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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #871
    wilfredtjones
    Joined:
    OK

    OK

  • #872
    1stshow70878
    Joined:
    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • #873
    daverock
    Joined:
    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • #874
    Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • #875
    JimInMD
    Joined:
    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • #876
    daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • #877
    Oroborous
    Joined:
    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • #878
    daverock
    Joined:
    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

  • #879
    1stshow70878
    Joined:
    Newcastle, Tivoli, Aarhus

    Three more down, seventeen to go, lol.
    All excellent shows. It's hard to find fault in any of these mammoth first sets but Aarhus (4-16-72) hit the spot for me of the three. Had great song selection, pace, and order of the songs was more to my liking. The second sets are where the special goodies are so far in every show. I'm particularly impressed with how Keith really shines especially on Pigpen's songs. His beer barrel style just fits perfectly. Yet his jazz chops are evident too as in the Dark Stars. Donna seemed particularly "engaged" on 4-14 at Newcastle and Bob is definitely going to lose his voice by the end of the tour at this rate, lol. Aarhus had a stately smooth feel to the whole thing which I found to my liking and would put it at number two of the five I've done with 4-7 Wembley still in first place.
    Discovered I had on tapes the Stepping Out release which looks to be an odd compilation ala the road trips and I also had Hundred Year Hall on tape, which was not a complete show release BITD. Gotta look through my tapes more often! Also had burner CDs of Rockin' The Rhein which I had also completely forgotten. Has four CDs with the Academy of Music filler so likely a whole show. Can't go there, got to stay in order.
    That's the news from EU. Cheers to all

  • #880
    JimInMD
    Joined:
    Re: Giving Your Right Hand

    Dennis.. tried this, it did not work for me. Kayaking is proving tricky also (I keep going in circles), but I'm working on it. Your friend Hound Dog played with six fingers.. imagine the chord work and finger picking that could be done, a 16.67% increase in productivity. Cheating to be sure, but man he could play the blues. Interesting side note, a friend of mine's wife was born with six fingers and I think toes. So was her daughter. The had the extra digit removed shortly after birth.

    Somehow Jerry got by with 9 1/2 fingers. After burning his hand, Django Reinhardt had basically two working fingers on his right hand and he more than got by and was a big influence on Jerry, especially circa 1973.

    Thanks for pointing me towards that youtube. That black and white looks more like 1923 than 1973 until you see that Fender looking guitar. Great stuff. Convinced me to get that Natural Boogie LP, but I seem to have misplaced the PIN of your wife's card. If you'd be so kind to send me a PM. I don't want it to sell out while it's still in my cart.

    As you were.. on to the second set of 9/6/80 for my afternoon hike. Life is good.

    Edit: Looks like Hound Dog played a pair of Kawai-made Kingston S4T's, so not exactly a Fender but a similar looking headstock.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Gollum on Thu, 05/21/2020 - 10:08

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Jerry's vocals here are so smooth and pure. Sometimes, I love hoarse and gravelly vocals on this tune ( I love the Augusta 10/12/84). But this one is sweet.
It's amazing how well Keith's electric keys fit in here. He was truly one of a kind.

That was awesome!

I'll save you the blow by blow as you'll all be feeling them... and they feel good.

RE: ORO - Ha ha, if the outing by Jimbo you speak of is Geeking Out majorly over the Grateful Dead.. then I'm afraid we've all been outed.
If it's something else to do with being a bot or a spy, then I'll let you, BOLO24 & JIMINMD keep rolling with that..
But yes, Here's to GD Geeks!

RE: ALL - Thanks for all your input yesterday on how you roll this fabulous music, I was too lazy & long winded to respond to each direct, but seriously good input and a lot to take away. ICECRMCNKD that's some next level backing up, you're hardcore, Impressive! ORO: Networking info, wow just wow! Like JIMINMD read it all, understood some. Glad to know you all. I'm not going to let this info go to waste and will continue to refer to it as needed.

This all put it into perspective... I'm NOT the only one who spends untold amounts of hours pouring over this stuff, collecting and perfecting and loving it!

Glad to be one of the many!
Keep on Rockin'

PS - JIMINMD - I think you're right about that fatty / bowl :) Hampton '87 might need some love one of these days!

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Submitted by daverock on Thu, 05/21/2020 - 14:27

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I really enjoyed listening to this. A consistently great show, from the first track, through to the last. I like the way the opening trio of songs are the same ones that open the Blues For Allah album, and the last track is the one that closes it. It feels like the whole show is encased withn the vibe of that album.
In many ways, its quite a strange show-unique. The fact that it is consistently great means that their are less peaks and troughs than in a lot of shows. It sounds almost choreographed - no rough edges at all. As Gollum says, the singing is excellent. I would single out Crazy Fingers in that respect - beautifully sung and played.

I listened to my vinyl copy of this, which sounds great. I wonder if a single show from the 76 box will come out on vinyl ? I am not getting the box, but I would go for that.

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Submitted by billy the kid on Thu, 05/21/2020 - 15:38

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What a great show from start to finish, heck I'd put it in my top 15 Dead shows of all time, it really swings.

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Submitted by bob t on Thu, 05/21/2020 - 15:40

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Just listen to one anniversary song if you have time. Playing in the Band 5/21/74 HEC Edmundson Pavilion... part of the Pacific Northwest Box... Longest Playing ever... bob t

ha.. I just did.

Had a nice 47 min soak in the tub to wash away the stress (etc.) from grocery shopping. Lossless, wireless Sennheiser's in tow.

Tomorrow might just be Portland '74.. one of my favorite China Riders.

I guess I need to be more faithful to the show of the day. Working on that.

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Submitted by JimInMD on Thu, 05/21/2020 - 19:39

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..and another BobT Shoutout.. is that PITB from the bonus disc from Jai Alai Fronton. I listened to that one soaking last night.

Both are holy shit good. It's no wonder I have a hard time conforming to the show a day play.

I might just prefer Jai Alai, so jazzy.. not a wasted note anywhere and not a note or chord too much. Notes, scales, chords and weirdness were performed exactly as needed.

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Submitted by DeadVikes on Thu, 05/21/2020 - 21:57

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I was always a big fan of Milkin the Turkey. The first release! So good. Definitely short, but stellar. Is it the first analog digital digital CD?

And how about a Blues for Allah encore! When I was a young pup I always had an infinity for the Blues for Allah release. It was so different. I even had the Blues for Allah tapestry. I think it finally met its demise in the late 2000s. Should have held on to it.

Thanks again Oroborous! I have a lot of work to do.
What's on tap for tomorrow?

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Submitted by Gollum on Fri, 05/22/2020 - 07:26

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Sounds like a good one, to kick off this weekend, the "unofficial start of summer".

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Submitted by JimInMD on Fri, 05/22/2020 - 07:37

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I'm in. Starting... Now.

10/19/73 came up on the Dave's Picks page.. I don't think we covered that one yet.. did we? If not.. we might slide that into the queue sometime over the next few weeks.

Great energy on this thread since day 1.. thanks to all of you and Bolo too.

First Official Recordings from the Lost Betty Boards seems fitting with Betty cued up for the AMA tonight.

Wish Betty would do a Shakedown Stream Pre-Show... that would be cool.

Good Pick Bob T!

I was on the fence of suggesting either:
9/27/72 DiP V11
10/19/73 DiP V19
But kept quite to see who else might have some input.

So I second a review of 10/19/73 soon!

And 9/27/72 is looking mighty good too.

Happy Friday Everyone!

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Submitted by Vguy72 on Fri, 05/22/2020 - 08:19

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....today's choice is mucho excellente. I'm in. At work today, so trying to locate a good sounding version. Looks like there's only two out there. Both Wagner recordings.
edit. recordings sound ok, but I was spoiled by the 78 Box. Will listen at home tonight after Betty's AMA on Reddit.

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Submitted by Thats_Otis on Fri, 05/22/2020 - 09:08

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... what a gem! Agree with VGuy (and many others here,) first listen to this show was a hell of a nice surprise! Still my favorite of this beauty of a little box, which also happens to be my favorite 78 release - so I suppose that makes this show my favorite 78 so far.

Two discs of pure GD gold - all killer, no filler!

Peace

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Submitted by CaseyJanes on Fri, 05/22/2020 - 09:48

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Spent a lot of time there....suppose I'm obligated.

Loudest stadium in the country! I'm in!!!

KCJ

Edit: Loudest as long as there are people in it ☹️

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Submitted by Vguy72 on Fri, 05/22/2020 - 10:42

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....are you still at your same address? Gotta mail you some local brews and a keychain/bottle opener to make good on our SuperBowl bet.

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Submitted by bolo24 on Fri, 05/22/2020 - 10:57

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Saw a couple shows there a few years ago, most notably Leftover Salmon. Fun show to catch if they show up near your town, btw. Anyway, H>S>F from One From The Vault was played during the set breaks, much to the delight of the assembled crowd.

On to Arrowhead and some good ol' KC BBQ courtesy of Willie and friends.

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Submitted by bob t on Fri, 05/22/2020 - 11:33

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Looking back now, remember all we had of the first 3 shows, Kansas City, Omaha, and St. Paul were audience tapes, never on my radar at all. 7/7 and 7/8 were widely circulated in tape trading days... Jimin MD we are on the same wave length with last nights 5/21/74 Playing, and when I was climbing the walls this morning I almost said 10/19/73, (I love the wheat field and sky on the cover!!!!) If you get a second, I never realized the Willie Nelson picnics had such a long history before and after!!! Doing yard work right now, on Big River, hope my neighbors enjoy this concert, because I am.... bob t

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Submitted by CaseyJanes on Fri, 05/22/2020 - 11:36

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About ready to have some myself...burnt end platter...yum! Same address Vguy, I’m not going anywhere soon! looking forward to those beers!!!

Is anyone familiar with Willy’s son Lukas? I just picked up his new vinyl, Turn Off the News And Build A Garden....good stuff!

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Submitted by JimInMD on Fri, 05/22/2020 - 11:58

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KCJanes has moved to Maryland. I am sending his new address via PM.

Edit: Heads-up.

In looking through the previous posts, it's obvious his previous account here was hacked, probably by a grifter, beer guzzling ex-neighbor who collects plundered bottle openers. Be careful with your passwords folks, this stuff happens all the time.

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Submitted by Thats_Otis on Fri, 05/22/2020 - 12:21

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...perhaps my love for this show was bolstered by the uniqueness of hearing it for the first time, the overall great SQ, and the excitement of it being the first show in a shiny new box.

I have listened to this show a number of times in the past, but this time through, I am seeming to notice a lot more of the "warts" than I have previously. "Bertha" starts strong, and the playing on "Good Lovin'" is hot, especially the end - but the singing is all over the place on that one. Not terrible, but just off. Donna has a number of miscues throughout the show, off-key clams, which I thought were pretty rare after hiatus. "Tenn Jed" is good, and "Jack Straw" is powerful, despite a few minor miscues. "FOTD" sounds flat and out of tune to these ears - "MAMU>Big River" is good and peppy.

I think I really noticed the "off" quality of this show during "Terrapin"... Jerry seems kind of lost and there doesn't seem to be a lot of "inspiration" to move him or the band brightly through this one...

"Playin" through the end is great though, and this is what I remember the most about this show. What are they saying right after "Drums"? Something about how "they set it up backwards..." then the crazy laughing/hooting/creepyness that goes on throughout the "Space" is awesome - must have been weird for a lot of folks there to see some good ol' boy country. "Estimated" is a high point, and "The Other One" is 78 power... "Wharf Rat" and the double shot of Berry to close it all out is hot, and in the end, they managed to pull out a good set, in spite of themselves.

I really do think that 78 is the most hit-or-miss year of the 70s.

An Ok, but somewhat mediocre disc one, HOT disc two (save that "Terrapin.") I still love a lot of what is here, but I think I am going to have to reevaluate this show as both my favorite release from 78, and even as my favorite of this box. Official score: 7 / 10. Kind of sad, but I suppose people change...

It was a fun listen anyway! What's on tap for tomorrow?

Peace

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Submitted by Strider 808808 on Fri, 05/22/2020 - 12:58

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A great box set . Arrowhead Stadium is a fun one long set. Any time the Dead could share the stage with Willie Nelson would have been Americana at its best before Americana became a hip term for a broad music genera .

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Submitted by Thats_Otis on Fri, 05/22/2020 - 13:38

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I am really enjoying this first set! On "Deal" now, and overall, I think this is a better disc than Arrowhead disc 1. I'd forgotten about the hilarious mess-up in "Mexicali" and how damn awesome this "Peggy-O" is!

I just may work my way through this whole box over the weekend, along with the Show of the Day (of course :)

Peace

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Submitted by itsburnsy on Fri, 05/22/2020 - 14:33

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Lukas' band is Promise of the Real, they are fantastic. They played with Neil Young for a tour or two, missed that one, but have seen them live and they can really jam. All of their albums are good, but the first Lukas Nelson & Promise of the Real is the best one for sure. Catch them live next time you can.

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Submitted by Gollum on Fri, 05/22/2020 - 14:57

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The thing I love most about this show is how it just SOUNDS like a hot sunny stadium show in Kansas City. I can imagine the KC BBQ, warm beer, and sweaty hippies packed liked sardines. Man, that all sounds good right now. I agree the show really starts to pay off in the Playin jam. This jam sounds louder and more aggressive than the sublime one from Dick's18 just a few months earlier, but vive la difference. Now I'm into the weird Space, hoping for a gentle "come down" by the end but who knows?....

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Submitted by DeadVikes on Fri, 05/22/2020 - 20:04

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Welcome to the rock and roll barbecue. Can you imagine. The Dead as the opening act for Waylon Jennings and Willie Nelson. Imagine if you were there for the country music and you saw these band playing Terrapin Station and then later the Other One? And I agree with Otis, this Terrapin is no 77 Terrapin, not smooth, but still a great show.

I still love listening to all these shows. They are all different.

Be well folks!

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Submitted by The Good Ole G… on Fri, 05/22/2020 - 21:19

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Good stuff, good stuff.

You all wanna dig in to some 10/19/73 tomorrow?

VGUY72 - I see you over there asking Betty questions on Reddit... I hope she gets to it, seems like she's trying to answer them all. I decided to throw one in too, fingers x'd.

How cool is Betty Cantor-Jackson?

I'd say Way Cool!

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Submitted by bob t on Fri, 05/22/2020 - 22:20

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Ever since Fall out from The Phil Zone, i love this song... my emotions go crazy, happy.... sad..... you name it, especially at 1:20 in the morning over served!!!! Looking forward to Oklahoma City in the morning... Mind Left Body Jam is great!!! Good night all, be safe...bob t

....she didn't answer me. Yet. She answered some good questions. In Arrowhead Space currently. Seguing into Prophet. Nice.
Told ya I'd get caught up.....

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Submitted by Vguy72 on Fri, 05/22/2020 - 23:05

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....Weir yells, "Easy now, easy". He followed that up the next show during the Mexicali stumble, "paying attention". Then they dare to follow up a raging Mama Tried w/ a Peggy-O?
I concur.

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Submitted by Lovemygirl on Sat, 05/23/2020 - 05:10

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*Complete Setlist- Primo!
*Disk #1
First set:
"Promised Land" (Chuck Berry) – 3:44
"Sugaree" (Jerry Garcia, Robert Hunter) – 8:18
"Mexicali Blues" (Bob Weir, John Barlow) – 3:58
"Tennessee Jed" (Garcia, Hunter) – 8:00
"Looks like Rain" (Weir, Barlow) – 8:05
"Don't Ease Me In" (traditional, arranged by Grateful Dead) – 4:24
"Jack Straw" (Weir, Hunter) – 5:32
"They Love Each Other" (Garcia, Hunter) – 5:44
"El Paso" (Marty Robbins) – 4:51
"Row Jimmy" (Garcia, Hunter) – 9:23

*Disc two
"Playing in the Band" (Weir, Mickey Hart, Hunter) – 18:23
Second set:
"China Cat Sunflower" (Garcia, Hunter) – 9:11 >
"I Know You Rider" (traditional, arranged by Grateful Dead) – 6:18
"Me and My Uncle" (John Phillips) – 3:34
"Mississippi Half-Step Uptown Toodeloo" (Garcia, Hunter) – 7:30
"Big River" (Johnny Cash) – 4:52

*Disc three
"Dark Star" (Garcia, Bill Kreutzmann, Phil Lesh, Ron "Pigpen" McKernan, Weir, Hunter) – 15:45 >
"Mind Left Body Jam" (Grateful Dead) – 10:41 >
"Morning Dew" (Bonnie Dobson, Tim Rose) – 13:55
"Sugar Magnolia" (Weir, Hunter) – 10:10
First encore:
"Eyes of the World" (Garcia, Hunter) – 14:31 >
"Stella Blue" (Garcia, Hunter) – 7:57
Second encore:
"Johnny B. Goode" (Berry) – 4:08

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Submitted by Dennis on Sat, 05/23/2020 - 07:11

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I will freely admit I only hunt and peck out bits and pieces of these picks of the day. It takes a real commitment to pound out a show every day. (commitment or committed?)

Also, unlike most, I don't know if I ever listened fully to my first show. My first show was 4/1/80 - Capitol Theatre. This is the show where they all came out behind different instruments at the start of the show.

Had it playing in the car yesterday, got to He's Gone. I floating along thinking this is a GREAT recording. It hit about 20 seconds of patch in the middle lyrics (audience) and I'm thinking it's one of the patches that everyone talked about. All through He's Gone I'm thinking I'm listening to a Dave's the sound was so good. Then I look at the dash and see the show date and remember I was listening to my first show.

I wish I knew more when I saw this show, but I was new to everything. The Capitol only held about 3k people.

So maybe try 4/1/80. Shakedown encore!

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Submitted by Gollum on Sat, 05/23/2020 - 08:09

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Yes, nice call. I haven't appreciated this show as much as others in these forums and I'm sure it's just an oversight! 9/27/72 was also mentioned- that may be a keen idea. Surely that show is as great as the more celebrated 9/21/72? (Dick picked it a lot earlier!)
Spitballing:
*Winterland 6/8/77 Lemieux sez top 10 of 1977, 19 min. Eyes
*Cape Cod 10/27/79 Lemieux gives shoutout in Dave's 34 blurb
*Boise 9/2/83 unfairly maligned!
Just some ideas. We do have a whole Memorial Day weekend and there are no rules, right?

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Submitted by DeadVikes on Sat, 05/23/2020 - 08:23

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Probably committed Dennis, but who would take us?? First show 4/1/1980. That is cool, one of my favorite Grateful Dead years, and not represented well at all with official releases. Did you make to any of the fall 1980 shows?

Holy shit Gollum, not one pick from you but three. All good ideas, but I will leave it up to the Committee. Always loved the Winterland 77 June shows.

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Submitted by laf848 on Sat, 05/23/2020 - 09:14

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Listening to Dark Star 30 minute jam right now. Dicks Pick #11 is so good. Terrific concert and Great for Saturday morning.

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Submitted by bob t on Sat, 05/23/2020 - 14:13

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Let's go with Gollum's Cape Cod choice of 10/27/79.... Since we can't go to the Cape, and if you have an Orange or Yellow license plate our Rhode Island law enforcement is going to give you grief!! We can celebrate vicariously through this show!!! Lobsters, steamers, clams, corn, not included!!! bob t

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Submitted by Strider 808808 on Sat, 05/23/2020 - 17:13

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The Midwest leg of the fall tour of 73 looks super high energy. Was living in Kansas City that fall going to the Art Institute. Pre-internet , had nary a clue they were playing all around Kansas City within a few hours drive . I did see the them four times in the spring of 73.
One of my favorite Dicks Picks. Incredible Dark Star. Already sounding different from 1972 versions. All and all an amazing Grateful Dead concert from the heartland of America in 1973. Bet it wasn’t sold out either.

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Submitted by Gollum on Sat, 05/23/2020 - 19:29

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We may have a quorum for the Cape cod?!! BobT - love the food/location carryover. We move from KC BBQ to a New England Clambake. Cape Cod sounds like a paradise.

I guess we don't have any foods to go with poor Oklahoma, but yeah, it really is the American heartland and the music is exquisite. I've spun the Playin' and Dark Star a couple of times today (so far).....