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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • proudfoot
    Joined:
    love your comment about liking licorice, Vguy

    :)))

  • Vguy72
    Joined:
    comparing Keith & Donna's last and Brent's first....

    ....fun fact. They repeated eight songs.
    That being said, comparing the Passenger's alone is....interesting.

  • billy the kid
    Joined:
    Rock thing ,great write up

    Rock thing , that is a great write up on 2/17/79 you did. Big Railroad Blues hadn't been played since 1974.

  • rockthing
    Joined:
    2/17/79 Second Set

    PROUDFOOT, RE relieved to move on: Sounds about right.

    BILLY THE KID: Nice. I thought that Greatest Story does seemed special, too. It's got tight energy, but I also don't recall hearing a Greatest Story with that free-form a guitar solo from Jerry. I was definitely startin' to think I could go for a bit more fidelity on this show, too.

    THE GOOD OLE GRATEFUL DEAD: Yeah, man, from Playin' on, it's anybody's guess. The tape I Downloaded has that tracked as "Playin' >", "Drums >", "Space >", like you say. Playin' isn't really known for its drum solos, but I think I'd just keep all that as Playin' until they made a definitive move into The Wheel. I realize that no one else would ever do that. There's just Space all over the second set after Playin'. The Wheel disintegrates into Shakedown. That Shakedown back into Playin', though, eh? Definitely the stuff. You can hear Jer hinting at Playin' quite a while before they actually get there. Would not want to be responsible for seeding that. Where do I cut it?!?! :)

    Man, this second set jumps like a Willys in four wheel drive.

    Might as Well!!!: Went to a Dead show and a Jerry Band gig broke out! Yeah! Rocketing out the gate for the second set. Might as well. This show has a seriously stacked set list imo.

    Miracle: Damn. No chance to catch your breath tonight! Jerry’s soaring, then doing some crazy runs in the first solo. Pretty manic, really, just trying to make something happen. Nice ending jam too. A drummer seems to be losing his footing or a stick or something, but no one else… Whoa!!!

    Bertha!: I don’t think ANYBODY saw THAT coming, least of which the band. Whoever pulled the tempo back to something sensible is a hero, because that was about to set a record. Ohp, gonna get one of those big unison hits goin’? Not yet. Pickin’ up the pace again. Phil is not giving up on the big bang… unnnnn… not quite….hahaha. Phil’s still goin’ for it. The drummers are just hittin’ all ones like they're wired as hell. This whole second set is coming off with it’s teeth grinding. Crowd cheers an almost earthquake bass bomb, but Phill still can’t quite get everyone there. Test me! GONG. Got it. Memories starting to clear. Synchronization critical. Sounds like double kicks from the drums. What is this? The lets see how many notes we can play contest?

    Good Lovin’: Nice, seamless transition. Just, suddenly their playing Good Lovin’. Nice crescendos. Jerry’s boppin’ along for the solo. One of his more coherent solos so far. They seem to have a better handle on the dynamics now. This is a really, really nice performance of this tune. Bobby’s got just the right atmosphere here. He’s givin’ it everything, but not overblowing. This will be excellent if he keeps the rap under control. No danger of Bobby sellin’ the Brooklyn Bridge. Mickey goin’ crazy with some heavy percussion runs, but they are buried deep in the mix, might not even be goin’ through the main PA. Long cheers ensue. Well deserved. That was excellent. They are taking no prisoners tonight, but that really struck the perfect balance. Wouldn't normally gush over Good Lovin', but that was excellent. At this point, I think I’d almost be wishing for five minutes of tuning.

    Heart of Me. Ahh, nice farewell for Donna. Nice little breather for us, too. She sounds really good. Sounds like maybe Jerry missed a chord change and his fills are a little off key at one point early on. Nice little descending flutter from Jer that one of the drummers picks up on, adding some 16th high-hat cymbal to. Wow. Really nice. The ending was superb.

    Big Railroad Blues. Jerry came to rock tonight, that’s for sure. Goovin’ on the, which solo is this? They seem to have settled down a bit from the insanity that was the teeth numbing first half of the second set.

    Terrapin!: Sorta slips into the hall, almost without being noticed. Not the kind of thunderous greeting it would become accustomed to in later years. This performance seems almost quaint in its simplicity. One of the drummers continues to have happy foot. Cool guitar solo leads everyone out into open space as the various counterpoints begin to emerge, everyone expanding out into their own direction before drifting gently into a little space of equilibrium. Jer’s not quite ready for the big finale. He starts to play the melody that will bring everyone out of their trance, then decides to let the ride get a little more gentle as it drifts along. There it is. Not monumental, just recombining into a gentle reading of the last verse. Ahh.. Jer’s sweet old voice… Nice build up to counting stars, but Jerry’s vocal doesn’t quite soar. Finding the right mix of harmony without building up too dramatically and the finale has begun. This Terrapin seems, somehow, understated, but it’s difficult to say exactly what gives that impression. I mean, Mickey is off the hook as usual. Nice, Phil plays the signature melody line in a high register on the bass instead of Jerry, as Jerry continues to wiggle about with all sorts of lead lines. Mickey gets a bit too tricky for his own good, but that slightly clumsy moment doesn’t trip up anyone else.

    Playin’: Just where you’d expect “Drums” to begin, nice call. Not sure I really dig the four on the floor and the open and closed high hat feel for this tune. Don’t have any particular qualms with disco Dead, or the Disco Cowboy things they did, but it feels like it’s tying Playin’ down too much. And, as soon as I type that, the bottom drops out and they out into an open ended Playin’ jam with Jer out in the echoey distance working’ the envelope filter. Really nice atmosphere here. Jerry’s makin’ sure they don’t get back to the song any time soon. Little too much kick drum in the mix is sorta harshin’ my mellow, but always happy to see a thorough deconstruction of Playin’. …and it seems to be just petering out, but then someone adds some nice textures. Almost sounds like a Fender Rhodes, but I can still hear Keith plunking away, so maybe it was Bobby… Someone in the audience hoping they’ll play I Need A Miracle, forgetting that we already heard that, what seems like several lifetimes ago. Wow. Completely abstract, now. Oh, and there IS a “Drums” track, but this feels like Playin’ with a drum solo (ok, got it), but that Playin’ jam would have definitely qualified as “Space” in a latter day show, albeit out of conventional order. Still an array of all acoustic percussion. Do I smell a Not Fade Away out of the drum solo? I see that someone has tracked this as a transition into “Space”, but all I hear are drums, still. Not hearing any “Space” here. Oh, and just as I type that, Phil joins the jam with Jerry not too far behind.

    The Wheel: This setlist is a dream. Guess they didn’t have to save anything for the next night. This is a nice Wheel. They’ve really settled down into atmospheric mode after the totally outrageous start to the second set. Some cool tremolo picking from Jerry as the song breaks up.

    Shakedown: Starts off a little, not a little, really… er… shaky. Nice echo effect on Jer’s guitar. Drummers haul the tempo up from the crater left by Phil’s opening bass bomb. You really get the impression that they are not working with a set list tonight. Settling in a bit just before Jerry starts the first verse. Whoo! Oh, yeah. Dancin’ shoes on now. Such a contrast. First part of set two could barely stay on the rails, but now they’re so spaced out they forget to put their foot down on the accelerator. Not a complaint, at, all. I usually imagine Shakedown jams to be more rhythmic. There’s sill a hint of the groove in the background, but well, there it went. Phil just introduced a completely different groove. Getting loose like that let’s them slip into other things, which is, I think, what’s happening now…. or not… This must be the most abstract Shakedown jam I’ve ever heard. I mean, there are literally hundreds of tapes I’ve never heard, but still. Jerry really working out now. Super fast little tremolo picking like in the high registers. Drums have started driving again. Sounds like Jerry’s teasing a Playin’ Reprise. Did they even do that in the 70s? No doubt. Jerry is definitely hinting at the Playin’ lick. Either they’re taking the long way home or they’ve given up on it. Wow. Jer getting’ pretty avant garde now. Where. Is. This. Going?! Lovin’ it!

    Playin’ Reprise: Wow, Jer managed to get everyone on board for a Playin’ reprise after all that. And, damn, does it thunder onto the scene when it finally takes form. Still doin’ that insistent four on the floor thing that makes it feel kind of agro.

    Sugar Mag: Love how this comes up for air out of the disintegrating Playin’ reprise. This show has had something for everyone, from super high energy numbers to complete space outs. Even with the free form mood that took over in the second half of the set, this is nice and tight; moving right along. Everyone in. Bobby thanks Bill Graham.

    One More Saturday Night: Solidly above par. Wailing sayonara for Keith and Donna. I’m exhausted. What a show!

  • Vguy72
    Joined:
    4.22.79 New Kid on the block....

    ....sounds like he fit right in and liked licorice.

  • billy the kid
    Joined:
    2/17/79 4/22/79. Two great shows

    2/17/79 & 4/22/79 are two great shows that should be official releases. I went to 2/17/79, it was a benefit to stop environmental cancer called Rock for Life. The show started with the lights all on in the house as the Dead blasted out a killer version of Greatest Story. The version of Don't Ease Me In was great, they reworked it when Brent joined the band and it was never the same. I didn't make 4/22/79, it was my moms birthday, we were having a party. Charlie Daniels and Greg Kihn were both on the bill before the Dead. It's so nice to hear Brent's organ playing on Jack Straw for the the first time. The Dead seemed really pumped up and into it for the whole show. This show at Spartan Stadium wasn't to far away from where the Dead played their first show as the Grateful Dead, at the San Jose Acid Test on 12/4/65.

  • rockthing
    Joined:
    2/17/79 First Set

    Wow. I remember thinking this was a really upbeat show considering it was Keith and Donna's last, but they must have given them one hell of a going away party. It is all goin' off in, like, every direction. I was exhausted just listening to it. This show goes from absolutely manic teeth grinding rockers and old timey tunes that barely hold it together to some seriously out there space jams. You'd have to label this with, like, three "Space" tracks if you were inclined to breaking things down as much as possible.

    I already had the Bob Menke AKG source in my music library, so I was listening to that. Not checking the set list. Can’t remember what it was, other than Donna gets to sing a lot, iirc. Here and there saw the song title pop up. Sound is pretty thin. Really need to crank it.

    Greatest Story: Usually like this as an opener. Jer seems to have carte blanche once his solo starts. Always a good idea in my book. Really searching and experimental as the four on the floor drives away behind him. Isn't this tune usually a little more cut and dry?

    What’s Bobby saying’ about technical adjustments? Had to reach for the volume control, but still couldn’t make it out.

    Don’t Ease: Damn sure am glad I left the volume where it was after that announcement. Love this tune. Haha. Oh, yeah, this must be when Bobby was learning to play slide on the job.

    Mama Tried: Love this one too! Seems like there might actually be a bit too much energy, if there is such a thing. Seem to be just barely holding’ it together.

    Mexicali: Despite the fact that it’s Keith’s last show, he’s been really prominent in the mix so far. Departing gift? Emotive delivery from Bobby. Jerry’s chorus vocals are really standing out too, for better or worse. This is pre-MIDI, obviously, but damn, Jer’s guitar sounded just like a trumpet for a minute there. Read somewhere about Branford Marsalis commenting that Jerry didn’t need MIDI to make his guitar sound like another instrument. This may be the proof. Can’t believe I have so much to say about Mexicali Blues!

    Friend of the Devil: Chill slow tempo version. Some weird polyrhythmic syncopation goin’ on. Jer starts signing on the wrong beat, but has it together before the first verse is over. Keith gets several choruses for his somewhat aimless piano solo, before giving way to a spirited solo by Jer, who’s playing fast triplets and fluttery phrases over the slow tempo before bringing everyone in smoothly for the last verse and a strong final chorus.

    Passenger: Did they ever do this again? Kinda relies on Donna. I don’t keep a Deadbase handy, unfortunately. Someone seems to get a little lost going into the “Only Game in Town” part. Jer slide solo. Bobby’s guitar is pretty much inaudible. I think the sense of roughness I’m feeling is due to both lack of rhythm guitar and Jerry trying to double on slide and normal fretted runs. It’s a tough juggling act. Pretty wild ride, this one. Stretchin’ out the second solo. Thought they were gonna end it in a jam, but someone brings it back to sing one more chorus before the ending, but it appears the memo did not circulate widely. Donna seems to be the only one who managed to get back to the chorus on time, but everyone recovers beautifully to end. I read that Phil wrote this song because he wanted to hear some raunchy guitar playing from Jerry and Bob. Well, he got it that time.

    High Time: Wow. That's not something I normally expect to hear. Nice, delicate interplay from everybody. Pretty difficult song, actually. Not surprising it didn't see much action on stage.

    Looks like Rain: Never really warmed up to this tune. That said, sometimes it gets stuck on repeat in my head and no matter what I do, I cannot stop hearing it… What the hell’s with those loud snare hits? lol My guess is that prankster Mickey, but who knows? Still laughing. Sounds like someone wants to pick up the tempo a bit. This is actually a pretty sensitive rendering of this song.

    Jack a Roe: Electric! There’s something else ya don’t hear every day. Man, this show is absolutely stacked with tunes I totally love. Again, can’t hear Bobby’s guitar at all. Keith has been reigned into the mix better at this point. Phil’s givin’ it his all playing in and out of Jerry’s first solo. Ahh.. there’s Bob. Welcome to the show, dude. Sounds like only one drummer at this point, too. Pretty sparse, but then again, as much as I love this tune, there’s not a whole lot for everyone to do.

    Lazy Lightning/Supplication: Period piece. Dunno why Bobby gave up on so many of his old tunes in favor of blues numbers, and Dylan covers. Donna sounds strong here. I believe I read that she and Keith actually wanted out at this point, so perhaps that contributes to the sense of jubilance (not a word apparently) here and Keith’s relative engagement. Jerry really, really, flying again. Float in’ like a butterfly, stinging’ like a bee. Phil senses blood and a jamming frenzy ensues. I guess if Bobby never cued them to go back into the song everyone else’d just go on forever like that…hmmmm…. It is so manic at this point, I don’t see how you could even dance to it. Spinners’d be achieving physical lift off, I think, depending on the robustness of their skirts.

  • proudfoot
    Joined:
    Tonight on "Wha'appen?":

    My theory is the agreement to part ways happened, everyone was relieved about it, so they made 2/17/79 special.

  • The Good Ole G…
    Joined:
    Grateful Dead Memories

    2/17 is good stuff.

    Based on what I was reading, Donna mentions her & Keith discussing leaving the band through out the last tour. So maybe it was agreed upon between 2/11 in St. Louis & 2/17 in Oakland. Just speculating.

    In regards to Tracking, since Rockthing brought that up....
    I'm feeling it as Playing In The Band > Drums > Space > Wheel > Shakedown Street > Playing In The Band Jam > Reprise.
    The Jam after Shakedown seems to turn into a PITB jam at around 12:30.
    I like to give PITB as much labeling as possible, so that I'll pick that show out and listen to it again.
    PITB rules.
    (All of the above is killer! Listen to Jerry's voice in Terrapin & The Wheel segue is sweet, but that jam from Shakedown into Playing Jam is the stuff.)

    Alright, I feel I'd not be performing my obligation to the nation if I didn't mention the 4/17/79 Rehearsal tape as a potential listen before you blast off into 4/22/79.

    I gotta do it.

    Keep on Rocking, Rockers.

    PS - 2/9/73 was one of my first 3 bootleg tapes, it still gets me every time, so I'm with ya on that Jim.
    Mickey was right they were into Time Travel.

  • JimInMD
    Joined:
    Tapes / Spartan Stadium and Maples Pavilion

    I remember dropping off a 10 pack of TDKs with an acquaintance. I got 4/22/79 Spartan Stadium, 2/9/73 Maples Pavilion and 06/29/76 Auditorium Theater - Chicago in the same box. They contained their share of new songs (with Spartan Stadium, not so much songs but a new keyboard player).

    I ended up getting a few more boxes from the same friend before geography and time brought that to an end. I have a crystalline memory of these first listens, like opening up another world of shows, songs and peeks into parts of eras I had no prior exposure into. Like Christmas morning..

    In my mind all the shows from that glorious 10 pack take up the same real estate in my frontal lobe. Funny how memories work, especially grateful dead memories.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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I always liked that Spectrum show. It got beat up when released for sound quality, but for the era, it sounds quite good compared to most of the rest. I think it sounds better than the RT 1.1 a mix, but a lot from the Spectrum 79 run.

It's a cool little show and one of my early cassettes. It's got a short and potent TOO into a soulful Morning Dew. In 82, to my ears, Jerry could still deliver those mournful, soul-felt lyrics. On a good night in 82 his voice still sounded fresh. This might be the last year that was true, but I certainly liked the way he sang in the later years too. Visions and She Belongs to Me comes to mind.

Anyhow.. cheerio folks.. have a great night. Play your favorite show like it's 1999.

Edit: I am partial to 4/19/82 and 4/9/83 from that era, but I am biased.

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In reply to by JimInMD

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Wooooohoooo, we neeeeeeeddddddddd MOR-R-R-R-Reee nitrous!

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....the laughing gas show. On it.
Spoiler alert. They play Cumberland.

“Maybe things don’t feel so good, you know what that’s all about.

It’s kinda like that in the world today things have fallin’ just kinda ill.

But listen there’s something you can do about it. You and me can do about it.

Cause we’re gonna change it, we’re gonna make it happen. Nobody else is gonna do it.

Listen deep down inside you got a light, turn it on, let it get stronger, let it get bright. And leave it on, that’s right.

Got to have Good Love.”

Bob - 4/19/82

Is it Bob laughing? Sounding pretty maniacal there Bobby!

More Nitrous..

Lovin’ April ‘82 this weekend.

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In reply to by The Good Ole G…

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How about 9/24/76 to start our Monday. Dave's Picks #4, College of William & Mary.

Looking for a way back to some sort of normal. Not sure when that comes.
In the meantime, this wonderful pick deserves a spin.

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This sounds like a very promising pick for tomorrow. I just rewatched Dave's excellent seaside chat. Very promising, indeed...

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In reply to by Gollum

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9/24/76 DaP V4

Nice call on the Seaside Chat Gollum, I'm pumped for some jams.

PITB > Supplication > PITB along with some tasty looking Blues For Allah stuff, time to revisit this puppy.

Have a Grate Day you all!

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Save the date.... if this existed on soundboard!!!! We all love the Winterland run, but this show just gets ignored due to only audience tape existing!!! So Thursday of this week put this one on... and dare to dream... look at the set list... did it rot in the barn, did no one tape it, we can only dream!!!!!! bob t

And now back to your regularly scheduled programming! I won't comment on the decision to turn the site into a fundraising arm for 24 hours. They own the site and have the right to do it.

So 9/24/76, Dave's 24, was a great way to start my Monday. Different than June 76, yes, for sure. Great show, not long, but perfect for Monday. Love that Playing, Supplication. And yes, that Slipnot is a killer.

Be well folks!

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This looks tasty, many say top 5 show, I will have to dig this one up as I have never heard it but the set list is a good one. Thanks for the heads up

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Hunter just put up these two matrix versions of these legendary shows, for those of us that are into that sort of thing (I know I certainly am!)

6/26: https://archive.org/details/gd1974-06-26.149947.mtx.seamons.ht119.flac16
6.28: https://archive.org/details/gd1974-06-28.149954.mtx.seamons.ht120.flac16

PM me if you need any help DLing :)

Peace

I was going to suggest a certain song by N.W.A. but thought my attempt at humor might not be appreciated....and not within the boundaries of our usual decorum....
So I might swing around to 11/1/85 again as I didn’t get a full listen in and haven’t heard in forever....
Pretty soon being the 35 anniversary year of that awesome summer tour, I may dig deep into those....

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Listen and pretend you have the best sound board ever!!!!.... Franklin's Tower>China Doll!!!!. be safe and good everyone, bob t

All right China Doll is close to Comes a Time for 5/4/77 and 5/9/77 if there was a sound board.... last plead.... and you get a 12 minute NFA after also..... I feel like I am trying to sell Ginzu knives.... cuts threw cans and then a tomato!!!

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back in the day it did not fit on a 90 minute maxell xl II........ compare that to the rest of Spring 77... sorry last rant..... please listen if you never have tomorrow!!! bob t.... if there was a board drop the mic!!!!! check out set II set listen!!!!

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His birthday today. Saw him in April 1973 in Phoenix, Freddie King opened.
Curtis’ song “(Don’t Worry) If there’s a hell below, We’re all going to go” is a classic. One of the most powerful live concerts I ever went to, that includes the Grateful Dead.
Eldridge Cleaver wrote in his book “Soul On Ice”and addressed the hippies saying that they were the white niggers. A white man with long hair can cut his hair and dress in plain looking clothes and blend back into society. The black man can not change the color of his skin.
I am paraphrasing but I think readers get the point.

I don't know Bob.. there's no SBD.

Just kidding!

Love the hype, looking forward to dusting off my moldy oldie Audience tape of 6/4/77 on it's anniversary.

Gonna go hit up 7/13/85 in the backyard, heard it's name kicked around on one of the other forums.
It's been awhile.

Be well all!

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3 hours until eastern daylight time for 6/4/77... L.A. Forum........ last warning Estimated Prophet> Eyes of the World > Good Lovin> Terrapin Station>Playin in the Band> Franklin's Tower>China Doll> Not Fad eAway

Bob t, yes, we would all love an official copy of this show, that is for sure. Maybe some day? Who knows.

A wise soul sent me a copy of this show and it is extremely rough.

Maybe Rob Eaton knows?

Just think of the summer that could have been in 77 if Mickey didn't get in a car accident....

Be well folks, seems like we may be seeing some light at the end of the tunnel?

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I believe DL said 6/4/77 is 1 of 2 from ‘77 that is not in the Vault.

The other 2/27/77 maybe? They have 1 reel from that show, but I don’t think that reel was in the Vault until the Betty Boards return.

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I believe you are correct. 6/4/77.. one of the best shows of the year and one of the worst surviving recordings. Talk about Murphy's Law.

Murphy, turns out he was a real guy. "Named after Capt. Edward A. Murphy, an engineer working on Air Force Project MX981." (The Desert Wings March 3, 1978). The phrase was coined at Edwards Air Force Base in 1949.

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I like the sound of this 6/4/77 Audience Recording by Rob Bertrando it’s a solid recording. And definitely good by ‘77 standards. Good separation and ambience. Digging it.

Definitely a solid show and way cool set list, almost has a mojo style jam as they head into NFA.

Thanks Rob! If you’re out there, would love to hear some of your stories.

Man can’t imagine what we’d of done without Taper’s. They were such an important part of the Dead music trading phenomenon.

Hats off to Taper’s. You all purchased gear, got tickets, traveled, smuggled, got hassled, went in early just to record the shows. And then shared them with all of us. That’s hardcore. I had a hard time just keeping track of my, ticket, party favors and mind.

So glad you made it!

Nice pick Bob T.. did you have a good anniversary trip?

You're both right.. it's a crisp, great audience recording. my comment was in comparison to the rest of the year, which with a few exceptions was mostly miss Betty, and the exceptions were great recordings as well.

I didn't meant to say it sucked, more that all the other recordings were beyond exceptional.

Carry on.. just rereading shit, sometimes my words six hours later don't always match my intentions.

Back to your regularly scheduled
Terrapin Station>
Playin' In The Band>
Franklin's Tower>
China Doll>
Not Fade Away>
Playin' In The Band

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In reply to by The Good Ole G…

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We need to keep this thread going, at least I would like to see that happen. It has been a ton of fun.

I will offer up 9/18/87, which is the 87 30 trips show?

I hope at some point they give us some of the 87-90 Shoreline shows. Quite a few of those shows to pick from.

What do they think?

If you don't have it let me know.

What happened to Bolo and Conekid?

Be well folks.

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A great show.. one of the best of the year and still in my active rotation 4 1/2 years after 30 trips... The energy coming out of the space through the rest of the show is palpable.

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Hot damn! 6/4/77 is a scorcher! I have never really minded decent AUDs, and like was mentioned, this AUD is really pretty good, especially considering how long ago it was. I think it was "Candyman" in Set 1 that made me really sit-up and pay attention, then, of course, that second set is tough to beat by the standards of any era! Thanks for pointing us in that direction!

9/18/87 for today! This will be another first listen for me!

I agree with DeadVikes - let's keep this thread rolling! I have been finding a lot more solace here than on the DaP34 page, especially as of late. Also, I have always thought that it was way more fun to dig into and discuss a wide variety of shows rather than focusing on one specific era of the band. This is my favorite little corner of the internet, and I hope it doesn't dry-up any time soon.

Happy Friday, DeadLand!

Peace

Worth watching the Letterman appearance just to see how uncomfortable Jerry was with that trick!

Our first Official pick from 1987!

OTIS you’re in for a TREAT my friend.

I’m in and this show boils over.. gives me chicken skin just thinking about the goodness that follows space!

DEADVIKES & OTIS: Glad to hear you all are hip to keep this thread going.. felt like it might be dying. And I agree with OTIS in regards to the vibe. I peak at them other threads.. but they’re like Space sometimes they get a little tense, sometimes a little scary :)

AUDIENCE RECORDINGS:
When I know there’s NO SBD in existence at this point. I can really dig a good Audience recording. If there’s a SBD I tend to wanna go to it first. But I think you really gain a different perspective when listening to Audience tapes, and hell after all the crappy tapes I had growing up, these 1st gen Audience recordings sound better than those. And often times sound pretty damn sweet. I'm looking at you June '83.

MISSING PERSONS:
Bolo seems to pop in from time to time.

Missing: FourWindsBlow & ConeKid (Hope all is well!)

BUMP: STRIDER88 - RIP Curtis Mayfield I’m gonna have to go in the garage and find my SuperFly CD, it’s been awhile and what an amazing talent. What was the scene like at that show?

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Yes, it is a 6-pack, but man-oh-man, I really enjoyed it!

For the 2nd day in a row, it is "Candyman" that is the first set winner, though I enjoyed all of the other tunes as well. "Masterpiece" is def. my fav. Bobby Weir Dylan tune, and this whole set has a lot of really strong energy.

I have a bit of a blind spot when it comes to 87, as I think that the short sets turned me off in the past. However, with the release of the Giants' Box, and some suggestions from this board and another friend, I am finding more and more about 87 that I love.

Looking forward to Set II - "Shakedown" opener - you know I love that!

Peace

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In reply to by Thats_Otis

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Glad to see you guys around for the ride.
87, the comeback year. Remember, Jerry had to learn how to play guitar again after the coma. What a run after the recovery.

There is a ton of great shows in 1987, were are a lucky bunch.

Yes, shorter shows for sure. Always love a Sugaree and that Birdsong is something. Looking forward to the second set.

Let's go Jim, Vguy, Oroborous, Bob t, Gollum, Mhammond!

Damn, you’d think with all this “extra” time I wouldn’t be so damn busy....sigh, falling behind again....
Been spending a little extra time with 11/1/85. Hadn’t broke this out in forever either, hee-hee you guys have been really pulling out so many awesome chestnuts that I’ve neglected trying to keep up with all the great new stuff I’ve picked up the last couple years.
Anyway, good show, Jer drops a few clams and they seem to get a little less in sync later in, but that’s nit picking. What? 5 or 6 tunes before drums, including High Time. Always dig She Belongs to me. Used to think this was a scratch your head pick, meaning imo there are many better 85 shows, and as this is only one of 2 from this great year released, it used to puzzle me. Now, I’m glad we have at least the 2 we do....oh, the Riverbend is definitely a Boobie Dazzler. Got me psyched to go deep on 85 since it will be 35 anniversaries of some of my favorite shows attended at least). Dipped into the Frost too. Going to start on the June 90 Cali shows next couple weeks as they were my first trip to the promised land with that 20 year old in tow and ran into ole Lee Esdee for the first time in forever at Shorline. Also hung with an X at the expo 😉 GOOD TIMES, good shows. I’ll have to have a video night for the 16th.....THEN....
Then we’ll start with those legendary Greek shows to start my 85 summer adventure, but first....
Will try to sneak that 9/18/87 in this weekend as that is a solid 87 show fo sure!
Tonight looking forward to Oteil on the stream, then the awesome 7/7/89 show. Will probably pop the DVD in for the show though as it’s too hard for this old top to go that long without treats and pee breaks etc lol.
Have fun, be safe, play dead!

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In reply to by Oroborous

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Don't forget to stop by Ventura for 7/13/85 & 7/14/85.. I hadn't listened to those in forever until someone mentioned them on the DaP forum and they're greeeeeat!

Some tapes just get emblazoned in your mind in those formative years and you know all the riffs & nuisances, 7/13 is like that for me.

VGUY you should be hip to that too, OMSN > FOTM opener.. love that Fire.

One of the Hawks that live in the tree across the street was soaring around during the Bird Song when I listened to it the other day. Dead Magic

Alright, got some listening to do.

Happy Friday everyone!

EDIT: VGUY - Yep 9/18/87 today.

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Just started Hell in a Bucket. I've been listening to the '87 Giants Stadium show from the recent box and that show blows me away. Great time to revisit this one.

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The April 1973 Curtis Mayfield concert in Phoenix was at the Celebrity Theater that has a round stage that revolves full circle. The audience was mostly African American. The feeling I got was Black Power with dignity and grace . I remember the bass player saying “power to the people means power to ALL the people”. My altered state of mind was real focused that night. Curtis Mayfield was truly a genius of soul and spirit.
Freddie King who opened for Curtis that night had quite the smile of joy as he picked a mean guitar.
Sometimes we only get one chance to see a great musician perform. Maybe that one time gives us a feeling and insight that stays with us for 50 years or more. Those two musicians did it.
JRF68 has gone fishing. A few years ago a gentleman on the boards expressed concern that he could not afford a new box set of his favorite era. JRF68 put out the call that he would help out. I threw in $20. and a couple other folks donated about the same. JRF payed the lions share. That man understands service for others. He deserves nothing less than respect.
So people go out and do something positive today , be it as simple as kind words for others.

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just loaded onto my phone. Bird Song me!

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In reply to by Gollum

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I always thought when I was older I'd try to stay hip to the new music... But I find myself going further and further into what has come before. 1973 Curtis Mayfield on a revolving stage at the Celebrity Theater singing power to the people.. SHeeeeaaat!

That sounds amazing.

STRIDER 88 thanks for the scoop. Man you saw some good stuff, I appreciate you sharing your stories.

Do you have all the GD shows you saw listed somewhere? I know it's a pain to list em on this here website, but I'd love to check that list out. You my friend have seen some epic shows.

And sorry to hear about JRF68, I saw some of that going down on the other board.

Alright.. I'm heading into the Chicken Skin part of this MSG show from '87.

No reason to get excited..

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In reply to by The Good Ole G…

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Good old G...you should worry - I think I Iost direction with modern music somewhere in the mid 1980s. I wouldn't for a second put modern music down, but I would personally rather hear something form the 1950s/60s/70s than something recorded last week.

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Good to know I'm not alone;)

In retrospect it was the popular music of the 1980s (which was just not doing it for me) that led me to classic rock which eventually led me to the Grateful Dead, so I guess I shouldn't be surprised.

But when you think about an artist like Curtis Mayfield, it's hard for me to compare the type of music he was making to the popular music I hear my daughter listening to.

I fear I'm getting old.

I'm trying to keep an open mind, but...
If you ask me the music that was happening in the '60s & '70s has a certain level of quality that is hard to beat.

Alright, that all being said, I finished 9/18/87, loved it, again.
Now I'm checking out a nice upgrade of the 3/31/93 SBD from Charlie Miller.
I guess that's "modern" music and it ain't bad;)

Is it 420 yet?

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Yep, that show is a smoker. Really love the variety of these 80s sets. The "Shakedown" "Women Are Smarter" "Terrapin" is one hell of a way to start a set, and the post-Drums/Space portion deserves all of the accolades that it has received. I love how energized they sound throughout the whole show.

The more and more I listen, the more and more I love this band. So much to give, and they ask so little in return (save for massive amounts of our time :)

What's on tap for tomorrow? It's going to be another humid scorcher here, so I am thinking I will hole up in the AC, play some tunes, and spend most of my day reading some obnoxiously long novels. Perhaps an equally long show?

Looking forward to the Shakedown Stream tonight! Also, I hope JRF returns one day - he's a good dude and has been a friend on these boards for a long time. Perhaps he will make an appearance around these parts - a lot of the drama seems to be absent here.

Peace

EDIT: Oh, the VAST majority of music that I listen to was recorded well before I was born. Phish, The Flaming Lips, My Morning Jacket, some Wilco... a smattering of other things here and there, but mostly 50s, 60s, and 70s for me too. I think it is pretty common, at least among my group of friends.

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highlights for me:
* juicy Weir guitar on Candyman, Shakedown
*in-your-face "Big Apple" style "Bird Song"
*Drums/Space - my fave part of this show (on first listen). a great night for the rhythm devils- someone (Mickey?) sez "go get em" as Jerry enters for space....

remember that "View from the Vault 4" - with 2 1987 shows? it has a Bird Song, too!

moseying over to Shakedown Stream...

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In reply to by Gollum

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Great show. Good to hear you all enjoyed it. That finish is something. Morning Dew, Jerry gives it his all. Good Lovin, La Bamba, Good Lovin, pretty sweet. Solid encore.

Had to pull out the liner notes from this show, DL talks about this show as the best of the year. Not sure, but it is really good. I always thought the October Shoreline shows were pretty damn good. Hey Pocky Way!

Send us a pick Otis

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Sorry for the delay. I got a little "too" into the Shakedown Stream last night and fell right asleep on the couch sometime during Drums/Space.

For today, how about something from the Pacific NW box? 6/24/73 Portland sound good? I've sort of lost track of where we've been, so if this is a repeat, I will offer up another suggestion.

Happy Saturday folks!

Peace

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Phew, went hard with the 7/7/89 last night. Oteil another great guest. I don’t know much about him and had never heard him speak before, so really enjoyed. Another amazing 89 show. Ok, going to have to do a double header today, both 9/18/87 and 6/24/73......that’s cool, good day for it.
A little gloomy (rain would be nice, please!....and the misses is at work since their forcing shit open way too early here. Numbers are already going back up, but hey, rich folk just HAVE to come and as Texas is currently a hot spot we’ll look forward to them bringing the plague with them as like half the state comes here for the summer...heaven forbid they couldn’t get their free DVDs and Internet, sorry, anyway its a good day to pump up the noise, ya das good!

Last time I was in step with popular music was the 70s when R&R was just as popular as “pop” music....did really enjoy much of the 90s music though. The rest, eehhhh not so much...

STRIDER: WORD!!