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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • CaseyJanes
    Joined:
    WilfredT UJB

    You are correct sir about the Bm...also a Dm and Dsus2 according to Ultimate Guitar Tabs on the “Official Version”. I love the above mentioned app. Has most every song that you can think of and usually there are many versions to play so if you’re not quite getting one arrangement there is usually a way for guys like me to dumb it down a bit. That said I need to add those chords on UJB as they are in my range. Will also try the riff....I have a little pentatonic game as well! (I’m guessing there)

    For the record, and if memory serves, I do believe I’ve seen youtube of you playing WilfredT, and you are an excellent player. I’m like a wanna be campfire player at best, but it’s more fun then a frog in a glass of milk.

  • Oroborous
    Joined:
    Hola Senor Janes

    Good to see ya!
    I think Bob was alluding to what I’ve heard/read all of them say over the years; it got harder and harder to get the band (especially Jerry) to rehearse and some of those songs you just couldn’t do well without rehearsal: LS, Cosmic Charlie, St Stephen etc. Unfortunately another side effect of ole Jer Bears monkey...especially when you consider how hard many of Jer’s parts were on these songs...it’s a bummer but no wonder many of the greats were set aside.

    GUITARS & CADDILACS; used to play all the time. Tried to play guitar for ten years, occasionally professionally, once in the studio....switched to bass and rarely looked back. Did try the solo acoustic/apre thing briefly, but wasn’t that good and it’s really hard carrying the whole show by your self. And Scarry! Don’t have that front man Mojo either “star waaarrrsss, nothing but staaaarrrrr wwwaaaarrrsss” much prefer to play with 3 to 5 people, the interaction is where it’s at. But the rush of playing in a hot band in front of a bunch of people IS uncompareble....talk about a high!
    But yeah, I preferred being in the back row under the dark lights grooving on the Bass. Played that professionally on and off for 20 years, last ten it was my main, though not only job...It was a gas, but after 100-150 nights a year, often at shitty bars and clubs, when your feet are killing you and your back can’t take that heavy lumber anymore, we’ll sometimes it’s a double edge sword doing what you love for a living....unfortunately haven’t really played in like ten years now. Had to TRY and grow up and get a real job....plus after I got booted out of my main gig, eventually all the calls stopped coming as it is a small, close knit group that gets the gigs here.
    I truly miss it in my minds eye, but I don’t miss schlepping that heavy ass gear at 3 in the morning, or getting hassled by the law, or trying to get inspired when your back hurts and it’s late, and there’s only 4 drunks left, but I do miss it.
    GUITARS
    - Ibanez Muscian Series I got in 79 and modified with Alembic circuitry/pickups in 84.
    - Madeira Acoustic
    - 84 Alembic Spoiler 4 string electric Bass
    - Michael Kelly Club Deluxe 5 String Acoustic/Electric Bass. picked this up early century when I was playing a lot to get upright sound etc. Never spent enough on upright to be proficient as it’s physicaly painful, and it’s a drag trying to play live with a loud band. I liked the sound I good get with the Kelly and a Sans Amp tech 21 Acoustic DI. It’s made for Acoustic guitar but works awesome for the Acoustic Bass. Seceret is the adjustable mid....
    shit, ramblin again, sorry, fun topic. DAVEROCK sportin’ the Bobbie Dazzler! Nice axe bra! My guitar teacher always played and sold Gretches. Wish I would of got one, but wanted a Bob Weir Ibenez so bad. Almost had one but got the Muscian series instead. I’ve seen pictures of both Bob and Jerry playing one but not sure what show (s)? Think it was around when Bob was first using Ibenez?

  • wilfredtjones
    Joined:
    Casey Janes UJB chords and guitars

    There's a B Minor in there somewhere...I think after the G. The riff is fun, too! Don't forget to learn that :-)

    Thanks for sharing info. on your guitars, too. I also have a '96 Washburn (D-20 in Koa). My brother just bought his first guitar, a Seagull S6... :-)

  • Oroborous
    Joined:
    6/22/83 source

    Yeah I think that’s the same source as I had. As I say at the time it was definetly my best sounding tape which in those days wasn’t saying much, but this one shined! Great show too, and looks like it must of been a great place to freak freely from the news clip.
    So my buddy Doug hooked up with some dude who either was doing the taping or ? Not sure I really knew, but they knew WTF they were doing, had like Nac with sennhieser mics and were usually low generation and near that quality.
    I had the best gear so most of my friends/cousins would bring their new tapes to my house for coping etc so I’d usually get decent generations. Some shows better than others depending on where they were located. Remember, this was before taper section so some diehard pros would poach in front of board, which sometimes was awesome, other times too loud or tone unbalanced etc...
    Anyway, we start getting some killer 83’s, probably end of year I’m guessing. Unfortunately I never got the source guys info and next thing you know ole Doug’s knocked up the bosses daughter, whose family is super religious so shotgun wedding and no more fun for ole druggles, poor bastard! And no more tapes for us! Dooaah
    Funny part was he got our band to play his ultra conservative wedding, but’s that’s a whole nother story for the bonfire....

  • CaseyJanes
    Joined:
    Guitars and UJB

    Hey all, COVID seems to have me busier than I’ve ever been with both the wife and kid working and schooling here at the cave...so I’ve just been lurking here lately on the site, but I have to jump in on a good guitar convo.

    Dennis, I’ve read that 1983 is right around when Gibson started producing great acoustics again, shifting back to some of the methods that they used on 60s flat top guitars. I would love to play that Hummingbird. I’ll bet it sounds awesome, and from knowing what I know of you, it is probably very well cared for! I just recently learned UJB. It was surprisingly (to me at least) very easy to learn and made up of only 5 basic chords (G, D, C, Am, Em) which are some of the first chords (and easiest) that most guitar players will learn. Rhythmically, the toughest part of the song IMO is probably in what would be considered to be the chorus....that is the part that goes “whoa-o what I want to know is ______________....there are some quick chord changes in that line which take some practice, but all in all, not to difficult. That said, singing it and playing at the same time for me is much more difficult. I have only recently been able to incorporate some singing along with my playing and I have been playing for more than 20 years. Some of that I think is confidence factor of worrying about what others think I sound like, which I really don’t give a shit about anymore, but the other part is that rhythmically it is not easy to learn, especially if the song has difficult chord phrasing. Did anyone hear the Bob Weir Shakedown interview from Friday night? He had some interesting comments about Lost Sailor and the reason it didn’t stay around for too long in the bands repertoire. Too difficult to play and the other band members didn’t want to spend the time on it. And we’ve seen that LS has only recently been brought back into D&Cs repertoire. So this got me thinking about the progression of Bob Weirs playing ability. Of course it’s widely know that Bob was nearly kicked out of the band early on because of complaints about his guitar playing. And to be fair he only started playing guitar at the age of 13 and then met Garcia just 3 years later. And any player is going to experience some plateauing, especially early on. That said, it make me wonder if the shift in style on WMD and AB were at least partly made in efforts to help with this handicap as the arrangements are much simpler and back to the basics. (Here is a quote from wiki on the subject:
    “The incident apparently led to a period of significant growth in Weir's guitar playing. Phil Lesh said that when drummer Mickey Hart left the band temporarily in early 1971, he was able to hear Weir's playing more clearly than ever and "I found myself astonished, delighted and excited beyond measure at what Bobby was doing." Lesh described Weir's playing as "quirky, whimsical and goofy" and noted his ability to play chord voicings on the guitar (with only four fingers) that one would normally hear from a keyboard (with up to ten fingers).[13].

    Cousins: what kind of guitars do you own? What gets the most play? Based on your bands genre, I’m going to guess a Fender Telecaster?

    Here are my guitars:

    1). 1996 Washburn Limited Edition Acoustic
    2). 2017 Gibson Les Paul High Performance in Cherry Red Sumburst
    3). Seagull Artist Studio CW Deluxe Element
    4). MJT Custom Telecaster build that is aged vintage relic...Taos Turquoise over 3-Tone burst
    5). Rhino issued Grateful Dead Dancing Bear/Stealie ukulele (don’t really play this one just decoration
    6). I also recently ordered a Taylor GS Mini Koa Plus E with edge burst on my 4 years zero interest Sweetwater card. I needed a good travel guitar and this one gets phenomenal reviews....can’t wait!, but sshhhhhh! Don’t tell Mrs Casey!

    -the one I play the most (currently) is the Seagull...most accessible hanging on the wall right next to the couch in my living room. It has a pick up so I can plug it in but I rarely do as it projects nicely anyway. It as a solid Sitka Spruce Top, with Solid Rosewood back and sides, Mahogany neck and Ebony fingerboard, gold vintage tuners. It’s a beautiful guitar that sounds just as good as it looks.

    Oro - Great repo car story...had me LOL as usual! For those interested, I promise to finish my Gorge story very soon. Fell off the wagon on that one, but the details are still there. Anniversary is also fast approaching....bummed I can’t do the repeat as I planned for Boulder in July...hopefully we can get back at it soon!

    Doc - Great to read your regular posts again. Glad you’re back.

    Be Well Dead People!

    KCJ

    Led Ded: just read your post...couldnt agree more. No better hobby and incredibly gratifying when you are able to overcome a plateau....repitition and practice....I’m at least one hour a day usually early mornings or later at night!

  • LedDed
    Joined:
    Yes, some of us really play...

    I am a guitar freak. I have about two dozen electrics, two acoustics and a couple basses, untold effects pedals and several amps. I actually do pick up those instruments with my two hands and play the shit out of them, every day, sometimes only for a half hour and other times all day long, esp. on weekends.

    It's the most gratifying hobby I've ever known. When you start out, you suck and sound like shit. Over time, you learn other people's songs, chord changes, scales, etc. One day you find yourself sitting there with a drink and wailing along to "Layla" at full volume, kicking ass and blending right into the record. And then, you start coming up with your own stuff. Some people eschew covers and play as themselves right off, but if there's a kind of music you like, learning that stuff gives you a toolbox of techniques from which to start doing your own thing.

    You get out of it what you put into it, practice practice practice. I don't really practice so much as play, but you hone your skills through repetition and hours devoted as you pick up new things here and there. One of my favorite things is to crank up a "Big River" like the one on One From The Vault, and wail along with Jerry. He was so good in his prime it's sick.

    I'm not in a band. I have a straight job and a family (and a mortgage etc.) However now and again getting in a room with other musicians, especially with drums present, and turning up is as much fun as it looks. Unfortunately it looks like a bleak time right now for anyone struggling to make it as a musician. First album sales were destroyed by the internet and bands had to depend on live concerts and merch sales. What are they going to do now?

    A long time ago, I might have leaned that way, but I'm glad I went with the straight job, keeping the guitar playing on the side, pure artistic expression with no strings attached or record company bullshit. Last, anyone who's always wanted to learn to play the guitar, go buy a decent one and get after it! If you keep with it, it will reward you more than you can imagine.

    \m/

  • Deadheadbrewer
    Joined:
    Did someone say, "Saint Paul"?

    LOVE that show from '77 (AND the Saint Paul show from the 1978 box), but cannot allow myself to get distracted from my E72 studies. I still need to finish Bickershaw AND Amsterdam, then get to Rotterdam on its anniversary today. The back-to-back concerts on this tour make things difficult . . .

    I didn't get into Grateful Dead until I was 21 (1991), but if I had been born ten or fifteen years earlier, I would have attended those old MN and upper-midwest shows.

  • Cousins Of The…
    Joined:
    @Dennis

    Hey Dennis, I'll take your Hummingbird if it's lonely :-)
    I play guitar in a band(Western Swing/Honky Tonk) , although not sure when we'll be able to play out again this year.

  • Dennis
    Joined:
    Dave's guitar and Dave's Pick

    Just got DP29 in from Real Gone Music. I never bought any of the DP's when they were coming out, my buddy was getting them and sending me copies, money was tight and what the hell. In the end, wish I had bought them all as they came. Now I'm too cheap to pay some of the prices I see for complete sets, and the wife would never understand :-).

    I have to say for anyone who hasn't bought these real gone music releases, they did a nice job on it. At first blush I thought the bonus tracks weren't included, but though not listed, they are there. It was 60 bucks from amazon (got a price cut before it shipped!) So maybe I'll look into getting the real gone collection,,,,, if it's cheap enough :-)

    Dave the Rock and the Gretsch - I know Dave's not the only one on these boards who has guitars AND I know absolutely NOTHING about guitars or playing. But I looked up your guitar and yeah, pricey things. The demo's online made it sound very nice. My question, can you really play? I've met many people over the years who have instruments of all types, played "in my youth", they can still strum a few basic cords, but really can't play. I have a Gibson hummingbird my wife gave me back in 83-ish, why, I have no idea. Maybe she thought I develop unknown talents. I told it's a nice guitar, quite a few people have strummed it over they years and say "very nice". But one night at the store a customer who came in all the time (doctor of some sort), had just bought a new hummingbird, asked me bring in my old one. Bastard sat down and knocked out UJB off top of head. Blew me away. BTW - said my old hummingbird was much louder than new ones.

    So Dave, do you play? Also other folks out there, do you really play? I believe some of you are in bands?

    Just curious.

  • musicnow
    Joined:
    bonus disc

    The bonus disc is simply amazing! Classic songs/jams and the sound is superb. This was a GRATE addition to a magnificent show. Thank you Dave!

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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In reply to by frankparry

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Frank... also reduced on Amazon. Highly recommended, too. Strange how different it feels listening to shows on vinyl as opposed to cd. I think I break listening down to bite sized chunks with vinyl, and spread it out over a day or so. So I pay more attention. There' a very strong chance I drift off to sleep listening to a cd, which you can't really do listening to a record.

I wish they would reduce Dicks Picks 24-3/23/74- on vinyl a bit. £138.00 !!

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I'll throw in Bill Murray and Tina Fey.

And let's not forget the writers. Gary Larson and Bill Watterson for comics. Nick Hornby and Bill Bryson for "literature." Mike Judge for screenwriting.

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Extremely funny guy! Oh, and I certainly can't forget W.C. Fields, Laurel & Hardy, Jackie Gleason, and the Three Stooges, all my favorites.

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Jonathan Winters, Shelley Berman, Firesign Theater, Dick Gregory, Rodney Dangerfield, Charlie Hill (Native American), Steve Martin (his “I never smoke pot in the morning” routine),Redd Fox. I hosted a radio comedy show for several years on Gallup Public Radio in New Mexico , the Have a Nice Day Comedy Hour .
Important to see Jackie Gleason mentioned, add Art Carney. Any old Eugene, Oregon heads remember Reverend Chumley? Saw Jerry and Merle at the Lions Share in San Anselmo in early 1974 that had an outrageous comedian piano player open for them, Uncle Vinty.
Keeping it real.

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4/21/78 Rupp Arena

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...check out Jackie Gleason's performance in The Hustler, about the least funny movie ever made. Jackie Gleason (Minnesota Fats), Paul Newman (Fast Eddie) and Piper Laurie (Sarah Packard) all turn in virtuoso performances.

Sarah Packard: I'm a college girl. Two days a week - Tuesdays and Thursdays - I go to college.
Fast Eddie: You don't look like a college girl.
Sarah Packard: I'm the emancipated type. Real emancipated.
Fast Eddie: No, I didn't mean that...whatever that means. I mean you just don't look young enough.
Sarah Packard: I'm not.
Fast Eddie: So why go to college?
Sarah Packard: Got nothing else to do on Tuesdays and Thursdays.
Fast Eddie: What do you do on the other days?
Sarah Packard: I drink.

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Dave, please put out 10/9/82 Frost or12/28/83 S.F. Civic, both killer shows. Maybe a West Coast box , best of the Frost ,Greek, and Ventura shows, that would be rockin!

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Some serious acting. I have all his records. Robin Williams adored Jonathan Winters. I read somewhere Jerry Garcia loved Bob and Ray. Great comedy makes a person laugh but also think. If I wasn’t laughing I’d be crying. Like the tattoo I saw on someone that showed the two drama masks , one happy, one sad, and written under the masks , “laugh now, cry later”. Dick Gregory was a man among men, brave, pointed and hilarious. A powerhouse that cleared the way for other black comedians. Was a genius way ahead of his time. We owe so much to some of these people in the spirit of Free Speech.

Just watched some of that on YouTube after shakedown stream Friday. Holy shit, if I didn’t know better lol, I’d swear Bobs tweaked outta his gourd! He’s jumping around and moving like jagger with ants down his pants! Didn’t see the whole thing but what I did they were smoking...Jer maybe didn’t look his best, but fuck looks, he seas still rocking!

EDIT: don’t know 10/9 but had a good tape of 10/10 that I always though was killer.

DBL EDIT: speaking of goofy Bob, has no one but me not noticed the Barrettes from the awesome 7/2/89 video? Still can’t believe no ones commented?

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....someone did. I would've, but I forgot how to spell barrettes.

Funny how comedians came up today on this board.
I spent last night binging on Dangerfield and Carlin. Laughter, and music, is the best medicine. Fish oil is good too.
Marx Bros > Laurel & Hardy > Three Stooges. My take.

The protests have been peaceful the past few days and the voices are being heard around this shiny ball of blue that we call our own.

We are witnessing history. One can ignore it, but one can't deny it.

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...started my day with putting on 3/29/90 from the ‘Spring 90’TOO ‘ Boxset ... just so beautiful a mixing job by Norman for this Boxset. The plus side this was recorded on Multi track for our listening pleasure and was the source used for this release. The first ‘Spring’ 90 Boxset was sourced from the two track recordings, still beautifully sounding , the second box just blows the first box away audio/mix/mastering quality. Each performance is captured in all it’s glory from the bands amps to your CD Player & tuner! To k on everyone, be safe be kind & remember to
“Smile Smile Smile” & listen to the music play💀🌹

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Spring 1990(TOO) sounds SO MUCH BETTER than the recordings for the Spring 1990 Box Set. It's such a shame, I know I had noticed that the Spring 1990 recordings were sourced form 2-track soundboard, actually I think they were pulled for the box set from their mobile recording truck straight feed??? BOTTOM Line - the Spring 1990(TOO) box set is night & day better sounding recording, actually done properly from the multi-track sources...which is exactly what should have been done on the original Spring 1990 box set. IMHO the first Spring 1990 Box set has a few better shows than Spring 1990(TOO)- all in all both have great shows. Spring tour 1990 was certainly the pinnacle for the band, they just need to rerelease the original Spring 1990 box set in corrected multi-track format exactly like Spring 1990(TOO) was released. So two questions for now:

1) It has been rumored that DL did that '76 box early because there will be a Summer or Fall Box set this year also- guess on this? I feel like someone mentioned Summer 1990 Box Set at one point on the comments?
2) More to the immediate point - what wil DaP #35 be??? I think 7/13/84 will finally see a release....

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Since no one mentioned them.

Anyone but me ever see the Rowan Atkins documentary(?) on what makes something funny. Someone is talking and he is showing what he means. Little history of comedy,,,,, very funny and informative!

Summer 89 through Spring 1990 were all recorded on multi track for the Without a Net release. The first Spring 1990 box used Cutler's live mix and then Norman mastered it. I believe Dave has commented on this several times, probably mentioned it when the Giants box was released last year.

The second 1990 box used Cutler's recording, but it was mixed by Norman and mastered by Glasser.

Think of all the other 89 shows that have been released and they are all Multi Track.

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At least as far I saw saw... Bob Newhart, Don Rickles (they were best friends), Mel Brooks, Carl Reiner (also best buds), Sid Caesar, Milton Berle, Woody Allen, and the unbelievably funny Phil Silvers. Luckily, four of these guys are still with us. And speaking of guys, Elaine May, Mike Nichols's partner was just as funny a writer and performer as any of them.

Also 11/17/71 DaP26 is a phenomenal sounding release. That Cryptical> Not Fade Away is just astounding.

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14 years 9 months
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Lucille Ball, Carol Burnett, Lily Tomlin . . .

I think a lot about Tomlin's classic line, "I always wanted to be somebody . . . but I see now that I should have been more specific."

I spent a lot of time with cassettes of Emo, Steven Wright, and Bob and Doug McKenzie . . .

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West Coast box you say?..."best of the Frost, Greek, and Ventura shows"....I like it!

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Heard this Kinks tune today, and it just seemed to fit current events like a glove. I always liked how Ray Davies just seemed to have a way with the casual articulation of his cynical lyrics...on a side note, the tune references "grateful" and "dead" probably way more than any song should.....enjoy.

https://www.youtube.com/watch?v=3LI5PNeVjmw

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My wife and I got to see Carlin live in Vegas a couple years before he died. Flamingo maybe? Can’t remember for sure but he was awesome...a true genius of words & laughter!

Sitting here in Clearwater Beach, wearing my Hulkamania T-Shirt, eating my veggies, saying my prayers, and listening to the GOGD!!!

Rock on dead people!

KCJ

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Emo asks his audience “ you know the kind of people I can’t stand ?” several people yell out “who?” Emo “how were you to know , people who impersonate owls”
McKenzie Brothers were hilarious , Beer Hunter , take off hoser , for the great white north.
Andy Griffith was a comic genius , it’s what landed him his TV show Mayberry RFD. His old routine “What it was, it was football” is a hoot.
Thank you for mentioning Lily Tomlin. That I failed to mention women comedians es muy falta de mio.
I read the George Carlin autobiography a few years ago. Brilliant. He spoke of his having once been conservative and how in the early 60s a fellow radio station employee said to him one day after work “George, let’s go have a couple beers, we need to talk.” He changed his heart.
Wavy Gravy was an understudy for Lenny Bruce. By the way the old “Hog Farm and Friends “ book wavy wrote is one of the funniest books ever written. He talks about how BB King gave him his nickname Wavy Gravy at the Texas Pop Festival a few weeks after Woodstock.
Nobody for President / Hugh Romney for Vice President. (Inside joke)

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William Shatner's autobiography's were very funny.

I hear tell Lenny Bruce thinks Mrs Maisel is funny.

Years ago on politically incorrect, Bill had Jon Lovitz on and a playboy model. She was prattling on and throws out the old line about "humor" being the most important thing to a girl. Lovitz looks at her all serious, pointing to himself, "I've been told I'm funny". She didn't seem to get the humor!

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Anyone else in Europe waiting for the DP34? Mine left Brussels on May 23 on the way to Sweden and since then ... nothing. It's not waiting for me at the Swedish Customs Service and it's not in the system of the Swedish Postnord. Soon to be three weeks on its way from Belgium. I have a bad feeling about this one. Hope I'm wrong.

Micke Östlund,
Växjö, Sweden

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14 years 9 months
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Well, my first trip through the E72 box has reached its end. Previously, I had never done more than dabble in a disc from the box here and there, but this year endeavored to begin each show on its anniversary date, complete with region-specific beer in hand. I tried to listen to each note mindfully, and rarely had a disc on simply as background music. I have listened to no other Grateful Dead music since April 7th except E72, and listened mostly to the Academy '72 shows just before leaving for Europe.

Does this mean I've earned a Bachelor's of Europe '72? Supposedly KeithFan has earned his Ph.D. in the tour, so does he hand out the diplomas? Who speaks at the ceremony--Betty?

Like anything that takes a long time, there were great peaks as well as some trudges. For those who are interested in a longer post-tour diary, please PM me. I'll end this note by saying that some of the second-set jams were as interesting as anything I've heard the Dead do. But I would kill to hear a Scarlet-->Fire or Bird Song right now.

Now I might tackle the Corona Box, a.k.a. June '76 on their anniversaries, as I didn't get much time with that box before E72. And then the plan is to make my first run through DaP 34 on June 22nd/23rd, complete with Cigar City Jai-Alai Pale Ale in hand. Again--I didn't want to distract myself from the European tour with shows from other eras. Still need to put on GarciaLive 13, too . . .

None of the distributors mange to give a clear answer. The thing is that packages and letters to europe from the US is now being shipped by boats and no one knows how long it will take. The tracking system is all fucked up - we just have to wait, Dead'76 took 2 months. When I track my DP34 on USPS (UPS have some other dates and places on the same package..) we re talking CA>VA>NJ>LA>NY>LA>NY and now it says "departed a metropolitan airport in Oslo" on june 8th - It is probably in a container in a ship somewhere.

Hello Micke,
same here. Mine left Frankfurt (FRA Airport) May 26. This is not even an hour's drive away from where I live.
I'd bet it hangs at the customs. Tough weighing up whether to charge custom duties and do a lot of paperwork for 10 to 15 Euros or wave it through. I'm confident it'll show up some day soon. It took 3 weeks to leave L.A., pretty much normal in Corona times. The '76 box made it within 8 weeks, so there's still good hope.
Gerd

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... I’m grateful to say I was his friend.he called me his friend and even gave me a nickname ! nicked named me “ Thumper” because he joked I rolled my joints as thick as my thumb lol ha ha. Every time we would see each other, the first thing George would do was give me a thumbs up with a beautiful grin hiding beneath his beard! I still remember the first time I met him at the Englewood New Jersey Bergen PAC theater where he was performing that night.my family is in the union for the tickets and my aunt actually works at the Theatre part time Since the 70’s in one way or another. I have some family members who are in the music industry as well so ived within this sacred community of artists from the lower east side since my childhood. Any way getting back to George , I was in the back of the theater hanging out with the Union boys & production & so on shooting some words over a couple of some primo home grown blueberry joints I rolled and put in my cigarette pack for the evenings entertainment. George arrived early because he had met with friends earlier in Alpine nj for dinner and didn’t feel like going back into nyc until show time so he was hanging out in the theater walking all over the place. He told all of us that he really loved Ed this theater and played a part in the. Restoration process that the theater went through over the years since it was first opened in Englewood no and was not called the Bergen PAC but an actresses name , Helen Hayesi think or I may be thinking of another actress. Well then he mentions that the smoke smelled amazing, so I introduced my self and gave him one of my. Party favors For himself. He said wow that’s a thumper! I brought along some of my old LPs he released and asked if he would mind signing one of them. I told him to pick the record as well!, lol ha ha he signed everyone to my amazement and addressed each one to “ thumper ! Lmao ha ha . It was a grateful night and a memory I hold very dear to me. Over the years, I met his wife and pets! He loved his pets very very much. He always loved talking about them. And some other family members , very nice family! And George was really a loving man. He loved life even though he made his career making fun of it all, I respected him tremendously he was a true artist! I miss him just as much as I loved my friend. RIP old friend, god bless! 🙏❤️😔

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Maybe they should slip a bonus disc in for subscribers from Europe, as a thank you for all the extra time and expense incurred !

Mine arrived last week, and its well worth waiting for, I'll say that much. Right from the second song-Black Throated Wind-Jerry slips into gear, and its feels as though they could take off on a jam that early on. But they don't, and after a few technical difficulties, we are treated to some otherworldly electronic bleeps, as an indication of what is to follow.
A great end to the first set, too. After a superb WRS, the band drift seamlessly into China Doll, and the set ends in pin drop silence-beautiful. Some first sets seem like entities unto themselves, but this one is quite different. It feels like the end of the first part of a play, and you are left with a feeling of anticipation as to what will happen next. Which is, of course, Seastones.

Which reminds me...Seastones-the original album - was reviewed in this months edition of the Brit psychedelic magazine Shindig. Makes me wonder if it has been re-released.

...it’s strange seeing talk of the 72 Boxset. I had to sell my original Boxset as well as my Music Only Edtion to pay major medical costs. It started about 2 or three years ago. I was grateful for everyone s support back then, it was heaven sent and one of the reasons I’m still alive, so thank you all involved & played an important part in my life. You will always be in my heart of graditude !!!
I found an all music edtion for sale on Monday to my surprise! Brand new , each show sealed and in perfect condition.Still in the same box dead.net used to ship with! No bent corners or spines...Nothen but brand new A+ primo/Mint quality. It loooks like it was made yesterday all 22 individual shows back in my collection. I would of liked the original packaging but I couldn’t say no to this deal! I paid $500 plus Shipping costs.it was sent over nite, 1-Day ShippingI’m grateful to once again have this primo Boxset back in my Grateful Dead collection, it arrived yesterday night about 8pm . I’ve never had a delivery come so late in the day but I welcomed the parcel with Open loving arms! I haven’t listened to this box in order for over 3 or 4 years I can’t really put a date on it but it’s been a long time coming! I’m almost afraid to Open them lol! I will start my listening party after summer comes to an end and the fall weather begins!im Looking forward to this years remaining releases for 2020 to be made available! Until then, have a grateful Day my brothers and sisters, Rock on! 🙏❤️💀🌹
I’ve been listening to dicks picks #28, Another Primo release from the dead’s vault, since I started my day.when the dead started a set with ‘Cold, Rain & Snow , it was pretty certain it was going to be a grateful performance!
Another beautiful day here in Bergen County, NJ , sunshine daydream everyone!
Peace be with you all!

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Hey now Daverock, Yup, Seastones was re-released in 2018 as a 2CD set or as a download: http://spiritcats.com/seastones.html . Glad your Dave's 34 finally docked with the first live performance of Seastones (an admittedly acquired taste, but tasty nonetheless). Onward.

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...I think I read they are being issued for apart on RSD , I might be wrong if it’s this year or if it was last year, parts 4 parts5 seastones record Boxset I’ll have to take another look at the RSD List. Take care David 🙏😎

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Hey Folks

Just checking in, it's been a bit but I've been lurking. Been on a few interviews, and hoping for a bite following a perceived home-run yesterday; time will tell. I've got three more lined up over the coming days. For those who may be in the same situation, keep your head up - things will come around, with some effort and luck.

Also just tossing this one out there for today, which is indeed also my actual birth date show. This explains why I am such a deadhead freak along with you All:

https://archive.org/details/gd1973-06-10.sbd.miller.89640.sbeok.flac16

Be Well people, and Happy Day.

Sixtus

P.S. Speaking of tossin', I see several rounds of disc golf in my immediate future...where are the local Heads???

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Cool story, LMG. Glad you got E72 back. Thanks to a friend's "advance" notice I was able to score one of the original steamer trunks. (he had seen a news article somewhere and alerted me) I didn't receive my official E72 e-mail from Dead.net until the day AFTER the trunks sold out, but had already ordered one.

Gerd, if I'm ever in Europe, I'll look you up. Would love to have a bier with you.

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Daverock - short article on Seastones in the July edition of Uncut. Says it will be released on vinyl on RSD by Important Records.

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funny funny funny guy

my wife and I had the good fortune to be in the front row at a show of his at a theater here in Seattle, back...sometime. Not hyperbole, front row. We laughed.

Also, in the 80s, we were on a flight when they had "channels" of entertainment you could listen to. we listened to GC with earphones and laughed a lot. the guy sharing our row must have thought we were crazy.

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Frank-that's the one that Shindig reviewed. Credited solely to Ned Lagin, I notice.
I got the original on Round Records at a record fair in the 1980s, but it's in such poor condition that its impossible to see who it is credited to on the spine of the cover. At the centre of the album it states Ned Lagin and Phil Lesh, though.
Very tempting, as a treat, on RSD. Not the best album to come out of the Dead stable, but arguably the strangest, and for that alone it warrants investigation.

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Well, it's my wife's birthday (and Uncle's) birthday, too yeah! Happy Birthday to you! :-) Birth-day (singing here) :-)

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HB sixtus.

gotta listen to that again reeeeeally soon.

right now it's Orgasmatron (Motorhead).

"Hey! Hey! Riding with the driver!" (who is the driver? Cowboy Neal, of course.)

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Great story. George Carlin was backstage before a performance one time in an undisclosed city (protect the guilty and the innocent) when the promoter was chopping up some cocaine and making lines. The promoter says “hey George wanna do a little coke?”. To which George replies, “not that little”.

This in no way is an endorsement of cocaine or other black market white powders. The cause of endless suffering.

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After paying the custom's charge online at the weekend, DaP34 was awaiting my arrival home from work today. Playing the bonus disc as I type: opening track, a lovely PITB. Reminds me of what John Peel said about The Fall - another favourite here in South Lowestoft, where Hex Enduction Hour was played last night (my wife is not a fan apparently) - in that it's always different, but always the same... . I hadn't realised Seastones had been re-issued. I've got a pretty pristine copy of the original LP stored somewhere, still in a partial shrinkwrap if I remember rightly. Bought it from a dealer in nearby Norwich with about a hundred other things, when I was younger and single, and had some disposable income, including the Keith & Donna LP, and many other great US issue originals from the late 60s to mid 70s. If I remember rightly, he'd bought them off a collector who also worked for some record company. As I said, it's not to hand, but my records suggest it was credited to both Lagan & Lesh.

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I'm a few pages back on the posts, but just read yours on your Europe 72 listening journey. You definitely earned your Bachelors lol. I'm proud of you man. When I made my metamorphosis from the casual Dead fan who only listened to the official multitrack releases to full-on DeadHead, it was probably a solid year of nothing but multitrack releases, which was mostly Europe 72, Veneta, and all the rest that you can buy in a record store that's not a Dick's Picks. That left me with a lot of 1972 time.

But there is almost at least one multitrack from every year in the 60s and 70s, so I was reasonably well exposed to all eras in those years. I believe 1970, 1973, and 1977 are the exceptions if you don't count 1975. Eventually I discovered the Winterland box sets from '73 and '77, under the impression they were multi-tracks when I purchased them, but eventually determined they were just great sounding two-tracks (I have to fiddle with the EQ on the 1973 set a little bit but it's all good). But anyway, the point is I was such an audiophile at that point that my boundaries were limited and E72 took up most of that space. I remember Dave's Picks 13 came out (Winterland 2/24/74) and I couldn't stand what I considered at the time to be subpar audio quality (it's one of my top three now). Somebody here commented that there's no sense having a PhD in Europe 72 and glossing over an entire year like 1974 (although I did have the Movie Soundtrack, which I listened to a lot - multi-track :D)

I would love to read any notes you took on Europe 72. There's always another moment to discover in all things Grateful Dead.

P.S. - tired of waiting for the official 6/10/73 release. This was one that I listen to very sparingly so that the full Norman would be really special, but I'm not even sure it's going to happen in my lifetime.

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....sit back. Relax. Or. Get up and dance your socks off!
Sunshine Daydream!!
Here's a thought. Pump some Workingmans/American Beauty into the streets. Couldn't hurt. Might wake up some people. Civilians and Police alike.
I've been reflecting a lot lately.
"Good morning Mr. Benson, I see you're doing well
If I had me a shotgun, I'd blow you straight to Hell"
Who is Mr. Benson? My wife just asked me that.

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The only way to get 6 10 73 released is not to subscribe to Daves. Boom! It will then be released immediately, and will then sell out in 13 minutes.

I really want that one released, as well as 11 19 72.

Those two shows really melt my cheese....oh, yeah....so good...mmm...

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