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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • Sixtus_
    Joined:
    re: Eleven

    Thanks Alvarhanso for that very interesting breakdown of the boys' thoughts on The Eleven. I had definitely read that before but it's interesting to hear it again with Jerry and Phil's take on the tune. When they do it well, it creates this swirling dervish of sound serpents wrapping around each other upwards, upwards, upwards in a mad frenzy. Phil tows the line but Jerry offsets the pounding with his own double-helix jamming which creates the lush tapestry we all love so much. The FW69 shows really highlight this exceptionally.

    I also need to go find the 'very last eleven' someone else referenced, I don't believe I've ever heard it (or if I did, I never knew it was the last one played).

    Sixtus

  • Dennis
    Joined:
    listening parties

    Has anyone gotten links for the second & third party? I got a link for the first one.

  • billy the kid
    Joined:
    Bootlegs

    If Rhino released that same box set of shows, the fm shows from fall of 71, and I already had a bootleg copy, I don't , I would buy a copy from Rhino because they would certainly have a much better sound quality. I have tons and tons of tapes and bootleg records, but that would not stop me from buying an official release from Rhino just because I already had a copy , as their product would have far superior sound quality . I think most people feel the same way. But Rhino, seems very reluctant to release box sets from 1967 - 1971, for whatever reason. Ok, Dave and Rhino, let's start working on the Complete Recordings of April 1971, every show. Please.

  • daverock
    Joined:
    Lets get physical

    Thing is I don't listen to downloads or streaming or anything like that. Just vinyl and cds now. So the FM recordings are cheap and cheerful presents to myself. I don't buy them all, by any means. Just cherry pick from the years I like. Not controversial at all...I've done worse things! I bought all the cds issued by deadnet up to about a year ago. As has been discussed before on here, they ain't cheap if you live in Europe. So I've got a bit more selective of late. I would prefer to buy 1966-1974 shows with the superior sound as issued by deadnet...but I would rather listen to one with inferior sound from that timespan to a super duper box set from a year I am not so keen on.

    There has always been something attractive about bootlegs. I got my first in about 1973. They have lost much of their glamour over the years, but I still don't turn my nose up.

  • JimInMD
    Joined:
    Yellow Box Bootleg

    I'm not weighing in on the '71 bootleg controversy one way or the other.

    But I think it's a fair offer.. simply because it's free. The source material from these shows is FM broadcasts which circulate freely. I'd send them to regular, semi-regular and infrequent posters here for free.. basically anyone that is not a Russian Bot or Count Vlad himself.

    The music was presented free in crisp wonderful soundboard quality 49 years ago complements of GD management.. so why pay someone from Europe to package and send it to you now? Never made sense to me, these are the exact same recordings. Funny thing is.. I expect exactly one PM.. No one will take me up, yet people buy the Yellow Box for essentially a bean of hard earned currency.

    Just PM me. #FreeTheReels

    Edit: Trapped in a rhythm trip. That's the 11 in a nutshell. Love that tune and New Potato Caboose from 68/69.. wonderful stuff. Thanks Alvarhanso. Great post.

  • alvarhanso
    Joined:
    RSD

    Thanks icecrmcnkid! You had me at those Who albums, though I have the original 1st pressing of Odds and Sods already (Put the Money Down is hands down the greatest Who song hardly anybody has heard, and Little Billy is pure genius anti-smoking ad for the American Cancer Society!) But intrigued at A Quick Live One, maybe the one from Rolling Stones Rock n Roll Circus where their single song performance outshone the Stones set and John Lennon's supergroup, or maybe a live EP?

    The Ramones It's Alive II will probably be picked up, interested in the Hawkwind stuff, never had any, but Lemmy does British spacerock? Sure! I assume the Phish release not mentioned will be Farmhouse, which I wouldn't want. I missed out on Billy Breathes, and Story of the Ghost is probably sold out, too, those are the 2 studio ones I'd really want. Buffalo will be gotten, but not right away. More interested in when 3/1/69 comes out. The Zappa release You Can't Do That Onstage Anymore would be nice, I have it on cd somewhere.

    Reminds me, I need to get a copy of that Seattle Playing in the Band, pretty good deal 20 bucks...

    Speaking of good deals, Deal of the Day at Amazon, almost over, is for storage devices, hard drives, usb drives, etc. 12 TB monster for 175 bucks. That cartoon idiot that paid 439 for 2 TB at Best Buy would have almost all the room he needed, especially since 6/22/73 is now available in 24/192, and the whole box set is 48GB.

    A return to the transition from St Stephen> The Eleven from 3/1/69 started the day of right. Then I started up 3/2/69 Dark Star... Got some great (loud) Dark Star action at lunch then finished it on ride home along with> St Stephen> 3 min of The Eleven for the end journey. Great out of the gate Dark Star, St Stephen is flying along and The Eleven thunders in a bit less than the night before, but they start to hit dynamics and take their time after rushing through just 6 glorious minutes of The Eleven the night before, so I failed to pull a keithfan and remain through the next 10-12 min, I decided it shall be tomorrow morning's jolt to awaken me prior to facing the day. I think Phil really really liked playing St Stephen and The Eleven. I think precisely what made him love them so much, their rhythmic complexity, is what made Jerry not want to play St Stephen at least. Who knows why The Eleven was dropped. Was it because Billy thought they needed Mickey?

    Did a search and how wrong was I?
    Garcia, 1988: “‘The Eleven’ was successful because it had a great groove…but you’re really stuck in that chord pattern – we used to go into E-minor out of that A-D-E [riff], which is like ‘La Bamba.’ ‘The Eleven’ is like ‘La Bamba,’ it really is… ‘La Bamba’ is a trap too, just like ‘The Eleven’ is, because you’re trapped harmonically in this very fast-moving little chord pattern which is tough to play through. It’s tough to play gracefully through except for the most obvious shit, which is what I did on ‘The Eleven.’ When we went into the E-minor [section], then it started to get weird. We used to do these revolving patterns against each other where we would play 11 against 33 – so one part of the band was playing a big thing that revolved in 33 beats, or 66 beats, and the other part of the band would be tying into that 11 figure. That’s what made those things sound like, ‘Whoa, what the hell is going on?’ It was thrilling. But we used to rehearse a lot to get that effect. It sounded like chaos, but it was in reality hard rehearsal.” (Golden Road, Fall 1988)
    Lesh, 1990: “It was really too restrictive; and the vocal part, the song part, was dumb. [Garcia said it was a hard tune to play through] because of the three-chord structure. When we put that together with a drone it was much easier. How was it we used to do it – Dark Star/St Stephen/The Eleven/Lovelight? It fit well in there, I guess… It was really designed to be a rhythm trip. It wasn’t designed to be a song. That more or less came later as a way to give it more justification or something to work in a rock ‘n’ roll set. We could’ve used it just as a transition, which is what it was, really.” (Golden Road, Summer 1990)

    Thanks, Interwebs! Well, song, or not song, or just an excuse to confuse people musically, I plan to rock out to the final Eleven of the Fillmore West run. May have to pull out 1/2/70 for the evening, that's a really good Dark Star and 2 smoking TIFTOO's the next night and that Dancin'. Can't wait for Workingman's and American Beauty and the accompanying 1970 sets!
    Garcia, 1988: “‘The Eleven’ was successful because it had a great groove…but you’re really stuck in that chord pattern – we used to go into E-minor out of that A-D-E [riff], which is like ‘La Bamba.’ ‘The Eleven’ is like ‘La Bamba,’ it really is… ‘La Bamba’ is a trap too, just like ‘The Eleven’ is, because you’re trapped harmonically in this very fast-moving little chord pattern which is tough to play through. It’s tough to play gracefully through except for the most obvious shit, which is what I did on ‘The Eleven.’ When we went into the E-minor [section], then it started to get weird. We used to do these revolving patterns against each other where we would play 11 against 33 – so one part of the band was playing a big thing that revolved in 33 beats, or 66 beats, and the other part of the band would be tying into that 11 figure. That’s what made those things sound like, ‘Whoa, what the hell is going on?’ It was thrilling. But we used to rehearse a lot to get that effect. It sounded like chaos, but it was in reality hard rehearsal.” (Golden Road, Fall 1988)
    Lesh, 1990: “It was really too restrictive; and the vocal part, the song part, was dumb. [Garcia said it was a hard tune to play through] because of the three-chord structure. When we put that together with a drone it was much easier. How was it we used to do it – Dark Star/St Stephen/The Eleven/Lovelight? It fit well in there, I guess… It was really designed to be a rhythm trip. It wasn’t designed to be a song. That more or less came later as a way to give it more justification or something to work in a rock ‘n’ roll set. We could’ve used it just as a transition, which is what it was, really.” (Golden Road, Summer 1990)

  • carlo13
    Joined:
    Veneta/giants

    Love the veneta show someone here gave me. Real old school. I can taste the free yogurt as i listen. I was also playing the giants box 87'-89'-91' shows my friends and I used to go to along with a few on this site. That june 17th 1991 first set eyes was great.

  • JimInMD
    Joined:
    Ha..

    Welcome Shadeguy. I've seen that van!!

    Don't let these guys wreck your political career. What happened in the van, well.. never mind.

    So the Senate might be out but I think you still have a good shot for a seat in the house. Those guys all seem to drive vans with no windows with little or no repercussions, fear not.. your future is bright..

    Freak freely..

  • Shadeyguy
    Joined:
    Van

    You mean the one with no windows? Sure do=)

  • Roguedeadguy
    Joined:
    Shadeyguy

    I think I bought a fake ID and some weed from you back in high school.

    You still have that van?

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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15 years 2 months

In reply to by Night Owl

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The Book is spineless by design; the music is anything but, though!

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15 years 7 months

In reply to by Cousins Of The…

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Hey, Cousins, thanks for your confirmation.

And yes, the playing is all it’s supposed to be.

Peace.

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In reply to by simonrob

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Sorry about this folks...my parcel arrived from Stanford Le Hope this morning, and its The Speciality Sessions by Little Richard. I'd forgotten about that one. After his sad passing last weekend, I played my various cds and albums, and decided it was time for an update. For a box, in fact. After consultation on the Steve Hoffman Forum, I realised the 3 or 6 disc Speciality Sessions was the way to go, and set about scouring the world for a copy. Having done this I settled on the 3cd version from a guy in Italy.
But nobody grieves for ever, and I forgot all about it. The reminder of my folly arrived this morning-unopened and propped up in the next room where it will hopefully defumigate itself before I slit it open and examine what's inside. I am sure it will be suitably volcanic...and I now know where Stanford Le Hope is.

Ok, you made me look up those two box sets. I wondered how much of price jump they had after he died. But used cd sets are 200 bucks on Amazon. Odd thing is 3 or 6 cd is the same price?

My wife came up to work with coffee in her hand while I had Amazon opened. You would have thought it was a pornhub video of me and her sister I closed it so fast :-)

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I'm looking to fill some gaps in my collection. I have a few of the official downloads/CDs that they released way back when but they are no longer available.

Anyone out there looking to trade some shows? I have a pretty deep collection of Dead/Phish/Panic/Mule/Cheese/Etc.

Google Drive works great!

DM me.

Dennis - the 6cd set was at least twice the price of the 3cd set wherever I looked - which didn't include America. I have been told the sound quality is the same on both, the accompanying book is the same, and that the 3cd set is more satisfying to listen to. The other one has numerous versions of the same song, one bang after another. Which might be a bit much - maybe, maybe not.

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In reply to by daverock

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especially post-Drums

Ausgezeichnet

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14 years 9 months

In reply to by stoltzfus

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Country Joe and the Fish

Electric Music for the Mind and Body

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In reply to by stoltzfus

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Hey Stoltzfus, if you collect vinyl, I recommend "The Wave of Electrical Sound"; has the first 2 LPs, each in mono and stereo version, a dvd, poster, the Fish game, calendar and a coupla' cool booklets. Heavy vinyl, thick cardboard covers and great sound.

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Finally a box in Scandinavia. Today a Norwegian, maybe tomorrow Swedes then finally Turnips.

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17 years 4 months

In reply to by Ckjellsen

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I checked yesterday and at that time there was no message at Postnord. The box is still on it's way from Brussels.

My DP34 left Los Angeles on May 1st and eventually arrived in Denver. It left Denver and arrived in Chicago on May 18th. It didn't say how it got over the Rockies. Maybe by stagecoach on some old forgotten trail? ;-)

Well, these are difficult times. Hopefully I'll get both of them before the end of June. :-)

Micke Östlund,
Växjö, Sweden

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My eagle has just landed, a few feathers bent after its long flight,
Deadmicke, my tracking never worked for Post nord but it did work for Postnord moms payment, try there.
The parcel was just stuffed into my postbox today, didnt have to collect it from my normal place, bit bent but now past caring, first cd sounds fine.

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Simonrob, no turnips but it has been languishing in Brussels (buried under the sprouts?)since april 29.

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In reply to by Dogon

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sounds very familiar. Another hero!!!
Dogon, good to hear, your box made it.
Deadmike, I won't say anything bad about Belgium.
We had an office there and I traveled frequently to Brussels and Antwerp.
Made a lot of experience!!! Things go at a different pace.
But I'm still positive, you'll get your copy.
G.

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Anyone waiting on the '73-'74 Pacific Northwest box for price reasons: Rhino has a sale on it.

After more than 50 years Im off the bus, sick of all the snafus associated with ordering, not all the fault of Dead Net/Rhino, but enough is enough.
My 1976 dissapeared into the Brussels Bermuda triangle for 3 weeks, arriving in less than pristine condition, now see that my Dave subs, which again arrived in Brussels on 19 May, is out for delivery......in Richmond Texas!!!!

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In reply to by daverock

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Dave, it might be that there is a glitch in the tracking, had another look just now,The reference to Texas has gone but it seems that my Daves has also touched down in Shenzen(?) and Frankfurt since leaving Brussels....Around the world in 80 daves?

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That would be Shenzen, Westfalia of course.

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17 years 5 months
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Gerd, are you getting paid per post?

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In reply to by simonrob

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sorry, I don't know what I did.
No beer yet (Biergarten is scheduled for tomorrow).
Maybe some Shenzen Virus.
Do You know if I can delete my double doubles myself?

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I don't think it is possible to delete double or multiple posts. Many have tried, but without success.

Beer tomorrow sounds good to me.

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In reply to by Dogon

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My copy left Chicago on May 22nd and I don't know where it is now.

I've got a letter from Postnord about paying the taxes for the box set and I have done so last Wednesday. The package isn't searchable since then but hopefully it will get to me this week. Hopefully in a state I can accept because I do not wish to send it back.

Micke Östlund
Växjö, Sweden

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Micke, tracking has reverted to sent from Brussels, all references to Texas, Shenzen and Frankfurt are now expunged, so wait and see.
Postnord were never able to track the 76 box, so you will be OK sometime this week I guess.
Incidently just got a package of cds from Japan, sent by Yamato cos the Japan post is not sending to Europe nor anywhere else for that matter, door to door, may 20 till today, fully trackable the whole way, delivered to my door by UPS , Quicker and cheaper than the normal Nippon/post/Nord axis....

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In reply to by gratefulgerd

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consulting the high authority of dead heads you are sentence either for drinking a beer for each post, either doing the crane (one foot) with all the boxsets in your arms while listening the europe 72 complete shows...

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if you want I can remove the duplicates. Just lemme know. In the old days this happened ALL THE TIME. No worries.
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In reply to by marye

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Please remove if you can. Don't know what went wrong. Definetly no beer involved when I posted.
Had my Biergarten fun today.
Sorry for whatever it caused,
Thanks
Gerd

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In reply to by sheik yerbones

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Hey Man,
no beer, no French wine either. Just happened.
I'm sure I did something wrong but I don't know what.
Just listened to a couple of my favoured Scarlet....incredible!!!!!
Good luck, stay safe!
Gerd

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Gerd, how was your trip to the biergarten? Compulsory facemasks? That could seriously affect performance. If you are unable to remember what happened we will understand.

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In reply to by simonrob

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it was a bit strange. All the facemasks around, except at the tables. Max. 4 to be allowed sitting together, with a distance of 1,5 m and only every other table can be occupied. A bit of a hospital atmosphere. But luckily steins were big enough not to see most of it. Beer was good as ever!
Alles Gute, Gerd

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That is all we really need to know. It does sound a bit strange, though and lacking in atmosphere. Everything is a bit strange in these strange times. The small town where I live has an annual Stadsfeest by the harbour on the first weekend in October. That has already been cancelled. A bit premature, maybe, but that is how it is these days.

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Duplicate posts removed, back to the biergarten...
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In reply to by gratefulgerd

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I have to look for this biertgarten; I recently drank a berliner with sirup of melon, to hide bitterness, here we have Leffe, Jeanlin, but the best comes from Belgium, Nederland & Germany. Iam going on with the june boxset and disc13 is at the top of it, each nine tracks are played at high level, and then it goes on with the best PITB of the box...
for Scarlet I always have fond memory of Dicks picks from 81 and these terrible hidden tracks...

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The "eagle" has landed and the package is in my care since yesterday May 28th. Apart from some minor marks in the corners of the box, everything seemed to be in order. But I must say it was a "funny" spine of the "book".

Well, I'm happy with not having to send it all back ... ;-)

Micke Östlund,
Växjö Sweden

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Was this the last missing in action box?

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Jpkamari in Finland may still be waiting.

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.. I’m happy to read a lot more Orders of the 1976’ Boxsets have been arriving to their final Destination; in the hands of the owner!
I hope it makes everyone “smile smile smile” & provide a ‘grateful’ soundtrack during these difficult times we are all experiencing in one way or another it. Seems to be making a huge impact all over the globe 🌎 . Take care, be kind, & be grateful everyone! have a grateful day! 🙏❤️💀🌹

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In reply to by Dogon

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My box set, apparently posted 24 March has not landed in Manchester UK. I did ask Customer service if they could try and find out where it might be as the tracker doesn’t seem to work. I got a standard reply, but no more news. Has anybody in the UK received their delivery? Mary E can you help?

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In reply to by Simon1

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sooooo good

thank you PTB

To all you who are "still waiting (I-I-I'm stiiill waiting...)": may your delivery happen tomorrow

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In reply to by Simon1

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Simon1, my tracking on the box and DaP 34 from UPS were very unhelpful, I too questioned UPS as to the whereabouts of my box set with their online robot chat, in the box hidden behind that useless pop-up screen there is another tracking number that is not recognised by Royal Mail, or Parcel Force but it is indeed a confirmation that it should be in the UK.
All I can suggest is that you log into Royal Mail tracking and "pay a customs fee site "to see if they are awaiting payment from you, they usually send a card with a demand for monies, UPS just fob you off with contact the seller, it's a sellers issue and not our problem.
Good luck, I hope it is with you soon.

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Good morning Heads! What do YOU think of the June 76 box? I’ve been on the fence to order or not to order since it was announced. I’ve gotten through quarantine In a beautiful way relistening to April 72 and May 72/77. It was fun to go back through and geek over all those truly incredible May 77 shows again. Now I’m on to June 77 Winterland. Anyhow, I always appreciate when you all mention a show I’ve not listened to in a long time and remind me to revisit them. I wholeheartedly recommend Revisiting any any and all May 77 and May 72 shows. Thank you for your thoughts on June 76. Have a grateful day!

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Immaculate. Essential. Get it.

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In reply to by TLEO 77

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I woofed up the 72 and 77 boxes that you mention, but decided not to go for this one. I am hoping that a single show from the box will come out on vinyl at some point. Its happened with recent boxes -May 74, Saint of Circumstance, 5/8/77 with 5/9/77 to follow-so it seems likely. Although I haven't seen anything official to say this will happen.
Maybe I should say that living in Britain, there are additional problems regarding delivery and paying customs that put me off a bit. The single shows on vinyl listed above have all been distributed from within Europe.

Yes, those April/May 72 and May/June 77 shows are amazing. Plenty of great shows in Mays 1970 and 1974, too.

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...But, then again which box doesn't have a lot of repeats? :-P The caliber of performance is top form '76 vintage dead, probably not best of versions of anything (maybe Mission In The Rain because it was rarely played), but all well rehearsed and tight in the deadest sense of the word. I'd say if you can handle bicentennial dead and you have the scratch, get it and if later you find you no longer need it, pass it on to a friend (BEFORE disc rot sets in LOL :-)

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