• 8,081 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Comments

sort by
Recent
Reset
  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

user picture

Member for

17 years 5 months
Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
user picture

Member for

17 years 4 months
Permalink

The YouTube video is mildly entertaining. A Canadian once told me he lived in northeastern Alberta. I asked him what it was like and he said it’s boreal forest (stunted trees) ,just like the word sounds, boring .

Oh yeah... it seems a bit twisted. So that instantly gets my attention.

Whad'ya say JIMINMD?

Boooreal Ridge adventure trip = it might be better than that crappy warehouse job

Was it 5/19/77 at the Fox?

Listened to that awesome show last week. Loved the bonus tracks from the fall of 77. Always thought that was a cool idea.

What is on tap for today? Would like to see more official releases as Bolo I believe originally intended.

Peace folks.

user picture

Member for

8 years 10 months

In reply to by DeadVikes

Permalink

What about 3/24/90?

3/24/90 - Dozin’ At The Knick (13 songs) & Spring 1990 Box (6 songs) & Postcards Of The Hangin’ (1 song) & Without A Net (1 song OMSN)

It's spread over a few releases which makes me curious to check it out again as it's definitely been awhile.

RE: DEADVIKES - Yep, yesterday BOBT picked 5/19/77.. awesome show for sure.

One of the Best from '77?

Worked my way through it late yesterday, Wow!

user picture

Member for

8 years 10 months

In reply to by DeadVikes

Permalink

Mind Meld Left Body Jam

Spring '90 here we come!

Who woulda thought that 30 years later.. Oh, let's not go there...

Sherman, set the WABAC machine for 3/24/90 the Knickerbocker Arena in Albany, NY.
We've got some music to listen to!

… isn't that across the Whitestone or Triborough Bridge?

Nice Dave Bromberg vid. Made me check my Bromberg, I'm light in that guy, couple of shows and only an album or two. Guess I need to get more.

While Bromberging, saw Mean Mary on the right side of youtube. I like her a lot. Any Mean Mary fans out there?

Be kind, mention less new music, I can't afford no more!!!

user picture

Member for

12 years
Permalink

Recent talk of headphoning.

Certain albums have ALWAYS shined through the phones.

Great headphone album I've been melting my ears with the past week. (over, over and over some more)
Nine Inch Nails - Pretty Hate Machine. What an angry album, angry and sad. Has stood up well for me since it's release. If you can skate as fast as "Sin" you're doing great. 120 on a crouch rocket with this song, wow!

Ok, two more headphone albums I love. Dr Buzzard's Original Savannah Band & Operation Mindcrime.

user picture

Member for

8 years 10 months

In reply to by Dennis

Permalink

LTGTR > Help On The Way (Transition was tight) > Slipknot! (Short & Sweet) > Franklin's (These Multi-Tracks be sounding GOOD!)

I'm a likin' this already :)

For those who wanna play it through in order, here's what you need -
Set 1:
Majority - Spring 1990 Box (2012) - Disc 12 - Bonus tracks from March 24, 1990, Albany
Walkin' Blues - Dozin’ at the Knick (1996) - Disc 1
Desolation Row - Postcards Of The Hanging (2002)
OMSN - Without A Net (1990)

Set 2
Dozin’ at the Knick (1996) - Disc 2 & 3

Enjoy!

PS - Do peeps play this stuff off disc? Just curious how you peeps be doin' it, yo

Tight, I figured every body has their own work around.

I was curious how people do.

I add all audio files to my music player and control the spaceship from there.

CDs are def not my preferred medium for this here music.

Believe we had ventured to the lower seats behind the stage. Can’t remember why? Probably to meet folks and fire up during D/S, so most everyone thought the usual meh, here cones D/S etc, but no....they start going into this jam and it sounds like something??? But none of us knew exactly. Anyway, it was pretty special especially from that different perspective of being behind the band but close, and at the same time you can look out at the crowd and all that energy. Sorta like the roadies view. Anyone who has ever spent much time on stage while a band is getting it on with the crowd knows what I’m talking about...
Anyway, those were great shows!

DENNIS: tell your wife I’m sorry for making you need more Bromberg LOL 😃
But come on, it’s Danger Man!

user picture

Member for

17 years 4 months

In reply to by Oroborous

Permalink

I ripped it all to the trusty ML 9600, edited as needed and burned a HC Disc then ripped it to the server. Or I could easily shuffle correct order via Album Player. I should check out that matrix for different perspective. First I’ll have to see if Dozin is how I remember: having extra ambient mics in the mix? I seem to recall I’ve always really liked the sound on that one because of the enhanced live feeling?

user picture

Member for

8 years

In reply to by Oroborous

Permalink

During the quarantine I have been mainly listening to CDs in my basement with the old school wired hifi suround sound system.

I also have a Sonos system linked to iTunes with a lot but not all of my CDs ripped.

It is hard to use these Sonos systems when the whole family is home working and going to school. Each speaker uses something like 5 Mbs of bandwidth.

I rip everything lossless, then listen from file. If I get around to today's pick.. and I might just be able to fit that in.. I will be re-arranging and re-ordering the songs from the best available sources. A giant pain in the ass if you ask me.

When I first set up the house I live in after the move.. I put all the CDs, etc. in the office and when working at night I would play right from the CDs.. for quite some time. ..but I got tired of staying in my office for ungodly hours each day, and my work now seems to involve less data crunching, analysis, etc. so I am not quite as trapped to my office and get to escape. I have almost freed myself from swapping discs.

rip em once, play em plenty.

user picture

Member for

8 years 10 months

In reply to by DeadVikes

Permalink

Nice! It's cool to hear the different set ups people are using.

OROBOROUS - That Alesis ML 9600 sounds pretty dope!

DEADVIKES - CDs in the basement are cool too, specially with some nice speakers.

JIMINMD - Agree, I like to have my music where ever I go these days, but definitely started grounded with CDs.

I back up my CD masters, then add to music player, in this case iTunes and organize from there.

If I need to retrack or splice it up I'll take the master file into Adobe Audition and work with it there.

ML 9600 peaks my interest for sure.. looks like it's discontinued though.

As a Tape Kid, When I got back into collecting in 2010, I definitely had no idea what I was doing.
Which has become apparent when I re-listen to some of these old picks and what not.
This Pick Of The Day trip has been great for finding out what I was doing 10 years ago in regards to collecting.

It's been educational for sure, and apparently we just never stop learning.

Dozin' definitely appears to have some extra ambient noise mixed in verse the Multi-Track recording from Spring '90.

Pretty stoked GDR released these bonus tracks.

Walkin' Blues made me miss Brent-Ski and this Loser is SICK!

Stoked on this show so far.

PS - All Audio geek info is highly encouraged, Best Methods etc... Might need to be a new thread ;)

user picture

Member for

17 years 4 months

In reply to by DeadVikes

Permalink

Deadvikes: if at all possible, hard wiring your Sonos network will improve both it as well as free up valuable WiFi! EDIT: professional tip of the day: always hard wire your net stuff unless you can’t!
Depending on how old your house is and what they used to wire for phones, you may be able to cobble together enough wire to do this. Often they’ll use cat 5 for phone outlets, so anyone who has cat five, even if only one per location, can do this. The only tricky part is terminating some RJ 45s, but you can source tools and supplies online or even at many big box stores, and of course you can learn how to do most things on line these days.
NOTE: as long as you don’t need any conductors for landline...I’m assuming most folks don’t use landlines anymore....

EDIT: GOGD, normal methodology is rip immediately to Server, carefully put disc back in case, put case on shelf as future backup.....unless the discs fall apart in ten years 😉 Occasionally, I’ll make a hard copy of combined or reordered stuff like 3/24 on the ML, or a road or mix copy, but I never play the source discs. Funny though back in the day before all this highfalutin’ tech, I did play Dicks etc in the car, but have never had a disc go bad.
....ok, I can hear Dennis now...”what’s that about playing with Dick in your car” yuck, yuck...

Yeah, this show is ringing my bell today.

Totally fell off my radar.

Sounds super good and the playing is tight.

Really solid Set 1.

OROBOROUS - Nice 3/24/90 Story.. And DAMN, you saw a lot of shows!
Would love to swap Hampton '87 stories sometime, those were my favorite shows that I got to attend.
The energy in that place for those shows was just Awesome!
Also down to hear more about your server & music set up at some point.

But till then, stoked thinking about wandering around the Knick while this here music plays.. cause this sounds killer.

PITB is dreamy

EDIT: OROBOROUS - Haven't heard from Dennis yet... but that's funny.
Thanks for the haps on the craps, yeah I rip 'em and run. I'm interested in that ML-9600 and server set up. Got everything on an External Drive currently but am thinking I could use a better set up. I might bug you about this some more down the road if that's cool. In the meantime, thanks for the tips and that joke. Hahaha!

user picture

Member for

17 years 4 months

In reply to by Oroborous

Permalink

Love DP 18. Madison Wi. And The Wheel, and fond memory of an old friend telling me his story about hanging with Jerry at the Madison Holiday Inn...

user picture

Member for

12 years
Permalink

For those who care, spackling coming along fine.

ML-9600 - intrigued me enough to look also. Went to their web, yes, appears discontinued. I read their description and thought, "shit, that's gonna be a few bucks." Was shocked high price I saw (for ten seconds of looking) was 300 bucks. Still don't think I need one, but a lot cheaper than I had in mind. I was thinking 1-2k. Why I'm not on the price is right.

Home network/wi-fi/wired - two cents on this. My wi-fi sucked for a sundry of reasons. Found these thing by EERO, they replace your current wifi. I bought the 3 unit box. They talk to each other and can balance the load. Also learned about "switches" (I think that's the name). Stupid little cheap boxes that act almost like a usb hub. Run a cat 5 wire out of router, plug into this thing and bang you got 6 more holes you can plug cat 5 wire into. So one cat 5 wire into attic, into switch and then a cat 5 to each room. The switch I got runs off 5 volts. One of my cat 5 wires goes to eero box 2, other side of house in tv room. Box 1 is connected directly to router. Box 3 in other end of house, close enough to box 1 to run wi-fi between them, but communication between 1 & 2 are wired.

Got that?

I've always liked Dozin, my era I guess. I go with the crowd mike added in. But the recording I think is great. Used to listen to the disc a lot when first came out on good stereo. I need to splice the 2 "spaces" into 1 space, just because.

Playing Dick in car!?! I would never complain, I'm an Auto-Erotic. Owned a repair shop for years, fixed cars long time.

Back to spackle.

that’s where I am now, oh yeah!
Always loved LTGTR opener, usually a good sign and set a kind vibe..but did not expect a H/S/F after. Phil’s killin’ it on the intro to Help, and they nail the start, shit their nailing things like a damn carpenter all over this! Always loved that Loser! Nice OMSN end of set change up. Smooth spacey, but tight, Playin’, awesome jam and transition into UJB, then like a Swiss watch, Jers not messin’ around, head first into this smooth Terrapin etc, and of course that sweet jam. Moments like that were what kept me still going after all the years....And all this goodness even before a great 90 D/S midi fest, it’s a shame Lee eSdee and I weren’t hanging out at this time..
Wheel, Watchtower when it was fresh, Stella...oh Stella, sigh, Oh to be able to hear Jer live bring it all down, way down, like during a Stella or Dew one last time, to lay me down, sigh.
I probably felt like at the time like “shit, another NFA, had to wreak a near perfect show” lol, damn picky dead heads!..but it works, I mean what else to cap this awesome show, Dew? Well, ya knew they’d be saving that one...no, it probably had to be NFA, with the still fresh and always welcome (to this day) Bid You Goodnight!
Yeah, you had me roped in instantly on this one even though I just limped through the 30 year spring 90 thing back in March! Big thanks to the picker, Brillant Mate!

Yes, unfortunately out of production. Best gear I ever bought! List was around 2K, I got mine back around 02-93? Think I paid around 1200 at Full Compass, which used to kick ass, great prices and no secondssold as new like muscians friend...
Ive always been a gear geek. BITD no matter how poor i was, hell I often didn’t have a car, but from high school on I always had me at least a decent stereo. So I’ll talk gear or tell stories with all y’all anytime, but I fear there are many here among us who feel this is but a joke!

user picture

Member for

8 years

In reply to by Oroborous

Permalink

Oroborous, interesting information on Sonos. You have peaked my interest on hard wiring the speakers. Could you elaborate on that? I thought the whole point of Sonos was plug in anywhere, no wires, which my wife loves, and run it through WiFi?

Appreciate your expertise as I know this is your profession.

user picture

Member for

8 years 10 months

In reply to by Oroborous

Permalink

What's the origin story of that title?

I'm gonna blame that title for me always blowing off this release.. cause it's a bad ass show.
And it's not a snooze fest even if it's marketed as one!
(This is all tongue in cheek btw, keep up the good work Dead.net and see comments below about Fade In & Out Tracks if anyone who produces these great CDs read this stuff)

I thoroughly enjoyed all of that.

The Set 2 PITB > UJB > Terrapin > Mind Left Body > Drums is a spring '90 highlight!
Inventive, fresh, strong singing. Damn these people that release this stuff might be on to something:)
Space > Wheel > Watchtower real nice, usually tire of later Watchtowers, but this was played with some real gusto.
Stella Blue even caught my daughter's attention, she said "this one is really good Dad, did Jerry write this?"
But got pissed when I told her that NFA was a cover, she mentioned that should be a Dead song.
AWBYGN is always a treat and Jerry sounds like he's really enjoying delivering this one.

Far OUT!

I'm stoked that came up, thanks to DEADVIKES for keeping us on course with releases and Thanks to the GD for breaking that one up all into pieces so that I didn't really want to listen to it that much and could really enjoy it today!

RE: JIMINMD I agree that trying to patch up fade in & outs is a pain for real.
If the power's that be read this stuff a couple of separated Fade In & Fade Out tracks placed at the beginning and the end can easily be added to any CD to keep continuity and easily deleted by the consumer to create seamlessness for the hardcore freaks. Just saying.. that'd be great!

RE: OROBOROUS Tech talk rules and I appreciate the Gear info and hopefully we can continue this... but the hour is getting late, hey!

user picture

Member for

9 years 9 months
Permalink

Given the album cover and Albany's proximity to the Catskill Mountains, "Dozin" is a reference to the Rip VanWinkle story. Deeply ingrained in those of us from Upstate NY!

user picture

Member for

8 years 10 months

In reply to by Jack Baller

Permalink

Ah-ha! Now that makes sense.

Thanks JACK BALLER!
I now know with the help of your response and a quick google search that Rip Van Winkle is one of the Great Northern Catskills best-loved figureheads.
That makes so much sense, and the regional touch is really cool.

This came out in 1996 and I've always questioned the marketing angle as the first thing I thought of was why would they release this if they thought it was a snooze fest?

But lo!! It's quite a bit more clever than I.. and it's pretty keen.
(I didn't recognize ole Rip in the bushes and thought that was just some stoned hippie laying there;)

That clears up a lot and makes me like this release that much more.

DAVE ROCK: Dosin' at the Knick ain't bad either as I'm sure there was a lot of that too...

Well, you just can't beat that.
Good music and I learned a few things.

The Good Ole Grateful Dead strikes again!

user picture

Member for

9 years

In reply to by The Good Ole G…

Permalink

Excellent advice Jimbo.

I listen to new CD arrivals to confirm that they are not defective, then make a disc image on a HD. I then type in the track names and make any necessary edits (removing those stupid overlap transitions between CD’s), and export the files as Sd2f. The Sd2f file is then used to make copies in various formats: AIFF, ALAC, FLAC, AAC-320 (each format on a separate HD).
The ALAC files go onto micro SDXC cards for my iBasso music players (DX80 and DX120), and into iTunes for my iPod 5 Classic which a few months ago I upgraded to 1 TB using an iFlash Quad.
The AAC-120 and FLAC files are for playing from USB drives in cars.
With the AIFF files I burn 2 copies to CD-R as backups (glad I started doing that now that the CD rot issue has been brought to our attention), and listen to one of the copies to confirm that the files on the HD are not corrupt.

I then make multiple HD backups

Where do I find the time?
I don’t play video games, I don’t go to movies, and I watch very little TV (no Netflix or other subscriptions). I do watch a lot of hockey but I can see and hear the TV from where my computers are, so I try to have the computers running and converting audio files/burning discs while watching hockey.

I do get to listen to a lot of GOGD.

Great choice, I was able to listen to I believe everything except Desolation Row. Still have my Dozin copy from 1996 and the first Spring 1990 opening tunes. Top shelf!

I will throw out another 90s release for tomorrow, 8/13/75, One From the Vault.
I have two copies of this, the original 1991 release and the remastered release from 2007. The upgrade is awesome.

user picture

Member for

14 years 11 months
Permalink

...On behalf of the group"

Pretty much have this whole show memorized, as it's always in heavy rotation. What the heck, in the interest of supporting my Deadhead brethren, of all genders, races, political leanings and creeds, I'll cue it up tomorrow and play it LOUD on the big boy system!!

Unless my wife is home, then it's headphones.

user picture

Member for

13 years 4 months

In reply to by The Good Ole G…

Permalink

Made that run too.. I think there are several of us here that must have shared a fatty or a bowl at some point over the last 35 years.

So are we doing One From the Vault next? My first tape of this was labeled "Make Believe Ballroom." Not sure where that came from or how common it was.

So I decided if we are doing 3/24/90 I would re-order it and do it right.. which is where I still am. I did roast a good amount of kind Ethiopian Coffee and unfortunately spent a ton of time on the phone with USPS. Back to finally getting my Knick exactly perfect. Whoever mentioned the Mind Left Body.. my two favorites are 10/18/73 and 3/24/90. On the latter, Jerry and Brent are in the middle of a serious mind meld. It's amazing and Brent really does fill in the gaps, almost exactly perfectly. Always one of my favorite late era shows. Amazing.

user picture

Member for

13 years 11 months
Permalink

in the queue...

user picture

Member for

15 years 1 month

In reply to by JimInMD

Permalink

Jim, my first exposure to it was the Make Believe Ballroom LP on the TAKRL label

user picture

Member for

17 years 4 months

In reply to by DeadVikes

Permalink

To those not interested, please skip and except my apologies

First, disclaimer: I am not a IT, computer, or network professional, in fact, when it comes to computers I’m way behind the curve. That being said, I am a custom AV professional which usually requires installing commercial grade networks in the home. I’ve done hundreds over the years. So I have a lot of experience using many AV products both wireless and hard wired. Why, because when you have home automation, Lighting, HVAC, Pool/spas, Security, AV, gaming, WiFi and more on one home network that’s a lot of bandwidth, no matter how many MBS/gigs your paying for. Your network is the foundation that all your net gear lives and depends on. You wouldn’t build your house on a cardboard foundation so you shouldn’t build your network on a insufficient one either!
SONOS: you are correct that one of the main selling points for Sonos or any of the “wireless” audio products is reasonable stability over WiFi (of course always depending on service. Just like your water main the pipe is only so big)...the biggest of all reasons Sonos is ahead of the pack is their user interface. So with decent service you can certainly enjoy over WiFi, but like you mentioned if everyone is on line at the same time it’s like having every water facet and toilet going at once...,the pipe is only so big...streaming of course is the biggest drain of all.
I won’t get all in on the phsycics, and I’d probably do a lousy job, but generally, a properly hardwired connection is going to be better: faster, less latency, more BW, and certainly more stable/reliable. I’ve seen situations where the IT guy had me disconnect a HW feed and use a meshed WAP, but that’s mostly because the WiFi gear was new, robust, and of course somewhat oversold lol. The wiring and switches were ancient crap....I may have been trying to use only four conductors which limits you to only 10/100. But that’s only happened a few times in 13 years!
By comparison our nets are at least 1-5 gig capable, but our bigger new jobs have been 10 gig to try and future proof (as much as that’s possible anymore). Often these start getting into fiber, But I digress...
Also, even if it’s not that time of day when the whole neighborhood is sucking on basically the same pipe, I’m sure you’ve still experienced huge speed drops, latency, and even severe buffering etc when the whole family is using all those wireless devices. So the more things you can take off WiFi and hardwire, the more those HW devices will benefit from the “bigger pipe” that the wire usually provides, but at the same time, the devices that are still over WiFi will also work better because removing streaming devices off essentially provides “more pipe” for the remaining WiFi devices.
It’s all about the pipe baby: bigger, faster, stronger...
The last job I was on before the VID was over 10K Square foot house. It has Comcast gig plus service, using an upgraded surfboard modem, 4 port commercial Router, 4- 48 port Poe switches, Ruckus Zone Director to air traffic control bandwidth where need via the 16 commercial grade Ruckus WAPs (all hardwired on cat five or better). All critical infrastructure gear is on Bluebolts for remote ip monitoring and rebooting.
Besides the 16 Crestron hardwired touchscreens, there are probably a dozen iPads for control of all house subsystems. The 20+ cameras are now all nest over wifi which is a huge bandwidth drain, but that’s what the owner wanted. Throw in all the personal devices of the owners and up to 15 guests, and six in house servants and five large equipment racks of gear (even amplifiers now are ip controlled) and that’s a shit ton of bandwidth. A normal home network would not function!
Obviously I assume most folks don’t have those needs, but the infrastructure methodology is the same.

So for a “typical” house (there is no such thing but for simplicity)
- Best pipe (service) you can get. Preferably on fiber or Coax if possible.
- Buy your own upgraded modem. For a couple hundred bucks that you’ll make up by not renting one.
- Research and get best Router you can
- Use strategic placement of WAPs over full cat 5 or better. Six is the norm, but we sometimes pull cat 7, 8, and/or fiber.
This depends on how many floors, walls, building materials etc, square footage. Like much of this too much is better than not enough. Think brick shithouse from BITD...
Usually the cat for your phones all homerun back to your headend or main distribution point. Depending on where that is and if there’s adequate power nearby, you can place all your gear there, or if possible, place a robust net switch there. Obviously for switch size you’ll need to figure out how many devices you’ll want to H.W. depending on how May wires you have. It’s usualky much easier to have at least enough Poe ports to power WAPs (make sure you’ll have enough wattage). You can find all kinds of wall trim to terminate similar to how your phone or net are trimmed on your walls, or if long enough wire just terminate RJ 45 etc. You’ll need to terminate all the ends at the net switch. A decent cable tester is a real help to ensure proper terminations. Inevitably you’ll need to test from end to end using all wires and splices/connections.
So you have your service feed to your modem, a net cabl from modem to router, router to your switch or switches, and your WAPs hardwired to your switch (s). If done properly using good gear (find gear with specks way above what you think you need, it can be money well spent, remember, your trying to build a brick shithouse, not a cheap tent! ), you can make your network more robust, stable and therefore enjoyable! It’s like buying a car with a big engine, you don’t akways need it but when you do and you put the hammer down, you’ll be glad you have that headroom.
Obviously many folks dont need so much, but even a additional switch with hardwired devices out of your provider modem can help when supply is getting stretched thin.
No matter how big or small or what your needs are, always hardwire when possible! That’s what I’ve found works best, cause it’s all about the pipe!
Hope this is understandable and helps. Sorry if I didn’t explain well.

Aren't we all geeks in our own way? I couldn't help but read that whole post, much of it lost on me.

But it lead me to a conclusion. Correct.. Oro, you are not an IT professional. ..but perhaps a bot. not a Russian Bot or a Facebook Bot.. our own SF peace bot.

I mean that in the most respectful way, hope I did not offend. In a way, Oroborous.. you are all we have in our freak fight against the tyrannists and enemies. We need our own bot.

Sorry for the diversion. Again, meant with the utmost respect and hopefully a perceived tread of good nature and humor.

Cousins, thanks for that info.. So that's the source of that language on my tape. Does anyone know the source? The Great American Music Hall is not called the Make Believe Ballroom, right? Was this just a clever name for a bootleg LP to get it past the TM and Copyright folks? There must be another half of this story.

I guess it doesn't matter if we don't solve this riddle, but how on earth did that LP get it's name?

Nite all.

Yes, this is the ticket for tomorrow.

Oroborous, appreciate the information.

Sounds like I am not in the league of your customers, which is okay. I am more of the pub links player. Anyway, at a minimum it sounds like I should invest in a new router and modem with the extra Wifi connections around the house.

Do you wonder why I like the old school wired system playing CDs.

Do you know how much time I have spent on the phone with Sonos customer service??

user picture

Member for

8 years 10 months

In reply to by DeadVikes

Permalink

Good stuff!

JIMINMD - Make Believe Ballroom pretty “famous” early bootleg record of 8/13/75 from the Amazing Kornyfone Record Label.

I think they fetch a pretty penny from collectors these days.

Cool info here - http://www.gratefulseconds.com/2018/02/?m=1

Fun Discussions tonight all.

Good info and Good tunes tomorrow.

Until then be well

user picture

Member for

10 years 2 months

In reply to by The Good Ole G…

Permalink

An hour of this show was broadcast on British radio sometime late in 1975. Consequently, my first Dead tape.

user picture

Member for

16 years 11 months
Permalink

This tape is what pulled me in. It's interesting if you have ever heard the full intro, where Bill Graham talks about Ron Rakow and his bet with him that he was being paid 50$. It is right after, "We welcome you on behalf of the group".... After listening to the intro version of one from the vault and what I had on my Make Believe Ballroom tape, it just sounds weird because the intro is awesome!! bob t

user picture

Member for

12 years
Permalink

Was a radio show for many years on WNEW radio NY. I gather it started about 1935, movie was made under that title in 49. Steve Allen ran the show for a while also.

Goog the name. The things we can learn here.

user picture

Member for

8 years 10 months

In reply to by The Good Ole G…

Permalink

Sleigh Bells Ring, are you listening?

I can still remember how excited I was when they announced One From The Vault

When I got the 2 CD set (which is next to me and has very small print that I can barely read now, but no "Disc Rot";) and listened to the music contained within it was a revelation:

This show is amazing! And it's complete and sounds incredible! This is how it could be! This could change everything! I could get all the shows sounding like this! They might release like a show a month or something! It's going to be off the hook! How will I afford it all?!?!

1991 the flood gates opened
with a trickle..

pretty cool

PS -
The Sleigh Bells in Slipknot!
The Harmonies in The Music Never Stopped..
Oh Boy!
I love this show:)

Be Well All, got some Fun Listening to do today.

What a First Set!!

Can only imagine what it was like to see this band back then, literally :)

That's gotta be up there with greatest ever Set 1.. if there is such a thing
EDIT: Forgot 3/2/69 in my excitement.. so never mind the "greatest ever" language, Great Set 1!

Dammit Jim, now my secret is out....part of why they put me in that dog getup, easier to contain!

VAULT 1: what GOGD said “Thanks UA & Rackow: yeah, I member all the excitement when the first stuff started trickling out, and the quality, Oy! Funny now how we critique many of the earlier generation releases now, but back then it was like gettin some when you were young!

DEADVIKES: if you have the wire in your house, id try just hardwiring stuff and adding a net switch. That shouldn’t cost you that much and it should help. Later you can always upgrade the other components if you want, but hardwiring stuff will help with any application. (To see what wire you have find your phone distribution point. There should be a at least one wire per room. If there is several of the same type, it should be marked on the side. If it’s cat 5 or better your good to go.

Ok, now time to fire up 8/13/75!