• Post reply
    8,103 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Comments

sort by
Recent
Recent Oldest A to Z Z to A
Reset
  • #3271
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3272
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3273
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3274
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3275
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3276
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3277
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3278
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3279
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • #3280
    rockthing
    Joined:
    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

user picture

Member for

17 years 7 months
Submitted by marye on
Forums
Currently Listening To...
Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....end second set Morning Dew followed by a Sugar Mags? Hmmm. Punchy.
They tried to top that Mind Left Body, and actually did it!!
Three song encore. Because why the fuck not?
Stay safe my friends. Wash hands.

. this is a Primo Setlist for my liking, it’s mind blowing to say the least how the Dead played from the start of the performance and then bring everything together starting during the second set and the entire Third Disk!!! “H0LY Toledo” !my brothers & sister’s! This Is the “good Old Grateful Dead” at one of their best musical eras in the bands entire career, IMO at least.
Interesting’Dark Star’ for sure, I dig it!
Love the Morning Dew absolutely Bella!
Rock on everyone, have a grateful day! 🙏❤️💀🌹

user picture

Member for

9 years

Submitted by The Good Ole G… on Sun, 05/24/2020 - 08:23

Permalink

It's been fun to visit Oklahoma City '73 again.

Got Distracted during Set 2 yesterday (damn real world stuff!) so I had to revisit the Dark Star this AM.

Mind Leaving Body right now

It's a great way to start the day.

Oh, the places we can go.. next up Cape Cod '79

Have a Grate day everyone!

Jerry quoting a little bit of Jesu, Joy of Man’s Desiring at 9:18 in Morning Dew.

Huge Morning Dew after Major Dark Star.. that’s some good Sunday Morning Music.

And then as mentioned here… Triple Encore of Eyes > Stella, Johnny B. Goode.

Yeah that’s some majorly good Dead.

Great Pick.

Alright, time to time travel some more.

user picture

Member for

14 years 1 month

Submitted by Gollum on Sun, 05/24/2020 - 11:06

Permalink

I also went with the Oklahoma Dark Star onwards for this Sunday Morning. Yes, this is perfect morning music. Great catch on the Bach! I would never have noticed that. I'm beginning to understand why this show is so revered. I just needed some good focused listening...

user picture

Member for

9 years

Submitted by The Good Ole G… on Sun, 05/24/2020 - 12:04

Permalink

I wish I could take the credit and that my ear was that sharp to pick that out on the fly.

But the credit goes to Tom Ferraro and his review in the Taper's Compendium Volume 1 (which is great by the way).

He mentions it and then I had fun listening for it and lo.. Jesu was there.

Great way to start the day for sure.

Nice pick today GOLLUM!

Set 1 was a nice follow up to my Sunday Morning voyage through October '73 and I've made it to Franklin's Tower which is a massive 17 minutes long... I'm excited to hear where it goes.

So far so good.

PS - You should check out the next night SBD if you find yourself with time to spare... The Set 2 China > Rider & PITB are EPIC. I plan on listening to Set 1 of that show later and might just listen to the aforementioned songs again. That Franklin is over 21 minutes long for a total of over 35 minutes of Franklin's Tower in 24 hours.. who can pass that up?
(Another nod to the Taper's Compendium, this time Volume 2 for pointing out that tidbit as well).

Have Fun & Good Listening!

user picture

Member for

14 years 1 month

Submitted by Gollum on Sun, 05/24/2020 - 20:06

Permalink

Thanks for the tip on the Cape Cod 10/28 show GOGD. I listened to the tunes you mentioned and loved them. That show certainly seems at least as good as the 10/27 show. But anyways 10/27 seems mighty fine! I liked the Stagger Lee, Sailor-Saint, and OtherOne-NFA the most. I need to listen to the Dancing- Franklin's jam a few more times. That Dancing jam is queer bird, and I'm not sure what to make of it. So, Brent's getting some weird sounds from his keys the first 9 minutes, and then there's like a loud velcro rip sound, and his keys are back to normal?! I need to listen to it a few more times- it's a queer bird and I need some more time to digest it.

I'm into a 1979 rediscovery phase, ever since the 12/26/79 discussion here a few weeks ago. I always loved the "Friend" and UJB from that show but never got beyond that. Now, I'm finally seeing the greatness of the whole show. It's my favorite Brent show now, by a long shot. (thanks to this forum!) Now I'm giving the 2 fall/winter 79 Road trips some much needed and overdue love.

Have a great Memorial Day, all.

user picture

Member for

13 years 6 months

Submitted by JimInMD on Sun, 05/24/2020 - 21:15

Permalink

I was gone all day.. did I miss a Gollum pick?

user picture

Member for

14 years 1 month

Submitted by Gollum on Sun, 05/24/2020 - 21:35

Permalink

Yep, you missed the great Cape Cod Clambake. I figured you was probably out white-water rafting though the Blue Ridge mountains again....

user picture

Member for

14 years 1 month

Submitted by Gollum on Sun, 05/24/2020 - 22:05

Permalink

That's a great Minglewood! I don't know of a better "Stagger Lee" I forgot how much I liked that song...

user picture

Member for

17 years 6 months

Submitted by Vguy72 on Sun, 05/24/2020 - 22:36

Permalink

....then they are smack in the middle of a Shakedown Street. Swear to God. They are playing it. Masterful stuff.
At 11:12 they resume the Dancin' theme. That's a Shakedown Jam. At least that's how I heard it, and I trust my ears.

user picture

Member for

14 years 1 month

Submitted by Gollum on Sun, 05/24/2020 - 23:21

Permalink

Yeah, that's a beauty. Love the thundering Lesh-heavy Other One

user picture

Member for

14 years 1 month

Submitted by Gollum on Sun, 05/24/2020 - 23:58

Permalink

Great set- exhausting, especially when loud and through headphones. Phil really laying it on thick-mmm...bedtime

GOLLUM: So much good stuff in Fall / Winter ’79 for sure!
It has it’s own unique sound like so many periods of the Dead.
Definitely enjoyed the Clam Bake… CAUTION JAM > THE OTHER ONE! I listened to that like 3 times yesterday, that’s some killer jams.

Speaking of 12/26/79 - I didn’t realize there was a soundcheck of Black Throated Wind in circulation, just stumbled on to that this morning. Gonna listen to BTW from '79 right now. Far out!

Might need to revisit 12/3/79 DaP V31?

BOB T: You’re thinking 6/14/76 today? There is a nice PITB on there…

What’ll it be today.. ’76, ’79, ’88.. so many choices!

...1979 is one of my favorite dead Era’s ! Love Cape Cod 79’ and December 79’ is primo dead for my likings! Brent brought backsome ‘gusto’ to the dead’s music and performances, it’s almost like the dead had come back half circle in their approach to playing their old & new selection of songs and it worked wonders as we can hear in the 1979 releases & recordings, the latest being ‘Dave’s Picks #31 as mentioned earlier! A primo release in the series that I can enjoy over & over again. I swear it will “still your face right off your head!” Is it better than ,Dicks Picks #5,?! I think not but it’s grande in its own way! More 1979 please !
Have a grateful day everyone! 🙏❤️💀🌹

LMG has '79 fever too!

While we're waiting for a consensus in regards to today's pick

'79 talk has me taking a look at the ole collection and I like the looks of the following:

11/6/79 - Philly Spectrum - Road Trips Download - (Started listening to this.. it's good:)
12/3/79 - DaP V31 - I need to relisten as I recall only listening once and moved on.

Also mentioned by BOB T -
6/14/76 - Box Set

And - Thanks for the Dylan tip VGUY. Listened to Postcards of the Hanging last night, never really paid attention to it.. Baby Blue from 12/3/81 is killer!

Probably should listen to some honest Bob.. but I got Dead fever.

What you all listening to today?

user picture

Member for

14 years 1 month

Submitted by Gollum on Mon, 05/25/2020 - 11:02

Permalink

6/14/76 would work perfect for me. I just listened to 6/10 and 6/11 last week, so it's due up for me anyways. It would be a nice mellow way to end the Memorial Day weekend.

Dave's 31 (12/3/79). GOGD, I also listened to this just once and moved on. I was frustrated by the mix. Bobby's guitar is just too low for me, especially on Scarlet-Fire. That's a big pet peeve of mine. Maybe I should give it another chance -perhaps the ears adjust(?). Maybe I just need to lighten up a bit and go with the flow?! But, aren't we lucky we have the 12/26 and 12/28/79 shows as excellent Betty boards! The Healy Road 79 Road trips also sound great!

user picture

Member for

17 years 6 months

Submitted by Oroborous on Mon, 05/25/2020 - 11:34

Permalink

Perhaps my favorite 79...another of my actually good sounding go to tapes back in the day. Used to like to play Bass along w it’s it for practice.

RECAP:
- Vault 1 8/13/75 ✔️ Haven’t heard this gem in forever. Forgot just how awesome and tight this show is. Choreographed sure, but so what, it flows so nicely, and hey, no me & my uncle, lol. There’s a reason this was chosen for the first Vault pick!
- 7/1/78: NOT
- 5/21/74: ✔️ Still haven’t caught up on this box either, yeeshk....
- 5/23/72:✔️ Finally got a copy of most of this. Cool DS of course, but overall they seem a tad off this night, compared to the rest of the tour. Need to hear again as I was ripping stuff while listening...
- 10/19/73; ✔️ I’ve gone on and on about this one so I’ll just say one word today....MAJESTIC....the whole dam show just builds slowly, majestically, to a powerful whole. Majestic jams, majestic DS. Prolly my favorite Dicks
- 10/27/79:✔️ yet another of the 30 trips shows that I’m not yet really familiar with. Still have so much of that beast I either haven’t heard yet, or have only listened in the background. So it was nice to sit a bit with this one from that great funky ass 79 fall tour. Nice relaxed but tight first set. Good second that’s already been covered well here...still think 11/6 is my fav from this tour? I dig 11/9 too, but I’m extremely biased on that one...
So maybe I’ll try to sneak both 11/6/79 and 76 in today? Hup, hup, better get going!

user picture

Member for

14 years 1 month

Submitted by Gollum on Mon, 05/25/2020 - 20:29

Permalink

I never feel like skipping any songs on these June 76 shows. Each one is a smooth seamless trip. Nice soothing Playin' jam. Heading into the 13 min slipknot.

user picture

Member for

17 years 6 months

Submitted by Oroborous on Tue, 05/26/2020 - 07:14

Permalink

Spring 90....shoot chip, you don’t even need to ask!

user picture

Member for

8 years 2 months

Submitted by DeadVikes on Tue, 05/26/2020 - 17:50

Permalink

Throughly enjoyed this one again today. Such a laid back Eyes and Dark Star. Brandford really kills it on Lovelight. Knocking on Heavens Door is sweet. I think I saw them close with this one twice........Man, do I want to see some live music.

user picture

Member for

14 years 1 month

Submitted by Gollum on Tue, 05/26/2020 - 19:00

Permalink

another one I've neglected. it's going down smooth.

user picture

Member for

8 years 8 months

Submitted by Lovemygirl on Wed, 05/27/2020 - 04:00

Permalink

I concure! ...Another ‘primo’ performance from the entire band! ;)

user picture

Member for

17 years 1 month

Submitted by bob t on Wed, 05/27/2020 - 06:15

Permalink

Back in I think 1987. It was my 3rd tape with Help>Slipknot on it but my first one with no Franklin's Tower.... I was very confused... Before I had Deadbase... bob t

user picture

Member for

14 years 1 month

Submitted by Gollum on Wed, 05/27/2020 - 08:57

Permalink

A quality pick!

This whole "pick of the day" thing is making me realize I have big problems with my collection. So, I looked for the Cow 76 release this morning. I found the case and booklet on the shelf in pristine quality but all 3 CD's are missing - ooftah! I then checked the most likely locations: 3 CD travel cases crammed with Dead CD's. No luck! So the discs must be misplaced among my extensive piles of CD's. A major project to locate them now. At least I have disc 1 downloaded with the great PITB jam.

Another example: I wanted to suggest 6/14/91(View from Vault2) last week as a pick of the day. This might be my favorite show from 91 but I think it is overlooked since it was chosen as a video. I have the last 2 discs downloaded but am missing the first one. I can't find the case or disc 1 CD. So I couldn't suggest it as a pick. Also, it is no longer available as a download. (the Philly 79 show picked last week is also not available as a download)

I think I just assumed the big standalone releases would always be available, either as downloads or in the used CD bin. Not so, I'm afraid! None of these 3 shows are available through nugs, iTunes, or deadnet. Used CD stores are a thing of the past.

Mind you, I am not groveling for copies. There is a fair chance I can still locate my missing shows. I guess there will never be a better time to reorganize than during this lockdown. Till then, there is the archive.

But I digress, on to 12/31/76!

user picture

Member for

17 years 6 months

Submitted by Oroborous on Wed, 05/27/2020 - 11:53

Permalink

like so many of the “big” shows perhaps their legendary status can sometimes out weigh their overall performance?
Don’t get me wrong, I love any Spring 90 show, and 3/29/90 is a real Bobbie Dazzler, but after many years I’m wondering if it’s the best ALL AROUND show of the tour? Personally, I think I like 3/24 better, but I’m extremely biased. There was a reason though why they released the 24 and 3/15 as early single show releases...
So 29 has a great 1-2 punch with Jack/Bertha, but 24 has LTGTR, Help>Slip>Franks that are first rate.
I’ll take Loser and Desolation from the 24, but the 29 does have that Bird Song. For a first set closer I’ll take a ONSN over Promised land.
The second set is a little trickier; yes it’s all great, but I think the overall cohesion and playing is better on the 24. Eyes somedays, listening seems to kinda drone on with everyone sorta just playing along with one guy noodling at a time. I’ve often felt this way when they’ve had special guests...nothing against the guests etc, just I think it was harder for civilians to play with the Dead than many realize, so the uniqueness and hype are greater then the performances. Like Estimated even has a rare hiccup for this tour. Of course I’ve never met a DS I didn’t like, and being the only one of the tour it is a big deal, but part 2 is perhaps quick and out, along with the wheel, into yet another Throwing Stones though it is a beast, and a Lovelight instead of yet another NFA.. Nice Knocking to bring it back down after all that energy and send em home peaceful.
Again, great show, but I argue the overall flow of 24 is smoother, tighter, deeper, especially pre drums, with a better Wheel, scorching Watchtower, awesome Stella, and yes, yet another NFA, but a good one that works for this show. A Dew would of been the topper, but you knew that was going to get saved...Finally, I’ll take a Bid You Good Night over almost anything cept perhaps Attics, (never had the pleasure of a Ripple)....
Sorry, just bored and rambling while 12/31/76 Eyes is blazing in the background. Which is yet another of those long lost Chestnuts from my early days that I don’t listen to as much as I should, the ole “aw yeah, I’m gonna save that one for X (fill in the blank), but that day never comes, lol. So much Dead...but yeah, another of the true great all time classics. And a top New Yeats show comparatively! Great vibe too, not quite 76 but not full on 77, that whole transitional thing Daverock et el are always pointing out.
Makes me laugh thinking about how many dumb ass reporters trying to phone it in with usual misinformed dribble: “nostalgic 60s leftovers that basically haven’t changed but continue to hang on the the past, yaddy, yaddy, yadda”
Aaaaaa, how bout you get the shit outta your ears and actually listen? The change might of been subtle and over time, but it was always there! Man, I never believed in dosing anyone but sometimes it crosses your mind...bloody punters!

user picture

Member for

9 years

Submitted by The Good Ole G… on Wed, 05/27/2020 - 14:09

Permalink

I think I'm feelin' you on this OROBOROUS.

The revisit the other day of Dozin' had me super jazzed on Spring '90, but yesterday I found myself drifting in an out.. and my attention was wandering. I thought maybe I was just over doing it, crushing Dead all day after day.. but after reading your comments I think you might be on to something. IMO 3/24 is the stronger show and 3/29 is good and all but might get a lot of attention based on the novelty of the guest appearance & Dark Star being played vs the performance. Not saying overrated.. but I think I like 3/24 better overall, it's probably the song selection but also the energy in the playing on 3/24/90, made it really stand up and shout for me the other day. Ask me next time and I might pull a Latvala and say 10/26/89 is the best Dark Star of all time!

The 9/10/91 Branford... that show rocks!

Admittedly I'm just spoiled at this point with so much good quality Dead that I can be all Judgy McJudgerson, but yeah that's what we be doing during this here quarantine.

As for 12/31/76.. Love love love this Playing In The Band, and am excited to pop this puppy on and get all critical and shit!

GOLLUM: You're stressing me out.. get that stuff organized ;) Just Kidding!.. kinda

Be Well All and Enjoy those Jams!

user picture

Member for

8 years 2 months

Submitted by DeadVikes on Wed, 05/27/2020 - 15:12

Permalink

You crack me up Oroborous! And I know your affinity for Throwing Stones NFA. Yes, the closing sets in those days, well shit, sure glad they were there. And the 3/29/90 Lovelight was really good with Brandford.

user picture

Member for

17 years 6 months

Submitted by Oroborous on Wed, 05/27/2020 - 17:40

Permalink

...I was just trying to defrost this place. Conversation versus consensus etc 😉

user picture

Member for

9 years

Submitted by The Good Ole G… on Wed, 05/27/2020 - 18:30

Permalink

Haha OB

Good move.

How’d the Dead manage to make such perfect music for outside listening from big giant halls?

This Cow Palace show seems made for nice weather outside, currently 70 and sunny here (sorry VGUY). And it’s a perfect fit.

I was tripping on this in April on a similar day listening to 2/9/73 Roscoe Maples Pavilion, growing up I always thought that show was Outdoors cause that music is made to hear in nature’s splendor.

You all ever flashed on that?