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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
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    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Gollum on Thu, 05/21/2020 - 10:08

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Jerry's vocals here are so smooth and pure. Sometimes, I love hoarse and gravelly vocals on this tune ( I love the Augusta 10/12/84). But this one is sweet.
It's amazing how well Keith's electric keys fit in here. He was truly one of a kind.

That was awesome!

I'll save you the blow by blow as you'll all be feeling them... and they feel good.

RE: ORO - Ha ha, if the outing by Jimbo you speak of is Geeking Out majorly over the Grateful Dead.. then I'm afraid we've all been outed.
If it's something else to do with being a bot or a spy, then I'll let you, BOLO24 & JIMINMD keep rolling with that..
But yes, Here's to GD Geeks!

RE: ALL - Thanks for all your input yesterday on how you roll this fabulous music, I was too lazy & long winded to respond to each direct, but seriously good input and a lot to take away. ICECRMCNKD that's some next level backing up, you're hardcore, Impressive! ORO: Networking info, wow just wow! Like JIMINMD read it all, understood some. Glad to know you all. I'm not going to let this info go to waste and will continue to refer to it as needed.

This all put it into perspective... I'm NOT the only one who spends untold amounts of hours pouring over this stuff, collecting and perfecting and loving it!

Glad to be one of the many!
Keep on Rockin'

PS - JIMINMD - I think you're right about that fatty / bowl :) Hampton '87 might need some love one of these days!

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Submitted by daverock on Thu, 05/21/2020 - 14:27

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I really enjoyed listening to this. A consistently great show, from the first track, through to the last. I like the way the opening trio of songs are the same ones that open the Blues For Allah album, and the last track is the one that closes it. It feels like the whole show is encased withn the vibe of that album.
In many ways, its quite a strange show-unique. The fact that it is consistently great means that their are less peaks and troughs than in a lot of shows. It sounds almost choreographed - no rough edges at all. As Gollum says, the singing is excellent. I would single out Crazy Fingers in that respect - beautifully sung and played.

I listened to my vinyl copy of this, which sounds great. I wonder if a single show from the 76 box will come out on vinyl ? I am not getting the box, but I would go for that.

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Submitted by billy the kid on Thu, 05/21/2020 - 15:38

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What a great show from start to finish, heck I'd put it in my top 15 Dead shows of all time, it really swings.

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Submitted by bob t on Thu, 05/21/2020 - 15:40

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Just listen to one anniversary song if you have time. Playing in the Band 5/21/74 HEC Edmundson Pavilion... part of the Pacific Northwest Box... Longest Playing ever... bob t

ha.. I just did.

Had a nice 47 min soak in the tub to wash away the stress (etc.) from grocery shopping. Lossless, wireless Sennheiser's in tow.

Tomorrow might just be Portland '74.. one of my favorite China Riders.

I guess I need to be more faithful to the show of the day. Working on that.

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Submitted by JimInMD on Thu, 05/21/2020 - 19:39

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..and another BobT Shoutout.. is that PITB from the bonus disc from Jai Alai Fronton. I listened to that one soaking last night.

Both are holy shit good. It's no wonder I have a hard time conforming to the show a day play.

I might just prefer Jai Alai, so jazzy.. not a wasted note anywhere and not a note or chord too much. Notes, scales, chords and weirdness were performed exactly as needed.

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Submitted by DeadVikes on Thu, 05/21/2020 - 21:57

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I was always a big fan of Milkin the Turkey. The first release! So good. Definitely short, but stellar. Is it the first analog digital digital CD?

And how about a Blues for Allah encore! When I was a young pup I always had an infinity for the Blues for Allah release. It was so different. I even had the Blues for Allah tapestry. I think it finally met its demise in the late 2000s. Should have held on to it.

Thanks again Oroborous! I have a lot of work to do.
What's on tap for tomorrow?

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Submitted by Gollum on Fri, 05/22/2020 - 07:26

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Sounds like a good one, to kick off this weekend, the "unofficial start of summer".

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Submitted by JimInMD on Fri, 05/22/2020 - 07:37

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I'm in. Starting... Now.

10/19/73 came up on the Dave's Picks page.. I don't think we covered that one yet.. did we? If not.. we might slide that into the queue sometime over the next few weeks.

Great energy on this thread since day 1.. thanks to all of you and Bolo too.

First Official Recordings from the Lost Betty Boards seems fitting with Betty cued up for the AMA tonight.

Wish Betty would do a Shakedown Stream Pre-Show... that would be cool.

Good Pick Bob T!

I was on the fence of suggesting either:
9/27/72 DiP V11
10/19/73 DiP V19
But kept quite to see who else might have some input.

So I second a review of 10/19/73 soon!

And 9/27/72 is looking mighty good too.

Happy Friday Everyone!

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Submitted by Vguy72 on Fri, 05/22/2020 - 08:19

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....today's choice is mucho excellente. I'm in. At work today, so trying to locate a good sounding version. Looks like there's only two out there. Both Wagner recordings.
edit. recordings sound ok, but I was spoiled by the 78 Box. Will listen at home tonight after Betty's AMA on Reddit.

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Submitted by Thats_Otis on Fri, 05/22/2020 - 09:08

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... what a gem! Agree with VGuy (and many others here,) first listen to this show was a hell of a nice surprise! Still my favorite of this beauty of a little box, which also happens to be my favorite 78 release - so I suppose that makes this show my favorite 78 so far.

Two discs of pure GD gold - all killer, no filler!

Peace

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Submitted by CaseyJanes on Fri, 05/22/2020 - 09:48

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Spent a lot of time there....suppose I'm obligated.

Loudest stadium in the country! I'm in!!!

KCJ

Edit: Loudest as long as there are people in it ☹️

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Submitted by Vguy72 on Fri, 05/22/2020 - 10:42

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....are you still at your same address? Gotta mail you some local brews and a keychain/bottle opener to make good on our SuperBowl bet.

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Submitted by bolo24 on Fri, 05/22/2020 - 10:57

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Saw a couple shows there a few years ago, most notably Leftover Salmon. Fun show to catch if they show up near your town, btw. Anyway, H>S>F from One From The Vault was played during the set breaks, much to the delight of the assembled crowd.

On to Arrowhead and some good ol' KC BBQ courtesy of Willie and friends.

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Submitted by bob t on Fri, 05/22/2020 - 11:33

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Looking back now, remember all we had of the first 3 shows, Kansas City, Omaha, and St. Paul were audience tapes, never on my radar at all. 7/7 and 7/8 were widely circulated in tape trading days... Jimin MD we are on the same wave length with last nights 5/21/74 Playing, and when I was climbing the walls this morning I almost said 10/19/73, (I love the wheat field and sky on the cover!!!!) If you get a second, I never realized the Willie Nelson picnics had such a long history before and after!!! Doing yard work right now, on Big River, hope my neighbors enjoy this concert, because I am.... bob t

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Submitted by CaseyJanes on Fri, 05/22/2020 - 11:36

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About ready to have some myself...burnt end platter...yum! Same address Vguy, I’m not going anywhere soon! looking forward to those beers!!!

Is anyone familiar with Willy’s son Lukas? I just picked up his new vinyl, Turn Off the News And Build A Garden....good stuff!

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Submitted by JimInMD on Fri, 05/22/2020 - 11:58

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KCJanes has moved to Maryland. I am sending his new address via PM.

Edit: Heads-up.

In looking through the previous posts, it's obvious his previous account here was hacked, probably by a grifter, beer guzzling ex-neighbor who collects plundered bottle openers. Be careful with your passwords folks, this stuff happens all the time.

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Submitted by Thats_Otis on Fri, 05/22/2020 - 12:21

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...perhaps my love for this show was bolstered by the uniqueness of hearing it for the first time, the overall great SQ, and the excitement of it being the first show in a shiny new box.

I have listened to this show a number of times in the past, but this time through, I am seeming to notice a lot more of the "warts" than I have previously. "Bertha" starts strong, and the playing on "Good Lovin'" is hot, especially the end - but the singing is all over the place on that one. Not terrible, but just off. Donna has a number of miscues throughout the show, off-key clams, which I thought were pretty rare after hiatus. "Tenn Jed" is good, and "Jack Straw" is powerful, despite a few minor miscues. "FOTD" sounds flat and out of tune to these ears - "MAMU>Big River" is good and peppy.

I think I really noticed the "off" quality of this show during "Terrapin"... Jerry seems kind of lost and there doesn't seem to be a lot of "inspiration" to move him or the band brightly through this one...

"Playin" through the end is great though, and this is what I remember the most about this show. What are they saying right after "Drums"? Something about how "they set it up backwards..." then the crazy laughing/hooting/creepyness that goes on throughout the "Space" is awesome - must have been weird for a lot of folks there to see some good ol' boy country. "Estimated" is a high point, and "The Other One" is 78 power... "Wharf Rat" and the double shot of Berry to close it all out is hot, and in the end, they managed to pull out a good set, in spite of themselves.

I really do think that 78 is the most hit-or-miss year of the 70s.

An Ok, but somewhat mediocre disc one, HOT disc two (save that "Terrapin.") I still love a lot of what is here, but I think I am going to have to reevaluate this show as both my favorite release from 78, and even as my favorite of this box. Official score: 7 / 10. Kind of sad, but I suppose people change...

It was a fun listen anyway! What's on tap for tomorrow?

Peace

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Submitted by Strider 808808 on Fri, 05/22/2020 - 12:58

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A great box set . Arrowhead Stadium is a fun one long set. Any time the Dead could share the stage with Willie Nelson would have been Americana at its best before Americana became a hip term for a broad music genera .

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Submitted by Thats_Otis on Fri, 05/22/2020 - 13:38

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I am really enjoying this first set! On "Deal" now, and overall, I think this is a better disc than Arrowhead disc 1. I'd forgotten about the hilarious mess-up in "Mexicali" and how damn awesome this "Peggy-O" is!

I just may work my way through this whole box over the weekend, along with the Show of the Day (of course :)

Peace

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Submitted by itsburnsy on Fri, 05/22/2020 - 14:33

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Lukas' band is Promise of the Real, they are fantastic. They played with Neil Young for a tour or two, missed that one, but have seen them live and they can really jam. All of their albums are good, but the first Lukas Nelson & Promise of the Real is the best one for sure. Catch them live next time you can.

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Submitted by Gollum on Fri, 05/22/2020 - 14:57

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The thing I love most about this show is how it just SOUNDS like a hot sunny stadium show in Kansas City. I can imagine the KC BBQ, warm beer, and sweaty hippies packed liked sardines. Man, that all sounds good right now. I agree the show really starts to pay off in the Playin jam. This jam sounds louder and more aggressive than the sublime one from Dick's18 just a few months earlier, but vive la difference. Now I'm into the weird Space, hoping for a gentle "come down" by the end but who knows?....

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Submitted by DeadVikes on Fri, 05/22/2020 - 20:04

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Welcome to the rock and roll barbecue. Can you imagine. The Dead as the opening act for Waylon Jennings and Willie Nelson. Imagine if you were there for the country music and you saw these band playing Terrapin Station and then later the Other One? And I agree with Otis, this Terrapin is no 77 Terrapin, not smooth, but still a great show.

I still love listening to all these shows. They are all different.

Be well folks!

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Submitted by The Good Ole G… on Fri, 05/22/2020 - 21:19

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Good stuff, good stuff.

You all wanna dig in to some 10/19/73 tomorrow?

VGUY72 - I see you over there asking Betty questions on Reddit... I hope she gets to it, seems like she's trying to answer them all. I decided to throw one in too, fingers x'd.

How cool is Betty Cantor-Jackson?

I'd say Way Cool!

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Submitted by bob t on Fri, 05/22/2020 - 22:20

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Ever since Fall out from The Phil Zone, i love this song... my emotions go crazy, happy.... sad..... you name it, especially at 1:20 in the morning over served!!!! Looking forward to Oklahoma City in the morning... Mind Left Body Jam is great!!! Good night all, be safe...bob t

....she didn't answer me. Yet. She answered some good questions. In Arrowhead Space currently. Seguing into Prophet. Nice.
Told ya I'd get caught up.....

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Submitted by Vguy72 on Fri, 05/22/2020 - 23:05

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....Weir yells, "Easy now, easy". He followed that up the next show during the Mexicali stumble, "paying attention". Then they dare to follow up a raging Mama Tried w/ a Peggy-O?
I concur.

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Submitted by Lovemygirl on Sat, 05/23/2020 - 05:10

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*Complete Setlist- Primo!
*Disk #1
First set:
"Promised Land" (Chuck Berry) – 3:44
"Sugaree" (Jerry Garcia, Robert Hunter) – 8:18
"Mexicali Blues" (Bob Weir, John Barlow) – 3:58
"Tennessee Jed" (Garcia, Hunter) – 8:00
"Looks like Rain" (Weir, Barlow) – 8:05
"Don't Ease Me In" (traditional, arranged by Grateful Dead) – 4:24
"Jack Straw" (Weir, Hunter) – 5:32
"They Love Each Other" (Garcia, Hunter) – 5:44
"El Paso" (Marty Robbins) – 4:51
"Row Jimmy" (Garcia, Hunter) – 9:23

*Disc two
"Playing in the Band" (Weir, Mickey Hart, Hunter) – 18:23
Second set:
"China Cat Sunflower" (Garcia, Hunter) – 9:11 >
"I Know You Rider" (traditional, arranged by Grateful Dead) – 6:18
"Me and My Uncle" (John Phillips) – 3:34
"Mississippi Half-Step Uptown Toodeloo" (Garcia, Hunter) – 7:30
"Big River" (Johnny Cash) – 4:52

*Disc three
"Dark Star" (Garcia, Bill Kreutzmann, Phil Lesh, Ron "Pigpen" McKernan, Weir, Hunter) – 15:45 >
"Mind Left Body Jam" (Grateful Dead) – 10:41 >
"Morning Dew" (Bonnie Dobson, Tim Rose) – 13:55
"Sugar Magnolia" (Weir, Hunter) – 10:10
First encore:
"Eyes of the World" (Garcia, Hunter) – 14:31 >
"Stella Blue" (Garcia, Hunter) – 7:57
Second encore:
"Johnny B. Goode" (Berry) – 4:08

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Submitted by Dennis on Sat, 05/23/2020 - 07:11

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I will freely admit I only hunt and peck out bits and pieces of these picks of the day. It takes a real commitment to pound out a show every day. (commitment or committed?)

Also, unlike most, I don't know if I ever listened fully to my first show. My first show was 4/1/80 - Capitol Theatre. This is the show where they all came out behind different instruments at the start of the show.

Had it playing in the car yesterday, got to He's Gone. I floating along thinking this is a GREAT recording. It hit about 20 seconds of patch in the middle lyrics (audience) and I'm thinking it's one of the patches that everyone talked about. All through He's Gone I'm thinking I'm listening to a Dave's the sound was so good. Then I look at the dash and see the show date and remember I was listening to my first show.

I wish I knew more when I saw this show, but I was new to everything. The Capitol only held about 3k people.

So maybe try 4/1/80. Shakedown encore!

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Submitted by Gollum on Sat, 05/23/2020 - 08:09

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Yes, nice call. I haven't appreciated this show as much as others in these forums and I'm sure it's just an oversight! 9/27/72 was also mentioned- that may be a keen idea. Surely that show is as great as the more celebrated 9/21/72? (Dick picked it a lot earlier!)
Spitballing:
*Winterland 6/8/77 Lemieux sez top 10 of 1977, 19 min. Eyes
*Cape Cod 10/27/79 Lemieux gives shoutout in Dave's 34 blurb
*Boise 9/2/83 unfairly maligned!
Just some ideas. We do have a whole Memorial Day weekend and there are no rules, right?

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Submitted by DeadVikes on Sat, 05/23/2020 - 08:23

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Probably committed Dennis, but who would take us?? First show 4/1/1980. That is cool, one of my favorite Grateful Dead years, and not represented well at all with official releases. Did you make to any of the fall 1980 shows?

Holy shit Gollum, not one pick from you but three. All good ideas, but I will leave it up to the Committee. Always loved the Winterland 77 June shows.

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Submitted by laf848 on Sat, 05/23/2020 - 09:14

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Listening to Dark Star 30 minute jam right now. Dicks Pick #11 is so good. Terrific concert and Great for Saturday morning.

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Submitted by bob t on Sat, 05/23/2020 - 14:13

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Let's go with Gollum's Cape Cod choice of 10/27/79.... Since we can't go to the Cape, and if you have an Orange or Yellow license plate our Rhode Island law enforcement is going to give you grief!! We can celebrate vicariously through this show!!! Lobsters, steamers, clams, corn, not included!!! bob t

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Submitted by Strider 808808 on Sat, 05/23/2020 - 17:13

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The Midwest leg of the fall tour of 73 looks super high energy. Was living in Kansas City that fall going to the Art Institute. Pre-internet , had nary a clue they were playing all around Kansas City within a few hours drive . I did see the them four times in the spring of 73.
One of my favorite Dicks Picks. Incredible Dark Star. Already sounding different from 1972 versions. All and all an amazing Grateful Dead concert from the heartland of America in 1973. Bet it wasn’t sold out either.

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Submitted by Gollum on Sat, 05/23/2020 - 19:29

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We may have a quorum for the Cape cod?!! BobT - love the food/location carryover. We move from KC BBQ to a New England Clambake. Cape Cod sounds like a paradise.

I guess we don't have any foods to go with poor Oklahoma, but yeah, it really is the American heartland and the music is exquisite. I've spun the Playin' and Dark Star a couple of times today (so far).....