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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • simonrob
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    Europe '72 Dark Stars...

    5/11/1972 Rotterdam is one of my all time favourites.
    5/7/1972 Bickershaw was the one I was fortunate enough to to witness.

  • Sixtus_
    Joined:
    Ok, All This Talk

    ...about Europe '72 Dark Stars. It's time to share this one again. I amassed detailed listens to all of them a few years back as I awaited Boxzilla:

    4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse.

    4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse.

    4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse.

    4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse.

    4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse.

    5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72.

    5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse.

    5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse.

    5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse.

    5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse.

    5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse.

    Final Verdict(s): It is a very close tie between 4/14 and the second half from 5/4. I put these on the pedestal due to the crazy, intense jams surrounding the Feelin Groovy sequences. They are just interstellar. Part of me also wanted to simply catalog which Dark Stars included a Feelin Groovy jam from the '72 trunk, so I feel my work is done and I can rest easy. I'd be delighted to hear if any others had similar, or more excitingly, differing thoughts.

    Sixtus

  • farhansaqib444
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    Update about Corona April 2020

    Nice overview about corona and I've found number about corona april 2020

    http://www.careermalls.com/corona-live-update-april-2020-death-rate-liv…

  • Dennis
    Joined:
    Stoltz & Coworkers

    To the coworker for whom without the rest of us would have no one to blame.

    5-Branch - nice summing up on last paragraph about Dark Star, Denmark.

  • stoltzfus
    Joined:
    some coworkers...

    get on my FUCKING NERVES.

    just had to say that.

  • stoltzfus
    Joined:
    Rubber Bowl

    or Bowl of Rubbers

    just so easy

  • stoltzfus
    Joined:
    Dark Star

    the apex of GD

  • Angry Jack Straw
    Joined:
    4/14 Dark Star

    In my journey through the entire E72 tour, that has been the one song that has moved up considerably on my "favorites" list. I somehow forgot how good it was. I've taken to listening again on the off nights.

    One thing I find cool about this tour is the actual theaters in which the band played. I've spent a good deal of time this go-around reading more about the venues and looking at photos. Truly amazing places. That must have made the experience all the more special for those in attendance. They sure are nicer than the Rubber Bowl in Akron.

    The other thing I find interesting is the location of the shows. Aside from Denmark and Munich, all the shows are heavily concentrated in the Northeast corner of Europe. It seems as though they could have spread out a bit more.
    Hell, if you are going to play Munich and have five days off before your next show, you might as well play Salzburg.

  • Charlie3
    Joined:
    Interludes of Chaos

    For me, the chaotic interludes in Dark Stars just serve to make the return of the melody that much sweeter a release after the tension of the chaos. Sort of like that transition from slipping around in your own skin peaking to that sweet feeling afterglow for the last few hours, when it feels like your skin fits again and you recognize that person in the mirror.

  • Deadheadbrewer
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    10/16: LIG, Deal, and that second set!!

    :-O

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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In reply to by Oroborous

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Not sure if the negative rebuttals regarding the Boss are directed at me? But I feel I need to reply.
First, I said more positive things about him than negative. I emphatically stated he’s a great songwriter, entertainer/performer, storyteller, and that my understanding was that Born in the USA was a anti jingo song.
I also, like others, mentioned that his awesome talent is not so much as a musician, (meaning comparatively to say JG), but with these above mentioned awesome skills.
What I did say was that I’m just not a big fan, especially of the band, and more specifically I’ve never liked their sound. Jerry once said he couldn’t get into the Doors because they sounded too brittle to HIM....does that mean he’s just using a pejorative generalization? NO, it just means he didn’t like the way they sounded so couldn’t really get past that!
Same here folks! In fact if anyone is making generalizations it was not me. Some Rubes said some unsubstantiated down and dirty things about Bruce, but I actually tried to explain WHY I don’t like their sound, and thus have never been able to move past that, and therefore,.....here’s the funny part, the point I was ironically, really trying to express was how much his on Broadway solo performance on Netflix blew me away and changed my perspective!
So to assume I’ve never listened (I’ve listened to Bruce for over forty years wether I wanted to or not on the radio or elsewhere, including living with the misses for 23 years as she’s a huge fan!), so to make such an assumption : that I’ve not listened and thus don’t know what I’m talking about, just because I have a difference of opinion, is actually doing exactly what your accusing me of!
Also, I don’t think I was shitting on anything, and if I was, I apologize. I admit I could of been a tad less harsh, but if you know me that was some-what exaggerated for humorous affect, and yes, to hopefully elicit more discourse?
So I’m totally bummed that my personal colorful critique of a 80s pop band caused such a reaction. And yes, I understand most of his best work was before then, and he continued to do so well after the 80s, but to me, sorry, when somebody mentions Bruce, that’s my first thought, that Born in the USA thin pop sound, with no improvisation or any of the things I find important in music. And so yes, as people often do so as to hopefully make a point without having to ramble on like this and micro explain, I used a general phrase, wedding band, to make a point, but I can certainly continue to pontificate why I don’t like their sound etc if you like, but hopefully I’ve made my point. Simply, my personal opinion of WHY I don’t like them, so what?
Because as most here know, opinions are like A-holes, everyone’s got one, but some of ours work too much...
Again, I apologize for the way I expressed my opinion, but not that I expressed one. I mean come on, that’s a lot of what we do here, we express our thoughts, and hope we get positive feedback, or respectful discourse, which to me can be just as fun, bantering differing ideas about, than everybody always agreeing about everything....
So Mr Ones et el, I totally agree with everything you said up until you personally insulted me!
Buts it’s ok, it’s all good, I can take criticism. I’ve been taking it my whole life. It’s part of being a fuck up LOL
So peace be with you as LMG would say, and again, please except my apologies if I’ve offended anyone!

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WORKINGMAN'S DEAD (50TH ANNIVERSARY DELUXE EDITION)

...*** FOR THE COMMITTED
AND THE CURIOUS
Gather round every Thursday as we tell the tales of Grateful Dead days of yore! The Good Ol' Grateful Deadcast, the first official podcast of the Grateful Dead, is devoted to exploring the music and mythology behind one of the most enduring, progressive, and influential bands in the history of recorded music. Here, we invite you to delve into the band’s enormous mythology in digestible chunks. Think you know it all? We'll probe corners of the band’s history you never knew existed. No topic will be off limits.
Hosts Rich Mahan and Jesse Jarnow will take the lead, picking up special guests from the Dead universe along the way. Upcoming episodes will feature interviews with Dennis McNally, David Lemieux, David Nelson, Bill “Grateful Red” Walton and Trixie Garcia, amongst many others.
To celebrate the 50th anniversary of WORKINGMAN'S DEAD, we're kicking things off with an eight-episode arch that examines each song on the album individually.
May the long strange trip continue across the pod! 🙏❤️💀🌹

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I honestly don’t think anyone was out of line expressing their opinions. No need whatsoever for anyone to apologize.

For what it’s worth, I was never a fan. To steal a line I heard years ago; Springsteen is like my sex life. Lots of effort, but not much talent.

It’s the Fourth of July , so everyone should just relax and have a beer. No such luck for me. I agreed to join my underage daughter in a three month sabbatical from drinking and dessert. Poor timing for me, especially considering that our air-conditioning went out today.

Thanks for the Festival Express link. What a neat movie. My favorite part was when the camera panned the crowd and there was Garcia right up front watching another band perform. The other cool thing about the movie is the intensity on the band members’ faces. They were really into what they were doing.

Glug, glug.

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As AJS stated, there’s no need for an apology. It is literally impossible to hurt my feelings, especially in writing. I love disagreement, and I’m not afraid of opinions opposite of my own.
I’ve re-read my post more than once, and I cannot see a “personal insult” to you or anyone else. One of the many points I was trying to convey was that there’s nothing wrong with disliking ANY artist, as was stated earlier, music and love of It is ENTIRELY subjective. I just don’t think we need to use adjectives that are detrimental. I can disagree with you about an artist, but that doesn’t make either one of us right or wrong. As Dan Fogelberg once said, “if even one person likes an artist, that legitimizes that artist“. I really did not want to stir the pot.
So please, don’t apologize to me. Unless you steal something from me, it’s not necessary.
And besides Oro, I enjoy 98% of your posts. Keep ‘em coming. Arguments are ok, respectful arguments are better. And besides, you don’t want to make me list another 30 or 100 artists I like!!

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"Did the Grateful Dead inadvertently kill Jerry? That's a good question and one that has been asked many times and discussed alot over the last 25 years. Wow, 25 years since Jerrbear left us. In my opinion, Jerry loved to party and play and be in the moment, the Grateful Dead fed that jones right up to the end. He loved us all so much, he played until he couldn't play anymore, and still kept trying. Did the Dead help in his demise? perhaps, but it was also all of it, the life, the drugs, the parties, the pressure....it's hard to say except that I still miss him dearly. Love you Jer
I sometimes wonder to myself what the world would be like if Jerry was still alive, I believe he had a calming effect on the universe and when he left us, a lot of that kind, calm went with him.

Thanks Daverock for the CD's, Tangerine Dream weekend coming up.

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That energy that Jerry manifested at his highest resonance is still beaming down, and there are plenty of others who are attuned to it. The Dalai Lama, maybe. Try and get on that higher plane. Garcia was an exceptionally strong receiver, with a background full of intense psychedelic experiences. He was completely open. That can be a difficult existence and it's probably why he dove so headlong into narcotics.

The band talked about getting off the road more so Jerry could heal. But really, that book was already written and it was always going to end the way it did. The important thing is we still have the music. I'm comfortable saying Jerry Garcia gave his life to, and for, the music.

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You folks are probably aware of this. Honoring the fifth anniversary, Fans is webcasting all three Chicago Fare Thee Well performances this Sunday morning starting at 9 am ET.

https://fans.com/livestream/20200705-fare-thee-well/?utm_source=2020070…

Not sure if it's still happening, but dead.net put some of the FTW media on sale 40% off. I waited five years eying the box set and pounced!

Stay well , all and happy fourth celebration of our democracy.

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The 2nd set 'the other one' has a perfectly placed scream at 2:10. Is this donna or a fan. It's pretty awesome. It must be donna.

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Maybe one of my relatives...I can’t be held responsible.

Today...been hittin up that St Paul show from 7/3/78

Oro...have you checked your PM?

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Well, my list is now down to the top 5. In no particular order, Dire Wolf, Uncle John's Band, Cumberland Blues, Easy Wind and Ripple Next week we will annouce the final top two. Stay tuned, as the anticipation mounts.

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Happy 4th to the great Dead fan base here from your friends North of the 49th. Whatever the other 193 nations fling your way, we know there is no better and loyal compadre than the USA. FIrst to lend a hand up, not a push down, so wave that flag, so much to be proud of! Like the Dead, maybe the odd wrong note or off show, but overall, in a class by itself! Cheers!

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Holding to my defiant tradition of not playing shows on their anniversary dates, today's random pic was 5/18/72. Just exactly perfect on this sunny Southern California afternoon.

Stay safe, gang.

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14 years 10 months

In reply to by stoltzfus

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a merman I should turn to be

Excellent track

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13 years
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This is the presale week, correct?
Who has some info? ….hoping for 7/13/84 PLEAS

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In reply to by RV3

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....was browsing Netflix yesterday when i saw that they have Airplane!. It had been a while since i've seen it so i fired it up. Wife walks in and asks, "What's this your watching?" "Airplane!', i said. "What?" was her response. Blown away. My wife had never seen Airplane!. Well, i was up to the task and took care of that scary situation. My wife's sense of humor is odd to say the least, and i think many of the jokes went over her head, but she enjoyed it.
"Looks like i picked wrong week to stop sniffing glue."

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My dads first name.

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Charlie Daniels opened for the Grateful Dead on 4/22/79, at Spartan Stadium. He also played on Bob Dylan's Nashville Skyline album.

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How much do you want to bet Dave messes with our expectations and chooses 7/14 or 7/15? :-) LOL

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Last year Dave’s #31 was announced on the 2nd Tuesday of July...7/16/19. So could we see the rollout for DaP 35 a week from tomorrow? Tomorrow never knows, as the song goes

Hoping to get mine too.. I've listened to the 2/21/71 Capitol show a couple times, but not in it's Full-Norman, Plangentized glory.

A quick sidebar, did a family camping trip at an isolated place in the mountains near home and felt a little pleasure using my WMD's hatchet cutting hickory just to fire the still (and feed the campfire). I needed one anyway, why not a high-end Swedish made mini-axe. A little pricey but not much (if any) more expensive than buying one of their standard, non WMD versions.. They seem to be quite well made. Yes, I know.. a little tacky my brother noticed and it cracked him up, to me it was worth it just for that. Something else to be made fun of during the holidays.

We should celebrate Working Mans Dead, a great album and the beginning of one of the greatest periods of Grateful Dead music. Consider me one of those that considers Dicks Picks 8 one of the greatest releases and among the best shows ever performed. 1970 was a peak year and I personally love the songwriting from that period. Classic Americana Grateful Dead.

Rant over, back to your regularly scheduled Day Job encore.

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…

https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

...I mentioned this when the ‘Giants’ Boxset was
first released. This is PRIMO! I Love it my brothers and sisters, PRIMO! ;) keep on truck’n & remember to Smile Smile Smile everyone because you love the Grateful Dead & the Grateful Dead Loves You!!! 🙏❤️💀🌹

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Like a lot of you i've been filling in some gaps in my library by picking up the re-released road trips from Real Gone Music. Oakland 1979 just landed so im taking it for a spin now. This one sounds great and is a nice companion to the recent Dave's from Uptown in Chicago a few weeks before. I have to say that the Road Trips sound quality is much better than the Uptown show and there seems to be more energy to this performance than Uptown.

Set 1 starts off with a 16 minute Sugaree. Set 1 is only 7 songs but there's some good playing. Second set starts off with a nice Alabama -> Greatest Story and im listening to a nice Terrapin -> Playing right now. Im glad i picked this one up.

Right on man.. it sounds great, it's one of the few Betty Boards from '79. That and Dicks Picks Picks 5, 12/26/79 are must haves and make great companions. When DiP 5 came out, on my first listen.. I was totally floored. 12/28 to my ears is not quite as good, but at a certain point we are splitting hairs. If it speaks to you, it's good.

Glad you got it or how does the saying go, so glad you made it....

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In reply to by billy the kid

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Charlie Daniels was a chauvinist and racist. I know I won't miss him. Good riddance!! He was nothing like Jerry.

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Picked up a used Dick's Pick No 8 today for $20 at my fave used bookshop in town today...also filled some gaps in my classical collection...I'm a cello buff so I got some goodies for $5 a pop....didn't have to spend any $$$ either... a friend who had lived here in the park for nearly 37 years moved to Prescott and left us a ton of books...we went through them, kept a bunch and took the rest to the bookstore where I got a couple of hundred bucks in trade credit...whee!!!!...and it's a celebration day as my Oncologist gave me the good to go (ten years cancer free now) so I think I'll order Dickus Pickus 33...now that was a great weekend even if we did nearly die on the way home going down Highway 99 ...ahhh youth and stupidity go hand in hand....

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In reply to by nappyrags

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Great News. And the DiP 8 score is great too.. perhaps the best of the best???

Billy & Jim...this one was a little nerve wracking to say the least...three weeks ago I got my annual C-Scan and was told there was something showing in one of the areas (aortic lymph nodes) that had been a problem in my original diagnosis...so I've been kinda going around the house hoping and hoping...today I had a pet scan done which showed no sign of any cancer...it was weird watching the scan on screen seeing my insides lit up like that....whew!!!

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In reply to by nappyrags

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forgive me if this has been mentioned already but there's a new Bear's Sonic Journal!!!! Commander Cody & His Lost Planet Airmen – Bear’s Sonic Journals: Found in the Ozone Live at The Family Dog...love me some Airmen

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10 years 5 months
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Rock on brother! SO FINE to hear! You made my day and I'll be grinning for a while!

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Thanks for the info on Comander Cody, I'll go pick one of those up right now. Bear always puts out an excellent product.

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