• 8,101 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

  • rockthing
    Joined:
    Woodstock

    >DAVEROCK>

    "It's about 37 minutes long, but it seems more like an hour when you watch it."

    HAHAHA

    I'll be on the lookout for that CCR set. John Fogerty strikes me a somewhat difficult man. Brilliant songwriter and producer, though. Never get tired of Cosmo's Factory, in particular. Gotta get reacquainted with the first album. I recall it being more psychedelic.

    Got a trove of stuff to listen to after yesterday's catch up. Thanks!
    Not sure where I'll start, but probably with something that already has ID tags. lol.

  • daverock
    Joined:
    Woodstock

    There was a good cd of CCR's set that came out a couple of years ago. Apart from Hendrix, possibly my favourite set of the whole festival. "Lovelight" was included on a dvd as an extra, on one of the celebratory reissues of the festival. I don't think I'm being controversial when I say that it wasn't there finest hour. It's about 37 minutes long, but it seems more like an hour when you watch it.
    The Dark Star, I've just remembered, was included in the 6 cd 40th anniversary release of Woodstock, too. That's okay. But it's not a show I would suggest as a contender for an official release.

  • rockthing
    Joined:
    Back from the... er... Dead: James "Blood" Ulmer info?

    Hey folks.
    Whew! Wall to wall autumn (deliberately avoiding the overly-insistent rhyme) and have taken the new year winter decompression to track a lot of the transfers of old vinyl I'd made back in August. Thanks to that, The Dead have taken something of a backseat in my listening during the new year as I've now got all of these other things in a convenient format.

    While tidying up an old hard disk, I came across a James "Blood" Ulmer show I must've torrented over ten years ago, but for whatever reason never unpacked. No info file, and so far various Googling can't even prove that the concert even happened. The directory is only listed as ulmer2_27_86. Anybody have a suggestion where I might look to find some more info on this? I checked out the taper forum, and the "Looking for..." forum, but there hasn't been a lot of activity over there.

    One new Dead show in my library, however:
    6/8/74 FOB which I've only had on once, but wasn't giving my full attention. I think I found it also unpacked on a hard disk while "house cleaning". My (slowly) ongoing exploration of Wall Of Sound audience tapes. Any takers?

    There is also a trove of late 60s shows that were binge torrented and then never unpacked. Can't wait to get to those.

    Well, I'd wanted to recap, but I'm not even out of August, so I'll spare you the flashbacks.

    >Oroborous>
    Thank you for the acknowledgement so many months ago.

    ● Just put the 2/24/71 Port Chester show on. This one I'd transferred from an old cassette. Haven't heard it in a really long time, and don't have as many specific memories of it, like the 2/18 tape.

    Oooh. This Bertha. Bump! Bump!

    Either my cassette was running slow or this is the most mellow Hard to Handle I've ever heard. Dig it.

    I love these really slow early Losers, too. It seemed like it might be vying for a spot in the Dew rotation in those days, but they eventually picked up the tempo to a slow trot as the years went by. This being transferred from a tape, it may just be a media issue. I sometimes cover this on acoustic, and always do it real slow and always only ask for 1 gold dollar, not ten. To me, these are the archetypal Losers.

    Epic Good Lovin' drum solo!

    Thanks for that ranking of that Feb '71 run. Found AUDs on the Archive for the 19th and 21st. Back in the day, I ended up with only 2/18, 2/23, and 2/24 somehow. I was trying to explore as many different eras as possible, I guess, so didn't go for a completist approach... I guess... who knows what I was thinking back then?! lol. I'd take whatever I could get. Those tapes accompanied me on many a road trip cause that period is just fantastic driving music....

    ● A good buddy lent me the 3/9/81 discs. I don't think he got the MSG box, just the single show on offer. Those were on in the car for quite a while last fall.

    My buddy was, like, "Dude. Check this China Cat," and he was not wrong. For me, because I'm less familiar with this era, I felt like there was some really unusual interplay between Phil and Jerry in there. Brent's synth work is pretty novel, too. Sounds like he'd been listening to some Steve Winwood. I could stand for a bit more of it, if I'm honest.

    Bird Song was the first tune in this show to really grab me, though.

    An electric Deep Elem? I'll take that.

    Uncle Johns is kind of a mixed bag. There are some really cool things happening, but it seems a little ragged at times too. That's just how it goes, but that's how I hear this one. No disrespect for hanging it out in front of a huge crowd.

    The Drums > Space > Other One is also fantastic. Sounds like someone (I'll guess Mickey) is playing with some microphone feedback, incorporating it into the jam.

    That Stella Blue seems to start out a little unsure of its footing, but by the end is soaring. That's a real highlight... I mean, I love Stella Blue pretty much any time you'll give it to me, but after a few listens this one really grew on me.

    I think I'm still a little partial to 3/7/81 at U. of Maryland, though.

    >bluecrow>
    Cal Expo rang a bell, but I've only got 5/26, 27 from 1993.

    5/26 is a 3rd gen cassette 1st set and a 4th gen 2nd set AUD. Not sure how that happened. Couldn't tell you anything about it off the top of my head other than that there is a heart mark next to Playin' > Drums > Space > and I tracked that all as just Playin' because that's how I roll.

    ● 5/27/93 is a partial board, but 7th gen cassette... only the 2nd set. I was doin' postage and blanks, so ended up pretty far out on a limb a lot. I'm not using headphones, but there's not a thing wrong with the sound quality. Might have just lost the first set, or maybe never had it.

    Pretty worthy Scarlet/Fire.

    Might skip Wave to the Wind so I can get an ear on the Cassidy > Uncle Johns > Cassidy Reprise > Drums segment. Nah. Wave to the Wind is 7 minutes long. There must be some sort of jam in there. Better be. Certainly are a lot of changes. Jer's on top of 'em. That's about all I can say.

    Cassidy is mellow and starting to jam out, but...ah, well, nice try. The seque into UJB comes across pretty forced. A bit more patience, and cooperation might have helped that jam. Good idea.

    The UJB jam, however is goin' off! Love how it is deconstructing toward drums. The band is showing a lot more patience here... oh, and the brief reprise of Cassidy is smooth as silk. You can hear Jerry hinting at it for a while. It would have been magic if they'd pulled that off on the way out of Cassidy.

    Drums could always be counted on to deliver in the 90s. I'll expect no less here. Nice beam drones. More like space.

    Oddly, Space just seems to stop and Jerry's there playing TOO on his own for a bit. Cool super distortion Bobby cutting is the perfect ground for Jerry's crystal clear lines. Don't appear to be any Martian vocal effects on Bobby's voice, which is a shame. I always liked that. Jer digs in to some overdriven runs after the first chorus which are now weaving nicely with Bobby's stabs and dives. Good mix. The drums are touch lost behind the guitars, maybe. Vince is real low in the mix. Say what you want about '93, dudes are goin' for it. Some heavy echo on Bobby's voice for the second verse, which immediately diffuses into Wharf Rat. Coulda dealt with a bit more TOO, but that was as smooth a transition as you can ask for. The thing about this era is that they have the in-ear monitors, and intercoms, so they didn't have to hint at anything musically. All anyone needed to do was call a tune into the ears of the others. Makes the transitions a lot more succinct, which can be both smoother, but also sometimes a little less thrilling.

    Wharf Rat is a tune that suited Jerry any day, any year. This tune is gonna be solid no matter what... at least as far as I know. Tape starting to sound a little muddy at this point for some reason. It was fine earlier. Love that Bobby is well-represented in the mix to add his coloring throughout. Is this after they fired Dan Healy? Well, I spoke too soon. The Life I Should found the limit of Jerry's voice on this particular night.

    Sounds like Jer's starting GDTRFB, but maybe it's just because this Sugar Mag slides out of Wharf Rat as easy as can be before Bobby takes the lead. Even Bobby's sounding a bit froggy at this point. Musta been something in the air. (Can't imagine what!) Nothing to write home about, but nothing to complain about, either.... Jerry's lettin' some overdrive licks fly throughout the Sunshine Daydream section. It's interesting because it's like you can still hear his clean tone at the core of his distorted effect. Pretty aggressive, if short. No encore on my tape, unfortunately.

    ● My only May 91 show is Shoreline on the 12th and it's FOB probably available on the Archive. Couldn't tell ya anything about it off the top of my head.

    >Forensicdoceleven>
    >JimInMD>
    >PT Barnum>
    RE Woodstock

    Perfect back yard recreation. Hahahaha. :)

    Just listened to my old, old vinyl copy of the Woodstock Soundtrack a couple weeks ago, and even that excerpt of Hendrix is totally face melting. If I recall correctly this wasn't The Experience.

    I'm not sure I've ever heard the Dead's entire Woodstock set. Last year I was surprised to learn that CCR, Mountain, and Johnny Winter had also played Woodstock. I'm pretty sure I'd never known that. They were also not part of the soundtrack or film. Jerry, at least, makes a memorable cameo in the film.

    PT Barnum> RE Fall '91
    Near miss. I've got 8/16, and 9/17 in the library. Couldn't tell you anything about them off the top of my head. If there's one thing this group always does, it's fill in the gaps. Cheers.

    JeffSmith> RE HDTracks

    DUDE! Thank you! I've been looking for a site where I can get minimum 16b44.1 quality downloads. Being on the other side of the world, shipping even CDs is murder. One of my favorite things about nugs net is that you can buy, not hi-res, but at least CD quality downloads. I think downloads sound better than CDs, tbh. Something happens during the CD manufacturing process, or at least it has begun to seem that way to me.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Check your PM, please

LTGTR and an excellent Stranger to start off nice. A sweet little Peggy O, perhaps slow, or is it that laid back hometown California mellow? Either is good. Shootem up polka time, followed by an always welcome Loser, status quo masterpiece, my 2nd Loose Lucy after Hamilton, which seemed looser than the first, but more fun this time around as I was with real life 20 yr old Loose Lucy!. Decent Cassidy with a Dough Knees to bring her home. Another neat, together, but unremarkable set. Status quo for this year. Seemed perhaps a little less enthusiasm then yesterday, but picks up as it continues.
Nice Victim to shake things up a bit and get er going, but the TOG is perhaps a tad behind the curve for this show? 2nd set LL Rain that Bob gets things stepped up a bit and sets the tone for nice terrapin, but unfortunately there’ll be no extra credit jam/weirdness tonight on the way to drums. Awesome long weird space which segway's nicely into Mr Fantasy/Hey Jude. Watchtower kicks it up before the nice bring down to Stella Blue. Lovelight and Black Muddy to send us home, which in this case was stealth, late night, poolside surrounded by palm trees at the hotel. Man to this “southern Canadian” palm trees was a pretty big deal! So far I think I like 6/8 overall but they both where like Otis and GOGD mentioned: decent, tight, status quo 90 shows with a definetly laid back home town vibe. (Meant in a good way). Spoke with my cousin who was there about his recollections and he agreed about the whole Cali vibe thing and to us north East nuts it was pretty cool.
Ok, manana we’ll finish Cal Ex up and I’ll share a humorous take from that night after at the hotel. I believe statue of limitations is over for hotel damage? Lol. Maybe I can find a photo of our motley crew having breakfast on the haight a day or two later?

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In reply to by Strider 808808

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Pretty cool Strider you were at the 6/9/77 show. How about you Bolo?

Where you guys in the Grateful Dead Movie?
Don't tell me you were the guy in the overalls eating chicklets.

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In reply to by DeadVikes

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You Just Wait...

The chiclet guy rules.

So does 6/9/77
Hot show for sure... Just a Dream.
Set 1 is solid '77 Dead until TMNS then it starts to turn the corner into Extraordinary.
Set 2 is wow just wow.
That Slipknot! it's gonna get some extra rotation tonight.
The Terrapin Station tunes are given some really good readings.
Estimated goes way out there, sounds like they'd been playing it forever, or at least every show all tour.
And then they slide a Terrapin in after St. Stephen for an extra Dose of fun before bringing it home with Sugar Mags.
They didn't have to do that, they could've just played Sugar Mags, but they really bring it to Winterland.
Great version of US Blues and OMSN too.

Hot Damn.. nice pick.
You can hear the fun.
That was fun.
And you all were there!

OB: You summed up 6/9/90 real nice.
And I nod in agreement with what you been laying down.
Looking forward to the party story and 6/10 show tomorrow.

Birthday Show for me :)

Thank You All And Good Night!

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I was referring to the several times seeing the Dead at Winterland but no not 6/9/77. First time seeing the Dead at that venue was February 1974 the night before the Dave’s Picks release show. Then four out of the five nights from October 1974. Missed the first night as I was hitchhiking down from Eugene. I’m in the Grateful Dead movie dancing in the crowd during Playing-Reprise. Then I was at 12/29/77 and 12/30/77 that was released as one of Dicks Picks.
My first time to Winterland was May 1973 to see Hot Tuna. Muddy Waters opened. Also saw Dave Mason there in 74.
Needed to set the record straight.

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My first show there was 11/10/73, missed very few after that. I listed the ones I went to on my page here, only because one of my buddies kept track of such things.

I have no way of remembering every show at other venues - way too many and my feeble brain doesn't retain details like that. And, yes, like many of you, I was very fortunate to be roaming this planet during that magical time.

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In reply to by bolo24

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Wow.. don't check your PMs for a day, get one from Bolo with an urgent sequence of instructions and the DJIA drops 300 points.

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This show is a winner from start to finish, it burns! It has my all-time favorite version of St. Stephen on it. I guess the story goes, that Hendrix was standing on the side of the stage but the Dead didn't let him up to play. The Dead had invited him out to practice with them and he never showed up. Pig Pen apparently didn't play, because his girlfriend was sick. This show was originally broadcast on Bay Area radio station KPFA, a fantastic listener sponsored radio station that you can get online, they play all kinds of great music. Phil Lesh used to work as an engineer at KPFA back in the early 1960s on a show called the Midnight Special , folk music show, and he brought Jerry Garcia on there to play some shows on the radio. Anyway,. 10/12/68 has always been of my favorite shows, hopefully Dave & Co. willl release it one day, put together a box set, two shows from 68, 69 and 70.

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Everybody Has to Dance or Else.

10/12/68 at the Avalon Ballroom.

Anybody got any Avalon stories out there?

This is one of my all time favorites for sure :)
Love '68
Here we go.
Have a safe trip everybody!

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Sweet pick! I think I actually prefer 68 to 69 (please, no rotten tomatoes!) 10/12/68 is a perfect start to this blazing hot day... and I agree - it's time for Dave to release a 68 show - this one is certainly a contender!

Afterwards, I think I will finish out the Cal Expo 90 run with the 6/10 show. I've really been enjoying those this week.

Hope everyone is safe, happy, and staying cool!

Peace

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St Stephen is just crackling with energy, as is the whole show!

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Great show! I don't think I've listened to this in its entirety before. This is also my first time trying the Relisten app -(how nice!) I love the separation of the drummers in this music.

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The "Jam" before Feedback is cool - starts off in "Other One" territory, then moves to something totally original, then gets very close to "Caution" - I bet they would have gone there if Pig hadn't been missing.

Feedback... and, goodnight!

Does anyone know if the "Morning Dew" that starts the set on this recording (at least the one that Bolo posted) is from this show? It doesn't seem to be on the setlist.

On to Cal Expo!

Peace

EDIT: It looks like "Dew" was the opener, but for some reason it was left off the set list.

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Today's pick was recorded over 50 years ago - half a century. In 5 decades, no other music created since then comes anywhere close to what I heard today. Normally, I'd probably add "IMHO" to the end of that last sentence. Not this time - it's an indisputable fact.

I had a non-head musician friend years ago question my over-the-top enthusiasm for the Dead, saying they were slow and sloppy, couldn't rock out, Garcia just "noodles" aimlessly, etc. In other words, the usual misinformed opinions we've all heard and read before.

I played "The Eleven" from this show for him on a really good sound system, sat back and watched his face morph from surprise to disbelief to joy and wonder. He was literally speechless for a good chunk of time before the expected "WOW" passed his lips. An instant convert! He still blames me for his "incurable disease" on a regular basis.

Gollum mentioned the drums. While one can intelligently debate the one- vs. two-drummer format from 1975 on, there is probably little dissension regarding the irreplaceable impact of Billy and Mickey abusing their instruments during the"primal" period. The whole band was a flat-out juggernaut during that time and the two drummers had a lot to do with that.

What a band. So grateful that we here all "get it."

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....been Relistening for a while. Cool app. The right side sidebar lets you pick the source. Less clunky than the archive for sure. Sacrilege? Maybe.
10.12.68? I was five months old. Bring it to my diapers!!

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I have several buddies that still refer to it as pots and pans.
They clearly don't get it.

So much unbelievable music! Still can't explain it to even family members.

But every day, I still want to listen to the treasuries we have.

More to come.

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This was the year that drew me in. Back in the 70s, I had heard a few albums by the Dead, but it was only after I heard Anthem that it all clicked into place. After getting into that one, all the others started to make sense.

Incidentally, it was in October, as I understand it, that Pigpen and Bob were...strange as it may now seem...sacked. And those Mickey and the Hartbeat shows were played between October and December, without either of them in attendance. I used to think that was why Pigpen didn't play on 10/12/68. But I could clearly be wrong - both he and Bob played a lot of shows with the Dead during the same period as the Mickey and the Hartbeat shows.

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What's on tap for today gents?

FourWinds, where are you?

I might check out 5/28/77, the last night of the Spring Tour. To Terrapin Release from 2007.

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Yesterday's 10/12/68 pick definitely took me places.

Places I'd been before, and new places as well.

As said here by others, some really wonderful stuff going on throughout this magical show as the band jettisons into a new universe & explores the improvisational music cosmos.

By October '68 Dark Star has begun to grow larger wings, but it's still a baby bird that will take flight and leave the nest soon. Of note in this version is Bear's recording (I believe) and Mickey's playing of the "Scratcher". It sounds as though Mickey's walking around on stage while he plays, at least that's how it sounds with Headphones, the instrument is truly circling around your head in this recording. How bad ass is that? And this is a bootleg from over 50 years ago!

However, while Dark Star is just beginning to really gain strength in it's legs, St. Stephen is Standing Proud & Tall and has possibly reached it's greatest height, this is an almost absolutely perfect version of the song, and if you listen to some of the earlier versions from the summer of that year ('68 mystery reels come to mind, possibly from Carousel June '68), it's some amazing growth that this song has gone through in appx 4 months! The audience already loves this song as evident when you put on 9/2/68, within the first notes on that version the crowd starts getting so excited it throws the band off with surprise. St. Stephen, with it's William Tell Bridge, will continue to be this height for a little while longer, but will begin to diminish and shrink with age in the following year. I'm not sure it ever gets much higher than this version.

That brings us to The Eleven, I think Bolo says it best, this version can convert a non-believer. So imagine what it does to all of us already at the church. This is an absolute ripping version of the song and all the long months of rehearsal are truly evident when you listen to the effortlessness of which they throw this song down.

And to complete the suite they seg seamlessly into a sultry Death Don’t. Listen to Jerry sing during Death Don't, man could that guy sing a song with emotion. People would criticize that voice, but I always thought it was the most wonderful voice of all ;)

Oh... and there's a Set 2!!!

Which just absolutely shreds your face off, if it was still left, hanging there by a thread.

This is manic air guitar, give you the chills, tears in your eyes, shake your head in wonder stuff here people!! I want to hear it again, and again and again!

So like I said, it took me places, I dived deep into some '68 after this 10/12 relisten, I had to hear the next night 10/13/68 SBD (not as good, but see for yourself), 10/20/68 30 Trips release (check the difference between the Dark Star’s), and 9/2/68 (interesting recording, I need to check back on this, my mind was melted at this point and life distracted me).

What a Trip!

And like mentioned here, this was all during a time when Pigpen & Bobby were on thin ice and "fired" from the band.
Fascinating.

I believe a ’68 release or box set was mentioned, it’s hard to think that we’ll get one based on what exists (appx 37 shows / fragments) and quite a few have been released. Sadly most of Summer ’68 is a black hole, as well as the touring at the end of the year. There are definitely shows that were recorded that we don’t have, whether or not they still exist or not is a bigger question, I know Bear recorded more than we have especially in regard to the later part of the year, but for now the trail stops there and I’m afraid it is a bit cold…

That all being said, if there was a ’68 box style release I’d vote for The Quick And The Dead tour in January - Feb ’68. Always loved that stuff, it’d be repetitive and have some warts and all feel, but shit I love it.

Love to hear thoughts on what you all would see as potentially release worthy. This 10/12/68 show should be a definite consideration.. if they can make it sound even better I’ll be the first to drop down some cash to get it!

You’re still here?? Crazy kids..

After I came to earth from that I continued our little Cal Expo ’90 relisten and loved it too. I think 6/10/90 is my favorite show from the run, but you know Playing In The Band usually makes me say that. The Jack Straw is definitely worth listening too. And Phil saying he’s not gonna quit the band and it’s all a bullshit lie, with Jerry saying yeah, the rest of us are, well.. that’s priceless.

What’re we gonna listen to today?

Edit: 5/28/77 you say... looks promising and it's been awhile.

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Thanks for all the great reviews of this show. I now know I will be stuck re-listening to this show for the next couple of weeks. That's the way this thread has worked for me. I can't always keep up with the daily schedule but I've gained a whole new appreciation for some shows, namely, the 2 DP #18 shows(2/3&5/78), DP#5 (12/26/79), the Cow12/31/76. It's just been taking me a couple of weeks to grok each pick. Thanks to everyone for contributing. This thread has been one of the few highlights of this lockdown!

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I really enjoyed revisiting this release today. I remember having some mixed feelings about it when it came out, but today it sounded fresh! I've always loved that "Sugaree", and the whole 3rd disc is pure Spring of 77 butter.

Good pick!

Peace

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In reply to by Thats_Otis

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I love this show. The sound quality to my ears is one of the best 77 releases to date. Jerry just seems to really be on fire the entire show. Kills it on Bertha, Sugaree is so good. New Minglewood Blues is a top 5 for me and the Brown Eyed Women is another high energy version. The Playing in the Band into Terrapin is hot. And the finish, NFA through US Blues is stellar.

I don't think this release gets a lot of talk, but it should.

And I think it is still available on this site for under $30!

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How about leaving a random day, perhaps Sunday, as a day to revisit that show you missed but wanted to hit and talk about or any of the other show you were behind on? A day of peace and re-visitation/re-visualation.. A chance for the slackers to peek in on a show from a few days ago they squeezed in a day or three late.

Is something like that reasonable?

A day in support of the under achievers.

I remember when E72 came out.. I think in the fall, but I more or less started on 4/7 and struggled to keep up with the anniversary dates. Hearing the post from deadheadbrewer finally pulled me out of the closet. I can do a show every two to three days unless I have time carved out, without distractions, cell phones and it helps if I am able to indulge in a bit off external stimuli, especially the kind that warps space and time. Just saying...

In other words, I missed To Terrapin and am beating myself up about it. Heaven help the fool.

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Seems like a good idea Jim. The only way I am able to do this is I am still working at home.

And I don't think we can all make every show, although, I have tried. Some days I have to finish in the morning the next day.

However, the leader of this pack, Bolo, and the rest of the crew would have to give it the Thumbs Up.

And I am interested in your take on To Terrapin....

Still wonder what was going on back in 2007 to 2009 that they released some unreal stand alone shows.

Would love to see some more pop up again.

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Ha.. my guess, they needed money.

I doubt if any of this needs to be that formal. Consensus is probably enough. A day of rest and reflection. Seems norml enough to me.

I missed 5/15/70 which was a biggie for me, and we never got around to 11/8/69 yet. I will be doing extra stimulus for both of those.. :D

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I'm the last person you should seek out for advice, permission, orders or any type of instruction.

Do you recall the recent failed overthrow of the Venezuelan government? I planned that.

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a plume of ash billowed 2.5 miles above the Mt. Saint Helens volcano in Washington.

At 9:09 p.m. a much stronger explosion sent an ash column about 10 miles skyward.

This event caused the Portland Oregon area, previously spared by wind direction, to be thinly coated with ash.

Dead Heads who were attending the Grateful Dead's concert at Portland Memorial Coliseum still question whether the band had helped cause this while playing Fire On The Mountain that night.

Should we listen and see today?

There's a new Charlie Miller Upgrade on archive..

Let's do it GOGD.

I am going to have to figure out how to use that relisten app.

I don't know Bolo, I would listen to your advice.

Jim, money money money, money money! Mama, don't take me back to rob that bank again.

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Okay, relisten app installed on my Sonos app. Wow, that is cool. Alabama Getaway opener sounds good.

Technical question for you all. It says it is a FLAC file. Does it really play as a FLAC file or is it MP3?

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how many listen, that much. I could never keep up with the pace!! I stab at single picks with morning coffee if someone really mentions something of interest. Listening to Alabama from 80, right now. Good Bama, short only 5-ish.

But once again, main reason here, musical conversation. I will check out the "new" Charlie copy, mine is ok.

Oh, if you hate plinky keys, stay away, Brent rips ups the plinks near the end :-)

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Nice!

Definitely check out the Phase corrected SBD posted on 6/3/20 -
https://archive.org/details/gd1980-06-12.150005.sbd.phasefix.miller.fla…

Noticeable upgrade in quality for sure.
Hadn't had a chance to listen to this fix yet and it's sounding good.
Nice work as always Charlie!

Haven't checked out relisten, but I'd guess that it's playing an Mp3 file.
However, that is completely a guess.

It's Miller Time to start a Friday.
With Shakedown Stream to follow this evening with Bruce.

Not too shabby.

Happy Friday everyone!

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Plinky Keys... Hahaha!

LOL that's funny.

If you hate Plinky Keys, you're gonna have a tough time with '79-'81 ish...

Wait, when did Plinky Keys disappear?

As far as I can tell they were always a little "Plinky" throughout Brent, super Plinky in the beginning, but even '84 and on.

I will say this, Brent sounded like Brent which I believe as a musician seems to be what they're going for.. a Unique sound.

EDIT: But yeah, this one is SUPER Plinky ;)

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Oh, hell yes!

I love 80, plinky keys and all! I suppose I understand why some fans don't like it, but I also feel like they are missing the forest for the trees. There are so many GREAT shows during the early part of Brent's tenure, especially 79-80. Oh well... I suppose they don't feel like they are missing anything.

I have a Google Class Meeting with my students (one of the last before summer) at 1:00 EST, so I will have to do my listening afterwards, but that just means that I can set up outside, grab some cold drinks, and really enjoy this one.

Miller Time on a Friday? I LOVE it!

I am all for a "catch-up day," but can I suggest it be a day other than Sunday? I feel like that and Saturday are more likely to be a time where we will have a better chance to all listen more-or-less together. Also, I've always believed in the mantra, "Never Miss a Sunday Show."

Question going forward - I know that when this started, the idea was to stick to official releases. Now that it has been going on, are folks ok with suggesting non-official releases? I know this has happened a few times (like today,) and I am fine with sticking mostly to the officials, but it is nice to get out there in the wilds sometimes to see what we can bring back. Plus, with the wealth of knowledge among you fine folk, I am sure that you all can show me some killer shows that I have never heard. Just a thought.

Happy Friday, DeadLand!

Peace

EDIT: I checked out "Alabama>Promised Land", and yes, this Miller transfer sounds sweet!

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I've always loved brent, the plinks always fit AND a B3 monster (imo).

I went back to archive for 6/12. Downloaded CM copy, I have an audience. I think this is a instance where the audience is better.

https://archive.org/details/gd1980-06-12.fob.menke.motb-0108.104967.fla…

Forget that. I just went back with the link you provided for the shiftless one. Yes much better, than the first sound board. But I guess the fob.menke one was good enough for Charlie to get a patch from.

Thanks for the heads up on archive update.

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This band is HOT!

Great pick! Thanks for the suggestion!!!

Peace

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Pee break and all.

On, "When all of your children, they all start to resent you." Seems perfectly appropriate.