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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • seahorseforce119
    Joined:
    i love you guys so much <4

    i love you guys so much <4

  • hendrixfreak
    Joined:
    About that 40-year schedule, DeadVikes

    I must have heard it wrong, but I thought Dave L referred to a 20-year schedule for DaPs and boxes. Even 20 years, at my age, is a losing proposition. Allah willing, I'll be 63 this summer. I'm constantly amazed at how much of my favorite archival music is being released -- the GD, Jer, ABB, Jimi, Cream, The Band... My coffee table is loaded with ~30 recent releases. And I'm still rocking out. Granted, my big show days are dwindling. It's gotten harder to handle large crowds and the ticket prices (and effin' fees) have gotten unaffordable. I'd rather play my guitar at home or in the local brewery or go to casual bar shows than jostle with thousands in a big venue. Still, I go to Red Rocks at least once per year, though perhaps this year's schedule may get canceled. Or I won't go, if it looks hairy. But my experience of aging is a bit surprising to me, as I turn corners and feel differently about things.

    Which is a WAY wordy approach to my question, DeadVikes and everyone. Whether Dave L said 20 or 40, do I assume correctly that your comment suggests that Dave L speed it up? If so, I'd agree, up to a point. But let's look at what that might mean.

    So right now I spend $100 for four-plus shows each year. $150 for the '76 box. (The porch crusher, 30 Trips, was too expensive and I didn't want more than 1967-1979, so I kicked in on a friend's box and he shared the 67-79 shows with me.) $250 this year is a freakin' bargain, considering the quality of the music. But there will be an expanded Workingman's and American Beauty at, say, $25 a pop (including shipping). So that's $300 for the year. And it's quite possible that, given this '76 box's popularity, Dave could drop another five '76 shows on us in the fall. Theoretically, only, that brings me to $450 for the year. (I'm single now, so no oversight from a loved one.)

    Particularly as the CV crisis makes the macroeconomic scene unpredictable and certainly my own financial picture nearly opaque, how much more could I spend on GD and still sleep at night? (Okay, y'all don't have to leap out of your seats with hands raised, yelling "MORE!")

    No doubt the current model makes Dave L and Rhino look like money-making geniuses. But let's say they accelerated the schedule. They did a lot of those Download Series (I think) for shows that wouldn't hold up as physical releases, due to tape quality. But they stopped for a reason, I'm sure.

    So, friends, what is the option? Downloads only of select shows that aren't in the physical release schedule? No more physical releases? Etc.

    My thought takes two tacks: if they spend time and money to prep shows for download, will the price enable a profit? With 2,000+ shows still in the vault, at what speed could they prep and release them? We'll all differ on this, but I'd guess one-third of those shows are especially worthy. So, just ~700 shows to go(!) cIn a 20-year schedule, we'd get 100 shows in the DaP series and, say, another 10-15 shows in boxes (that's 200-300 in 20 years). So over 20 years we'd get, say, 400 shows, about 20% of the vault's holdings. Jesus, that's a lot of fine beer and reefer....

    Personally, I caught ~80 shows between 1972 and 1992, with the bulk in the first ten years. I'd love to hear 'em all, although about 6-7 have thankfully been released. And there are many shows I missed that I know are worth hearing. (Hello, 6-10-73!)

    All kinds of questions/issues arise. If they did a "dump" of dozens, even hundreds of shows, would that flatten demand? We know there are a few thousand GD tape fanatics out there (and in here), who would go apeshit (a technical term). But would that sustain the financial model or would it deflate the demand?

    Anyone? (With apologies for length, starting Saturday mighty slowly...)

  • That Mike
    Joined:
    Stay Healthy

    I’m not a regular blogger, but since #4941 just made it across the threshold this week, much gratitude to all who got this to me in these trying times, with so many more important things on the front burner. I’m only just wading into it for a bit, but thanks to all on this blog who have posted their thoughts on the box set, including the extraordinary sound. I don’t know what it is about the Dead, how you can hear these songs a million times plus one, but that new version you have never heard before just adds that little nuance to the overall enjoyment!
    A shout out to Jeff Smith too who kindly posted great reproductions of the covers, for all of us that load these to computers and devices.
    This is perfect to help sooth “The Shining”-like moments we all must feel as we self-isolate. I’m grateful too that the weather has turned to biking, and I was smart enough to get mine tuned up before the cold rain and snow left. I’m grateful, too, my sons - one 2,800 miles to the west - are still working, as is my wife, albeit in an empty Toronto office, which she says is surreal.
    I was in a large hospital for a semi-annual MRI for my cancer very recently, and I have been in this place at all hours of the day and night, and it is usually like Times Square at it’s quietest, but this time it had an eerie atmosphere. Waiting rooms, usually bustling, had seating alternately taped off to allow social distancing, were virtually empty. Most folks ambling through the hallways had masks and gloves, and it had a distinct pallor through the place. To call it Twilight Zone-like doesn’t do it justice. More like the world portrayed in On The Beach.
    Regardless if we bow our heads to the Almighty, Buddha, Jerry Garcia, or no one at all, special thanks to all the front line health workers and essential staff (and this includes all the folks in trucking and cargo getting the vitals from A to B) who have given a new meaning to The Greatest Generation, 2020 Edition.
    Stay well, everyone, and again, how great to have this amazing music still ringing in our ears. Long live the Dead!

  • daverock
    Joined:
    Europe 72 (again) Black Mirror

    There are so many epic moments in every show that its easy to overlook the great way the band feed off each other during the blues and country inflected first sets. Keith's piano solos in Chinatown Shuffle-4/14/72 - on the go now -were great. The music starts opening up during the first sets too - these Playing in the Bands are among the best ever played.

    "Black Mirror" is another TV series worth looking out for. Science fiction set about 5 days in the future.

  • Vguy72
    Joined:
    Last Five movies....

    ....i have one. The Thing. 1982. There are very few scenes that still make me cringe. But when Doc gets his arms bitten off still gets me. Great movie. Almost perfect. Currently watching. Fuchs is about to get assimulated. Nice.

  • DeadVikes
    Joined:
    Jerry and Bill Graham

    Crazy times and very tough times. Hope you all are well. Had to put on The Grateful Dead Movie tonight. Needed to see Jerry and large crowds! How cool was
    Jerry, the Dead and Billl Graham. I just loved hearing Jerry talk. He was the best, so cool. "Hey, I know man, that would be the hippest." I remember in the late 80s, early 90s, the band and McNally wanted Jerry to issue statements to us, telling us to stop camping and partying. He would not do it. Stayed that way until the end.
    I hope when we come through the end of this crap that Dave and Rhino rethinks their 40 year release schedule.

    We are so fortunate to have all this unbelievable music.

    "Bottom line of the whole scene, there is nothing like a Grateful Dead concert".

    Stay well folks and I hope the Dead can get us all through this tough time.

  • bob t
    Joined:
    6/14/76 set II was my favorite and still is

    After this box set... Disc 8 and 9 for me will be like 11/11/73 disc 3... The Wheel... High Time... Crazy Fingers.. Cosmic Charlie... Help>Slipknot Franklins... and the end of the first set Playing in the Band thrown in for good measures.. I like the other shows but I can tell which show I will play many times through out the years... bob t

  • icecrmcnkd
    Joined:
    Groovin’ on the couch

    3-25-72% part of DP30
    Bo Diddley backed up by Grateful Dead......

  • Vguy72
    Joined:
    Sigma Oasis....

    ....has been on repeat for the past four hours.

  • CaseyJanes
    Joined:
    Bill Withers, Phish & TTPA

    Bill Withers one of my earliest music influences. I can still remember singing Lean On Me in grade school music classes. I don’t play piano but that is one tune that I can still finger pluck on a keyboard. Spinning Just As I Am Now....what a beautiful record all the way thru! RIP Mr Withers, just do what you do, and do it good!

    Ironically, I thought I heard some of Bill Wither’s soul in Phish’s new album Sigma Oasis. Had my first listen this mornin and couldn’t help but to listen two more times. Love it!....check it out if you haven’t had the chance!!!

    Hope all you Dead people are doing well and staying safe! Doing our best here!!! Toilet paper is low but everything else seems to be holding out ok with the occasional visit to grocery or liquor store. I did manage to get 4 rolls of the sandpaper variety yesterday which made me feel very lucky. Mrs KC has officially named this pandemic “The Toilet Paper Apocalypse”.

    Keep Clean and Carry On

    KCJ

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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8 years 10 months
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 9 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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