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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

  • JimInMD
    Joined:
    4/19 - Why take one when two will do?

    I can't say no to that. A pivotal moment in the life of Jim.

    The drive home (including the arduous task of finding the car) was perhaps scarier than that moment when they derailed into discord and mayhem shortly after drums. The driver, the older brother of the friend I went with, was totally straight and a taper. The two of us had never seen the dead before and we both indulged - two each. Making it through space intact was the first challenge.. then we had to live through it again on the drive home. I was given very strict instructions which I followed as if my life depended on it, "He cannot know." So we hop in the car, he takes out his newly recorded master and fast forwards to that very moment it all began.

    "Quoth the Raven Nevermore. ....It was a dark and stormy night.... Wasn't it?" and the laughing and the sounds of nitrous.

    Listening to this again for the first time in a while, that laugh at the beginning of space that sounds remarkably like the laugh repeated over and over again on a loop cycle during the excellent Space from Dave's Picks 40, Deer Creek 6/18/90. It's the same laugh whether recreated or brought back to life from this recording? Not sure.

    Looking back on this 40 years later, I have to think maybe Larry wasn't as straight as he was purported to be. How could he not have known we were holding on for dear life on that fateful drive home? Perhaps he fast forwarded to that space because he knew and approved? A test? Questions that will likely remain unanswered.

    If you haven't heard this check it out, there's a brand spanking new Miller on the archive that reeks of an upgrade. On a similar note, Lemieux has been playing stuff from this tour this year. I recall him referring to it as "a most excellent tour", perhaps foreshadowing things to come?

    To me, the sound is better than some of the 82 that's found it's way to CD.. When the sweet chords of the Wheel finally broke through the madness that came before it.. I realized things were going to be ok after all. And they were. But the half hour before that and the half hour drive home took some time to make sense out of. Thankfully the Wheel and Stella Blue were there to provide support and ground us after our travels.

    I'd like to think we both passed the test. ahh.. well, onward.

    Edit: Two additional comments.. the discord probably started with Feel Like a Stranger, also that Brokedown Palace was sweet. 81 and 82 have some really nice versions of these songs, Jerry's voice was in good shape during this period. a real highlight.

  • daverock
    Joined:
    Tupelo

    I can't honestly say I remember the Pigpen version - despite having the cd of 4/18/70. But that John Lee Hooker record is unforgettable. Nick Cave and the Bad Seeds cut a thunderous record based on this theme, and with that title, in the mid 80's.

  • Oroborous
    Joined:
    POTD 4/19/82

    In honor of Jim’s 40th anniversary.
    If you’ve never had the pleasure, grad some nitrous and check it out ; )

  • bolo24
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    Bobby sighting

    Sitting courtside under one of the baskets at Warriors/Nuggets game tonight

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Jerry's vocals here are so smooth and pure. Sometimes, I love hoarse and gravelly vocals on this tune ( I love the Augusta 10/12/84). But this one is sweet.
It's amazing how well Keith's electric keys fit in here. He was truly one of a kind.

That was awesome!

I'll save you the blow by blow as you'll all be feeling them... and they feel good.

RE: ORO - Ha ha, if the outing by Jimbo you speak of is Geeking Out majorly over the Grateful Dead.. then I'm afraid we've all been outed.
If it's something else to do with being a bot or a spy, then I'll let you, BOLO24 & JIMINMD keep rolling with that..
But yes, Here's to GD Geeks!

RE: ALL - Thanks for all your input yesterday on how you roll this fabulous music, I was too lazy & long winded to respond to each direct, but seriously good input and a lot to take away. ICECRMCNKD that's some next level backing up, you're hardcore, Impressive! ORO: Networking info, wow just wow! Like JIMINMD read it all, understood some. Glad to know you all. I'm not going to let this info go to waste and will continue to refer to it as needed.

This all put it into perspective... I'm NOT the only one who spends untold amounts of hours pouring over this stuff, collecting and perfecting and loving it!

Glad to be one of the many!
Keep on Rockin'

PS - JIMINMD - I think you're right about that fatty / bowl :) Hampton '87 might need some love one of these days!

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I really enjoyed listening to this. A consistently great show, from the first track, through to the last. I like the way the opening trio of songs are the same ones that open the Blues For Allah album, and the last track is the one that closes it. It feels like the whole show is encased withn the vibe of that album.
In many ways, its quite a strange show-unique. The fact that it is consistently great means that their are less peaks and troughs than in a lot of shows. It sounds almost choreographed - no rough edges at all. As Gollum says, the singing is excellent. I would single out Crazy Fingers in that respect - beautifully sung and played.

I listened to my vinyl copy of this, which sounds great. I wonder if a single show from the 76 box will come out on vinyl ? I am not getting the box, but I would go for that.

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What a great show from start to finish, heck I'd put it in my top 15 Dead shows of all time, it really swings.

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Just listen to one anniversary song if you have time. Playing in the Band 5/21/74 HEC Edmundson Pavilion... part of the Pacific Northwest Box... Longest Playing ever... bob t

ha.. I just did.

Had a nice 47 min soak in the tub to wash away the stress (etc.) from grocery shopping. Lossless, wireless Sennheiser's in tow.

Tomorrow might just be Portland '74.. one of my favorite China Riders.

I guess I need to be more faithful to the show of the day. Working on that.

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..and another BobT Shoutout.. is that PITB from the bonus disc from Jai Alai Fronton. I listened to that one soaking last night.

Both are holy shit good. It's no wonder I have a hard time conforming to the show a day play.

I might just prefer Jai Alai, so jazzy.. not a wasted note anywhere and not a note or chord too much. Notes, scales, chords and weirdness were performed exactly as needed.

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I was always a big fan of Milkin the Turkey. The first release! So good. Definitely short, but stellar. Is it the first analog digital digital CD?

And how about a Blues for Allah encore! When I was a young pup I always had an infinity for the Blues for Allah release. It was so different. I even had the Blues for Allah tapestry. I think it finally met its demise in the late 2000s. Should have held on to it.

Thanks again Oroborous! I have a lot of work to do.
What's on tap for tomorrow?

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Sounds like a good one, to kick off this weekend, the "unofficial start of summer".

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In reply to by DeadVikes

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I'm in. Starting... Now.

10/19/73 came up on the Dave's Picks page.. I don't think we covered that one yet.. did we? If not.. we might slide that into the queue sometime over the next few weeks.

Great energy on this thread since day 1.. thanks to all of you and Bolo too.

First Official Recordings from the Lost Betty Boards seems fitting with Betty cued up for the AMA tonight.

Wish Betty would do a Shakedown Stream Pre-Show... that would be cool.

Good Pick Bob T!

I was on the fence of suggesting either:
9/27/72 DiP V11
10/19/73 DiP V19
But kept quite to see who else might have some input.

So I second a review of 10/19/73 soon!

And 9/27/72 is looking mighty good too.

Happy Friday Everyone!

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In reply to by The Good Ole G…

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....today's choice is mucho excellente. I'm in. At work today, so trying to locate a good sounding version. Looks like there's only two out there. Both Wagner recordings.
edit. recordings sound ok, but I was spoiled by the 78 Box. Will listen at home tonight after Betty's AMA on Reddit.

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... what a gem! Agree with VGuy (and many others here,) first listen to this show was a hell of a nice surprise! Still my favorite of this beauty of a little box, which also happens to be my favorite 78 release - so I suppose that makes this show my favorite 78 so far.

Two discs of pure GD gold - all killer, no filler!

Peace

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Spent a lot of time there....suppose I'm obligated.

Loudest stadium in the country! I'm in!!!

KCJ

Edit: Loudest as long as there are people in it ☹️

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....are you still at your same address? Gotta mail you some local brews and a keychain/bottle opener to make good on our SuperBowl bet.

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Saw a couple shows there a few years ago, most notably Leftover Salmon. Fun show to catch if they show up near your town, btw. Anyway, H>S>F from One From The Vault was played during the set breaks, much to the delight of the assembled crowd.

On to Arrowhead and some good ol' KC BBQ courtesy of Willie and friends.

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Looking back now, remember all we had of the first 3 shows, Kansas City, Omaha, and St. Paul were audience tapes, never on my radar at all. 7/7 and 7/8 were widely circulated in tape trading days... Jimin MD we are on the same wave length with last nights 5/21/74 Playing, and when I was climbing the walls this morning I almost said 10/19/73, (I love the wheat field and sky on the cover!!!!) If you get a second, I never realized the Willie Nelson picnics had such a long history before and after!!! Doing yard work right now, on Big River, hope my neighbors enjoy this concert, because I am.... bob t

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About ready to have some myself...burnt end platter...yum! Same address Vguy, I’m not going anywhere soon! looking forward to those beers!!!

Is anyone familiar with Willy’s son Lukas? I just picked up his new vinyl, Turn Off the News And Build A Garden....good stuff!

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KCJanes has moved to Maryland. I am sending his new address via PM.

Edit: Heads-up.

In looking through the previous posts, it's obvious his previous account here was hacked, probably by a grifter, beer guzzling ex-neighbor who collects plundered bottle openers. Be careful with your passwords folks, this stuff happens all the time.

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...perhaps my love for this show was bolstered by the uniqueness of hearing it for the first time, the overall great SQ, and the excitement of it being the first show in a shiny new box.

I have listened to this show a number of times in the past, but this time through, I am seeming to notice a lot more of the "warts" than I have previously. "Bertha" starts strong, and the playing on "Good Lovin'" is hot, especially the end - but the singing is all over the place on that one. Not terrible, but just off. Donna has a number of miscues throughout the show, off-key clams, which I thought were pretty rare after hiatus. "Tenn Jed" is good, and "Jack Straw" is powerful, despite a few minor miscues. "FOTD" sounds flat and out of tune to these ears - "MAMU>Big River" is good and peppy.

I think I really noticed the "off" quality of this show during "Terrapin"... Jerry seems kind of lost and there doesn't seem to be a lot of "inspiration" to move him or the band brightly through this one...

"Playin" through the end is great though, and this is what I remember the most about this show. What are they saying right after "Drums"? Something about how "they set it up backwards..." then the crazy laughing/hooting/creepyness that goes on throughout the "Space" is awesome - must have been weird for a lot of folks there to see some good ol' boy country. "Estimated" is a high point, and "The Other One" is 78 power... "Wharf Rat" and the double shot of Berry to close it all out is hot, and in the end, they managed to pull out a good set, in spite of themselves.

I really do think that 78 is the most hit-or-miss year of the 70s.

An Ok, but somewhat mediocre disc one, HOT disc two (save that "Terrapin.") I still love a lot of what is here, but I think I am going to have to reevaluate this show as both my favorite release from 78, and even as my favorite of this box. Official score: 7 / 10. Kind of sad, but I suppose people change...

It was a fun listen anyway! What's on tap for tomorrow?

Peace

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A great box set . Arrowhead Stadium is a fun one long set. Any time the Dead could share the stage with Willie Nelson would have been Americana at its best before Americana became a hip term for a broad music genera .

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I am really enjoying this first set! On "Deal" now, and overall, I think this is a better disc than Arrowhead disc 1. I'd forgotten about the hilarious mess-up in "Mexicali" and how damn awesome this "Peggy-O" is!

I just may work my way through this whole box over the weekend, along with the Show of the Day (of course :)

Peace

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Lukas' band is Promise of the Real, they are fantastic. They played with Neil Young for a tour or two, missed that one, but have seen them live and they can really jam. All of their albums are good, but the first Lukas Nelson & Promise of the Real is the best one for sure. Catch them live next time you can.

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The thing I love most about this show is how it just SOUNDS like a hot sunny stadium show in Kansas City. I can imagine the KC BBQ, warm beer, and sweaty hippies packed liked sardines. Man, that all sounds good right now. I agree the show really starts to pay off in the Playin jam. This jam sounds louder and more aggressive than the sublime one from Dick's18 just a few months earlier, but vive la difference. Now I'm into the weird Space, hoping for a gentle "come down" by the end but who knows?....

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In reply to by bolo24

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Welcome to the rock and roll barbecue. Can you imagine. The Dead as the opening act for Waylon Jennings and Willie Nelson. Imagine if you were there for the country music and you saw these band playing Terrapin Station and then later the Other One? And I agree with Otis, this Terrapin is no 77 Terrapin, not smooth, but still a great show.

I still love listening to all these shows. They are all different.

Be well folks!

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Good stuff, good stuff.

You all wanna dig in to some 10/19/73 tomorrow?

VGUY72 - I see you over there asking Betty questions on Reddit... I hope she gets to it, seems like she's trying to answer them all. I decided to throw one in too, fingers x'd.

How cool is Betty Cantor-Jackson?

I'd say Way Cool!

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Ever since Fall out from The Phil Zone, i love this song... my emotions go crazy, happy.... sad..... you name it, especially at 1:20 in the morning over served!!!! Looking forward to Oklahoma City in the morning... Mind Left Body Jam is great!!! Good night all, be safe...bob t

....she didn't answer me. Yet. She answered some good questions. In Arrowhead Space currently. Seguing into Prophet. Nice.
Told ya I'd get caught up.....

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....Weir yells, "Easy now, easy". He followed that up the next show during the Mexicali stumble, "paying attention". Then they dare to follow up a raging Mama Tried w/ a Peggy-O?
I concur.

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In reply to by DeadVikes

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*Complete Setlist- Primo!
*Disk #1
First set:
"Promised Land" (Chuck Berry) – 3:44
"Sugaree" (Jerry Garcia, Robert Hunter) – 8:18
"Mexicali Blues" (Bob Weir, John Barlow) – 3:58
"Tennessee Jed" (Garcia, Hunter) – 8:00
"Looks like Rain" (Weir, Barlow) – 8:05
"Don't Ease Me In" (traditional, arranged by Grateful Dead) – 4:24
"Jack Straw" (Weir, Hunter) – 5:32
"They Love Each Other" (Garcia, Hunter) – 5:44
"El Paso" (Marty Robbins) – 4:51
"Row Jimmy" (Garcia, Hunter) – 9:23

*Disc two
"Playing in the Band" (Weir, Mickey Hart, Hunter) – 18:23
Second set:
"China Cat Sunflower" (Garcia, Hunter) – 9:11 >
"I Know You Rider" (traditional, arranged by Grateful Dead) – 6:18
"Me and My Uncle" (John Phillips) – 3:34
"Mississippi Half-Step Uptown Toodeloo" (Garcia, Hunter) – 7:30
"Big River" (Johnny Cash) – 4:52

*Disc three
"Dark Star" (Garcia, Bill Kreutzmann, Phil Lesh, Ron "Pigpen" McKernan, Weir, Hunter) – 15:45 >
"Mind Left Body Jam" (Grateful Dead) – 10:41 >
"Morning Dew" (Bonnie Dobson, Tim Rose) – 13:55
"Sugar Magnolia" (Weir, Hunter) – 10:10
First encore:
"Eyes of the World" (Garcia, Hunter) – 14:31 >
"Stella Blue" (Garcia, Hunter) – 7:57
Second encore:
"Johnny B. Goode" (Berry) – 4:08

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I will freely admit I only hunt and peck out bits and pieces of these picks of the day. It takes a real commitment to pound out a show every day. (commitment or committed?)

Also, unlike most, I don't know if I ever listened fully to my first show. My first show was 4/1/80 - Capitol Theatre. This is the show where they all came out behind different instruments at the start of the show.

Had it playing in the car yesterday, got to He's Gone. I floating along thinking this is a GREAT recording. It hit about 20 seconds of patch in the middle lyrics (audience) and I'm thinking it's one of the patches that everyone talked about. All through He's Gone I'm thinking I'm listening to a Dave's the sound was so good. Then I look at the dash and see the show date and remember I was listening to my first show.

I wish I knew more when I saw this show, but I was new to everything. The Capitol only held about 3k people.

So maybe try 4/1/80. Shakedown encore!

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Yes, nice call. I haven't appreciated this show as much as others in these forums and I'm sure it's just an oversight! 9/27/72 was also mentioned- that may be a keen idea. Surely that show is as great as the more celebrated 9/21/72? (Dick picked it a lot earlier!)
Spitballing:
*Winterland 6/8/77 Lemieux sez top 10 of 1977, 19 min. Eyes
*Cape Cod 10/27/79 Lemieux gives shoutout in Dave's 34 blurb
*Boise 9/2/83 unfairly maligned!
Just some ideas. We do have a whole Memorial Day weekend and there are no rules, right?

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In reply to by Gollum

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Probably committed Dennis, but who would take us?? First show 4/1/1980. That is cool, one of my favorite Grateful Dead years, and not represented well at all with official releases. Did you make to any of the fall 1980 shows?

Holy shit Gollum, not one pick from you but three. All good ideas, but I will leave it up to the Committee. Always loved the Winterland 77 June shows.

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Listening to Dark Star 30 minute jam right now. Dicks Pick #11 is so good. Terrific concert and Great for Saturday morning.

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Let's go with Gollum's Cape Cod choice of 10/27/79.... Since we can't go to the Cape, and if you have an Orange or Yellow license plate our Rhode Island law enforcement is going to give you grief!! We can celebrate vicariously through this show!!! Lobsters, steamers, clams, corn, not included!!! bob t

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The Midwest leg of the fall tour of 73 looks super high energy. Was living in Kansas City that fall going to the Art Institute. Pre-internet , had nary a clue they were playing all around Kansas City within a few hours drive . I did see the them four times in the spring of 73.
One of my favorite Dicks Picks. Incredible Dark Star. Already sounding different from 1972 versions. All and all an amazing Grateful Dead concert from the heartland of America in 1973. Bet it wasn’t sold out either.

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We may have a quorum for the Cape cod?!! BobT - love the food/location carryover. We move from KC BBQ to a New England Clambake. Cape Cod sounds like a paradise.

I guess we don't have any foods to go with poor Oklahoma, but yeah, it really is the American heartland and the music is exquisite. I've spun the Playin' and Dark Star a couple of times today (so far).....