• 2,627 replies
    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • icecrmcnkd
    Joined:
    Record Store Day postponed

    Rescheduled to June 20

  • sjbennett85
    Joined:
    Passaic Listening Party for pre-orders

    Anybody notice the strange mixdown of Playing in the Band on the listening party download?

    Weird vocal/instrument levels throughout the entire song, incomparable to the other tracks that dropped with it.

    Is this an issue with how that song was captured?

  • LedDed
    Joined:
    Great American Puke Fest

    Who doesn't love a good hurling story? I've got a few, but please people - one at a time.

    We were driving back to Boulder from the Great American Beer Fest some time in the early to mid 1990's. I was sandwiched in the backseat of a two door, red Chevy Beretta. Against all better judgement a bowl was passed around, and yours truly inhaled.

    Now, I didn't have the tolerance I have now, and when the spins and cold sweats came on, being in that middle seat with no back window, a hard choice had to be made.

    I leaned slightly forward, and threw up all down myself inside my winter parka. I was so stealth about this, neither wastoid on either side of me even noticed! I zipped up my jacket, relieved but disgusted, and it must've been another ten minutes before someone up front asked, "hey, did somebody puke?"

    I got dropped off at my apartment, went inside and straight into the shower. Hosed off the jacket and threw the clothes into the washer, ate some greasy food and sobered up with no one the wiser. To this day, none of those guys know I ralphed into my jacket.

    Sometimes, you have to take one for the team.

  • icecrmcnkd
    Joined:
    A too much to fast story

    The Who 7/89 Pontiac Silverdome, floor row 32.

    Everyone on the floor is standing on the flimsy plastic chairs. We’re a few songs into the first set and the 3 guys in the row in front of me break out a glass pipe and start smoking crack. The guy right in front of me takes a huge hit (I think Jim recently referred to those as a ‘hero hit’), holds it in, then exhales, and passes out while still standing on the chair, and tumbles to the floor unconscious. Security saw him fall, came over, could see that he wasn’t in good shape, grabbed him and took him away.
    He never returned and missed an awesome show.

  • Oroborous
    Joined:
    Sixtus

    Too funny! But hey, even as a rookie you followed The Scranton boys rule of hurling; “no shootin’ without a cooler” which translates to it’s ok if you have to as long as it’s out the window, or in a garbage or whatever, as long as it’s not all over: the car, fellow travelers, or yourself! Lol Old Lumpy from Scranton NY would be proud of ya!
    FYI, that was a pretty good show! I was with that 20 year old I’ve mentioned, and we ran into our old pal Lee Estee, possibly the last time we hung with him.

  • Sixtus_
    Joined:
    Re: Oro & Hurling

    ...that was a great throwback oration of an extremely visual nature - too funny. Your steadfastness at that rail is A Thing of Legend.

    In the vein of oversharing biological output shenanigans - I have my own vomit story....just not nearly as epic. My first dead show, July 16 1990 - we road tripped with a caravan of 8 cars from Cazenovia NY to Buffalo. I was pretty much still a kid freshly turned 18, we all piled into the open slots in the rides with tons of beer, and off we went (we didn't have access to weed yet, sadly). So it's a good several hour trek across NY State, and of course we're boozing the whole way, eating snacks, I specifically recall eating a bunch of brownies (just regular old brownies, nothing special). Well, we get about an hour from Buffalo and I am feeling I need to blow chunks. I happen to be in the 3rd row/seat of a minivan, not riding bitch but near a window...yet we all recall, the windows in mini vans in the way way back don't really open; they only pop open a few inches (or at least back then they did). I really had no choice - so when the hurling hit, I leaned over to that teeny tiny crack and blew chunks out the back sliver of a window, going at like 70 miles an hour down the NY Thruway. Needless to say, when we got out in the lot and I went and looked, there was an immense triangle of brownie vomit caked on the side of the minivan from that window crack all the way to the back of the van, covering most of the back quarter panel. Incidentally, I did feel better after that, and I recall it even rained at one point so most of it got washed off before we parted the lot. In the end I had a great time at the show - and was probably better off getting that outta me as opposed to....errr, the outcome of our friend Oroborous!

    Ahhh, first show memories. With vomit.

    Sixtus

  • stoltzfus
    Joined:
    to the poster who recommended Miles Davis On the Corner

    thank you thank you thank you

    I had the good fortune of seeing MD twice, once at the Hollywood Bowl as a teen in the early 80s, and in Seattle at Bumbershoot (an arts and music festival) in...sometime.

    When an "anything-but-Grateful-Dead" event happens...listen to this!

  • deadegad
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    Joined:
    Funny story! And early shipping.

    I love a good vomit story. A friend got so drunk prior to a Stones show that he vomited and passed out thus missing the entire show!

    Yes, if feasible, ship 'em out early!

  • Oroborous
    Joined:
    3/13/81...a tale in the spirit of HF

    Wow, hard to believe 39 years ago this evening....
    Funny story about this one. First because I took the greyhound as I didn’t have a car yet and was just starting to break out of only going to somewhat local shows. Short of hitching, that was the only way I was going to get there.
    In those days, shows were often GA and being young and fanatical as we were, that meant we usually tried to get up front on the rail. We aspired to be that front row dude in the dead movie, lol.
    Utica was no different, but man what a shitty New York “spring” day; cold, damp, and wet...so being young and naive, I had the bright idea that I’d bring a bottle for folks in line to help pass the hours waiting until doors, and brace the chill etc...So after being talked into going for a big dinner, which cost me much of my little cash reserve, I snagged a big bottle of Seagrams 7 and Seven up, which was the nectar of choice with the hard rock band and crew I worked for...
    I say naive because most heads weren’t that into drinking like that, at least not before a show. So there I am with this huge bottle and pretty much no one to share it with. Now in those days I could do some serious damage with 7/7 because I had a pretty good tolerance etc. But that big ol bottle was probably too much, or at least it would be later..
    So they finally let us in and everyone starts the mad dash for the stage, and of course as I’m jumping over the boards to get on the floor Baracho falls over the edge lol. But being young and numb I bounce right back up and make it up front right in front of Jerry’s gear.
    So all might of been good except Dave Homal starts firing up joint after joint, which if anyone remembers what Fabulous Furry Freak Brother Fat Freddie would say “getting drunk, then getting stoned is like pissing in the wind”.
    So eventually the aud starts spinning and things are going south, but being the young, dumb, fanatic there was no way I was giving up that spot (idiot! I’m sure I could of gone off to the Lou and they would of saved my spot)
    So no surprise I barf over the rail into that little space that there usually was between the stage and the wall, (so much for that expensive dinner!) then proceed to basically pass out sleeping slumped over the wall. Now the security was not pleased, and the young dudes next to me weren’t pleased, and I believe people were making noise about removing me which I was not going to do. Ironically, these guys got too high on acid and eventually one of them ended up having to get handed over the wall to security and removed, while I stuck it out.
    I don’t remember much, but I do remember waking up because I could tell the lights went down, and of course there is nothing like that DH roar! So a minute or so later as I start to rejoin the living, just as I’m opening my eyes, Jerry comes around the corner and we make eye contact. He didn’t look much better than I did and I swear we had a moment there. I remember he had a blue or black long sleeve work shirt on and it looked like he’d burned a hole in the pocket. After, Fortunately I ran into Milton Wilkelberry Steamer from back home and he was going to stay with some folks he knew, so I was able to tag along and immediately crashed out. There was no way I was making it back home on the bus that night! Ah the tales of misguided youth!
    Anyway, I used to think it was a so so show, but never heard it until a couple years ago when I discovered it was actually decent. In fact I think Dave has played it on Sirius or This day in GD history?
    So, maybe not on par with Hendrixfreak stories, but I still get a chuckle!

  • JimInMD
    Joined:
    Agree

    As strange as this sounds, I was pleased the two shows on my calendar next week (wolf bros and Melvin's JGB) were postponed. It looks like Phil isn't turning 80 just yet either.. The spring that never was??

    Kids are home from school... life is beginning to stop. Stay safe my friends.. play dead.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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17 years 5 months
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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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12 years 2 months

In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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9 years

In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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11 years 3 months

In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 11 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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