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    clayv
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    Due July 10th, WORKINGMAN’S DEAD: 50th ANNIVERSARY DELUXE EDITION will be available as a three-CD set and digital equivalents featuring the original album with newly remastered sound, plus an unreleased complete concert recorded on February 21, 1971 at the Capitol Theatre in Port Chester, NY. The show was mixed from the 16-track analog master tapes by Jeffrey Norman at Bob Weir’s Marin County TRI Studios and mastered by Grammy® Award-winning engineer, David Glasser, along with restoration and speed correction by Plangent Processes. 2/21/71 delivers a plethora of songs from both Workingman’s Dead and the band’s follow-up album, American Beauty. Some highlights include Weir’s moving vocal take on “Me and Bobby McGee,” Pigpen’s whiskey-seasoned growl on “Easy Wind” and a stellar run through “Uncle John’s Band” to close out the show.

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  • Chuck
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    “Angel’s Share”

    “Angel’s Share” Should have been the 50th anniversary release!! This is much better than live shows. This is rare studio stuff that is so cool and different. This is the kind of stuff I like for all the studio albums. I love live shows but this kind of stuff is so much more interesting. Just my opinion

    Chuck

  • mojolobo
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    Where are the “Angel’s Share” FLACs?

    No complaints about a Digital-Only release but c’mon— Streaming / MP3-level Audio is _garbage_ and a find like this deserves far more respect than that! And I’m not saying they should be giving away FLACs for free— they are sizeable files requiring storage space and significant bandwidth to maintain and distribute. I’ll gladly pay a reasonable sum for a full-fidelity copy of this tasty collection, as I’m sure many others would as well. They wouldn’t need to be Hi-Rez Audio (although that would be nice!), standard, CD-quality— 44.1kHz / 16-bit would be just fine. What most certainly ISN’T fine are these crappy, lossy, compressed versions currently being offered. We’re serious Music Lovers out hear in DeadHeadLand and we need REAL versions of these amazing, newly discovered treasures!

  • Lovemygirl
    Joined:
    * news - WMB - “Angels Share” new release coming up! Primo!

    Artist: Grateful Dead
    Title: Workingman's Dead: The Angel's Share
    Year Of Release: 2020
    Label: Grateful Dead/Rhino
    Genre: Rock
    Total Time: 02:31:31

    Workingman's Dead dubbed "the angels share"

    1. Uncle John's Band (False Start 1) (Not Slated) (01:04)
    2. Uncle John's Band (Breakdown) (Not Slated) (01:08)
    3. Uncle John's Band (False Start 2) (Not Slated) (00:27)
    4. Uncle John's Band (Complete Track) (Not Slated) (04:44)
    5. Uncle John's Band (Take 6 Breakdown) (Slated) (01:02)
    6. Uncle John's Band (Take 7 Breakdown) (Slated) (01:46)
    7. High Time (Breakdown 1) (Not Slated) (01:23)
    8. High Time (Breakdown 2) (Not Slated) (01:09)
    9. High Time (Take 3 Breakdown) (Slated) (00:25)
    10. High Time (Complete Track 1) (Not Slated) (05:40)
    11. High Time (Studio Chatter) (00:44)
    12. High Time (Complete Track 2) (Not Slated) (05:32)
    13. High Time (Take 6 Breakdown) (Slated) (00:46)
    14. High Time (Take 7 Breakdown) (Slated) (00:17)
    15. Dire Wolf (Breakdown 1) (Not Slated) (01:25)
    16. Dire Wolf (Complete Track 1) (Not Slated) (02:51)
    17. Dire Wolf (Complete Track 2) (Not Slated) (04:22)
    18. Dire Wolf (Take 2 Breakdown) (Slated) (01:07)
    19. Dire Wolf (Take 3 False Start & Breakdown) (Slated) (00:45)
    20. Dire Wolf (Breakdown 2) (Not Slated) (00:57)
    21. Dire Wolf (Take 6 Breakdown) (Slated) (01:13)
    22. Dire Wolf (Breakdown 3) (Not Slated) (00:42)
    23. Dire Wolf (False Starts 1) (Not Slated) (00:21)
    24. Dire Wolf (Breakdown 4) (Not Slated) (02:18)
    25. Dire Wolf (False Starts 2) (Not Slated) (01:07)
    26. Dire Wolf (Complete Track 3) (Not Slated) (04:26)
    27. Dire Wolf (Complete Track With Vocals) (Not Slated) (04:36)
    28. Dire Wolf (False Start 3) (Not Slated) (00:36)
    29. New Speedway Boogie (Demo With Acoustic Guitar, Drums & Vocals) (Not Slated) (02:34)
    30. New Speedway Boogie (Complete Track With Vocals 1) (Not Slated) (03:57)
    31. New Speedway Boogie (Take 2 Breakdown With Vocals) (Slated) (01:34)
    32. New Speedway Boogie (Take 3 Breakdown With Vocals) (Slated) (01:38)
    33. New Speedway Boogie (Mis-Named As Take 3 False Start With Vocals) (Slated) (00:15)
    34. New Speedway Boogie (Take 4 Complete With Vocals & Lead Guitar) (Slated) (04:26)
    35. New Speedway Boogie (Arranging Take With Vocals) (Not Slated) (02:37)
    36. New Speedway Boogie (Breakdown With Vocals 1) (Not Slated) (01:00)
    37. New Speedway Boogie (Breakdown With Vocals 2) (Not Slated) (01:59)
    38. New Speedway Boogie (Complete Track With Vocals 2) (Not Slated) (04:48)
    39. New Speedway Boogie (Take 8 Complete With Vocals) (Slated) (04:19)
    40. Cumberland Blues (Various Breakdowns & Take 9) (Slated) (03:26)
    41. Black Peter (Breakdown 1) (Not Slated) (01:05)
    42. Black Peter (Breakdown 2) (Not Slated) (01:12)
    43. Black Peter (Studio Chatter) (01:45)
    44. Black Peter (Breakdown 3) (Not Slated) (05:41)
    45. Black Peter (Breakdown 4) (Not Slated) (04:42)
    46. Black Peter (Complete Track With Vocals) (Not Slated) (05:43)
    47. Easy Wind (Complete Track With Vocals 1) (Not Slated) (04:53)
    48. Easy Wind (Breakdown With Vocals 1) (Not Slated) (00:48)
    49. Easy Wind (Breakdown With Vocals 2) (Not Slated) (04:20)
    50. Easy Wind (Breakdown With Vocals 3) (Not Slated) (01:12)
    51. Easy Wind (Breakdown With Vocals 4) (Not Slated) (01:04)
    52. Easy Wind (Complete Track With Vocals 2) (Not Slated) (05:52)
    53. Easy Wind (False Starts & Breakdowns With Vocals) (Not Slated) (01:43)
    54. Easy Wind (Incomplete Track With Vocals) (Not Slated) (01:44)
    55. Easy Wind (Take 17 With Vocals) (Slated) (05:42)
    56. Easy Wind (Take 18 Breakdown With Vocals) (Slated) (00:45)
    57. Easy Wind (Take 19 Breakdown With Vocals) (Slated) (01:05)
    58. Easy Wind (Take 20 With Vocals) (Slated) (04:36)
    59. Easy Wind (Take 21 False Start With Vocals) (Slated) (00:21)
    60. Easy Wind (Take 22 Breakdown With Vocals) (Slated) (00:39)
    61. Easy Wind (Take 23 Breakdown With Vocals) (Slated) (00:38)
    62. Casey Jones (Breakdown 1) (Not Slated) (02:51)
    63. Casey Jones (Breakdown 2) (Not Slated) (03:10)
    64. Casey Jones (Complete Track With Vocals) (Not Slated) (04:34)

    *** Artist: Grateful Dead
    Title: Workingman's Dead: The Angel's Share
    Year Of Release: 2020
    Label: Grateful Dead/Rhino
    Genre: Rock
    Total Time: 02:31:31

  • daverock
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    new sound of WMD

    Ziffle-yes that makes sense-if you were lucky enough to see them on a regular basis. If you hadn't seen them at all, and only knew them through their records it might have been more surprising.

  • Lovemygirl
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    ...”my god it’s full of stars!”

    ...my god , it’s full of stars!”
    Bravo! Thank you for a real good time!
    Have a grateful day my brother and sisters!🙏❤️💀🌹

  • Ziffle
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    Not so new sound of WMD

    At the time that WMD was released, it didn't seem radical or different. They had been playing some of the songs for a few months. The Dead had been playing acoustic sets and interspersed songs for a while. It was more of a continuation. The album is sublime, but it wasn't a departure from what we had been hearing in concerts, and it certainly did not represent a change in direction for the band. It did not seem to me to be a departure. Live Dead was an approximation of one aspect, WMD gave us new songs, exquisitely performed, but that is all, nothing more.

  • Mind-Left-Body
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    The new Dead sound of WMD

    I imagine the change and sound from Live Dead to Workingman's Dead must have given Dead fans the same huh? that KISS fans got after latching on to the awesome KISS Alive! Then less than a year later The studio LP Destroyer comes out, and it has a piano ballad on it! (Beth of course). But even without that one, Destroyer was way out of left field with pianos, strings, bells and Bob Ezrin (Pink Floyd The Wall). I remember putting on side I of the LP, which was supposed to start with Detroit Rock City , and I'm hearing the sound of silverware being put away while a guy read the morning news. It turned out the silverware was supposed to be glass being swept up in the aftermath of the song lyrics I was about to hear. Classic Bob Ezrin. Those were the days where a producer or manager said jump and Gene Simmons said how high. Now he's just a rich sucky dude who takes advantage of the people that made them him rich. If I had millions of dollars I would sue that guy 10 times over. I would take out op-eds in the New York and L.A. newspapers about him. It's not slander if it's true right? I'm way off the Grateful Dead mark, sorry guys! End of rant.

  • Lovemygirl
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    *RE/ Strider & ‘’Blue Jay Way’ !

    ... it’s funny you posted this song and some of the lyrics! “Don’t Beelong,
    “Please Don’t belong , please don’t Belong”
    ...if you listen really closely the Beatles are actually singing,” Police Don’t Be long, “Police! don’t Belong, “Police Don’t Dont Belong ! Police Don’t Belong!”...give the song an listen to it again with these lyrics in mind! Blue jay = police ...
    At least when your trip’n it does! Lmao! Ha ha lol !
    The Beatles! George Harrison’s
    https://m.youtube.com/watch?v=Coz0TmK2ZIg

  • daverock
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    All good

    Strider - interesting post, thanks. It seems to me that The Dead had great cultural and artistic depth, and that this could be the reason why their music and impact has endured. It would be impossible to account for all the associations, and things I have followed up through listening to the Dead-musical, literary and spiritually.

    Of course, we all enter the narrative at different points, and from different perspectives. As a 15 year old, in England in 1972, my entry to acid rock came way before I actually took acid, with Hawkwind in 1972. Reading about Hawkwind, I learned that they were like an English version of The Grateful Dead. Who they? Reading on, I learnt something of their history, and eventually bought an album. Which was Workingmans Dead. Ironically, having already listened to all manor of far out British and German bands, this sounded a bit pedestrian, and it was only when I got the ostensibly more obscure Anthem of the Sun, that I started getting into them. To me, Working Mans Dead was harder to get into because it was more specifically American music-whereas the earlier albums were more universal.

    This is all listening to records, too. I never actually saw The Dead until 1981-so its also very evident that how we experience the band depends to a large extent where we come from-which country. Which also indicates why country based material can be harder to get into than the psychedelic music for some people. But the more I listened the more the different eras coalesced and fed into each other and seemed to form a wonderfully diverse and rich whole. Listening to The Dead never gets old. Unlike me, unfortunately !

  • Strider 808808
    Joined:
    Richard Alpert / the Beatles

    Blue Jay Way “ Don’t be long , don’t be long ,don’t belong”

    Ram Dass , cover of Be Here Now.

    Be here now, be here now, be nowhere

    Look closely , noticed late one night almost 50 years ago with friends.

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Due July 10th, WORKINGMAN’S DEAD: 50th ANNIVERSARY DELUXE EDITION will be available as a three-CD set and digital equivalents featuring the original album with newly remastered sound, plus an unreleased complete concert recorded on February 21, 1971 at the Capitol Theatre in Port Chester, NY. The show was mixed from the 16-track analog master tapes by Jeffrey Norman at Bob Weir’s Marin County TRI Studios and mastered by Grammy® Award-winning engineer, David Glasser, along with restoration and speed correction by Plangent Processes. 2/21/71 delivers a plethora of songs from both Workingman’s Dead and the band’s follow-up album, American Beauty. Some highlights include Weir’s moving vocal take on “Me and Bobby McGee,” Pigpen’s whiskey-seasoned growl on “Easy Wind” and a stellar run through “Uncle John’s Band” to close out the show.

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In reply to by One Man

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In the time since I first posted, I listened again to both of Mickey's WD & AB, and spot compared with the regular released versions. Mickey's five channel mixes are striking, even where there are no other differences from the released versions. Example, the bass lines are far clearer, background and double tracked vocals shine. As might be expected, with five speakers, there is more space for each instrument. The only flaw I hear is some introduced reverb in Easy Wind that I think detracts. In some places background and harmony vocals are restored (e.g. New Speedway Boogie), and in all songs have a richer presentation, using the rear channels.

American Beauty is somewhat more radical than Workingman's Dead. Til the Morning Comes actually ends (instead of fading out), Brokedown Palace starts A capella, Friend of the Devil has some additional vocals. These are a different approach. But incredible use of five channels is what makes these mixes memorable as compared with the conventional releases.

Also, in 2002 Mickey released a DVD-audio, Best of Mickey Hart, also in five channel audio (actually 5.1) with selections including one from Diga, a couple each from Mystery Box, Planet Drum, a couple of other tracks, and one unreleased 1996 track from the 100th Olympiad. Also excellent.

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Time and Space as we all know as Drums and Space
Finally received Jai Alai Saturday, One More Grateful Saturday Night
1971 Port Chester . Forensic Dr that's for you
Later Folks

After all Lydon was pretty succinct with the Filthy Lucre tour lol. Sort of like FZ's WOIIFOM take off of the Pistols 2nd fav band after Pink Floyd the fabulous Beatles

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I totally agree with both of you, those 5.1 mixes are just fabulous. I remember when they first came out, wow, what a surprise that was, the best sounding American Beauty I had ever heard, also Working Man's was just unbelievable. I had these two lp's engraved in my heart and soul and the remixes really opened my eyes as to how good these two releases really were and are, as if we didn't all ready know that. Blair jackson wrote about these releases in his blog on this very site years ago and he agreed, what a revelation the new mixes are.

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In reply to by unkle sam

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DOC: those are some mighty big pics, lol. Some of my top wish list shows! You’d think some of those might be more likely Dave’s, but hey, who’d a thunk we’d ever get a complete PC 71 show as a “bonus” disc!! One way or another bring em Dave!

WM & AB on DVD Audio; never heard the surround mix. I have stereo Hi-res copies/files that sound amazing, but they definitely are mixed different than the original releases. Didn’t know Mickey did those? I should pick up Hard copies of those and especially that Mickey Disc up. Interesting, thanks for the info.

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I just saw the new sold out poster go for
$400 on eBay. Unreal.

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Whoa!! WTF happened to Live Dead?? I know it was released prior to Working Man's Dead. Whaaa!😥😪

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I believe that they are only going to release the studio albums for the 50th anniversary releases.

For the AB Deluxe edition do we see another show from Port Chester 2/71? Since live albums aren't getting the deluxe treatment this would mean we won't see another anniversary release until 2023 for 'Wake Of The Flood'. Any thoughts/ideas?

Vguy72: that's just...cruel (lol).

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In reply to by DaveStrang

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Maybe they will save American Beauty until next year to pan things out a bit. Also - a bit of a left field idea - they might consider releasing deluxe editions of Garcia's First and Ace. Brilliant albums both, and chock full of future Dead standards.

Amazing coincidence...I have just checked out the board for pick of the day, and read that Bolo has referenced both these two solo albums in his last post there.

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Dave explains/justifies the inclusion of 2 21 71 w/ Workingman's 50th:

https://www.jambase.com/article/grateful-dead-workingmans-dead-50th-ann…

I still disagree. For an album recorded in Feb 70, released June 70, the show shoulda been a 70, not 71.

Have given 5 2 70, 1 2 70, 1 3 70 close listens past few days ... just incredible material ... really thought these WD and AB 50th would be similarly euphoric 1970 collections. The 1 2 70 Dark Star, the entire 1 3 70 bonus disc and the Other One in particular ... just otherworldly stuff ... and thanks to Dave for the beautiful Dave's 30 release. (Not tryna be overly critical ... I just love 1970 ✌ ... and I also listened to the Aoxomoxoa 50th bonus recently, perfect single-disc companion to that album.)

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In reply to by dissident1980

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I have to say I agree. From the rootsy charm of the acoustic sets - which were much more soulful than the ones from later years - to the Dark Stars - to some of the most powerful jams in their history during The Other One, Dancing in the Street, Viola Lee etc..You would have thought an anniversary release of WD would have been a perfect opportunity to celebrate this music. Maybe its been foregone as there is a big old box on the way. But I doubt it.

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What a cool post, thanks for posting it!

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If the guy had ever listened to the New Riders' "Lonesome L.A. Cowboy" (Lyrics by Peter Rowan) he would have realised that Barney's Beanery is indeed in L.A. and not in S.F. and could have saved himself both time and effort looking for it. Gotta know your songs!

This in no way diminishes his efforts. A thoroughly interesting and enlightening piece of research.

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In reply to by Strider 808808

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Berry interesting, nice work!
Gotta wonder why they didn’t try to ask anyone from the dead?

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Workingman's Dead gets played every time I get into bbq and beer drinking. Along with the Best of Muddy Waters, Charlie Musslewhite's Louisiana Fog, and Anthem of the Sun. If I had to pick one record of all records ever done, it would be Workingman's Dead.

When watching episode 2 of "Long Strange Trip", Jerry described this album as an extension of American Beauty and that's definitely true. In both albums the dead get away from intense psychedelia, and lean into chill folk and country rock. I also think its cool that in both of these albums CSNY helped the Dead with their harmonizing skills, which is one of many examples of the Haight scene collaborating.

Here's the link to the episode if y'all wanna watch!: https://www.amazon.com/gp/video/detail/B0716M5Q4C/ref=atv_dp_share_cu_r

Damn you have great musical tastes. The only slight modification I would put is Charlie's Vanguard lps are tops of a wonderful life's work. What do you think of his experiments with Cuban and other fusion material he got into from the late 90's

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I've never heard Charlie play Cuban music, but I have heard that he did. My favorite two Musslewhite records are Louisiana Fog and Taking My Time, but I love all that music he put out on Vanguard. I've seen him play a lot of times. Charlie Musslewhite and Little Walter my favorite two harmonica players, but I love all of those blues harmonica players past and present.

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I'm looking to fill some gaps in my collection. I have a few of the official downloads/CDs that they released way back when but they are no longer available.

Anyone out there looking to trade some shows? I have a pretty deep collection of Dead/Phish/Panic/Mule/Cheese/Etc.

Google Drive works great!

DM me.

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not much posting going on.

not that I need to spend time here, but it is a pleasant, occasional diversion.

5/5/81 post drums is worth your while.

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I love this album
It’s one of my favorite, go too albums released by the dead. This album changed me some how. But that’s a whole other story.
I love it!
Have a grateful day everyone.

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Just got relix mail about a 14 lp collection of original albums, 180 gm, beautiful colors, the book, the special gift, limited of course to 3,000.

Boy I flew there, 500 bucks! (hear that large sound of brakes squealing)

Can't a brother get a break.

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Went a looking for that Loser done by the Travelin' McCourys,,,, couldn't find in archive, but you can buy "the single" from amazon for 1.30.

At least a brother could afford that.

…….. for just the price of a cup of coffee a day, you could give a needy Deadhead...….

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Found that Travllin' McCourys show (2015-05-23). It's on the archive. I was looking under Del McCourys Band, but no, it was under TM (like it should be).

It's a nice recording. I think there were 4 recordings of that show, I forget which I took, the best one obviously :-)

Time to put up on gdrive.

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In reply to by vykr

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Maybe they are saving that for the next reissue. Its only 5 years off the 55th anniversary.

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There are a few copies of this one and American beauty for sale on ebay.

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Back in 1984 I was at Red Rocks to see the Dead and I was given a Pigpen t-shirt from one of the Hog Farm associates. It was made by Stanley Mouse of his portrait of Pigpen from the back cover of Workingmans Dead. Printed on an off white 100% cotton beefy-t it was the bomb. I believe it had been produced by the Hog Farm and Mouse to be a fun-d raiser for SEVA. (Phun-raiser) I used to be a hell raiser , now I’m just a phun raiser. I bought this latest Workingmans Dead t-shirt. Way satisfied. Looking forward to t-shirt, jacket and should get the cap and go down to the Cenex Co-op filling station and shoot the bull with Goober. Andy Griffith was a comic genius .

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Perhaps they will come out next year? 51st anniversary and 5.1 mixes go together.

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Hats off to you, Okiedoke! Your persistence is greatly appreciated. That's a fun tale. I wonder if the Victorian house was moved somewhere or just plowed down. And wouldn't "Beanie's Place" make a good album title for someone?

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I recommend the jambase stream of 4/21/1972 Beat Club bremen. Right now they are doing playing in the band a second time. I guess the first time through they weren't as warmed up.

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In reply to by Strider 808808

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....great post my man. I have the “Pigpen T /Shirt you mentioned in your last post. Only difference is the color, the first edition of these pigpen T- shirt were/ are a beautiful hue’ of Pblue
In first edition was created & offered by the Dead’s long time friend & fan; By the artist, ‘Stanley Mouse Studios! The original first edition shirts are highly sought after or grateful to have in any greatful dead fan base! I have two versions, the original release by Stanley mouse and a 2nd shirt Of mouses’s released with a deep red/ maroon color palette!

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In reply to by Strider 808808

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....great post my man. I have the “Pigpen T /Shirt you mentioned in your last post. Only difference is the color, the first edition of these pigpen T- shirt were/ are a beautiful hue’ of Pblue
In first edition was created & offered by the Dead’s long time friend & fan; By the artist, ‘Stanley Mouse Studios! The original first edition shirts are highly sought after or grateful to have in any greatful dead fan base! I have two versions, the original release by Stanley mouse and a 2nd shirt Of mouses’s released with a deep red/ maroon color palette!

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In reply to by deadheadqueen

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Why is this Workingman's Dead 50th-anniversary collection being released on July 10th, 2020 while the original vinyl album release (WS-1869) was on June 14th, 1970?
I don't enough about the inner workings of Rhino Entertainment or Warner Music Group, but I would have put the release date of Workingman's Dead 50 sometime in June 2020.

product sku
081227908706
Product Magento URL
https://store.dead.net/special-edition-shops/workingman-s-dead-collection/workingman-s-dead-50th-anniversary-deluxe-edition.html