• 2,627 replies
    clayv
    Default Avatar
    Joined:

    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

Comments

sort by
Recent
Reset
  • stoltzfus
    Joined:
    Random daves root

    1 23 70
    1 24 70

    The GD in Hawaii...nice

  • DeadVikes
    Joined:
    AMDEW122

    Check out Nugs.net.

    They have them in ALAC and FLAC for $24. A steal. I bought ALAC. Agree, I am not big on Mp3.

  • musicnow
    Joined:
    70's Novembers

    VGuy, you may be right. November's in the 70's are quite stellar.

  • amdew122
    Joined:
    Download series

    @Deadvikes Those are all MP3's especially through Amazon. They should update them all to 96/24 then I would be interested.

  • amdew122
    Joined:
    Linear notes

    With releasing all these wonderful Betty boards, why has she never been asked to write any linear notes? I would love reading what she recalls as being part of that infamous road crew and how she made her boards so unique. I guess this could be Dead Net's #metoo moment as I don't think a woman has EVER contributed linear notes to one of these big projects.

    One of my favorite show reviews from Dead Base was from Zea Sonnabend and her 9/26/91 review. She also does an excellent job with the Paris shows from 1990. Come on Dave let's get some new women voices on these releases.

    Another bone to pick is the price of the high resolutions version. I am very happy that this one will be 192/24, I bought both the CD and high resolution versions of the Giant's stadium boxed set as I can preserve the CD set for posterity, plus I wanted the Blu-Ray too.

    That being said is the price of the production costs of issuing the high resolution vs. the cd set. Is it really only $30 less? I am sure a bit file is much cheaper to produce than a CD boxed set. Plus you don't get the linear notes at all. I think they should start offering the linear notes to us high rez customers as well. It is only fair.

    As for the release I thoroughly enjoy this period, as it is quite unique in the Dead's history. Many different arrangements and the set lists are much funner and less predictable than the next two years plus so many cool jams. As many have stated the vocals are really special with Bob, Jerry, and Donna really hit a peak during this year, I am listening to Road Trip 6/9/76 as I type this and it is sweet. Mind you I myself would have preferred the entire Opheum run from July, the second set from 7/18/76 says it all, over these shows....but hey we get the cards we are dealt with.

    On a completely different but related note I just got the NRPS Bear's Sonic Journals boxed set, I have only listened to the first two disc but it is really quite unique and is it raw as it offers clear glimpse into a part of Jerry's work that has not ever seen the light of day in a official release, plus for only $40 bucks for 5 CDs it is a wonderful bargain.

    Happy Trails!

  • icecrmcnkd
    Joined:
    To complement this Box

    6-9 RTv4n5
    6-12% RTv4n5 filler
    6-17 DaP28
    6-18 Download Series 4 (includes filler from 21,22,28)

    Really need 6-29 at some point to round things off.

    June 76 is awesome. It may not be a supermodel to some people, but it has its own uniqueness and beauty. Blues For Allah is my favorite studio album (Anthem is a studio/live hybrid and is the best ‘studio’ album the band released). I could be biased as those are the first GD CD’s I bought in the late 80’s when CD’s cost $20 or more and really cut into my beer, cigarettes, and greenery fund. Thus, I didn’t buy a lot of CD’s back then.

    Anyway, there are a lot of good new songs in June 76, and the return of some oldies. All the shows in this Box are burned into my synapses because I got them on decent sounding cassettes in the 90’s and played them extensively (along with 6-29 and 10-9 set 2). When 9-25,28-76 DP20 came out I was underwhelmed, probably because of the expectations I had due to June and 10-9. I was quite excited though when 10-9,10-76 DP33 was announced. DaP4 9-24-76 and DaP18 7-17-76 didn’t seem to do too much for me either. Probably because June is the supermodel of 76 to me. I will revisit all of the previous releases prior to arrival of this Box.

    But, I expect this Box, in all of its Plangentized and Normanized glory, to be a Shining Star in my collection.
    I love the slow 6-14 Cosmic Charlie, can’t wait to hear that show, one of my all-time favorites.

  • hbob1995
    Joined:
    In for this box & the Eagles

    Greetings Heads! Every time I tell myself I have enough of the Dead, something likes this comes along and I cannot help myself. Pulled the trigger after just a few minutes of thinking about it. I do know for sure, if I don't get it I will regret it. I have a boot of one of the Boston shows from years ago and I always figured there was a good chance a better version would get released. Plus how can you pass up ANY Betty boards?

    I caught the Eagles last nite at MSG and all I can say is OMG! If any band harmonizes better then these guys I have not yet heard them. Vocally Vince Gill and Deacon Frey covered Glen perfectly. And you want guitars? Joe Walsh brings it in spades. Go see them if you have a chance. 3 hours of musical bliss!

    Rock on

  • Thats_Otis
    Joined:
    Oh yeah...

    After a lovely Valentine's Day dinner with the Mrs., drinks at a 15th floor cocktail bar afterwards with friends, and a safe RideShare home, I did make it a point to blast all of Dick's Picks 4 in honor of the holiday.

    Yeah, I like the sheer power and raw edge of the earlier stuff too - another sweet spot :)

    The Grateful Goddamn Dead!

    Peace

  • Roguedeadguy
    Joined:
    Take My Money

    I love June 76 . . . that relaxed, easy, loping vibe fits perfectly with the time of year. It just sounds like summer.
    Already have a nice board of 6/19 but I haven't listened to any of these others.

    Weren't we just talking about needing some new merch on the Dave's 33 thread ? Yes, I did need a new set of coasters, how did you know that dead.net?

    In conclusion, take my money.

  • Thats_Otis
    Joined:
    76 is A-Ok with me...

    Currently listening to the 6/9 Road Trips, in the middle of Crazy Fingers, and I personally LOVE the laid-back sound of 76 - I've always thought of it as the sound of GooBalls (remember those?) Up next, I think I'll go with that Download series release mentioned earlier - June of 76 is a sweet spot for this head (admittedly one of many.)

    Cheers to all of you excited about this release as well, and I hope those of you who are not so psyched get whatever you're jonesin' for soon! Chances are I'll order that one too, as it will undoubtedly be from another sweet spot!

    Peace

user picture
Default Avatar

Member for

6 years 8 months

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

user picture

Member for

17 years 5 months
Permalink

Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

user picture

Member for

17 years 5 months
Permalink

Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

user picture

Member for

17 years 5 months
Permalink

Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

user picture

Member for

17 years 5 months
Permalink

I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

user picture
Default Avatar

Member for

9 years
Permalink

My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

user picture
Default Avatar

Member for

11 years 4 months

In reply to by simonrob

Permalink

Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

user picture

Member for

17 years 5 months
Permalink

Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

user picture

Member for

14 years 9 months
Permalink

My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

user picture

Member for

12 years 2 months

In reply to by jpkamari

Permalink

My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

user picture
Default Avatar

Member for

9 years

In reply to by Deadheadbrewer

Permalink

Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

user picture

Member for

14 years 9 months
Permalink

Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

user picture

Member for

8 years 6 months
Permalink

*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

user picture

Member for

14 years
Permalink

I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

user picture

Member for

9 years 1 month
Permalink

Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

user picture

Member for

4 years 9 months
Permalink

The packaging and booklet are very well done, The CD cases have cool artwork on them.

user picture

Member for

11 years 3 months

In reply to by MadDoc

Permalink

I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

user picture
Default Avatar

Member for

13 years 11 months
Permalink

Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

user picture
Default Avatar

Member for

4 years
Permalink

i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

user picture

Member for

17 years 5 months
Permalink

send me a PM with your order details and I'll see what the Doc can do about this.
user picture
Default Avatar

Member for

4 years 1 month
Permalink

Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

user picture
Default Avatar

Member for

8 years 1 month
Permalink

I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

product sku
081227908911
Product Magento URL
https://store.dead.net/special-edition-shops/june-1976/june-1976-15cd-boxed-set-1.html