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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
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    OROBORUS: There's definitely…

    OROBORUS: There's definitely something to what Hunter is saying. I write lyrics for some friends' band, and they usually give me the vocal melody before I start for exactly that reason. The first album I did with them, I focused mainly on the meaning, but came up with a lot verse that didn't rhyme. The vocalist commented later that he was having a hard time remembering the lyrics to that album, so the second time I worked with them I put more thought into the rhyming schemes, and that made the lyrics more memorable for him, and I suppose for their listeners, too. Another member of the band who is not a native English speaker only wants one syllable words for the songs he's writing because he says it's easier to find the beat. I've read that Hunter didn't like the vocalists altering his lyrics, but when writing for myself a lot of editorial decisions about the lyrics occur as I'm trying to marry the page to the music. Some lines just look much better on paper than they sound when vocalized in rhythm. I've got the freedom to just say, well, I like that word, but it's never gonna work. To me a lot of songs that end up sounding awkward do so because the authors were too precious with their words, not being willing to alter the page to suit the performance. That has nothing to do with Desolation, of course. Dylan's lyrics are on another plane of existence. I don't have a specific problem with the song itself, just in the context of a show, it often feels like a prolonged drop in intensity to me. I guess I just haven't heard "the one" that will convert me. There have been songs that I just didn't get until I'd heard one performance that suddenly struck a nerve. From then on every performance became important.

    But anyway.....

    Still raven about 4/19/82.. I can totally see how that space would wig out both dogs and ravers on a ride. It's maniacal. The 9/15/88 space was just the opposite, so sweet and then evolved into a really nice I Will Take You Home, iirc. That's a really tight show all around. I'm gonna have to revisit that period, 'cause the tapes I had didn't leave as favorable an impression.

    4/19/82 Around and Around is pretty unique, too, at least to me. Beautiful Stella Blue. Man, what a first show. Trying to picture what the folks "up there" were doing when Bobby cautioned them during Broken Down Palace. Standing on the tracks, perhaps? :P

    When did they stop doing On the Road Again?

    First Earth Day in 1970, and The Airplane at the Central Park Band Shell... massive event envy.

  • Strider 808808
    Joined:
    Earth Day 1970

    I participated the first year at the NYC Central Park bandshell. The following month I saw the Jefferson Airplane for my first time, same location.

  • JimInMD
    Joined:
    4/19 & Happy Earth Day

    Happy Earth Day everyone.. hope that's something we can all agree on.

    Yea, that Space grabbed us too.. we left the arena thinking what the hell was that?

    I think I've told this tale here before so I'll keep it brief. The weirdest thing of the whole show was the setting. I went with a buddy and his older brother who was purportedly as straight as can be, but an avid dead fan and a taper. Me and my buddy were quick to depart him at the car.. got two steps inside and serendipitously bumped into a benevolent stranger underneath a dark stairwell.. and we both got two that set the stage for the rest of the night. I only knew of the GD from a couple of my older brothers studio albums. So I was expecting mellow, acoustic type playing. The last thing I listened to before we left was an 8-track of Terrapin Station so I was happy they played that.

    Well.. things turned dark during Drums/Space. My friend to my left started really wigging out. He was scared and not happy.. at a certain point I stopped looking over at him and began worry about myself. I looked over at the woman to my right who was not surviving this any better. Tears of fright. ..and that laughter, that taunting, looney laughter and the noises. It was all any of us could take. ......and eventually in those minutes that seemed like a lifetime, it all seamlessly melted into the delicious sounds of the most beautiful melody I had ever heard. A tranquil Wheel that came just as I this "my nerves were shot and I felt like I couldn't take it anymore" feeling had outlived it's useful life. I got a hug from the cutie on my right, she next hugged her boyfriend and everyone was happy again.. all was good with the world.

    So we survive the whole affair, and it really felt like survival. We miraculously met up with my friends older brother at the correct time and place (how we did this I will never know, surely divine intervention) but just before that got a very stern warning ".. act straight man.. he cannot know..." so we meet up, hop into the car and on the drive home he grabs a tape out of his Sony and fast forwards the second set tape and says we gotta hear that Space again man.. and listened to it at high volume on the first playback of his master which took most of the drive home.. so we had to survive it again, this time driving through the streets of downtown Baltimore, through the freeways on another trip through never, never land.

    I will remember that mad cap laughter and that trip for the rest of my remaining days and the feeling of fearlessness that I carried through school the next day. When things get weird.. there's a challenge and reward to put it in perspective and grind on through it with a smile on your face. Thanks for listening and commenting guys.

  • DeadVikes
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    4/19/82

    What a great show Jim. Recording is fantastic. They Love Each Other really stood out to me. Love it when when a show does that. Peggy O, Cumberland. That Feel Like a Stranger Franklins is hot. Like that finish and the Brokendown encore is solid. But, the strangest part of the show was that Raven Space. What the hell was that?? My god, my dog went nuts when that came on.

    Keep it moving forward.

  • Oroborous
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    One man gathers,...

    LOL, this is why I love this place!
    Personally I love Desolation Row, but that certainly doesn’t mean you have to lol.
    Those 89 versions are sick. Or any that Jerry’s “on”...
    Man that is a lot of lyrics...how can Bob usually do well with this one but constantly mess up Trucking, lol, and Promised Land! Bet it has to do with where the vowels/consonants fall relative to timing and playing at the same time etc. Unfortunately I can’t remember where, maybe Relix book? But read an interview recently with Hunter discussing just how difficult it is to write so the singer can sing/breathe right etc.. Rockthing,.bet that’s why your having trouble in the same spot...

    Gonna hit up 4/21/71 just cause, “buy the ticket, take the ride”. Actually almost to the final stretch of the April madness.
    Hit up both those 88 shows yesterday and enjoyed both. 88 is another under radar year that needs more love.

    4/19/82. Been a big fan since I got the tape back then, perhaps even more so the previous night.
    Wasn’t sure I’d have time but the Mrs works late tonight so maybe if it’s on YouTube....I thought I saw some of this there once?
    So one step done and another begun...hup, hup, vamonos!

    Oh, ps, hey Vguy I think Striders trying to take away your class clown/site jokester title ; )
    Keep em coming boys! Not enough smiling or laughter “in this world of trouble, we got ta....”

  • rockthing
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    JIMINMD: 4/19/82: Helluva…

    JIMINMD: 4/19/82: Helluva first show. Wow. I had an hour drive each way to my work site today, so nearly got through the whole thing in the car. I'd just made it up to the most blatant Other One tease that turned into Truckin' when I got home. So much good happening from start to finish, but that Raven Space is fantastic. Not sure how I missed this one, considering it's my wife's birthday, and a few years ago I made a point of checking to see what shows landed on her birthday. Got stuck up in Orono, I guess. :P Only wish I'd not been driving so I could've listened with more attention and taken more notes about specific hot and not spots. All I know is, I wish I could say that was /my/ first show. I think I'm gonna be listening to this for a while.

    DEADVIKES: 9/15/88: Oh, yeah, I'm amazed they remembered the lyrics as well as they did, tbh, pulling songs out of nowhere on stage that way, well before the teleprompters became practical. It happens. I get it. Usually I have a laugh over it, 'cause sometimes it's the imperfections that are most endearing. I guess Desolation just doesn't appeal to me as much the other tunes in the set, or other Bobby tunes for that matter, so that missed lyric right at the climax of the 12 minute rendition of the song sort of added insult to injury, so to speak. lol. I guess Casanova was just being punished for going to Desolation Row. ;) On my first listen it kind of stood out as one of the few points in the show that weren't pedal to the metal. Don't get me wrong. I love it when Jer brings it waaay down with one of his dramatic ballads, and I love Bobby's role in the band. I know some people who're like, "I only listen to Jerry Band 'cause I can't stand Bob," but I totally do not get that.

    Normally I like the stretched out tunes, but I also dig the hot and tight atmosphere circa '87/'88. So many different approaches over the years. That's what keeps it fun.

    Speaking of flubbed lyrics, There's a line in Promised Land, "Right away I bought me a through train ticket right across Mississippi clean" that I've heard Bobby miss on multiple recordings. The reason I bring this up is that whenever I try to sing that song, I always forget the exact same line. Has Bobby hypnotized me?!

  • DeadVikes
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    MSG 9/15/88

    Agree Strider, this is a great 88 show and so representative of the time. Short show. Love these 2 source matrix recordings.
    Rockthing, flubbed lyrics is part of the charm and deal with the Dead and so is stretching out those songs. Desolation Row, that song is stuck in my craw. Love it. Might be because it reminds me of the late 80s and being a different dumb kid.

    Going to check out 4/19/82 today. Jim's first. Oh and this is Dan Healy's master soundboard recording.

  • rockthing
    Joined:
    JIMINMD: I'd imagine anyone…

    JIMINMD: I'd imagine anyone who wasn't at the Pizza Parlour says they wish they'd seen'em sooner. :) Sorry I horned in with Maine when we were talking about (What's new in) Baltimore That sounds like a cool show. '82 is one of my weaker years, but I've been getting into several shows from that period over the past year, so I'm definitely curious. Now the queue.

    Currently diggin' on that 9/15/88 MSG gig. I was mistaken. It was another September MSG run that I'd spent time listening to. Sure never had heard this. Most of my '88 shows came from old tape trades several gens off the master, so this reminds me that maybe I should be looking to upgrade those. Steve Porter's Sennheiser ME80 pull appealed to me the most. Frequencies seemed most well-balanced. I always go for AUDs first and fall back on boards when it's slim pickins. This show, though. Man. Gimmie an E-N-E-R-G-Y! What's that spell? Great show. Grahme's first "Rock'n'Roll" is certainly noteworthy. Sugaree is rockin'! That's a song that I'm kinda used to feeling like it's draggin on a bit, but not this night. Wow. Desolation Row, otoh, kind of overstays its welcome a bit, and then Bobby flubs the climactic lyric. I love Dylan tunes, and obviously The Dead do too, but this song is rarely a highlight in a Dead show for me. All Along the Watchtower in the second set, however, really cooks. Jer could really rock some dirt in these later days, which makes the contrast with his wonderful clean playing in the early 70s a real treat, and also highlights how each era has its attractions. On the other hand, I prefer Crazy Fingers with Jerry's "silvery elf voice", but I'd never complain about getting a Crazy Fingers. Deal. This has got to be one of the band's most dependable numbers. Such a cool tune to begin with, but they always nail it. Good night for Bobby tunes, with both Cassidy and Playin'. I love how Phil seems to be the first to hint at going back to it during the jam out of Uncle John's. Pretty concise Drums/Space. The crowd clearly reacts to Brent's daughter coming on stage during I Will Take You Home. Interesting choice out of Space showing that Space wasn't all about melting face, but also creating some more gentle dream atmospheres, too. The Lovelight false ending is cool, like, in a James Brown throwing off his mantle kind of way. Bobby really strikes the right balance here delivering exuberant rather than psychotic. ;) They barely slow down at all. I'm not sure I've ever heard such a relentless show before. Nice call.

  • Strider 808808
    Joined:
    Four

    .Twenty

  • Strider 808808
    Joined:
    MSG

    I listened to MSG and started breaking out in a cold sweat with wicked headache. No wait. That’s monosodium glutamate (MSG) . The FDA says is safe. Remains controversial.
    I did indeed listen to 9/15/88. Quite a good Dead show.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Check your PM, please

LTGTR and an excellent Stranger to start off nice. A sweet little Peggy O, perhaps slow, or is it that laid back hometown California mellow? Either is good. Shootem up polka time, followed by an always welcome Loser, status quo masterpiece, my 2nd Loose Lucy after Hamilton, which seemed looser than the first, but more fun this time around as I was with real life 20 yr old Loose Lucy!. Decent Cassidy with a Dough Knees to bring her home. Another neat, together, but unremarkable set. Status quo for this year. Seemed perhaps a little less enthusiasm then yesterday, but picks up as it continues.
Nice Victim to shake things up a bit and get er going, but the TOG is perhaps a tad behind the curve for this show? 2nd set LL Rain that Bob gets things stepped up a bit and sets the tone for nice terrapin, but unfortunately there’ll be no extra credit jam/weirdness tonight on the way to drums. Awesome long weird space which segway's nicely into Mr Fantasy/Hey Jude. Watchtower kicks it up before the nice bring down to Stella Blue. Lovelight and Black Muddy to send us home, which in this case was stealth, late night, poolside surrounded by palm trees at the hotel. Man to this “southern Canadian” palm trees was a pretty big deal! So far I think I like 6/8 overall but they both where like Otis and GOGD mentioned: decent, tight, status quo 90 shows with a definetly laid back home town vibe. (Meant in a good way). Spoke with my cousin who was there about his recollections and he agreed about the whole Cali vibe thing and to us north East nuts it was pretty cool.
Ok, manana we’ll finish Cal Ex up and I’ll share a humorous take from that night after at the hotel. I believe statue of limitations is over for hotel damage? Lol. Maybe I can find a photo of our motley crew having breakfast on the haight a day or two later?

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In reply to by Strider 808808

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Pretty cool Strider you were at the 6/9/77 show. How about you Bolo?

Where you guys in the Grateful Dead Movie?
Don't tell me you were the guy in the overalls eating chicklets.

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In reply to by DeadVikes

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You Just Wait...

The chiclet guy rules.

So does 6/9/77
Hot show for sure... Just a Dream.
Set 1 is solid '77 Dead until TMNS then it starts to turn the corner into Extraordinary.
Set 2 is wow just wow.
That Slipknot! it's gonna get some extra rotation tonight.
The Terrapin Station tunes are given some really good readings.
Estimated goes way out there, sounds like they'd been playing it forever, or at least every show all tour.
And then they slide a Terrapin in after St. Stephen for an extra Dose of fun before bringing it home with Sugar Mags.
They didn't have to do that, they could've just played Sugar Mags, but they really bring it to Winterland.
Great version of US Blues and OMSN too.

Hot Damn.. nice pick.
You can hear the fun.
That was fun.
And you all were there!

OB: You summed up 6/9/90 real nice.
And I nod in agreement with what you been laying down.
Looking forward to the party story and 6/10 show tomorrow.

Birthday Show for me :)

Thank You All And Good Night!

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I was referring to the several times seeing the Dead at Winterland but no not 6/9/77. First time seeing the Dead at that venue was February 1974 the night before the Dave’s Picks release show. Then four out of the five nights from October 1974. Missed the first night as I was hitchhiking down from Eugene. I’m in the Grateful Dead movie dancing in the crowd during Playing-Reprise. Then I was at 12/29/77 and 12/30/77 that was released as one of Dicks Picks.
My first time to Winterland was May 1973 to see Hot Tuna. Muddy Waters opened. Also saw Dave Mason there in 74.
Needed to set the record straight.

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My first show there was 11/10/73, missed very few after that. I listed the ones I went to on my page here, only because one of my buddies kept track of such things.

I have no way of remembering every show at other venues - way too many and my feeble brain doesn't retain details like that. And, yes, like many of you, I was very fortunate to be roaming this planet during that magical time.

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Wow.. don't check your PMs for a day, get one from Bolo with an urgent sequence of instructions and the DJIA drops 300 points.

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This show is a winner from start to finish, it burns! It has my all-time favorite version of St. Stephen on it. I guess the story goes, that Hendrix was standing on the side of the stage but the Dead didn't let him up to play. The Dead had invited him out to practice with them and he never showed up. Pig Pen apparently didn't play, because his girlfriend was sick. This show was originally broadcast on Bay Area radio station KPFA, a fantastic listener sponsored radio station that you can get online, they play all kinds of great music. Phil Lesh used to work as an engineer at KPFA back in the early 1960s on a show called the Midnight Special , folk music show, and he brought Jerry Garcia on there to play some shows on the radio. Anyway,. 10/12/68 has always been of my favorite shows, hopefully Dave & Co. willl release it one day, put together a box set, two shows from 68, 69 and 70.

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Everybody Has to Dance or Else.

10/12/68 at the Avalon Ballroom.

Anybody got any Avalon stories out there?

This is one of my all time favorites for sure :)
Love '68
Here we go.
Have a safe trip everybody!

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Sweet pick! I think I actually prefer 68 to 69 (please, no rotten tomatoes!) 10/12/68 is a perfect start to this blazing hot day... and I agree - it's time for Dave to release a 68 show - this one is certainly a contender!

Afterwards, I think I will finish out the Cal Expo 90 run with the 6/10 show. I've really been enjoying those this week.

Hope everyone is safe, happy, and staying cool!

Peace

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St Stephen is just crackling with energy, as is the whole show!

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Great show! I don't think I've listened to this in its entirety before. This is also my first time trying the Relisten app -(how nice!) I love the separation of the drummers in this music.

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The "Jam" before Feedback is cool - starts off in "Other One" territory, then moves to something totally original, then gets very close to "Caution" - I bet they would have gone there if Pig hadn't been missing.

Feedback... and, goodnight!

Does anyone know if the "Morning Dew" that starts the set on this recording (at least the one that Bolo posted) is from this show? It doesn't seem to be on the setlist.

On to Cal Expo!

Peace

EDIT: It looks like "Dew" was the opener, but for some reason it was left off the set list.

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Today's pick was recorded over 50 years ago - half a century. In 5 decades, no other music created since then comes anywhere close to what I heard today. Normally, I'd probably add "IMHO" to the end of that last sentence. Not this time - it's an indisputable fact.

I had a non-head musician friend years ago question my over-the-top enthusiasm for the Dead, saying they were slow and sloppy, couldn't rock out, Garcia just "noodles" aimlessly, etc. In other words, the usual misinformed opinions we've all heard and read before.

I played "The Eleven" from this show for him on a really good sound system, sat back and watched his face morph from surprise to disbelief to joy and wonder. He was literally speechless for a good chunk of time before the expected "WOW" passed his lips. An instant convert! He still blames me for his "incurable disease" on a regular basis.

Gollum mentioned the drums. While one can intelligently debate the one- vs. two-drummer format from 1975 on, there is probably little dissension regarding the irreplaceable impact of Billy and Mickey abusing their instruments during the"primal" period. The whole band was a flat-out juggernaut during that time and the two drummers had a lot to do with that.

What a band. So grateful that we here all "get it."

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....been Relistening for a while. Cool app. The right side sidebar lets you pick the source. Less clunky than the archive for sure. Sacrilege? Maybe.
10.12.68? I was five months old. Bring it to my diapers!!

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I have several buddies that still refer to it as pots and pans.
They clearly don't get it.

So much unbelievable music! Still can't explain it to even family members.

But every day, I still want to listen to the treasuries we have.

More to come.

This was the year that drew me in. Back in the 70s, I had heard a few albums by the Dead, but it was only after I heard Anthem that it all clicked into place. After getting into that one, all the others started to make sense.

Incidentally, it was in October, as I understand it, that Pigpen and Bob were...strange as it may now seem...sacked. And those Mickey and the Hartbeat shows were played between October and December, without either of them in attendance. I used to think that was why Pigpen didn't play on 10/12/68. But I could clearly be wrong - both he and Bob played a lot of shows with the Dead during the same period as the Mickey and the Hartbeat shows.

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What's on tap for today gents?

FourWinds, where are you?

I might check out 5/28/77, the last night of the Spring Tour. To Terrapin Release from 2007.

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Yesterday's 10/12/68 pick definitely took me places.

Places I'd been before, and new places as well.

As said here by others, some really wonderful stuff going on throughout this magical show as the band jettisons into a new universe & explores the improvisational music cosmos.

By October '68 Dark Star has begun to grow larger wings, but it's still a baby bird that will take flight and leave the nest soon. Of note in this version is Bear's recording (I believe) and Mickey's playing of the "Scratcher". It sounds as though Mickey's walking around on stage while he plays, at least that's how it sounds with Headphones, the instrument is truly circling around your head in this recording. How bad ass is that? And this is a bootleg from over 50 years ago!

However, while Dark Star is just beginning to really gain strength in it's legs, St. Stephen is Standing Proud & Tall and has possibly reached it's greatest height, this is an almost absolutely perfect version of the song, and if you listen to some of the earlier versions from the summer of that year ('68 mystery reels come to mind, possibly from Carousel June '68), it's some amazing growth that this song has gone through in appx 4 months! The audience already loves this song as evident when you put on 9/2/68, within the first notes on that version the crowd starts getting so excited it throws the band off with surprise. St. Stephen, with it's William Tell Bridge, will continue to be this height for a little while longer, but will begin to diminish and shrink with age in the following year. I'm not sure it ever gets much higher than this version.

That brings us to The Eleven, I think Bolo says it best, this version can convert a non-believer. So imagine what it does to all of us already at the church. This is an absolute ripping version of the song and all the long months of rehearsal are truly evident when you listen to the effortlessness of which they throw this song down.

And to complete the suite they seg seamlessly into a sultry Death Don’t. Listen to Jerry sing during Death Don't, man could that guy sing a song with emotion. People would criticize that voice, but I always thought it was the most wonderful voice of all ;)

Oh... and there's a Set 2!!!

Which just absolutely shreds your face off, if it was still left, hanging there by a thread.

This is manic air guitar, give you the chills, tears in your eyes, shake your head in wonder stuff here people!! I want to hear it again, and again and again!

So like I said, it took me places, I dived deep into some '68 after this 10/12 relisten, I had to hear the next night 10/13/68 SBD (not as good, but see for yourself), 10/20/68 30 Trips release (check the difference between the Dark Star’s), and 9/2/68 (interesting recording, I need to check back on this, my mind was melted at this point and life distracted me).

What a Trip!

And like mentioned here, this was all during a time when Pigpen & Bobby were on thin ice and "fired" from the band.
Fascinating.

I believe a ’68 release or box set was mentioned, it’s hard to think that we’ll get one based on what exists (appx 37 shows / fragments) and quite a few have been released. Sadly most of Summer ’68 is a black hole, as well as the touring at the end of the year. There are definitely shows that were recorded that we don’t have, whether or not they still exist or not is a bigger question, I know Bear recorded more than we have especially in regard to the later part of the year, but for now the trail stops there and I’m afraid it is a bit cold…

That all being said, if there was a ’68 box style release I’d vote for The Quick And The Dead tour in January - Feb ’68. Always loved that stuff, it’d be repetitive and have some warts and all feel, but shit I love it.

Love to hear thoughts on what you all would see as potentially release worthy. This 10/12/68 show should be a definite consideration.. if they can make it sound even better I’ll be the first to drop down some cash to get it!

You’re still here?? Crazy kids..

After I came to earth from that I continued our little Cal Expo ’90 relisten and loved it too. I think 6/10/90 is my favorite show from the run, but you know Playing In The Band usually makes me say that. The Jack Straw is definitely worth listening too. And Phil saying he’s not gonna quit the band and it’s all a bullshit lie, with Jerry saying yeah, the rest of us are, well.. that’s priceless.

What’re we gonna listen to today?

Edit: 5/28/77 you say... looks promising and it's been awhile.

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Thanks for all the great reviews of this show. I now know I will be stuck re-listening to this show for the next couple of weeks. That's the way this thread has worked for me. I can't always keep up with the daily schedule but I've gained a whole new appreciation for some shows, namely, the 2 DP #18 shows(2/3&5/78), DP#5 (12/26/79), the Cow12/31/76. It's just been taking me a couple of weeks to grok each pick. Thanks to everyone for contributing. This thread has been one of the few highlights of this lockdown!

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I really enjoyed revisiting this release today. I remember having some mixed feelings about it when it came out, but today it sounded fresh! I've always loved that "Sugaree", and the whole 3rd disc is pure Spring of 77 butter.

Good pick!

Peace

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In reply to by Thats_Otis

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I love this show. The sound quality to my ears is one of the best 77 releases to date. Jerry just seems to really be on fire the entire show. Kills it on Bertha, Sugaree is so good. New Minglewood Blues is a top 5 for me and the Brown Eyed Women is another high energy version. The Playing in the Band into Terrapin is hot. And the finish, NFA through US Blues is stellar.

I don't think this release gets a lot of talk, but it should.

And I think it is still available on this site for under $30!

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How about leaving a random day, perhaps Sunday, as a day to revisit that show you missed but wanted to hit and talk about or any of the other show you were behind on? A day of peace and re-visitation/re-visualation.. A chance for the slackers to peek in on a show from a few days ago they squeezed in a day or three late.

Is something like that reasonable?

A day in support of the under achievers.

I remember when E72 came out.. I think in the fall, but I more or less started on 4/7 and struggled to keep up with the anniversary dates. Hearing the post from deadheadbrewer finally pulled me out of the closet. I can do a show every two to three days unless I have time carved out, without distractions, cell phones and it helps if I am able to indulge in a bit off external stimuli, especially the kind that warps space and time. Just saying...

In other words, I missed To Terrapin and am beating myself up about it. Heaven help the fool.

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7 years 11 months

In reply to by JimInMD

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Seems like a good idea Jim. The only way I am able to do this is I am still working at home.

And I don't think we can all make every show, although, I have tried. Some days I have to finish in the morning the next day.

However, the leader of this pack, Bolo, and the rest of the crew would have to give it the Thumbs Up.

And I am interested in your take on To Terrapin....

Still wonder what was going on back in 2007 to 2009 that they released some unreal stand alone shows.

Would love to see some more pop up again.

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13 years 3 months

In reply to by DeadVikes

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Ha.. my guess, they needed money.

I doubt if any of this needs to be that formal. Consensus is probably enough. A day of rest and reflection. Seems norml enough to me.

I missed 5/15/70 which was a biggie for me, and we never got around to 11/8/69 yet. I will be doing extra stimulus for both of those.. :D

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I'm the last person you should seek out for advice, permission, orders or any type of instruction.

Do you recall the recent failed overthrow of the Venezuelan government? I planned that.

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a plume of ash billowed 2.5 miles above the Mt. Saint Helens volcano in Washington.

At 9:09 p.m. a much stronger explosion sent an ash column about 10 miles skyward.

This event caused the Portland Oregon area, previously spared by wind direction, to be thinly coated with ash.

Dead Heads who were attending the Grateful Dead's concert at Portland Memorial Coliseum still question whether the band had helped cause this while playing Fire On The Mountain that night.

Should we listen and see today?

There's a new Charlie Miller Upgrade on archive..

Let's do it GOGD.

I am going to have to figure out how to use that relisten app.

I don't know Bolo, I would listen to your advice.

Jim, money money money, money money! Mama, don't take me back to rob that bank again.

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In reply to by DeadVikes

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Okay, relisten app installed on my Sonos app. Wow, that is cool. Alabama Getaway opener sounds good.

Technical question for you all. It says it is a FLAC file. Does it really play as a FLAC file or is it MP3?

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how many listen, that much. I could never keep up with the pace!! I stab at single picks with morning coffee if someone really mentions something of interest. Listening to Alabama from 80, right now. Good Bama, short only 5-ish.

But once again, main reason here, musical conversation. I will check out the "new" Charlie copy, mine is ok.

Oh, if you hate plinky keys, stay away, Brent rips ups the plinks near the end :-)

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In reply to by DeadVikes

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Nice!

Definitely check out the Phase corrected SBD posted on 6/3/20 -
https://archive.org/details/gd1980-06-12.150005.sbd.phasefix.miller.fla…

Noticeable upgrade in quality for sure.
Hadn't had a chance to listen to this fix yet and it's sounding good.
Nice work as always Charlie!

Haven't checked out relisten, but I'd guess that it's playing an Mp3 file.
However, that is completely a guess.

It's Miller Time to start a Friday.
With Shakedown Stream to follow this evening with Bruce.

Not too shabby.

Happy Friday everyone!

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Plinky Keys... Hahaha!

LOL that's funny.

If you hate Plinky Keys, you're gonna have a tough time with '79-'81 ish...

Wait, when did Plinky Keys disappear?

As far as I can tell they were always a little "Plinky" throughout Brent, super Plinky in the beginning, but even '84 and on.

I will say this, Brent sounded like Brent which I believe as a musician seems to be what they're going for.. a Unique sound.

EDIT: But yeah, this one is SUPER Plinky ;)

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Oh, hell yes!

I love 80, plinky keys and all! I suppose I understand why some fans don't like it, but I also feel like they are missing the forest for the trees. There are so many GREAT shows during the early part of Brent's tenure, especially 79-80. Oh well... I suppose they don't feel like they are missing anything.

I have a Google Class Meeting with my students (one of the last before summer) at 1:00 EST, so I will have to do my listening afterwards, but that just means that I can set up outside, grab some cold drinks, and really enjoy this one.

Miller Time on a Friday? I LOVE it!

I am all for a "catch-up day," but can I suggest it be a day other than Sunday? I feel like that and Saturday are more likely to be a time where we will have a better chance to all listen more-or-less together. Also, I've always believed in the mantra, "Never Miss a Sunday Show."

Question going forward - I know that when this started, the idea was to stick to official releases. Now that it has been going on, are folks ok with suggesting non-official releases? I know this has happened a few times (like today,) and I am fine with sticking mostly to the officials, but it is nice to get out there in the wilds sometimes to see what we can bring back. Plus, with the wealth of knowledge among you fine folk, I am sure that you all can show me some killer shows that I have never heard. Just a thought.

Happy Friday, DeadLand!

Peace

EDIT: I checked out "Alabama>Promised Land", and yes, this Miller transfer sounds sweet!

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I've always loved brent, the plinks always fit AND a B3 monster (imo).

I went back to archive for 6/12. Downloaded CM copy, I have an audience. I think this is a instance where the audience is better.

https://archive.org/details/gd1980-06-12.fob.menke.motb-0108.104967.fla…

Forget that. I just went back with the link you provided for the shiftless one. Yes much better, than the first sound board. But I guess the fob.menke one was good enough for Charlie to get a patch from.

Thanks for the heads up on archive update.

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This band is HOT!

Great pick! Thanks for the suggestion!!!

Peace

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13 years 3 months

In reply to by Vguy72

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Pee break and all.

On, "When all of your children, they all start to resent you." Seems perfectly appropriate.