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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • icecrmcnkd
    Joined:
    It’s not repetitive if you only go to one show

    Estimated was played at almost every show in 77.

    Jim, any tracking data on your Box? Maybe it was confiscated in retaliation for your absconsion of that beer truck.

    Oroborous, yeah small town if they knew where your old house was. Not small enough if they didn’t know you had moved.

    From a piano perspective I was thinking that this was a Box for Keithfan.

    Got my Box loaded onto a HD and then converted into various audio formats for use on music players and my car stereo. While doing that job I did some anniversary listens:
    3-23,24-92 Bruce’s last shows as a regular member.
    3-24-93 set 1, will play set 2 today.

    Then, back to the 76 Box and see how it sounds on my iBasso DX120 music player.

    Yesterday was Oberon Day. All festivities were cancelled, but I found a beer store that had some. Tasted awesome.

  • fourwindsblow
    Joined:
    June 1976

    6/10 set 1 was okay set 2 picked up a little wonder what happened during set break a pep talk perhaps. haha Anyway 6/11 Big River and Scarlet both smoke. ps. Where is that June '70 box.

  • stoltzfus
    Joined:
    MLB: I got a little surly with COVID Derangement Syndrome

    here's a raise of the glass, or a burble of the bong (or both), to you.

    y'all be cool

  • Thats_Otis
    Joined:
    "For Phish Fans" @ ICECREAMKID and VGuy

    Hey, that's me too! Tonight's Dick's show is a real corker too! "This guitar is gonna F*** Your Face, because it knows how to scream" - perhaps the most Zappa-esque song in a catalog ripe with them.

    Peace

  • Oroborous
    Joined:
    Just gotta poke around!

    Wooooooooohhhhhhhoooooooooo!
    So after our crushing lost delivery on Friday, Monday we got back up on the proverbial horse and rode on out to UPS again....still not sure why they changed delivery address from PO, but they ended up delivering at our old house.
    Funny, because we had thought about driving over there on Friday when we were freaking out.....Er, I should say I was freaking out, Lovey was just being supportive and a designated driver lol. Subliminally she might of been pondering about actually hitting that bridge abutment at 100 mph rather than being stuck in seclusion all day, everyday, for X number of days and me blasting nothing but dead....but I digress.
    So head over there and Dude never answered the door, but there it was in all it’s splendor still sitting on the porch. So it was less than a Mile away the whole weekend...so near, yet so far!
    Haven’t heard anything yet, going to finish ripping and get fully engaged later today, figure do 1 show a day at a time and try and give full attention etc.,
    Box is simple yet nice, and enjoyed reading most of the book. I think it outlines nicely the musician changes, set lists, the venues and why/what they were after, basically reinventing themselves or X.0 in modern vernacular. Much of what has been bantered about here!
    Anyway, got my miracle yesterday so gonna get me some good, good lovin’ today, hallelujah!
    Perhaps one more run for “essential provisions” (before the state shuts down) along with new box set, several other new shows finally ripped...now we can hunker down and ride this shit out in style!
    Good day eh?

    KIETHFAN: Bob was playing a Ibanez....but not the Ibanez that most are familiar with that he mostly kept with until he switched to Modulas around 83 I think? The other difference in sound could be attributed to him using a Mesa-Boogie pre amp into McIntosh MC 2300 power amp, and I think still JBL Speakers, compared with the IVP Intersound pre, with Godzilla amp from Ampzilla with I believe various sized Gauss speakers that came soon after; (actually, this phase was when he really started to get gear crazy so there were other units and effects evolving constantly in his Racks from then on)

  • JimInMD
    Joined:
    Re: Mind Left Body

    Didn't mean to be snarky, my apologies. Cabin fever and my box is still on the way.. I bet I would have chosen different words if I had a box in hand.

    There was nothing wrong with your post, and there is a lot of repeats. It seems they do this whenever they are working out new material.

    In any case, I didn't take offense I just have a different point of view. Saving comments until I get that first listen.. Happy Tuesday all.

  • Jason K
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    Joined:
    Book binding issue
    I see a…

    Book binding issue
    I see a few posts regarding the binding, or lack thereof, on the book in the 76 box. My book is missing binding completely. The pages are held together with some glue gobs. Not sure how long the pages will remain in tact. My S/N is 9547. Is there any chance those of us missing the binding can get a replacement book?

  • KeithFan2112
    Joined:
    Morning Rockers!

    It's funny that the Playing in the Bands are up for discussion. I was looking forward to all three of these when I first looked at the setlists. I find the instrumental sections to sound more like the spacy jams in Dark Star from '72 - '74. That's alright by me - if the Dead gives you brown weed make brownies :D

    I'm also very stoked that these recordings sound so good. That wasn't necessarily a given in 1976. I would have to call these A+ quality right? I would not give the 30 Trips show from October an A+ for audio (but man what a setlist ;-) Jerry is nice and loud on this box set and so is Keith. 1976 - last year for a lot of acoustic grand piano from Mr Godchaux. Get your piano here folks, enough piano for all!

    I'll tell you what else I am digging - Bobby is coming in pretty clear too, and he hadn't quite adopted that sitting sound did I associate with the Ibanez. To be honest I don't know what he played on this, but it's my understanding that he had dropped the Gibson ES at this point. Maybe it is the Ibanez with a different rig or more distortion or something. Whatever it is he sounds good.

  • Roland Bruynesteyn
    Joined:
    Re: favorite box sets

    Regarding the favorite box set discussion, I'd like to make a case for 30 trips. Like (just about) everybody, I agree that Europe '72, Spring '77 and Spring '90 are consistently great tours, resulting in consistently great box sets. And given my overall preference for pre-hiatus Dead over post-hiatus Dead, my vote would go to Europe '72.

    But this consistency has two slight drawbacks:
    * limited set lists and
    * only one version of the band.

    With Europe 72 you miss out on Brent, Bird Song, Eyes of the World and many other great songs.
    With Spring 77 you miss out on Pigpen, Dark Star and loads of others.
    With Spring 90 you severely miss out on Pigpen and Keith, as well as loads of great songs.

    With 30 trips you have a (somewhat concise) overview of the bands' career, its band members and its repertoire. Based on this box set, you may very well decide what band or what period is your favorite, and proceed from there. But, imo, 30 trips is the mother of all box sets, and in fact a template for how other bands should tackle their career and / or vault.

  • DeadVikes
    Joined:
    #9911

    Is in the house. Just had time for the first part of the June 10, 76. So far loving it, but want to listen to it all before final judgement.

    How close is this to being sold out? I think I have heard some in the 10000s? Wouldn't be too much longer you would think.

    I love looking back at this band over it's 30 year career. These guys were always changing and definitely a lot of highs and lows throughout their career.
    When they returned in 76 many new songs and many old songs no longer played.

    Just a few that I can think of that were no longer played:
    Dark Star- returned 12/31/78
    China Rider- returned December 77
    Truckin- returned at Englishtown 9/3/77
    Dire Wolf- returned fall 77

    I will say, I wish the liner notes were bigger. I have no chance of being able to read some of those personal letters and news articles.

    Enjoy the box folks!

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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11 years 4 months

In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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11 years 3 months

In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 11 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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