• 2,627 replies
    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • daverock
    Joined:
    ABB box

    I'm really tempted by this. I have quite a few recordings of them with Duane in the driving seat, but none others apart from one called "Hiitin' the Note" with Warren Haynes and Derek Trucks. I ordered one called "Second Set" a few days ago, too. I always assumed they went off somewhat after Duane died, and then were rejuvenated when Warren and Derek joined. But looking on here it seems I have much to learn.

  • Dennis
    Joined:
    Garcialive 13

    has hit the Garcia site,,, not on amazon yet, but they're saying a buck cheaper in their email.

  • hendrixfreak
    Joined:
    "Hedrix" Freak lurking, always lurking

    I'm sure longtime posters are familiar with my "lifetime worst GD mistake" -- which was attending 6-9-73 at RFK, then missing 6-10-73 because ... we were 15 years old and had tripped all day in 100 degree heat and had no money, no food, no nothin'.........

    Well, one mistake I did NOT make was staying at Watkins Glen for the "jam." We left after the last band -- was that The Band or the ABB? We could hear the jam starting up from somewhere far away, like the "parking lot" (i.e., another part of the disaster zone). And we were SO glad to be outta there.

    Sequence: we get there in the middle of the night on a backroad while everyone else is stuck in traffic. Sleep on the ground. Enter concert area bright and early on the 27th. Get setup near the stage and break out the smoke. At that point, all was mellow and I wandered among the heads, checking out the scene near the soundboard. Then Bill Graham (I think) comes out and announces that each band will do a one-hour soundcheck. ABB up first, everyone races back to their spreads and party gets going. Relatively small crowd goes wild. (Hard to say, but maybe there were only 10,000 spread out in front of the stage?) The Band come out. Short killer set. The GD come out and play for two hours as we recline on our sleeping bags, snort a little mescaline and relax as the boys crank out some good music. Most idyllic GD setting ever.

    Next morning, wake up, snort, drop, smoke, GD on at NOON! Long day, multi-hour sets all around. I recall a massive thunderstorm during The Band that made them take a break, which is why I think they went second that day. ABB probably towards nightfall? By the time they were done, we were cooked as well. (Edit: As I recall, we had water but no food -- just drugs. Smart "thinking"...) No way we could have absorbed any more music. With the two-night, GD/Band double-bill at Roosevelt Stadium only days away, we had to boogie.

    Gregg in the book, One Way Out, said they heard the jam tapes and they sucked, cuz everyone was so out of it.

    So we made an excellent decision to cut our losses. Oh, so we return to the spot where the van that brought us was parked -- gone! With my backpack, change of clothes, the works. I recall nothing of the several hundred mile hitchhike home, including no memory of how we escaped the concert site. We must have slept on the ground and ridden out with some hippies. There were plenty of them and, although 15, we all had long hair, too.

    Just a brief story whose details are mostly missing!

  • Dennis
    Joined:
    stoltzfus

    BUT, Jerry did get me backstage passes, weed and allowed me to hang with the boys. (phil wasn't happy about it) You're right, no tape, but, he did drive me home. What a guy. (between me and you Stolie,,, he showed me some naked pictures of Mountain Girl also)

    Jerry was into photography, know what I mean :-)

  • Sixtus_
    Joined:
    Mountain Jam / The Grog

    Good to know about the Watkins Glen Mountain Jam being released officially in some form or fashion; in this case it sounds like the Allmans actually let it out. I have a decent copy of it but would be interested in finding an upgraded version. The Soundcheck jam from the day before we all know and love from the So Many Roads box released way back when....that's a good one and always had this sort of proto-Franklin's Tower jam in there to my ears....happy sounds.

    All this Allmans/Dead talk makes me nostalgic for 6/10/73.....someone should relent here and let this slip out into the masses.

    Itsburnsy - I am familiar with the old Grog & Tankard from my long gone DC days. Your post threw me off and triggered some old school memories. Definitely had caught The Next Step back then too, although now all of that recall is a bit fuzzy around the edges if you catch my drift.

    T-Minus how many days til this box lands? I'm getting giddier by the day in anticipation.

    -Seventy-Sixtus

  • stoltzfus
    Joined:
    Jerry, Bob Dylan, ABB, and cables

    Jerry performed Dylan's Senor a bunch

    "let's overturn these tables
    disconnect these cables"

    Jerry pulling plugs? Sounds like a bogus story.

    Sounds like one of those "Jerry gave me a backstage pass and smoked me out and let me hang with the band at the hotel and gave me a tape of the show..." stories.

  • fourwindsblow
    Joined:
    Re: Jerry & Bob jam with ABB at Watkins Glen

    Not Fade Away (w/Dead/Band),
    Mountain Jam ((w/Dead/Band),
    Johnny B. Goode (w/Dead/Band)

    Looks like this was all the songs that they played with Dead and The Band.

    Full Set,

    Intro/Wasted Words,
    Bill Graham Intro,
    Done Somebody Wrong,
    Southbound,
    Stormy Monday,
    Eliz Reed,
    Come and Go Blues,
    Trouble No More,
    Blue Sky,
    One Way Out
    disc 2 63:52
    Statesboro Blues,
    Ramblin' Man,
    Jessica,
    Midnight Rider,
    You Don't Love Me,
    Les Brers in A Minor >,
    Les Brers in A minor drums >,
    Les Brers in A Minor >
    disc 3 67:18
    Whipping Post,
    Not Fade Away (w/Dead/Band),
    Mountain Jam (Capt Skipper remaster) (w/Dead/Band),
    Johnny B. Goode (w/Dead/Band)

  • HaGizMo
    Joined:
    Jerry & Bob jam with ABB at Watkins Glen

    Regarding a couple recent comments about the Dead playing at Watkins Glen ('73): In the ABB 50th anniversary box set release about a week ago, there's 2 track on it from Watkins Glen: Come & Go Blues, & Mountain Jam. After the listing of these 2 tracks in the really nice 88 page book that comes with the box set it says:

    "with special friends:
    Jerry Garcia - guitar
    Bob Weir - guitar
    Robbie Robertson - guitar"

    For one wanted to make sure the good folks here were aware of this. Second, have a question: Did Jerry, Bob & Robbie play on both songs or just Mountain Jam? The way it's written in the book, it's not clear. Thought someone out there may know.

    Have only made my way through about half of this ABB box set, but so far really enjoying it. A good investment for the ABB curious, which includes myself.

  • Dennis
    Joined:
    Billy the Kid and Dylan

    I watched the Dylan at the 65 folk festival. In the comments below someone said, that Dylan said "He electrified one half of his audience, and electrocuted the other."

    I laughed!

  • JimInMD
    Joined:
    Yanking Cables

    Doubtful it's Jerry.. HedrixFreak was at this show....

    There's little doubt in my mind it was him. ... yes, it was him.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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17 years 5 months
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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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17 years 5 months
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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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11 years 4 months

In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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17 years 4 months
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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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14 years 9 months
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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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12 years 2 months

In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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9 years

In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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11 years 3 months

In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 11 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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17 years 5 months
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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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