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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Vguy72

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Yes, for sure Vguy!I

Holy shit, not that I forget about it, but, this one for me always deserves a very loud and focused listen.

I know there have become naysayers regarding this release, but man it is really good.

Be well folks.

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I have been keeping an eye out for them, but they are pricey! I would love to see an "All Music Edition" released - I would be all over that, but if I recall, there was mention at release of the original box that there would not be an AMR, nor would the individual shows be released for sale.

Thankfully, I have access to most (all?) of these shows from LMA, and I have a number of them DL'd that sound good.

Now, I think I hear Cornell calling...

Happy Friday, DeadLand

Peace

I’m going to save my listen of 5-8-77 until late afternoon/evening, when the beer starts flowing.

Oh yeah, Shakedown Stream. Don’t think I’ve ever seen the 7-2-89 video, so need to fit that into the schedule too.

But for now it’s coffee, and what to listen to....?

6-24-85 30 Trips it is.
One of only two official 85 releases.....
More 85 please Dave.
So many good ones from the summer, can’t pick just one, might need a Box.

I think I'll join you! I started Set I of Cornell, but only made it to "El Paso" before work interfered. I think I will put a pause on 5/8/77 and hop on that 30 Trips 85 show with you! Looks like a killer 2nd set, and there is a nice looking Miller SBD on Archive.

Of course, things at Cornell will resume once I can sit down for a nice focused (read drink in hand) listen :)

Shadowboxing the apocalypse...

Peace

and the occasional story. Nice.

I will try to fit in 5/8 today.. I wanted to take advantage of downtime coinciding with Morel Mushroom season this year too. Perhaps I will load up a device and head out / try to undo my so/so luck at finding these tasty critters.

Big fan of Summer (and fall) '85. Yes.. the tapes can sound just a tad thin, but at least for the most part Healy was not pumping a bunch of audience noise into the boards. I am biased.. but I could really did a twofer 6/30 and 7/1/85. And that marked the end of the GD at Merriweather Post Pavilion. There were tents tucked away in just about every semi-secluded spot in town. What a scene (cool for the most part) but a scene that was sure to clash with suburban life and the city council.

I only just started because I first went out to retrieve the trash can and recycle bin, which then meant I also had to let my dog walk around the street sniffing stuff and peeing on other people’s mailboxes.

Yes, I want to be in the right frame of mind for Cornell.

Good luck shroom hunting Jim. Wonder if I could train my dog to sniff out morels? He would probably just eat them.

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In reply to by Vguy72

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Listened to Cornell Set 1, didn’t have that back in the day, it’s good, nothing mind blowing (in my current state of mind) but good.

I’ll save set 2 for later and hop on the 6/24/85 Riverbend train.

Definitely a favorite tape growing up. Love me some Cryptical, was just getting into the Dead in ’85 and was stoked to get Cryptical ’85 on tape. Would play this show and the next night 6/25 from Blossom with Day Tripper all the time! Heavy Rotation, takes me back…

Went to Riverbend the next year but alas, no Cryptical.

Hot Dog, gonna jam some epic Dead followed by Shakedown Stream with Pre-Show Bobby Weir & Playing In The Band show opener.

Happy Friday!

Be well

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In reply to by The Good Ole G…

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Now palate cleansing with CCR 7-4-71, Closing of Fillmore West, KSAN FM, apparently pre-FM.

Then I’m hitting Cornell Set 1, then going outside to cover my plants from freezing tonight, then Cornell Set 2, then Shakedown Stream.
I like it when good plans come together.

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6 to 10 inches of snow that night back on 5/8/77 and it is suppose to snow there tonight!!! Thanks for remembering and celebrating with us nature!!!

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In reply to by Vguy72

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Vault 3, enjoyed more than I thought. Listening in the background whilst working, so might check back in the tonight with fresh beer to be delivered today, on the big boy system. and what’s that you say?....Summer 85....don’t have to twist this arm! That’ll be this afternoons working fluid...nice mix, some killer spring 90, then some killer 71, then some killer 85! Yeah baby!
I’ll prolly have to skip the Cornell which I don’t mind because I want to try and check out 7/2/89. Haven’t seen that one yet and would be some Good Friday prime time enjoyment!
I can just access that via YouTube no? Anyone know what time that starts without looking it up? Thanks

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Thanks!
Did this start yet? There was a clock countdown to 6:30 est but nothings happening...guessing this is just open time, kind of like FTW? ....or am I just geezing out here?
I’ve never checked this out yet, does the pre-game start at 8 or the actual show?

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In reply to by Oroborous

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Yep.. they just gave out the secret code.

Edit: Geeze.. I suspect you missed the new secret handshake too.

________________________________________

I'm actually looking forward to this. It's one of the few from this era I am not super familiar with.. plus, it's got a PITB Opener and Serendipitously.. a reportedly good To Lay Me Down.

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In reply to by JimInMD

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It on the GD YouTube channel.

Pre-show is live, with Bob as special guest.
Show at 8:30e/5:30p

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In reply to by JimInMD

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....seemed like the right thing to do.
Nothing wrong with a Playin' opener! Ever!!
Just learned that Spotify teamed up with the GOGD and Dead & Co and will match every Covid donation $ for $, up to a million $'s. That's cool.

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In reply to by JimInMD

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Hi!

I won't go through this show, it needs no commentary.

I will add this, my older sister who left for college in 1985, left behind two tapes in our Mom's blue Civic hatchback, Shakedown Street and 12/31/83. I grabbed those cassettes and never looked back. Back in the 1980s I had no idea that the live recorded shows could ever sound this good. In May of 2017 all those years of bad cassette recordings seemed to maybe make sense.

I never had those second or third generation tapes.

Be well folks.

Best shows, way too many!

On to Dave's 34, just arrived today.

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I love those old stories of analog

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In reply to by DeadVikes

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Holy Quacamole Batman! How did I never hear/see this one before?
It’s a virtual Jerry fest and interesting set list in general. Only quibble I can think of was after He’s Gone, why the Hell did Bob bail on what first sounded like Smokestack, then Jerry mosdef was playing Spoonful? You could see the whole band waiting on Bob and then things seem to fizzle, so Jerry breaks out Eyes, but you could tell something was up? Maybe Bobs Barrett’s were too tight, lol. Yeah, what was up with that? Can’t believe the band, no, the crew let him get away with that weirdness? Started watching 7/4 right after and that shit was gone...
Speaking of 7/4, as good as 7/2 was, you could tell immediately that 7/4 was gonna give it a run for its money if not top it, and imho 7/4 does best it. Funny I don’t recall much from this show. Member it was definetly a great show, but didn’t think I’d be going on about it 31 years later. Hearing shows many years later, especially ones for the first time, and comparing with my memories, increasingly blows my mind. Some I thought were meh turn out to be good, and some I thought were fantastic, turn out to be ok etc...so much fun!
Sorry, a little off topic but really enjoyed this show last night. Oh, and why the hell isnt this released? Hopefully just saving it? It’s already been produced enough to distribute to theaters for MUATM, so why not put it out?
Also, why is Dave so hot on summer, but not fall 89? Summer was awesome, but fall was even better, and of course spring 90 was the peak.

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In reply to by Oroborous

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7/2/89 = Fun Shakedown Stream!

When it became the pick for Meet-Up At The Movies in 2016 this show began to peak my interest, but I missed it in the theaters. Prior to that the show was off my radar, as no SBD circulated. But with the PITB > Crazy Fingers Set 1 & FOTD Set 2 openers, I put it on my list of too get, and eventually Miller hooked it up in May 2017.

I agree an official release seems doable... maybe a freebie download of the video mix for all us obsessed and oh so loyal fans?!?

After listening to Bob & Dave talk about July '89 again last night, it got me curious. I can see with Bobby requesting July '89 specifically, that alone would totally place those shows on Dave's radar.. and we've reaped some of the benefits:
7/02/89 - MUATM 2016 & Shakedown Stream Last Night
7/04/89 - Truckin' Up To Buffalo 2005
7/07/89 - Crimson White & Indigo 2010
7/09/89 - Giants Stadium Box 2019
7/10/89 - Giants Stadium Box 2019
7/12/89 - RFK Stadium Box 2017
7/13/89 - RFK Stadium Box 2017
7/15/89 - Truckin' released on The Music Never Stopped Movie Soundtrack 2011
7/17/89 - Downhill from Here 1997 (majority)
7/18/89 - MUATM 2012
7/19/89 - MUATM 2015 & Downhill from Here 1997 (3 songs)

I decided today I'd listen to 7/15/89 and check it out a bit more.. It's pretty fun, not sure it'll get the release nod anytime soon.. but maybe we'll get a video of it. Nice Bird Song, and Truckin' is worth the ride.

Well how's the snow you east coasters? We're supposed to hit 85 today in Portland.. seems a bit early for that.

Be Well Friends!

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In reply to by The Good Ole G…

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Berry interesting...didn’t know (more likely forgot) about 7/18&19 being MUATM/released? Again, if they already incurred the production costs to make these some what releasable, why not release em? I know they haven’t done well on the video stuff which I believe is why they mostly stopped, but if you already have usable product, why not just do a pre-order where you know just how many units to run?

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In reply to by Oroborous

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Based on your response, I say let's go for it. Cool Dave Lemieux?

Like most things, I imagine money is the issue. Quantity = Price breaks on production costs / if Quantity doesn't sell.. yada yada. These kind folk here at Dead.net been testing those waters for some time now, the formula seems pretty set lately. DVD is dead, heads tend to want to have physical copies so they can play, rip, look at, whatever... not sure what the next model is in that regard.

But for the record, I can make DVDs, CDs and artwork, so if you all over here at Dead.net need any help, just lmk and I'd be happy to assist.

That all being said, I've moved over to 7/18/89 Alpine night two, and this Set 1 is well worth a revisit for any and all needing a musical suggestion.

Alpine '89 might make a good box release DVD & CD, all 3 nights in their entirety. Might be too well known due to Downhill from Here & MUATM..

But maybe we'll get 7/18 & 7/19 Shakedown Streams.. I'm calling it, we'll either get one or both.

Bets?

If it happens I want a burrito...

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....if not, may i recommend 2.11.89 Great Western Forum in the City Of Angels?
https://relisten.net/grateful-dead/1989/02/11?source=102940
If nothing else, check out the second set. I attended this one, and the second set was one of the best I can recall (which is saying a lot if you get my meaning). Airto Moreira, Flora Purim and Diana Moreira sat in during drumz and Eyes (out of Space mind you). I nice I will Take You home into drumz as well. I was pretty pie-eyed on acid and ecstasy at this one and drumz took me out of the roof of the arena and back again. Messed me up so much i sat for the rest of the show, getting all introspective and such. Felt tinges of a bad trip coming on. Thought the band sounded bad, etc. Only stood up for Black Peter, then proceeded to sit for the rest. Yelled that Box Of Rain was a shitty encore. My buddies sensed things were amiss, and proceeded to try and cheer me up at the hotel room afterwards. I was a mess. I definitely had too much too fast. No hallucinogens for me the next night, or for awhile after to be honest.
When I listened to a tape of it later, I realized they sounded great and it was all in my head. Don't mix drugs kids.

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In reply to by The Good Ole G…

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GOGD, good point, saturation etc, but you have to think SOMEDAY? Alpine 89 will get the full treatment as it seems like that run gets as much lip service here as any of the top “not if, but when” runs that folks continually mention here.
Or maybe I’m just biased?....

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In reply to by Oroborous

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VGUY: I don't think there was a pick today, peeps were still trying to catch up on Cornell, Riverbend '85 & Shakedown Stream .. so much Dead so little time.

I jumped on the July '89 train after Shakedown Stream got me thinking. On Set 2 of 7/18/89 if you wanna give a listen. Decent show for sure, Set 1 seemed nice and strong, mid set 2 as we speack. Me and OROBOROUS were talking about the likely hood of Alpine '89 getting released someday...

OROBOROUS You are correct sir, those shows sure have a lot of love supporting them and July '89 seems to be on both Dave & Bob's radars... so I guess we'll see. For the quick fix, I think our best bet is the upcoming Shakedown Streams, I'm thinking we might see 7/18 or 7/19 possibly both. FWIW this 7/18 Miller SBD is dope.

I'd love to know more about what sells and what hasn't worked. For instance this year, I had good copies of the Giants Box set shows, but since it was multi-track & a DVD plus cool liner notes, they got me and I was in. Same with June '76. And Jai-Lai '74, again I've had good boards of those forever it seems, but getting the official release, I was in... not to mention already had the sub. So.. yeah, from what I can tell... if they build it, we will come.

VGUY - Tripping too hard.. been there. I'll make note of 2/11/89 and try and see what you was missing...

Time for some delayed 4:20 as Eyes heads into drums. 7/18/89 is nice especially as I can picture wonderful ole Alpine Valley and all those happy people boogieing down.

China Doll out of Space after 4:20, Do it!

Nice Mr. Fantasy too so far.. wide open Alpine feel, or maybe It’s cause the sun is shining & the breeze is blowing at same time.. or maybe it’s both..

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In reply to by The Good Ole G…

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It’s been awhile but 7/18/89 has some good jams!

The Set 2 Eyes> D> S> China Doll> Fantasy> Jude> Throwing> SSDD, Quinn just now sounded sublime.

Almost identical song order as 7/2/89 but different pace, tempo, feel makes it completely different. And sounded esp good right now.

Dug it, now I really hope they stream this show!

Have a good one everybody it’s OMSN!

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I hope all are well on this Sunday, and I hope every mom is happy, wherever she may be :)

Here is a little listening for us on this great day - Kid tested, mother approved!

Set II of 5/10/80 - maybe one of the greatest pre-drums second sets of all time...

https://archive.org/details/gd1980-05-10.set2.sbd.miller.91938.sbeok.fl…

Set II - 5/10/80 Hartford

China Cat>
Rider
Stranger>
Comes a Time>
Estimated >
He's Gone >
UJB >
Drums >
Space >
NFA >
Sugar

E: Alabama >
OMSN

Peace

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In reply to by Oroborous

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Yeah, it is great! The band is hot, and I love the whole thing, but check out the jam from He's Gone to UJB... super cool.

I hope you and yours are well!

Peace

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In reply to by Thats_Otis

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Looks like we need a pick for today and I saw Bob T mention 5/11/77 at the St. Paul Civic Center. Sounds like a winner to me.

Week 9 in quarantine for us here in MN.

Be well folks.

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In reply to by DeadVikes

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May of 77... no brainer.

I have to say, I'm a bit surprised that we haven't done more 77... may I suggest 12/29/77, aka Dick's Pick #10 for Tuesday?

Peace

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In reply to by Thats_Otis

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I am in on that for tomorrow, thanks Otis.

Yes, 5/11/77 is a stellar Spring 77 show. The Jack Straw and Peggy O kind of melt your face. Love that Sugaree to end the first set. Scarlet Fire, and what a finish! Throw in a Brokedown Palace encore. I love this show.

Fry, Bueller?

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In reply to by DeadVikes

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....if I recall, that's the show where Jerry forgot an entire verse of China Doll. Could be wrong. The down side of so many awesome releases is that it gets hard to recall correctly at times. I think I'm right though.
Busy day at work. Had time to check out 5.11.86 though. Miracle -> US Blues to open the second set caught my ear. Cool banter by the Boyz that gig. Passed 5.11.77 by today. Catch it later.

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Weir was dropping China Cat teases after the hiatus all over until the breakout including 10-3-76 and Winterland 6-8-77 during NFA (just rediscovered that one the other day). You could tell he really wanted to bring that one back.

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Yep, sounds good! Dang, I've had this ever since it first came out (98) but I've barely even listened to it. I guess back then I was obsessed with pre-hiatus and this one fell through the cracks. Better late than never!
I just listened to the Bonus material from 12/30- wow! The Estimated jam really catches fire, then fine Jerry vocals on Eyes, then a sweet quiet jam into St. Stephen. The crowd goes wild at the first St. Stephen notes. Powerfully jammed Stephen and Sugar Mag to close- whew- a great sequence. Latvala never let us down!

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13 years 4 months

In reply to by Gollum

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Had the meat of the second set on tape courtesy of David Gans and the Grateful Dead Hour since circa 1990?? then in something like 91 or 92 I hit dreaded record on my portable player and handn't removed the tabs on the cassette. So I had this two second break in the tape where you could audibly hear the word (think slow motion) F uh uh chk chk chk, then back to the music. It wasn't until the Dicks Picks came out that I had it complete again. Whew,..

Always a personal favorite. The transition in China Rider is both sublime and unique. Super smooth and fluid.

Anyway.. my little personal story about that release. How many people out there used to record The Grateful Dead Hour back in the day because.. well because it was almost always better than the tapes I had of those shows at the time. It was almost like an early version of the Internet Archive for lots of us. David Gans for Pres? ha..

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I wrote a story about being at that show that is in the comments section on 12/29/77. I’m lucky to listen to every other suggested show in this forum. Will definitely listen today even if a day late. It’s on my IPod so I can listen at home. Shows not on my IPod I tune in by iPhone off of a cell tower 35 miles away that I have to get up to a ridge top a couple miles from home. The 50th anniversary of my second Dead show is Friday . Was at the early show. If no one has picked for Friday , 5/15/70 would be great. NRPS was there the same night.

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In reply to by Strider 808808

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Good idea Strider.

For what it's worth, I took the time to compile the best available audio from the New Riders sets and combined it with the Fully Normanized version, arranging the songs in the correct order, etc. I forget if there was (were) missing song(s) on the released version, I think yes.. if so they are included. It's as good a quality, full show experience as you are going to get 50 years into the future. It's monster long, meaning big.. and of course full of big fun.

I think Ziffle who posts here sporadically was there also and spoke quite highly of the whole experience. These are the type of shows I am most envious of and if I could set the dials to the wayback machine, one by one I would hit them all.

Anyway regarding the full show experience, you know where to reach me.. 7 CDs worth of music in one night.. I believe the sun was already up when the noise inside finally subsided and the people began pouring out into the sidewalks of New York having the difficult task of making sense of what in the hell just happened and what became of their minds (sounds of jaws scraping up sidewalk debris as they walked to the subway to go home).

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Wolf makes a reappearance at the New Years run. Jerry played a Travis Bean earlier in the year. (77) Only saw him play the Bean once , one time in Eugene, Oregon March 1976 with his own band.
May 15, 1970 was far different from my first GD show in the dead of winter. Springtime in NYC is a rush of a different feeling . NRPS plus acoustic Dead, throw in Workingmans Dead release and one small detail , I was fucking 16 years old! Main difference at my first Dead show, I pretty much stayed in my seat, second Dead show besides acoustic set I was up dancing at my seat during NRPS set and the electric set as much as possible.
A shame more of the acoustic sets of the 70 odd mas o menos from 1970 , 1980 were not taped or were lost.
When I think of the Fillmore East and later Winterland I hold golden memories in my heart.

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5/15/70/ is on my top 5 list of Dead shows that I would attend if I could go back in time. Along with, 5/2/70, 2/27/69, , 3/1/69, and 6/11/69.

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In reply to by billy the kid

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Gonna try and get everything just exactly perfect here...

Haven’t heard this one in awhile.. and so far so good, Jack Straw is def a stand out in this here first set. Nice Pick!

JIMINMD - The Good Ole GD Hour.. was definitely my first reliable source for good quality tapes. I still have a bunch of the tapes I made in the garage… memories. David Gans is yet another colorful and beloved character in the rogues gallery of GD collecting. A true pioneer that one..

STRIDER 88 - Wow.. What a time to be 23!! Great story, I can kinda picture it, it must’ve been great to be in the balcony at Winterland and just be able to scope out the scene and see friends. Fillmore East & Winterland the two most Hallowed of halls… keep the stories coming!

OTIS - Enjoyed 5/10/80 Set 2, smoking China > Rider!

BILLY THE KID - 6/11/69 what if it’s no good and you time traveled back to catch a bunk show? Unless of course you know something we don’t.. like where the tapes are?

Looking forward to Friday’s trip back to 5/15/70! That’s gonna be good, it’s been awhile.

You all ever think this is all a dream we dreamed?

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In reply to by JimInMD

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I might drop back in for a bit if you're doing that one. I am always led to this show after listening to 5/2/70-Sam Cutler announces it as a forthcoming New York show as the show on 2nd closes down.

In fact, I listened to 5/14/70 the other day in preparation. Part of this show is on the second half of the bonus disc which accompanies 5/15/70. Great snaky New Speedway Boogie on here.

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There was no soundboard in middle of floor in Winterland. There was a mirror ball directly above . 12/29,30 have a dynamic sound of flight or winged feet or winged heads. Mythic in proportion. Unique sound on those nights.