Pre-Show Bobby Weir & Playing In The Band show opener.

Happy Friday!

Be well

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In reply to by The Good Ole G…

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Now palate cleansing with CCR 7-4-71, Closing of Fillmore West, KSAN FM, apparently pre-FM.

Then I’m hitting Cornell Set 1, then going outside to cover my plants from freezing tonight, then Cornell Set 2, then Shakedown Stream.
I like it when good plans come together.

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6 to 10 inches of snow that night back on 5/8/77 and it is suppose to snow there tonight!!! Thanks for remembering and celebrating with us nature!!!

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In reply to by Vguy72

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Vault 3, enjoyed more than I thought. Listening in the background whilst working, so might check back in the tonight with fresh beer to be delivered today, on the big boy system. and what’s that you say?....Summer 85....don’t have to twist this arm! That’ll be this afternoons working fluid...nice mix, some killer spring 90, then some killer 71, then some killer 85! Yeah baby!
I’ll prolly have to skip the Cornell which I don’t mind because I want to try and check out 7/2/89. Haven’t seen that one yet and would be some Good Friday prime time enjoyment!
I can just access that via YouTube no? Anyone know what time that starts without looking it up? Thanks

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Thanks!
Did this start yet? There was a clock countdown to 6:30 est but nothings happening...guessing this is just open time, kind of like FTW? ....or am I just geezing out here?
I’ve never checked this out yet, does the pre-game start at 8 or the actual show?

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In reply to by Oroborous

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Yep.. they just gave out the secret code.

Edit: Geeze.. I suspect you missed the new secret handshake too.

________________________________________

I'm actually looking forward to this. It's one of the few from this era I am not super familiar with.. plus, it's got a PITB Opener and Serendipitously.. a reportedly good To Lay Me Down.

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In reply to by JimInMD

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It on the GD YouTube channel.

Pre-show is live, with Bob as special guest.
Show at 8:30e/5:30p

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In reply to by JimInMD

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....seemed like the right thing to do.
Nothing wrong with a Playin' opener! Ever!!
Just learned that Spotify teamed up with the GOGD and Dead & Co and will match every Covid donation $ for $, up to a million $'s. That's cool.

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In reply to by JimInMD

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Hi!

I won't go through this show, it needs no commentary.

I will add this, my older sister who left for college in 1985, left behind two tapes in our Mom's blue Civic hatchback, Shakedown Street and 12/31/83. I grabbed those cassettes and never looked back. Back in the 1980s I had no idea that the live recorded shows could ever sound this good. In May of 2017 all those years of bad cassette recordings seemed to maybe make sense.

I never had those second or third generation tapes.

Be well folks.

Best shows, way too many!

On to Dave's 34, just arrived today.

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I love those old stories of analog

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In reply to by DeadVikes

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Holy Quacamole Batman! How did I never hear/see this one before?
It’s a virtual Jerry fest and interesting set list in general. Only quibble I can think of was after He’s Gone, why the Hell did Bob bail on what first sounded like Smokestack, then Jerry mosdef was playing Spoonful? You could see the whole band waiting on Bob and then things seem to fizzle, so Jerry breaks out Eyes, but you could tell something was up? Maybe Bobs Barrett’s were too tight, lol. Yeah, what was up with that? Can’t believe the band, no, the crew let him get away with that weirdness? Started watching 7/4 right after and that shit was gone...
Speaking of 7/4, as good as 7/2 was, you could tell immediately that 7/4 was gonna give it a run for its money if not top it, and imho 7/4 does best it. Funny I don’t recall much from this show. Member it was definetly a great show, but didn’t think I’d be going on about it 31 years later. Hearing shows many years later, especially ones for the first time, and comparing with my memories, increasingly blows my mind. Some I thought were meh turn out to be good, and some I thought were fantastic, turn out to be ok etc...so much fun!
Sorry, a little off topic but really enjoyed this show last night. Oh, and why the hell isnt this released? Hopefully just saving it? It’s already been produced enough to distribute to theaters for MUATM, so why not put it out?
Also, why is Dave so hot on summer, but not fall 89? Summer was awesome, but fall was even better, and of course spring 90 was the peak.

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In reply to by Oroborous

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7/2/89 = Fun Shakedown Stream!

When it became the pick for Meet-Up At The Movies in 2016 this show began to peak my interest, but I missed it in the theaters. Prior to that the show was off my radar, as no SBD circulated. But with the PITB > Crazy Fingers Set 1 & FOTD Set 2 openers, I put it on my list of too get, and eventually Miller hooked it up in May 2017.

I agree an official release seems doable... maybe a freebie download of the video mix for all us obsessed and oh so loyal fans?!?

After listening to Bob & Dave talk about July '89 again last night, it got me curious. I can see with Bobby requesting July '89 specifically, that alone would totally place those shows on Dave's radar.. and we've reaped some of the benefits:
7/02/89 - MUATM 2016 & Shakedown Stream Last Night
7/04/89 - Truckin' Up To Buffalo 2005
7/07/89 - Crimson White & Indigo 2010
7/09/89 - Giants Stadium Box 2019
7/10/89 - Giants Stadium Box 2019
7/12/89 - RFK Stadium Box 2017
7/13/89 - RFK Stadium Box 2017
7/15/89 - Truckin' released on The Music Never Stopped Movie Soundtrack 2011
7/17/89 - Downhill from Here 1997 (majority)
7/18/89 - MUATM 2012
7/19/89 - MUATM 2015 & Downhill from Here 1997 (3 songs)

I decided today I'd listen to 7/15/89 and check it out a bit more.. It's pretty fun, not sure it'll get the release nod anytime soon.. but maybe we'll get a video of it. Nice Bird Song, and Truckin' is worth the ride.

Well how's the snow you east coasters? We're supposed to hit 85 today in Portland.. seems a bit early for that.

Be Well Friends!

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In reply to by The Good Ole G…

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Berry interesting...didn’t know (more likely forgot) about 7/18&19 being MUATM/released? Again, if they already incurred the production costs to make these some what releasable, why not release em? I know they haven’t done well on the video stuff which I believe is why they mostly stopped, but if you already have usable product, why not just do a pre-order where you know just how many units to run?

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In reply to by Oroborous

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Based on your response, I say let's go for it. Cool Dave Lemieux?

Like most things, I imagine money is the issue. Quantity = Price breaks on production costs / if Quantity doesn't sell.. yada yada. These kind folk here at Dead.net been testing those waters for some time now, the formula seems pretty set lately. DVD is dead, heads tend to want to have physical copies so they can play, rip, look at, whatever... not sure what the next model is in that regard.

But for the record, I can make DVDs, CDs and artwork, so if you all over here at Dead.net need any help, just lmk and I'd be happy to assist.

That all being said, I've moved over to 7/18/89 Alpine night two, and this Set 1 is well worth a revisit for any and all needing a musical suggestion.

Alpine '89 might make a good box release DVD & CD, all 3 nights in their entirety. Might be too well known due to Downhill from Here & MUATM..

But maybe we'll get 7/18 & 7/19 Shakedown Streams.. I'm calling it, we'll either get one or both.

Bets?

If it happens I want a burrito...

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....if not, may i recommend 2.11.89 Great Western Forum in the City Of Angels?
https://relisten.net/grateful-dead/1989/02/11?source=102940
If nothing else, check out the second set. I attended this one, and the second set was one of the best I can recall (which is saying a lot if you get my meaning). Airto Moreira, Flora Purim and Diana Moreira sat in during drumz and Eyes (out of Space mind you). I nice I will Take You home into drumz as well. I was pretty pie-eyed on acid and ecstasy at this one and drumz took me out of the roof of the arena and back again. Messed me up so much i sat for the rest of the show, getting all introspective and such. Felt tinges of a bad trip coming on. Thought the band sounded bad, etc. Only stood up for Black Peter, then proceeded to sit for the rest. Yelled that Box Of Rain was a shitty encore. My buddies sensed things were amiss, and proceeded to try and cheer me up at the hotel room afterwards. I was a mess. I definitely had too much too fast. No hallucinogens for me the next night, or for awhile after to be honest.
When I listened to a tape of it later, I realized they sounded great and it was all in my head. Don't mix drugs kids.

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GOGD, good point, saturation etc, but you have to think SOMEDAY? Alpine 89 will get the full treatment as it seems like that run gets as much lip service here as any of the top “not if, but when” runs that folks continually mention here.
Or maybe I’m just biased?....

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In reply to by Oroborous

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VGUY: I don't think there was a pick today, peeps were still trying to catch up on Cornell, Riverbend '85 & Shakedown Stream .. so much Dead so little time.

I jumped on the July '89 train after Shakedown Stream got me thinking. On Set 2 of 7/18/89 if you wanna give a listen. Decent show for sure, Set 1 seemed nice and strong, mid set 2 as we speack. Me and OROBOROUS were talking about the likely hood of Alpine '89 getting released someday...

OROBOROUS You are correct sir, those shows sure have a lot of love supporting them and July '89 seems to be on both Dave & Bob's radars... so I guess we'll see. For the quick fix, I think our best bet is the upcoming Shakedown Streams, I'm thinking we might see 7/18 or 7/19 possibly both. FWIW this 7/18 Miller SBD is dope.

I'd love to know more about what sells and what hasn't worked. For instance this year, I had good copies of the Giants Box set shows, but since it was multi-track & a DVD plus cool liner notes, they got me and I was in. Same with June '76. And Jai-Lai '74, again I've had good boards of those forever it seems, but getting the official release, I was in... not to mention already had the sub. So.. yeah, from what I can tell... if they build it, we will come.

VGUY - Tripping too hard.. been there. I'll make note of 2/11/89 and try and see what you was missing...

Time for some delayed 4:20 as Eyes heads into drums. 7/18/89 is nice especially as I can picture wonderful ole Alpine Valley and all those happy people boogieing down.

China Doll out of Space after 4:20, Do it!

Nice Mr. Fantasy too so far.. wide open Alpine feel, or maybe It’s cause the sun is shining & the breeze is blowing at same time.. or maybe it’s both..

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It’s been awhile but 7/18/89 has some good jams!

The Set 2 Eyes> D> S> China Doll> Fantasy> Jude> Throwing> SSDD, Quinn just now sounded sublime.

Almost identical song order as 7/2/89 but different pace, tempo, feel makes it completely different. And sounded esp good right now.

Dug it, now I really hope they stream this show!

Have a good one everybody it’s OMSN!

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I hope all are well on this Sunday, and I hope every mom is happy, wherever she may be :)

Here is a little listening for us on this great day - Kid tested, mother approved!

Set II of 5/10/80 - maybe one of the greatest pre-drums second sets of all time...

https://archive.org/details/gd1980-05-10.set2.sbd.miller.91938.sbeok.fl…

Set II - 5/10/80 Hartford

China Cat>
Rider
Stranger>
Comes a Time>
Estimated >
He's Gone >
UJB >
Drums >
Space >
NFA >
Sugar

E: Alabama >
OMSN

Peace

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Yeah, it is great! The band is hot, and I love the whole thing, but check out the jam from He's Gone to UJB... super cool.

I hope you and yours are well!

Peace

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Looks like we need a pick for today and I saw Bob T mention 5/11/77 at the St. Paul Civic Center. Sounds like a winner to me.

Week 9 in quarantine for us here in MN.

Be well folks.

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May of 77... no brainer.

I have to say, I'm a bit surprised that we haven't done more 77... may I suggest 12/29/77, aka Dick's Pick #10 for Tuesday?

Peace

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I am in on that for tomorrow, thanks Otis.

Yes, 5/11/77 is a stellar Spring 77 show. The Jack Straw and Peggy O kind of melt your face. Love that Sugaree to end the first set. Scarlet Fire, and what a finish! Throw in a Brokedown Palace encore. I love this show.

Fry, Bueller?

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....if I recall, that's the show where Jerry forgot an entire verse of China Doll. Could be wrong. The down side of so many awesome releases is that it gets hard to recall correctly at times. I think I'm right though.
Busy day at work. Had time to check out 5.11.86 though. Miracle -> US Blues to open the second set caught my ear. Cool banter by the Boyz that gig. Passed 5.11.77 by today. Catch it later.

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Weir was dropping China Cat teases after the hiatus all over until the breakout including 10-3-76 and Winterland 6-8-77 during NFA (just rediscovered that one the other day). You could tell he really wanted to bring that one back.

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Yep, sounds good! Dang, I've had this ever since it first came out (98) but I've barely even listened to it. I guess back then I was obsessed with pre-hiatus and this one fell through the cracks. Better late than never!
I just listened to the Bonus material from 12/30- wow! The Estimated jam really catches fire, then fine Jerry vocals on Eyes, then a sweet quiet jam into St. Stephen. The crowd goes wild at the first St. Stephen notes. Powerfully jammed Stephen and Sugar Mag to close- whew- a great sequence. Latvala never let us down!

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Had the meat of the second set on tape courtesy of David Gans and the Grateful Dead Hour since circa 1990?? then in something like 91 or 92 I hit dreaded record on my portable player and handn't removed the tabs on the cassette. So I had this two second break in the tape where you could audibly hear the word (think slow motion) F uh uh chk chk chk, then back to the music. It wasn't until the Dicks Picks came out that I had it complete again. Whew,..

Always a personal favorite. The transition in China Rider is both sublime and unique. Super smooth and fluid.

Anyway.. my little personal story about that release. How many people out there used to record The Grateful Dead Hour back in the day because.. well because it was almost always better than the tapes I had of those shows at the time. It was almost like an early version of the Internet Archive for lots of us. David Gans for Pres? ha..

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I wrote a story about being at that show that is in the comments section on 12/29/77. I’m lucky to listen to every other suggested show in this forum. Will definitely listen today even if a day late. It’s on my IPod so I can listen at home. Shows not on my IPod I tune in by iPhone off of a cell tower 35 miles away that I have to get up to a ridge top a couple miles from home. The 50th anniversary of my second Dead show is Friday . Was at the early show. If no one has picked for Friday , 5/15/70 would be great. NRPS was there the same night.

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In reply to by Strider 808808

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Good idea Strider.

For what it's worth, I took the time to compile the best available audio from the New Riders sets and combined it with the Fully Normanized version, arranging the songs in the correct order, etc. I forget if there was (were) missing song(s) on the released version, I think yes.. if so they are included. It's as good a quality, full show experience as you are going to get 50 years into the future. It's monster long, meaning big.. and of course full of big fun.

I think Ziffle who posts here sporadically was there also and spoke quite highly of the whole experience. These are the type of shows I am most envious of and if I could set the dials to the wayback machine, one by one I would hit them all.

Anyway regarding the full show experience, you know where to reach me.. 7 CDs worth of music in one night.. I believe the sun was already up when the noise inside finally subsided and the people began pouring out into the sidewalks of New York having the difficult task of making sense of what in the hell just happened and what became of their minds (sounds of jaws scraping up sidewalk debris as they walked to the subway to go home).

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Wolf makes a reappearance at the New Years run. Jerry played a Travis Bean earlier in the year. (77) Only saw him play the Bean once , one time in Eugene, Oregon March 1976 with his own band.
May 15, 1970 was far different from my first GD show in the dead of winter. Springtime in NYC is a rush of a different feeling . NRPS plus acoustic Dead, throw in Workingmans Dead release and one small detail , I was fucking 16 years old! Main difference at my first Dead show, I pretty much stayed in my seat, second Dead show besides acoustic set I was up dancing at my seat during NRPS set and the electric set as much as possible.
A shame more of the acoustic sets of the 70 odd mas o menos from 1970 , 1980 were not taped or were lost.
When I think of the Fillmore East and later Winterland I hold golden memories in my heart.

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5/15/70/ is on my top 5 list of Dead shows that I would attend if I could go back in time. Along with, 5/2/70, 2/27/69, , 3/1/69, and 6/11/69.

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In reply to by billy the kid

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Gonna try and get everything just exactly perfect here...

Haven’t heard this one in awhile.. and so far so good, Jack Straw is def a stand out in this here first set. Nice Pick!

JIMINMD - The Good Ole GD Hour.. was definitely my first reliable source for good quality tapes. I still have a bunch of the tapes I made in the garage… memories. David Gans is yet another colorful and beloved character in the rogues gallery of GD collecting. A true pioneer that one..

STRIDER 88 - Wow.. What a time to be 23!! Great story, I can kinda picture it, it must’ve been great to be in the balcony at Winterland and just be able to scope out the scene and see friends. Fillmore East & Winterland the two most Hallowed of halls… keep the stories coming!

OTIS - Enjoyed 5/10/80 Set 2, smoking China > Rider!

BILLY THE KID - 6/11/69 what if it’s no good and you time traveled back to catch a bunk show? Unless of course you know something we don’t.. like where the tapes are?

Looking forward to Friday’s trip back to 5/15/70! That’s gonna be good, it’s been awhile.

You all ever think this is all a dream we dreamed?

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In reply to by JimInMD

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I might drop back in for a bit if you're doing that one. I am always led to this show after listening to 5/2/70-Sam Cutler announces it as a forthcoming New York show as the show on 2nd closes down.

In fact, I listened to 5/14/70 the other day in preparation. Part of this show is on the second half of the bonus disc which accompanies 5/15/70. Great snaky New Speedway Boogie on here.

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There was no soundboard in middle of floor in Winterland. There was a mirror ball directly above . 12/29,30 have a dynamic sound of flight or winged feet or winged heads. Mythic in proportion. Unique sound on those nights.