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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • 1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....end second set Morning Dew followed by a Sugar Mags? Hmmm. Punchy.
They tried to top that Mind Left Body, and actually did it!!
Three song encore. Because why the fuck not?
Stay safe my friends. Wash hands.

. this is a Primo Setlist for my liking, it’s mind blowing to say the least how the Dead played from the start of the performance and then bring everything together starting during the second set and the entire Third Disk!!! “H0LY Toledo” !my brothers & sister’s! This Is the “good Old Grateful Dead” at one of their best musical eras in the bands entire career, IMO at least.
Interesting’Dark Star’ for sure, I dig it!
Love the Morning Dew absolutely Bella!
Rock on everyone, have a grateful day! 🙏❤️💀🌹

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It's been fun to visit Oklahoma City '73 again.

Got Distracted during Set 2 yesterday (damn real world stuff!) so I had to revisit the Dark Star this AM.

Mind Leaving Body right now

It's a great way to start the day.

Oh, the places we can go.. next up Cape Cod '79

Have a Grate day everyone!

Jerry quoting a little bit of Jesu, Joy of Man’s Desiring at 9:18 in Morning Dew.

Huge Morning Dew after Major Dark Star.. that’s some good Sunday Morning Music.

And then as mentioned here… Triple Encore of Eyes > Stella, Johnny B. Goode.

Yeah that’s some majorly good Dead.

Great Pick.

Alright, time to time travel some more.

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I also went with the Oklahoma Dark Star onwards for this Sunday Morning. Yes, this is perfect morning music. Great catch on the Bach! I would never have noticed that. I'm beginning to understand why this show is so revered. I just needed some good focused listening...

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I wish I could take the credit and that my ear was that sharp to pick that out on the fly.

But the credit goes to Tom Ferraro and his review in the Taper's Compendium Volume 1 (which is great by the way).

He mentions it and then I had fun listening for it and lo.. Jesu was there.

Great way to start the day for sure.

Nice pick today GOLLUM!

Set 1 was a nice follow up to my Sunday Morning voyage through October '73 and I've made it to Franklin's Tower which is a massive 17 minutes long... I'm excited to hear where it goes.

So far so good.

PS - You should check out the next night SBD if you find yourself with time to spare... The Set 2 China > Rider & PITB are EPIC. I plan on listening to Set 1 of that show later and might just listen to the aforementioned songs again. That Franklin is over 21 minutes long for a total of over 35 minutes of Franklin's Tower in 24 hours.. who can pass that up?
(Another nod to the Taper's Compendium, this time Volume 2 for pointing out that tidbit as well).

Have Fun & Good Listening!

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Thanks for the tip on the Cape Cod 10/28 show GOGD. I listened to the tunes you mentioned and loved them. That show certainly seems at least as good as the 10/27 show. But anyways 10/27 seems mighty fine! I liked the Stagger Lee, Sailor-Saint, and OtherOne-NFA the most. I need to listen to the Dancing- Franklin's jam a few more times. That Dancing jam is queer bird, and I'm not sure what to make of it. So, Brent's getting some weird sounds from his keys the first 9 minutes, and then there's like a loud velcro rip sound, and his keys are back to normal?! I need to listen to it a few more times- it's a queer bird and I need some more time to digest it.

I'm into a 1979 rediscovery phase, ever since the 12/26/79 discussion here a few weeks ago. I always loved the "Friend" and UJB from that show but never got beyond that. Now, I'm finally seeing the greatness of the whole show. It's my favorite Brent show now, by a long shot. (thanks to this forum!) Now I'm giving the 2 fall/winter 79 Road trips some much needed and overdue love.

Have a great Memorial Day, all.

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In reply to by The Good Ole G…

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I was gone all day.. did I miss a Gollum pick?

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Yep, you missed the great Cape Cod Clambake. I figured you was probably out white-water rafting though the Blue Ridge mountains again....

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That's a great Minglewood! I don't know of a better "Stagger Lee" I forgot how much I liked that song...

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....then they are smack in the middle of a Shakedown Street. Swear to God. They are playing it. Masterful stuff.
At 11:12 they resume the Dancin' theme. That's a Shakedown Jam. At least that's how I heard it, and I trust my ears.

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Yeah, that's a beauty. Love the thundering Lesh-heavy Other One

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Great set- exhausting, especially when loud and through headphones. Phil really laying it on thick-mmm...bedtime

GOLLUM: So much good stuff in Fall / Winter ’79 for sure!
It has it’s own unique sound like so many periods of the Dead.
Definitely enjoyed the Clam Bake… CAUTION JAM > THE OTHER ONE! I listened to that like 3 times yesterday, that’s some killer jams.

Speaking of 12/26/79 - I didn’t realize there was a soundcheck of Black Throated Wind in circulation, just stumbled on to that this morning. Gonna listen to BTW from '79 right now. Far out!

Might need to revisit 12/3/79 DaP V31?

BOB T: You’re thinking 6/14/76 today? There is a nice PITB on there…

What’ll it be today.. ’76, ’79, ’88.. so many choices!

...1979 is one of my favorite dead Era’s ! Love Cape Cod 79’ and December 79’ is primo dead for my likings! Brent brought backsome ‘gusto’ to the dead’s music and performances, it’s almost like the dead had come back half circle in their approach to playing their old & new selection of songs and it worked wonders as we can hear in the 1979 releases & recordings, the latest being ‘Dave’s Picks #31 as mentioned earlier! A primo release in the series that I can enjoy over & over again. I swear it will “still your face right off your head!” Is it better than ,Dicks Picks #5,?! I think not but it’s grande in its own way! More 1979 please !
Have a grateful day everyone! 🙏❤️💀🌹

LMG has '79 fever too!

While we're waiting for a consensus in regards to today's pick

'79 talk has me taking a look at the ole collection and I like the looks of the following:

11/6/79 - Philly Spectrum - Road Trips Download - (Started listening to this.. it's good:)
12/3/79 - DaP V31 - I need to relisten as I recall only listening once and moved on.

Also mentioned by BOB T -
6/14/76 - Box Set

And - Thanks for the Dylan tip VGUY. Listened to Postcards of the Hanging last night, never really paid attention to it.. Baby Blue from 12/3/81 is killer!

Probably should listen to some honest Bob.. but I got Dead fever.

What you all listening to today?

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6/14/76 would work perfect for me. I just listened to 6/10 and 6/11 last week, so it's due up for me anyways. It would be a nice mellow way to end the Memorial Day weekend.

Dave's 31 (12/3/79). GOGD, I also listened to this just once and moved on. I was frustrated by the mix. Bobby's guitar is just too low for me, especially on Scarlet-Fire. That's a big pet peeve of mine. Maybe I should give it another chance -perhaps the ears adjust(?). Maybe I just need to lighten up a bit and go with the flow?! But, aren't we lucky we have the 12/26 and 12/28/79 shows as excellent Betty boards! The Healy Road 79 Road trips also sound great!

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In reply to by Gollum

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Perhaps my favorite 79...another of my actually good sounding go to tapes back in the day. Used to like to play Bass along w it’s it for practice.

RECAP:
- Vault 1 8/13/75 ✔️ Haven’t heard this gem in forever. Forgot just how awesome and tight this show is. Choreographed sure, but so what, it flows so nicely, and hey, no me & my uncle, lol. There’s a reason this was chosen for the first Vault pick!
- 7/1/78: NOT
- 5/21/74: ✔️ Still haven’t caught up on this box either, yeeshk....
- 5/23/72:✔️ Finally got a copy of most of this. Cool DS of course, but overall they seem a tad off this night, compared to the rest of the tour. Need to hear again as I was ripping stuff while listening...
- 10/19/73; ✔️ I’ve gone on and on about this one so I’ll just say one word today....MAJESTIC....the whole dam show just builds slowly, majestically, to a powerful whole. Majestic jams, majestic DS. Prolly my favorite Dicks
- 10/27/79:✔️ yet another of the 30 trips shows that I’m not yet really familiar with. Still have so much of that beast I either haven’t heard yet, or have only listened in the background. So it was nice to sit a bit with this one from that great funky ass 79 fall tour. Nice relaxed but tight first set. Good second that’s already been covered well here...still think 11/6 is my fav from this tour? I dig 11/9 too, but I’m extremely biased on that one...
So maybe I’ll try to sneak both 11/6/79 and 76 in today? Hup, hup, better get going!

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I never feel like skipping any songs on these June 76 shows. Each one is a smooth seamless trip. Nice soothing Playin' jam. Heading into the 13 min slipknot.

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In reply to by DeadVikes

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Spring 90....shoot chip, you don’t even need to ask!

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In reply to by Oroborous

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Throughly enjoyed this one again today. Such a laid back Eyes and Dark Star. Brandford really kills it on Lovelight. Knocking on Heavens Door is sweet. I think I saw them close with this one twice........Man, do I want to see some live music.

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another one I've neglected. it's going down smooth.

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In reply to by DeadVikes

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I concure! ...Another ‘primo’ performance from the entire band! ;)

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No one chose anything so want to go with this one? Not trying to be the "decider of the day" bob t

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Back in I think 1987. It was my 3rd tape with Help>Slipknot on it but my first one with no Franklin's Tower.... I was very confused... Before I had Deadbase... bob t

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A quality pick!

This whole "pick of the day" thing is making me realize I have big problems with my collection. So, I looked for the Cow 76 release this morning. I found the case and booklet on the shelf in pristine quality but all 3 CD's are missing - ooftah! I then checked the most likely locations: 3 CD travel cases crammed with Dead CD's. No luck! So the discs must be misplaced among my extensive piles of CD's. A major project to locate them now. At least I have disc 1 downloaded with the great PITB jam.

Another example: I wanted to suggest 6/14/91(View from Vault2) last week as a pick of the day. This might be my favorite show from 91 but I think it is overlooked since it was chosen as a video. I have the last 2 discs downloaded but am missing the first one. I can't find the case or disc 1 CD. So I couldn't suggest it as a pick. Also, it is no longer available as a download. (the Philly 79 show picked last week is also not available as a download)

I think I just assumed the big standalone releases would always be available, either as downloads or in the used CD bin. Not so, I'm afraid! None of these 3 shows are available through nugs, iTunes, or deadnet. Used CD stores are a thing of the past.

Mind you, I am not groveling for copies. There is a fair chance I can still locate my missing shows. I guess there will never be a better time to reorganize than during this lockdown. Till then, there is the archive.

But I digress, on to 12/31/76!

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In reply to by Gollum

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like so many of the “big” shows perhaps their legendary status can sometimes out weigh their overall performance?
Don’t get me wrong, I love any Spring 90 show, and 3/29/90 is a real Bobbie Dazzler, but after many years I’m wondering if it’s the best ALL AROUND show of the tour? Personally, I think I like 3/24 better, but I’m extremely biased. There was a reason though why they released the 24 and 3/15 as early single show releases...
So 29 has a great 1-2 punch with Jack/Bertha, but 24 has LTGTR, Help>Slip>Franks that are first rate.
I’ll take Loser and Desolation from the 24, but the 29 does have that Bird Song. For a first set closer I’ll take a ONSN over Promised land.
The second set is a little trickier; yes it’s all great, but I think the overall cohesion and playing is better on the 24. Eyes somedays, listening seems to kinda drone on with everyone sorta just playing along with one guy noodling at a time. I’ve often felt this way when they’ve had special guests...nothing against the guests etc, just I think it was harder for civilians to play with the Dead than many realize, so the uniqueness and hype are greater then the performances. Like Estimated even has a rare hiccup for this tour. Of course I’ve never met a DS I didn’t like, and being the only one of the tour it is a big deal, but part 2 is perhaps quick and out, along with the wheel, into yet another Throwing Stones though it is a beast, and a Lovelight instead of yet another NFA.. Nice Knocking to bring it back down after all that energy and send em home peaceful.
Again, great show, but I argue the overall flow of 24 is smoother, tighter, deeper, especially pre drums, with a better Wheel, scorching Watchtower, awesome Stella, and yes, yet another NFA, but a good one that works for this show. A Dew would of been the topper, but you knew that was going to get saved...Finally, I’ll take a Bid You Good Night over almost anything cept perhaps Attics, (never had the pleasure of a Ripple)....
Sorry, just bored and rambling while 12/31/76 Eyes is blazing in the background. Which is yet another of those long lost Chestnuts from my early days that I don’t listen to as much as I should, the ole “aw yeah, I’m gonna save that one for X (fill in the blank), but that day never comes, lol. So much Dead...but yeah, another of the true great all time classics. And a top New Yeats show comparatively! Great vibe too, not quite 76 but not full on 77, that whole transitional thing Daverock et el are always pointing out.
Makes me laugh thinking about how many dumb ass reporters trying to phone it in with usual misinformed dribble: “nostalgic 60s leftovers that basically haven’t changed but continue to hang on the the past, yaddy, yaddy, yadda”
Aaaaaa, how bout you get the shit outta your ears and actually listen? The change might of been subtle and over time, but it was always there! Man, I never believed in dosing anyone but sometimes it crosses your mind...bloody punters!

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I think I'm feelin' you on this OROBOROUS.

The revisit the other day of Dozin' had me super jazzed on Spring '90, but yesterday I found myself drifting in an out.. and my attention was wandering. I thought maybe I was just over doing it, crushing Dead all day after day.. but after reading your comments I think you might be on to something. IMO 3/24 is the stronger show and 3/29 is good and all but might get a lot of attention based on the novelty of the guest appearance & Dark Star being played vs the performance. Not saying overrated.. but I think I like 3/24 better overall, it's probably the song selection but also the energy in the playing on 3/24/90, made it really stand up and shout for me the other day. Ask me next time and I might pull a Latvala and say 10/26/89 is the best Dark Star of all time!

The 9/10/91 Branford... that show rocks!

Admittedly I'm just spoiled at this point with so much good quality Dead that I can be all Judgy McJudgerson, but yeah that's what we be doing during this here quarantine.

As for 12/31/76.. Love love love this Playing In The Band, and am excited to pop this puppy on and get all critical and shit!

GOLLUM: You're stressing me out.. get that stuff organized ;) Just Kidding!.. kinda

Be Well All and Enjoy those Jams!

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You crack me up Oroborous! And I know your affinity for Throwing Stones NFA. Yes, the closing sets in those days, well shit, sure glad they were there. And the 3/29/90 Lovelight was really good with Brandford.

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...I was just trying to defrost this place. Conversation versus consensus etc 😉

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Haha OB

Good move.

How’d the Dead manage to make such perfect music for outside listening from big giant halls?

This Cow Palace show seems made for nice weather outside, currently 70 and sunny here (sorry VGUY). And it’s a perfect fit.

I was tripping on this in April on a similar day listening to 2/9/73 Roscoe Maples Pavilion, growing up I always thought that show was Outdoors cause that music is made to hear in nature’s splendor.

You all ever flashed on that?