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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • andoverdeadhead
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    # Box Sets Left

    Hi all. I hope everyone reading this is safe and well. I checked the number of box sets left and it looks to be 2,128 units at this writing. There also appears to be a 50% discount off all items including the June 1976 box and ancillary products such as the gold foil poster. I just ordered one of the posters yesterday without the discount. So this looks like a propitious time to order your box set now that its available at a deeply discount price of only $74.99 per unit.

  • Oroborous
    Joined:
    Wilfredt

    ...perhaps one of those “Hero Rips” as Jim would say 😆

  • wilfredtjones
    Joined:
    6/10/76 on headphones

    Anyone hear the dude coughing during PITB jam? Wonder what could have precipitated that spell...

  • nitecat
    Joined:
    Dead Cassettes and Reels Offered Free

    Hi I have a ton of Dead cassettes, soundboard and audience. I also have a ton of Dead reel to reel recordings.

    I live in San Francisco. These cassettes and reels can be yours.

    I also have 2 cool library file card catalogs ( think when you looked up a book in a card catalog at the library). These are perfect for storing cassettes, they fit great. Come pick them up!

    email gratecat@gmail.com

    thanks,
    Scott

  • Erikandjenn
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    Last 5 podcasts

    WTF
    Fresh Air
    Your Favorite Band Sucks
    The Band A History
    WTF

  • DaveStrang
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    MR. ONES

    Check your PM - Sorry for not getting back to you sooner.

  • Oroborous
    Joined:
    Congrats, and 76 so far

    to Deadheadbrewer, after 50 it’s just a matter of maintenance! Lol, just kidding hope you enjoy the milestone!

    and to SIMONROB: enjoy! 50 years is a crazy long time, you’ve earned it!

    I’m so jealous!...this being at home has made me contemplate retirement in a new way....like I want to start now, but can’t. Mostly because of Health Insurance.....if this country would pull its head outta its arse maybe we’d join the other top nations etc, sorry, I digress. Anyway, just ment to mention that I could really get used to this staying at home thing....

    9/11/81: Billy, you’ve got me intrigued? That was a bold pronouncement.

    McCoy Tyner: another great that’s slipped through the cracks, going to have to git some.

    Thanks again to Mr Smith for the awesome work.

    DOC: nice to see ya!

    JUNE 76: through first three shows so far. Was going to take notes and all that but about first or second song in decided to just let go and get Zen with the music. This shit is like Musical Valium, and I mean that in the best possible way. It’s the perfect anecdote to what’s going on these days.....spark one up, fire up the sonic blaster, and melt!
    I’ve been working through Spring 90 also, which is great in very different ways, but this box is a much needed tonic.
    I was trying to come up with the right word for the vibe/playing etc: relaxed or mellow can perhaps be seen as a negative,....eventually the one word that comes to mind is the band is in no hurry. It’s like they set up at a family gathering say at Mickeys ranch and decided to play a few tunes before dinner. I put one of these on and it’s like a drug that washes over me and brings calm for a while, something that’s been desperately needed after all that’s happened personally the last couple years and now this crazy new world we live in....aaaaaaaa, just what the Doctor ordered!
    So just off the top of my pointy little head I’d say 6/10 really seemed to resonate, 6/11 not so much, didn’t hold me the same way, though there was more “noise” going on that day. 6/14 seems like top dog so far, but again I’m just trying to groove first time through. Really surprised and loved the spacey parts.
    As some have mentioned overall perhaps not the tightest tour, and yes even a month later things are tighter, and yes there are repeats, which as has been said was often the case, especially when they were breaking out new material. Also there is a completely different feel and energy. So why pick these shows and this tour?
    Because of the huge historical relevance in the progression of the band, music, and logistics. This tour has to represent the biggest outwardly noticeable differences and changes the Dead ever did at once. Sure band members, songs, PA’s, etc changed, but I’d dare anyone to list one time in Dead history when so many different things changed all at once? There are so many variables that make this one of the most unique tours they ever did, and to me, that’s what makes this tour so special. That and because of the place some of these shows have in my early Dead development. The 12th and especially the 19th were some of my first big influences as these were some of the first tapes I had starting out, and of course back then you’d play em ad nauseum lol. Also 7/18 really seems to cut through the fog of memory.
    So the nostalgic, as well as the historical hugeness of this tour, combined with the ridiculous sound of these recordings, perhaps the best vocal harmonies of the “Mickey Godchaux” era, Phenomenal new material, aided by a bunch of new gear, and marinated in the intamate vibe of the tiny theatres, make this a slam dunk as far as archival box sets pertaining to the band beyond description!
    Sure another offering from later 76, say late June and/or July would be appropriate some day, but for the overall cosmic bang this release is a no brainer! In its own way, this tour is just as relevant as FW69, or GSTL, even if one opinions that the music pales.
    Ok, just got myself all worked up for show number four......see ya all on the other side! Happy Friday! It is Friday right? Dates/time etc another weird side affect of this new order...
    Stay safe, stay well, stay home!...
    And crank some Dead!

    EDIT: yasssss, !! What HF and Seventy-Sixtus said, that’ smore of what I’m trying to get at about THIS tour!

  • hbob1995
    Joined:
    Hartford 8/2/76

    While I missed these smaller theatre shows, I did see the first return of the band to a large, outdoor venue, Colt Park,
    and it was awesome! Lots of craziness here as I have relayed before. Suffice it to say that somehow I ended up with a Japanese flag on a long 10" pole which I waved high & wide as instructed during the encore of U.S. Blues.

    This was also the show where one of my buddies passed out on the ground for a couple of hours. As people stepped over him they kept asking if he was ok. I assured them he was fine and had just imbibed one too many capsules. Upon awakening, he began to shimmy up one of the guide ropes of the sound tower. The guys in the tower were none too happy and they began to shake the rope to get him off! Luckily we talked him down. Crisis averted. Nothing out of the norm for one of my Dead shows! Lol

    Rock on

  • cancar
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    otis, oh totally cool my…

    otis, oh totally cool my friend. i was slow as heck on that one!! head in my butt with everything going on. be safe and have a great weekend. we are on lockdown in pa, and taking care of those that need it.

  • Sixtus_
    Joined:
    I'm with You HF...

    ...on your assessment of the early part of this '76 tour. I mean, I love it all, but the first two or three weeks of this tour definitely sound different to my ears than later in the year, even the end of the summer.

    As you've noted, the early shows have this languid, loping, utterly drippy feel to them. The slower tempos obviously allow for more breathing room; each beat is seemingly stretched to it's limit with both care and aplomb. Songs are explored in new ways, providing new auditory avenues that help to open our ears and minds. By the time they hit the end of June and early July, songs were already morphing, speeding up as the summer progressed (see Eyes of the World as a good example, or even Dancin' In The Street by the time we hit Dick's Picks 20 in September). Notably different sounds, and they are already well on their way to congealing into that '77 sound.

    I dunno, I've always been fond of this period for these exact reasons. Merely a snapshot in time, but it provides an extremely unique take on the band at a turning point in their bountiful history.

    Happy Friday DeadFreaks.

    Sixtus

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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In reply to by Night Owl

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The Book is spineless by design; the music is anything but, though!

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In reply to by Cousins Of The…

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Hey, Cousins, thanks for your confirmation.

And yes, the playing is all it’s supposed to be.

Peace.

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Sorry about this folks...my parcel arrived from Stanford Le Hope this morning, and its The Speciality Sessions by Little Richard. I'd forgotten about that one. After his sad passing last weekend, I played my various cds and albums, and decided it was time for an update. For a box, in fact. After consultation on the Steve Hoffman Forum, I realised the 3 or 6 disc Speciality Sessions was the way to go, and set about scouring the world for a copy. Having done this I settled on the 3cd version from a guy in Italy.
But nobody grieves for ever, and I forgot all about it. The reminder of my folly arrived this morning-unopened and propped up in the next room where it will hopefully defumigate itself before I slit it open and examine what's inside. I am sure it will be suitably volcanic...and I now know where Stanford Le Hope is.

Ok, you made me look up those two box sets. I wondered how much of price jump they had after he died. But used cd sets are 200 bucks on Amazon. Odd thing is 3 or 6 cd is the same price?

My wife came up to work with coffee in her hand while I had Amazon opened. You would have thought it was a pornhub video of me and her sister I closed it so fast :-)

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I'm looking to fill some gaps in my collection. I have a few of the official downloads/CDs that they released way back when but they are no longer available.

Anyone out there looking to trade some shows? I have a pretty deep collection of Dead/Phish/Panic/Mule/Cheese/Etc.

Google Drive works great!

DM me.

Dennis - the 6cd set was at least twice the price of the 3cd set wherever I looked - which didn't include America. I have been told the sound quality is the same on both, the accompanying book is the same, and that the 3cd set is more satisfying to listen to. The other one has numerous versions of the same song, one bang after another. Which might be a bit much - maybe, maybe not.

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In reply to by daverock

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especially post-Drums

Ausgezeichnet

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In reply to by stoltzfus

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Country Joe and the Fish

Electric Music for the Mind and Body

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In reply to by stoltzfus

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Hey Stoltzfus, if you collect vinyl, I recommend "The Wave of Electrical Sound"; has the first 2 LPs, each in mono and stereo version, a dvd, poster, the Fish game, calendar and a coupla' cool booklets. Heavy vinyl, thick cardboard covers and great sound.

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Finally a box in Scandinavia. Today a Norwegian, maybe tomorrow Swedes then finally Turnips.

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In reply to by Ckjellsen

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I checked yesterday and at that time there was no message at Postnord. The box is still on it's way from Brussels.

My DP34 left Los Angeles on May 1st and eventually arrived in Denver. It left Denver and arrived in Chicago on May 18th. It didn't say how it got over the Rockies. Maybe by stagecoach on some old forgotten trail? ;-)

Well, these are difficult times. Hopefully I'll get both of them before the end of June. :-)

Micke Östlund,
Växjö, Sweden

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My eagle has just landed, a few feathers bent after its long flight,
Deadmicke, my tracking never worked for Post nord but it did work for Postnord moms payment, try there.
The parcel was just stuffed into my postbox today, didnt have to collect it from my normal place, bit bent but now past caring, first cd sounds fine.

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Simonrob, no turnips but it has been languishing in Brussels (buried under the sprouts?)since april 29.

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In reply to by Dogon

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sounds very familiar. Another hero!!!
Dogon, good to hear, your box made it.
Deadmike, I won't say anything bad about Belgium.
We had an office there and I traveled frequently to Brussels and Antwerp.
Made a lot of experience!!! Things go at a different pace.
But I'm still positive, you'll get your copy.
G.

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Anyone waiting on the '73-'74 Pacific Northwest box for price reasons: Rhino has a sale on it.

After more than 50 years Im off the bus, sick of all the snafus associated with ordering, not all the fault of Dead Net/Rhino, but enough is enough.
My 1976 dissapeared into the Brussels Bermuda triangle for 3 weeks, arriving in less than pristine condition, now see that my Dave subs, which again arrived in Brussels on 19 May, is out for delivery......in Richmond Texas!!!!

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Dave, it might be that there is a glitch in the tracking, had another look just now,The reference to Texas has gone but it seems that my Daves has also touched down in Shenzen(?) and Frankfurt since leaving Brussels....Around the world in 80 daves?

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That would be Shenzen, Westfalia of course.

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Gerd, are you getting paid per post?

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In reply to by simonrob

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sorry, I don't know what I did.
No beer yet (Biergarten is scheduled for tomorrow).
Maybe some Shenzen Virus.
Do You know if I can delete my double doubles myself?

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I don't think it is possible to delete double or multiple posts. Many have tried, but without success.

Beer tomorrow sounds good to me.

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In reply to by Dogon

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My copy left Chicago on May 22nd and I don't know where it is now.

I've got a letter from Postnord about paying the taxes for the box set and I have done so last Wednesday. The package isn't searchable since then but hopefully it will get to me this week. Hopefully in a state I can accept because I do not wish to send it back.

Micke Östlund
Växjö, Sweden

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Micke, tracking has reverted to sent from Brussels, all references to Texas, Shenzen and Frankfurt are now expunged, so wait and see.
Postnord were never able to track the 76 box, so you will be OK sometime this week I guess.
Incidently just got a package of cds from Japan, sent by Yamato cos the Japan post is not sending to Europe nor anywhere else for that matter, door to door, may 20 till today, fully trackable the whole way, delivered to my door by UPS , Quicker and cheaper than the normal Nippon/post/Nord axis....

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In reply to by gratefulgerd

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consulting the high authority of dead heads you are sentence either for drinking a beer for each post, either doing the crane (one foot) with all the boxsets in your arms while listening the europe 72 complete shows...

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if you want I can remove the duplicates. Just lemme know. In the old days this happened ALL THE TIME. No worries.
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In reply to by marye

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Please remove if you can. Don't know what went wrong. Definetly no beer involved when I posted.
Had my Biergarten fun today.
Sorry for whatever it caused,
Thanks
Gerd

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In reply to by sheik yerbones

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Hey Man,
no beer, no French wine either. Just happened.
I'm sure I did something wrong but I don't know what.
Just listened to a couple of my favoured Scarlet....incredible!!!!!
Good luck, stay safe!
Gerd

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Gerd, how was your trip to the biergarten? Compulsory facemasks? That could seriously affect performance. If you are unable to remember what happened we will understand.

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it was a bit strange. All the facemasks around, except at the tables. Max. 4 to be allowed sitting together, with a distance of 1,5 m and only every other table can be occupied. A bit of a hospital atmosphere. But luckily steins were big enough not to see most of it. Beer was good as ever!
Alles Gute, Gerd

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That is all we really need to know. It does sound a bit strange, though and lacking in atmosphere. Everything is a bit strange in these strange times. The small town where I live has an annual Stadsfeest by the harbour on the first weekend in October. That has already been cancelled. A bit premature, maybe, but that is how it is these days.

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Duplicate posts removed, back to the biergarten...
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In reply to by gratefulgerd

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I have to look for this biertgarten; I recently drank a berliner with sirup of melon, to hide bitterness, here we have Leffe, Jeanlin, but the best comes from Belgium, Nederland & Germany. Iam going on with the june boxset and disc13 is at the top of it, each nine tracks are played at high level, and then it goes on with the best PITB of the box...
for Scarlet I always have fond memory of Dicks picks from 81 and these terrible hidden tracks...

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The "eagle" has landed and the package is in my care since yesterday May 28th. Apart from some minor marks in the corners of the box, everything seemed to be in order. But I must say it was a "funny" spine of the "book".

Well, I'm happy with not having to send it all back ... ;-)

Micke Östlund,
Växjö Sweden

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Was this the last missing in action box?

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Jpkamari in Finland may still be waiting.

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.. I’m happy to read a lot more Orders of the 1976’ Boxsets have been arriving to their final Destination; in the hands of the owner!
I hope it makes everyone “smile smile smile” & provide a ‘grateful’ soundtrack during these difficult times we are all experiencing in one way or another it. Seems to be making a huge impact all over the globe 🌎 . Take care, be kind, & be grateful everyone! have a grateful day! 🙏❤️💀🌹

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In reply to by Dogon

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My box set, apparently posted 24 March has not landed in Manchester UK. I did ask Customer service if they could try and find out where it might be as the tracker doesn’t seem to work. I got a standard reply, but no more news. Has anybody in the UK received their delivery? Mary E can you help?

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In reply to by Simon1

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sooooo good

thank you PTB

To all you who are "still waiting (I-I-I'm stiiill waiting...)": may your delivery happen tomorrow

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Simon1, my tracking on the box and DaP 34 from UPS were very unhelpful, I too questioned UPS as to the whereabouts of my box set with their online robot chat, in the box hidden behind that useless pop-up screen there is another tracking number that is not recognised by Royal Mail, or Parcel Force but it is indeed a confirmation that it should be in the UK.
All I can suggest is that you log into Royal Mail tracking and "pay a customs fee site "to see if they are awaiting payment from you, they usually send a card with a demand for monies, UPS just fob you off with contact the seller, it's a sellers issue and not our problem.
Good luck, I hope it is with you soon.

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Good morning Heads! What do YOU think of the June 76 box? I’ve been on the fence to order or not to order since it was announced. I’ve gotten through quarantine In a beautiful way relistening to April 72 and May 72/77. It was fun to go back through and geek over all those truly incredible May 77 shows again. Now I’m on to June 77 Winterland. Anyhow, I always appreciate when you all mention a show I’ve not listened to in a long time and remind me to revisit them. I wholeheartedly recommend Revisiting any any and all May 77 and May 72 shows. Thank you for your thoughts on June 76. Have a grateful day!

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Immaculate. Essential. Get it.

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In reply to by TLEO 77

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I woofed up the 72 and 77 boxes that you mention, but decided not to go for this one. I am hoping that a single show from the box will come out on vinyl at some point. Its happened with recent boxes -May 74, Saint of Circumstance, 5/8/77 with 5/9/77 to follow-so it seems likely. Although I haven't seen anything official to say this will happen.
Maybe I should say that living in Britain, there are additional problems regarding delivery and paying customs that put me off a bit. The single shows on vinyl listed above have all been distributed from within Europe.

Yes, those April/May 72 and May/June 77 shows are amazing. Plenty of great shows in Mays 1970 and 1974, too.

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...But, then again which box doesn't have a lot of repeats? :-P The caliber of performance is top form '76 vintage dead, probably not best of versions of anything (maybe Mission In The Rain because it was rarely played), but all well rehearsed and tight in the deadest sense of the word. I'd say if you can handle bicentennial dead and you have the scratch, get it and if later you find you no longer need it, pass it on to a friend (BEFORE disc rot sets in LOL :-)

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