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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • Oroborous
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    What ever the reason...

    if it turns out to be a mass defect and not just a few unfortunate individual cases, then it’s BS and they should at least investigate if not replace the discs like Jim said. What do they do now when you have a bad disc? ala PNW etc... I believe folks said they would just send discs?
    Fortunately I’ve never had a big problem (perhaps 2 or 3 skips out of hundreds of discs) but I have had some discs that were hard to rip. I have excellent Exact Audio copy ripping SW and never have problems with other manufacturers discs. The 30 Trips music only addition took forever to rip some discs (not because of scratches or other physical anomaly’s). If not for the EAC I probably wouldn’t have been able to rip some at all! Interestingly, these problems have only been with more current rhino releases, NEVER any of my pre rhino Dead releases...
    Back in 86, like Vguy, Sargent Peppers was the second CD I ever bought and though often the master tape used, the digital conversion and mastering on many early discs is lackluster, but at least every single disc from way back then still plays fine. So why then are these relative new discs bad, and why even today, does rhino have so many problems and defects?
    Yes Charlie you have a valid point IF the problems were rare, and if the sample sizes were small, but that hasn’t seemed to be the case. It just doesn’t seem like such widespread, repeating issues anywhere else? Maybe the fault rates aren’t that unusual and it’s just because we’re all so vigilant and vocal here, thus we think it’s a bigger problem then normal?
    All I know is these rhino releases are pretty much the only discs I’ve had problems with since 1986 when I bought my first CD player...truly hope this is just another small sample and not a systemic problem or things are going to get weird around here....

  • billy the kid
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    Charlie3

    All my cds were acquired by subscription through deadnet. They were all stored in the same box and it seems like it is only the first 4 Dave s Picks that are a problem. I played Dave s Picks 5 and it is fine, thank goodness, Dave s 5 was stored right next to the first 4.

  • icecrmcnkd
    Joined:
    Disappearing ink

    That’s what Rhino used to ‘write’ these CD’s.

    It should come as no surprise that some of the CD’s are bad. Pretty much every release has defective discs that have to be replaced. Some were probably slightly defective but got worse with handling/storage conditions.

    But don’t panic too much yet. Take a CD that now appears defective and make a copy to a HD, then listen to the files. They might be OK.
    I have had it both ways with Rhino CD’s, for example, last year I bought RT Fall 77 when someone pointed out that it was being sold with the bonus disc. All the CD’s played fine on my Onkyo CD player, but were defective when I made copies on my HD. But, each copy on the HD was defective in different places. I used 2 computers and 2 different CD burners to make a total of 7 copies on a HD. I was then able to piece together a complete RT (actually broke up the tracks by date) using the 7 copies, which had defects in different places.

    6-17-76 CD3, notorious for Rhino having to redo the CD twice. My CD3 that had skips and static when played on my Onkyo CD player ripped flawlessly to a HD on the first try.

    Skull Fuck - Golden Road Box, plays fine on my Onkyo but I could never get a good copy on a HD, it always had skips and static.

    I’ll check my DaP’s this weekend to see if they have degraded (I’m back at work this week which is good, but now I don’t get to listen to as much GOGD during the day as I did over the last 2 months).

  • wilfredtjones
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    DaP 2012 storage

    I have a grand piano and guitars. My home is kept between 45-55% humidity all year and the temp. is kept constant between 64 and 72 degrees.

    I purchased all of the discs through Dead.net and am the original owner of all the discs. My DaP discs are kept in their original cases and the amount of play over the life of each disc is less than 30-40 hours on each disc.

  • Charlie3
    Joined:
    Jim

    Yeah, absolutely a mess and a bummer. Given that not all of these 2012 DaP discs seem to have failed, I'm just curious about the storage and handling conditions for the discs that have failed and if they were acquired directly through deadnet or had passed through a few hands on the secondary market. It could very well turn out that deadnet or Rhino made some questionable choices but I haven't seen anything to indicate that at this point, so I'm just reserving judgment on blame. Definitely the stuff of nightmares for an OCD CD collector.

  • JimInMD
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    I Hear That

    I hear that Charlie.. not saying this was a purposeful act, in fact I suspect Rhino might not have even pulled the trigger. I haven't had the time to check my discs yet.. but if all this is true, it is a bit of a mess.

    I look at it more like that bad batch of PVC piping that had to be replaced in everyone's homes or the decade or so the sheetrock from China was subpar.

  • wilfredtjones
    Joined:
    DaP 2 Update

    Not playing at all :-(

    My next step after getting through 3 and 4 will be to move on to other players. I should stop reporting now unless others begin to report issues. I have everything digitized but I would love replacement discs! I would not need any packaging! How many think that could really happen?

    Worse things in the world, but...

    Moving on to 3.

  • Charlie3
    Joined:
    Wow...

    ...I think of myself as pretty cynical but I'm not seeing the reported disc degradation as evidence of some deadnet/Rhino plot to scam us out of our money for an inferior product. Is it possible some of these discs were stored in poor conditions? Is it possible that even a reliable manufacturer has unforeseen problems leading to failure of the product 8 years later? Is it possible deadnet/Rhino did not just find the cheapest fly-by-night outfit they could find to manufacture these discs? Do they deserve any benefit of the doubt? If I'm ever on trial accused of a crime, I hope you guys aren't on the jury.

  • unkle sam
    Joined:
    bad discs

    This is hard to swallow, what can be done about this? I have every one of these Dave's discs and have never opened them, now what, will they play? will they rot? will the sun shine on my back door someday? I have purchased every box set since the europe 72 box and I think I will put them all up on ebay now. what to do about these Dave's? I think I too have bought my last Dave's subscription, what a shame I do love the Grateful Dead so. Funny, I have disc's I purchased in the early 90's that still look and play great, why have these gone bad in just 8 years? Sounds like an investigation is warranted, can we all get a refund for these discs? can anyone who works here or at rhino check on that for us please. Hey Dave, will you address this, they have your name on them, if I was in this position, I would demand an investigation as to why the greatest music ever made has been put on inferior media. Wow, this is real bad for Rhino and Dead net.
    I was right all along, Rhino is a lousy music company. I am done with Rhino. Greed rules again. I guess the only way to keep getting new Dead music is to get a copy from a friend, rip it right away and give it back, that way you get the great music we all love and don't get ripped off in the process. It just doesn't make since, spend all that time to remaster all these releases and then put them on subpar media, who's stupid idea was that? some suit who works at rhino and can only see $ signs? I guess we can all just buy vinyl, or has Rhino put all of that music on faulty media too? Who knows, we might never know but one thing is for sure, Rhino and Dead net just lost a buttload of trust and probably more than one customer. First Trump, then Corona, now Grateful Dead music on shitty discs, the world is truly coming to an end. Oh wait that caveat emptor thing might cover their asses on Dicks picks, is that same caveat emptor on Dave's as well? Don't recall seeing that on any of those.

  • JimInMD
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    Not Saying They Will

    ..but They could replace just the discs and not the packaging without breaking the bank.

    They could even finance it with a special ala cart release like Nightfall of Diamonds. Think of the goodwill that would produce, and in the end it's the right thing to do.

    Three comments:
    - They could replace just the discs.
    - How much was saved by switching to whatever production decision was made to get lesser quality blanks.
    - I suspect this was outsourced and the decision to go cheap was made by whoever they outsourced it to.

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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Morning rockers!!!!

Ah yes, 9/20/70, one of the all-time classic Dead shows. Ever since I've been here there's been calls for its release.

The acoustic set, one of THE best ever, would have made a most excellent companion to the WD 50th re-issue. Alas, it was not to be.

The electric set! Delightfully off kilter, scorching, intense, and sonically deeply flawed. As somebody who has listened to a boatload of versions of this, I think I can say that maybe, just maybe with current technology Mr Norman and others can get this straightened out, but it will be a challenge................

Commander Cody 1970, sir you are so fine!!

Rock on rockers!!!

Doc

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I was just busting your ass in response to the renewed nonsense on the board. You are one of our most esteemed contributors and I hold you in the highest regard.

The later year versions of Jack Straw have energy and appeal to me more. I would say the same for LLR and Bird Song. I realize that a lot of folks don’t enjoy LLR, but the band banged out a higher energy version at my first show, so it has always stuck with me. Plus Fay has been pounding the Northeast, so it seems timely.

I would be in favor of a 9/19/70 release. Very cool Darkness>China Cat jam in the middle of Not Fade Away.

Also, nice to see Doc reemerging. Another elite poster.

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I'll admit that the Jack Straw from 7-2-1988 is what hooked me for life. Before that I was a Grateful Dead fan, but the Oxford Plains Speedway Jack Straw blew me away. 32 years later and I can still feel the Phil Bombs shaking the ground. Good times.

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One of the few GD88 shows I hold in high esteem

The one that should have been on ttats, not 7 3

Not that theres anything wrong with that...

I imagine the JS in person was reeeeeally memorable

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The Iko-Iko opener was fun but that Jack Straw was incredible. A lot of details of that day are fuzzy for some reason, but the JS was unforgettable for me. I do hope this show gets released some day.

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8/13/87. It's a doozy.

Favorite version I caught in person...7/18/89. Someday it'll get released. Same with 7/2/88. Wasn't there but thats a monster.

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In reply to by SPACEBROTHER

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Caught that one. Whoo Hoo.

The ill-behaved freak in front of me would not sit down during Jack Straw so I barely got to see the band for the first few songs. Pretty sure it was HedrixFreak.. pretty sure he absconded with my woman that night too.. but 33 years later, all is forgiven.

I've posted about this before. J Straw from The Go To Nassau release is fantastic. Jerry shreds it like a speed metal player! The band hits all the marks at just the right moments and never misses a cue. It is just exactly perfect.

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Just reading the relix email that comes in everyday and it had an announcement about DaP 35, says something to the effect, includes a rare first time release 'day job', only play 57 times between such and such.

The way my buddy whined you'd have thought they played it 57 times in one show! :-)

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April Fool's show, 1984, they opened with Never Trust a Woman, then played it seven times more in a row. The second set had nothing but nine Day Jobs. The encore was a super-slow, twenty-minute Same Thing. There's a good audience copy on Relisten.

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Hey Jim, that WAS me in front of you. And your woman was going commando, what else could I do?

Okay, two short, related true stories. A bunch of us were at a GD show at the Rocks and a good friend of mine and his brother were getting emotional together, so my good friend's girlfriend sidles up to me and we're dancing together. Gradually, with one eye down the row on my friend, I slipped my hand into her shorts (she's going commando) and twiddled her to a "happy ending," stopping in time for the set break and avoiding getting caught, etc. You should have seen the grateful look on her face. Oh man. A true story that I'll treasure to the end of my days. Second story is not salacious: Lyle Lovett show at the Rocks. He's got his Big Band with him. They hit the stage and start to swing, so I jump up and start shakin' it. A woman behind me goes: "Sit down!" I look around, and it's freakin' date night everywhere and I'M THE ONLY PERSON SWINGING TO THIS BIG BAND... Sick. So I acquiesce and sit down. Our favorite beer lady comes by and whispers to us, "Who ARE these people?" Later, it begins to rain, and every single one of those deadbeats is up on their feet, now needing to shake it. P.S. I never went to another Lyle show again, despite how great he is, because his audience TOTALLY SUCKS!!

Next post, I'll tell ya how I REALLY feel!

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Way to much information. I hate country but I do like David allen coe.

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Hendrix, I love that story. Nothing out of line there. I know you sniffed your fingers after. For those not in the know, Red Rocks isn't just special, it's magical. Too many decades of great stories to share all, but here's my favorite.

Page & Plant, mid '90s. I went down stage left into the bathroom from my seat to crush up a monster line of blow. Fully numb, as I'm hiking back up toward the bowl of the amphitheater, they go into No Quarter. It's all blue light and smoke, and Jimmy Page is dressed in black jeans and a black long sleeve T-shirt. He's got a cigarette dangling, head down and playing that mesmerizing riff.

I'm standing there with a double Stoli and 7, high as fuck, and I kind of amble on over to the front of the stage to catch a closer look at my hero. Any second, security is going to shoo me away.

Didn't happen. No Quarter is a long song... peaking from the line, crushing my drink, 25 feet from Jimmy fucking Page and Robert wailing his ass off. After that performance, I could have been struck by a bolt of lightning and died happy.

Let's hope we can all get back together at Red Rocks sooner than later. Be well friends.

\m/

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In reply to by Dennis

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Day Job has been released twice (prior to this Dave's), on Dick's Picks #6 (10/14/83), and Dick's Picks #21 (11/1/85).

Though perhaps Relix meant for Dave's Picks only.

The Lyric and Song Finder site (by Alex Allan) has the full release date of Dave's 35. I will spill if you guys want. There is a Day Job and it is also the latest date for a Dave's Picks release.

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In reply to by stoltzfus

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I was hoping he'd go all out on that release. There were some legendary shows, for certain (the '67, '69, '79, '87, '91, etc), but I'd have gone bigger. Nothing wrong with the ones on there, for sure. But agree wholeheartedly on '88.

Also, Alpine '89 was fantastic. Those 3 have to be released in their entirety. Video, audio. Whatever. I know Downhill is close, but not quite for 7/17/89.

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How does a concert work at red rocks? Is there a building with toilets and a food court or porta-sans? Obviously the stage is outside but does each band play on a permanent stage or does each band create their own stage and sound system on the desert floor? The pictures look cool in the july 78' box but I've never been there so it seems difficult to imagine how it works in the desert. Thanks.

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In reply to by carlo13

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Dave's Picks #34 06/23/74 Jai-Alai Fronton, Miami has, after repeated listening, become one of my favorite releases. It is the counter argument to Daverock's preference to the fast songs (which I totally understand and agree with). Like Karajan conducting Bruckner this concert has a constant pulse that hypnotizes. It starts with Ramble On Rose. First set ends with China Doll. Second set starts with Ship Of Fools. You get the (slow) picture. Mellow but a constant pulse. Damn good concert.

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Remember the U2 video, with the torches burning? How it works is God created this bowl. Like a steep and deep natural amphiteater, you know, outside. Under the stars. It's our dusty old cowtown's answer to the Hollywood Bowl.

Red Rocks has the edge on the bowl for natural beauty, but L.A. is L.A.

Red Rocks is a national park in Morrison, CO. Like Jim. The Morrison Inn, incidentally,
on the corner features awesome Mexican food drinks and a great hang.

Or rather, it did.

Red Rocks is a state park, that is open when concerts aren't setting up. Any of you Dave Matthews
Band douches could actually go there and stand right center stage and have her snap your photo
with your Yamaha.

The catwalks to the dressing rooms are also, open, though not the rooms themselves except to bands on band days.

I've always had a hotel room near the Hollywood Bowl we walked back from and carried on.

Red Rocks is different. You are in nature. Morrison has no hotel rooms outside of a couple under the radar B&Bs. You got to have a responsible adult at the wheel after concert man to collect you all and make it home safe.

\m/

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This Black Peter. Oh my. So good. And so slow.

Unrelated postscript...I would have thought from previous posts he'd be dead by now.

Mhammond...I would agree that this is one of the best releases. It never occurred to me that it featured a fair few ballads - it all fits together so seamlessly. It isn't a ballad, but Dark Star only really gained gravitas when it slowed down a bit ( a lot) in 1969. I generally prefer slow music to slow songs..but it just goes to show that for any statement expressed, the opposite is most likely true as well.

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Mhammond... Bots don't die, unfortunately. They just copy and paste until the end of the world as we know it.

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In reply to by simonrob

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Agree. Add in the Bonus Disc and it's special.. sort of like the WOS Road Trips, the release plus bonus disc makes for a great little CD.

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Strangely, I kept coming across Jimmy Page in my wanderings up to about 10 years ago. He was at the WOMAD festival about 1999, then again at a Jeff Beck concert a few years later, and then, most surprisingly, at the miniscule Borderline club in London when I went to see The Pirates( featuring the great Mick Green on guitar, incidentally).
The last time I rubbed shoulders with him was in FOPP record shop about two years ago, flipping through L.P. sleeves also in London. I have never spoken to him, but he seems a really humble man, and nice to see he is still obviously enthusiastic about all sorts of music. But it felt funny standing next to him in The Borderline and at FOPP. There's him, who can captivate thousands on stage playing guitar solos for the ages-and there's me, who gets tongue tied in front of more than about 4 people!

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No apologies here. Stories is stories. If they're true, that's the way it goes.

Ledded, you captured a moment in true style. How many times did we "crush a monster pile of blow" at that joint?

And you DAMN WELL know I sniffed my fingers.......................

Has definitely been a top Dave’s for me. Have to give it a couple more good spins before 35 arrives, which after listening to some 84 lately I’m really stoked.
Stating to wonder what the “other” thing will be that Dave hinted at earlier this year? Will it be tied to AB 50th, or something completely different? Like the old ketchup commercials “anticipa—aa-tion, it’s making me wait” lol

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I can't believe how much I STILL listen to this release. Not really in full anymore, but in the car I'm always putting on a few songs. And the bonus disc is amazing - I get a lot of mileage out of that one. In fact, on July 4th, we had a little family BBQ (literally just the small family of mine) and we played the China>Rider and Eyes on my deck while grilling and everyone really enjoyed the moment....

As for 35, I'm looking forward to it. I really like it when they throw a curveball our way and a show from 84 certainly was not expected. I still go back to the H>S>F from the 1983 show they released a while back. What a wild and (somewhat) messy show - and I loved it!

Hope everyone is well -

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I've seen some great shows on July 13th and I forgot to post them yesterday. 7/13/76 from the Orpheum theatre , is one of my top 3 shows attended. 7/13/84 a Friday the 13th at the Greek, with a shooting star and a Dark Star encore. 7/13/85 down in Ventura, with a Cryptical and a far out swinging party all weekend! Dave , it's time to release that West Coast box set, best of Frost, Greek , and Ventura.

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In reply to by 80sfan

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I have DeadheadBrewer to thank, but apparently there is an IPA called Jai Alai, which is decent, so I had to give it a try, having my second now, hence the post.

But thanks to MHammond, 80sfan and numerous others, I was reminded to give this whole release listen #4, starting today.. I timed my morning bike ride to be about the same length as the first set. I also brought my 12 year old with me, him on my ebike, me on the leg powered one.. about 3/4 through our ride, he was circling back to make sure I didn't have a stroke or something.. passed me and about three minutes comes back up the hill I had just climbed and says.. two words, daddy, bears. Just as Weather Report Suite transitions to Let It Grow, I turn around and see a pretty jumbo Mother Bear and two cubs playing around under a shade tree. Dancing Bears. There are bears here, but they seem more active at dawn, dusk and in the night then the middle of the day. Very cool.

Ok. Back to your regularly scheduled Dark Star>Spanish Jam

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I'm going on vacation for two weeks, to Wisconsin and Maine and all parts in between, driving from Colorado. I want nothing to do with the airlines and their recycled puke covid air, and the fact that they've stopped serving cocktails, except in first. Not my kind of party, esp. what with the fam in tow.

The current listen is Deep Purple: In Rock. Saw Purple late last year and they remain in fine form. Ian Gillan has become thin, but not sickly and is in fine voice. For any guitarheads who've been paying attention, Martin just released this gem:

https://www.martinguitar.com/new-sc-13e-acoustic-electric-guitar/

I just got mine Thursday and took it up to the mountains for the weekend. It has unbelievably great access to the entire register, low action and tone to spare. It responds amazingly well to picking dynamics from feather-like Steve Howe touch to James Hetfield chunk. Go get yours now.

In closing, where is the 1984 thread? This is getting stale. Oh and Gilligan, I ain't dead yet and won't be dropping any time soon.

\m/

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Don't tell me you're going to the Dells! :-O

P.S. Congrats on your fine new axe... :-)

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In reply to by wilfredtjones

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You'll love it

I got an email last week to say that this Octobers show has been postponed to October 2021, so fingers crossed everything will be okay by then.
They were amazing in 2017 - the drum roll introducing "Fireball" blew the roof off.

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Your buddie's cousin's friend heard of a guy that makes $96 an hour on the internet...that's neat, going without artwork for 5 months is horrible, I've recently met a prince in Nigeria who has similar issues with his inheritance.

Why have I seen the new Dave's 35 show given on Jambase 2 days ago but no where on this site yet? Am I blind?! 4/20/84 show will be interesting for sure, wonder what the sound quality and source will be. Not sure I got it on the announcement.

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The announcement said that orders for 35 would open on 16 July at 10:00am PT, whatever that is where you are. I expect information and a video will appear around about then.

Somebody I don’t know’s best friend’s acquaintance can make $1000’s a minute, but that does involve bank robbery.

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In reply to by Colin Gould

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Wasn't it the movie Point Break where the bank robbers wore dead president masks?

I foresee a string of successful bank robberies where the only clue is they thieves wore masks of Jerry, Pigpen, Phil, Bill, Mickey, Brent, Vince and Donna. If they were to ever get caught (doubtful) it would be either the person wearing the Bruce or TC mask.

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Thanks for the heads up on SC-13e! I always love hearing about new guitar releases. Almost as much as dead releases. The dead releases are a little easier on the wallet. I lol'ed when i first started reading on the site and they say: "It's time to rethink the acoustic guitar" or something to that effect. They've been making the best acoustics for a long time now imo. My HD-28 is one of my prized possessions. But getting rid of the heel really is an innovation.

A little odd becasue one doesn't usually associate playing acoustics with playing way up the neck like that, and Martin is known specifically for their crisp low end and mid-range sound. But im sure they put in the time and effort to make sure it works and it sounds great. Enjoy it!

Me and a few friends were joking (at the requisite six feet of course) that there has never been a better time to rob a bank. You leave home with your mask on - do the job and you're back for tea all without ever losing the mask. No suspicions raised!

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Jim, glad you tried the Jai-Alai. Even though I'm no hophead, I do enjoy that IPA. Ms. Brewer adores it! In fact, all I asked of her when I brought home twelve cans of it was that she save me two or three to enjoy while listening to DaP34. The cans kept disappearing to the point that I ended up HIDING the last two. I teased her about it at some point, and she said, "I thought you listened to that show long ago, so I figured the rest of the Jai-Alai IPA was MINE!"

She thought the Jai-Alai was part of the E72 beer stash, and once I finished my run-through of The Box, she started drinking whatever lay about.

Ledded, if you're coming through Saint Paul, let's have a socially-distant beer on a brewery patio, eh? There is a day of socially-distanced, live Dylan/Dead/hippie music at Utepils this Saturday. DeadVikes, you going?

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Was this a shocking event or a not unexpected sighting? I am asking because I am curious as to how lockdowns etc are affecting wildlife. My neighborhood is increasingly populated by raccoons and coyotes. I was shocked when I ran into a raccoon on my second floor balcony and he seemed more shocked than me. My Nextdoor app has photos every day of coyotes in brazen proximity to people. I really like it.

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now it's July, and my girlfriend cries: Where's DaP 34???
Anybody else missing it in Europe?
Gerd

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