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    clayv
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    Sweet liberty! We're venturing into the depths of 80s Dead with the complete show from 4/20/84 at the Philadelphia Civic Center and we're placing bets you'll think this one is more than fine. A strong contender for our mega 30 TRIPS AROUND THE SUN boxed set, 4/20/84 missed the cut by virtue of its setlist being a wee bit too similar to the years before and after. As DAVE'S PICKS VOLUME 35, it's found its time to shine. The first set delivers yin yang harmony between Jerry and Bobby songs, yielding driven and powerful takes on tracks like "Feel Like A Stranger," "Cold Rain And Snow," and "Brown-Eyed Women." The second set begs the question - will we ever stop peaking? - with a monumental "Scarlet>Fire," a ripping "Samson and Delilah," a "Space" that pulls shapes that know no names, and that "Morning Dew" - get.in.to.it! And because this one might have ended just a little too soon, we've packed disc 2 and 3 with knock-your-socks-off bonus material from most of the second set from the previous night, 4/19/84. Grab ahold while you can!

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.35: PHILADELPHIA CIVIC CENTER, PHILADELPHIA 4/20/84 has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out. 

    *Limited to 2 per order. Very limited quantity available.

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  • Vguy72
    Joined:
    PSA. Data breach at WMA....

    ....i got a letter in the mail yesterday notifying me of a cybersecurity incident involving a number of e-commerce websites operated by Warner Music Group.
    Quote...." On August 5, 2020, we learned that an unauthorized third party had compromised a number of US-based e-commerce websites WMG operates but that are hosted and supported by an external service provider. This allowed the unauthorized third-party to potentially acquire a copy of the personal information you entered into one or more of the affected website(s) between April 25, 2020 and August 5, 2020.
    While we cannot definitely confirm that your personal information was affected, it is possible that it might have been as your transaction(s) occurred during the period of compromise. If it was, this might have exposed you to a risk of fraudulent transactions being carried out using your details."
    Does say later that payments made through PayPal were not affected.
    I use PayPal.
    Anyone else get this letter??

  • billy the kid
    Joined:
    Rolling Stones

    To many Double IPAs

  • billy the kid
    Joined:
    Rolling Stones. Voodoo Lounge tour

    I've only seen the Rolling Stones play live one time, it was 1994 at the Voodoo Lounge tour. I really enjoyed the show. They opened the show with Not Fade Away. Apparently, they had a place there for famous people called the Voodoo Lounge, and I read that Garcia and Weir were both in there during the show. Anyways, I thought the Stones sounded great.

  • LedDed
    Joined:
    Goats Head Stones

    I love the Rolling Stones. I had my old man's eight tracks in the early seventies... I remember when Some Girls came out and we would continually be snatching the house copy of it back and forth from each other. I was 10.

    Seen them live several times, most recently last summer at Mile High Stadium. I have never felt that the Stones were a great live band. They're all over the goddamn place... they never sound much like their records. Which is neither here nor there, depending on what you're looking for, but they went from the raw (Get Yer Ya-Ya's Out!) to the aforementioned late 70's / early 80's affairs with sped up tempos, to the glossed over machine they became on Steel Wheels to date.

    Point being, I didn't buy the Brussels Affair when it came out as I already have so many live Stones albums and rarely play them - except for Twenty Flight Rock and Going To A Go-Go off Still Life.

    I bit on the iTunes version of this. The audio is cleaned up nicely, there are a number of unearthed gems and it is a great Mick Taylor live show. I've been playing it for two days now. I think it was like twenty bucks and change. For anyone on the fence, I say, go for it.

  • daverock
    Joined:
    Something else I didn't know...

    Keith - that Waiting For A Friend dates from 1973. Yes, that should have been included with the extras for sure.

    Probably because I kept on seeing them - the last time was 2007, I think, I do like some of their live recordings from the 1990s up to about 2007. One thing I would highly recommend...to anyone reading this with soul...is the live versions of Gimme Shelter featuring Lisa Fischer. She truly soars through the heavens on this song. I last heard it on the blu ray Bridges to Beunos Ares, bought last week, ( which also features Bob Dylan and Mick Jagger duetting on Like A Rolling Stone - shambolic!), and it is truly amazing. Another great version is on the Totally Stripped box set- from Amsterdam 1995. The sound is incredible on this-Keith Richards sounds as though he is in the room with you - which might or might not be a good thing. One of the remarkable things about the Bridges to Beunos Ares blu ray is the massive crowd, which goes absolutely bananas from the first song.

  • KeithFan2112
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    Morning Daverock

    What I wouldn't give to have seen them with Mick Taylor! Yes they were outstanding onstage in those days, and to be honest, I never would have known it if I hadn't stumbled on the "Ladies and Gentlemen the Rolling Stones" movie concert a year or two before they released Brussels Affair.

    I was watching VH-1 or AXS (one of those music TV stations), and wham, he'll right in the middle of the opener, Brown Sugar. The thing they caught me first was that Mick Jagger was actually singing, not huffing and puffing out the lyrics. Up until that time I had only heard live albums from the Ron Wood era: Love You Live, Still Life, and Flashpoint, all of which pretty much featured a band whizzing through songs, sloppy as can be. I assumed Mick Jagger was simply just a studio singer, and pretty much the same of Keith as a guitar player. I enjoyed the Hits From The Ron Wood years, but certainly not the live content.

    I had been a fan of the Brian Jones and especially the Mick Taylor years for quite some time without ever hearing the band play live from '71 - '73. Then along came the movie concert from '72 on TV, and whoa - Mick was singing! Actually singing. Keith was at his legendary best, which I had also taken as myth, and Mick Taylor was everything and more on stage (he quietly sat back and played his ass off loudly, and with all the virtuoso we hear from him in the studio). Keith (by his own admission) once famously spent a couple of hours in the studio improvising a bridge or solo, or something, and was really just at his wits end trying to land the right notes. Taylor wasn't there, but he eventually showed up, listened for a couple of minutes, picked up his guitar and played exactly what Keith was struggling for. This was close to the end of Mick's tenure with the band; Keith turned to him and only half-jokingly said, "that's why I hate you man." Mick was light years ahead of the rest of the band musically.

    The Goats Head box would be worth it for any casual to serious Stones fan who doesn't already own The Brussels Affair. My commentary on that show was strictly in comparison to the '72 Ladies and Gentlemen release. If I didn't already have Brussels, I would snatch up the box on release day. It would have been nice for them to have included the embryonic Waiting on a Friend. I was also hoping for the rumored extended version of Dancing with Mr D.

  • KeithFan2112
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    Morning Daverock

    What I wouldn't give to have seen them with Mick Taylor! Yes they were outstanding onstage in those days, and to be honest, I never would have known it if I hadn't stumbled on the "Ladies and Gentlemen the Rolling Stones" movie concert a year or two before they released Brussels Affair.

    I was watching VH-1 or AXS (one of those music TV stations), and wham, he'll right in the middle of the opener, Brown Sugar. The thing they caught me first was that Mick Jagger was actually singing, not huffing and puffing out the lyrics. Up until that time I had only heard live albums from the Ron Wood era: Love You Live, Still Life, and Flashpoint, all of which pretty much featured a band whizzing through songs, sloppy as can be. I assumed Mick Jagger was simply just a studio singer, and pretty much the same of Keith as a guitar player. I enjoyed the Hits From The Ron Wood years, but certainly not the live content.

    I had been a fan of the Brian Jones and especially the Mick Taylor years for quite some time without ever hearing the band play live from '71 - '73. Then along came the movie concert from '72 on TV, and whoa - Mick was singing! Actually singing. Keith was at his legendary best, which I had also taken as myth, and Mick Taylor was everything and more on stage (he quietly sat back and played his ass off loudly, and with all the virtuoso we hear from him in the studio). Keith (by his own admission) once famously spent a couple of hours in the studio improvising a bridge or solo, or something, and was really just at his wits end trying to land the right notes. Taylor wasn't there, but he eventually showed up, listened for a couple of minutes, picked up his guitar and played exactly what Keith was struggling for. This was close to the end of Mick's tenure with the band; Keith turned to him and only half-jokingly said, "that's why I hate you man." Mick was light years ahead of the rest of the band musically.

    The Goats Head box would be worth it for any casual to serious Stones fan who doesn't already own The Brussels Affair. My commentary on that show was strictly in comparison to the '72 Ladies and Gentlemen release. If I didn't already have Brussels, I would snatch up the box on release day. It would have been nice for them to have included the embryonic Waiting on a Friend. I was also hoping for the rumored extended version of Dancing with Mr D.

  • daverock
    Joined:
    Blues with a feeling

    Billly the Kid - excellent cut by Little Walter. I have never heard anyone who made a harmonica sound so expressive-wonderful tone. Having said that, apart from Charlie Musslewhite ( and even there, I am not familiar with his music) I have never even heard of the other harp players you refer to. Some checking out to do, I think.

    Keith - I enjoyed reading your thoughts on Goats Head Soup. I was 16 when that came out, and as I had a ticket to see them the month it came out-September 1973 - I thought I'd buy it to get some idea of what they sounded like. It was the first Stones album I got - I just had a vague memory of their singles at this point. In comparison with contemporaneous offerings by David Bowie, Black Sabbath Hawkwind etc it sounded quite middle of the road. The only track that really rocked was Starfucker. I can remember the press making much of the fact that Mick Jagger was now 30, and whether he was now too pooped to pop ( seemingly unaware that many of the new glam breed were about the same age).
    But live...they were amazing !-a fantastic night. Suddenly, Goats Head Soup shot up in my estimation and I began buying all their other albums. Today, I rank it with the 4 others from Beggars Banquet onwards-although most people rate it less highly than the 4 that came before it.

    This new edition looks like the rip off of the year. As you say, Brussels Affair has already been released as a download. The price of it is ridiculous, too. It all meant so much to me at the time though, that I am still sort of tempted.

  • billy the kid
    Joined:
    Sad Hours/ Little Walter/ Dave Rock

    . https://m.youtube.com/watch?v=5xj7gwFOvcM. Send this one out to Dave Rock , over in England. I also dedicate this to Charlie Musselwhite, Gary Smith, Mark Ford and Rick Estrin, the greatest blues harmonica players alive.

  • KeithFan2112
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    Goats Head Bummer

    Thanks for posting this article. Every six months or so I check to see if there are any plans for the type of reissue of this album that Sticky Fingers and Exile received. Those two records had fantastic unreleaseded live tracks and studio outtakes.

    What a disappointment to hear they're simply re-releasing The Brussels Affair as the companion piece. I already own the digital copy that was on the Rolling Stones website 8 years ago. It would be like reissuing American Beauty with the Download Series show from October '71. No sense in re-spending money on that - it's already been engineered and mastered professionally. Strike 1.

    The author of the article is correct in saying that the two standout tracks from The Brussels affair are You Can't Always Get What You Want and Midnight Rambler. Probably the two best live versions of those songs. Beyond that, the album is a starfucker less than Ladies and Gentlemen The Rolling Stones (this was the movie from the Exile on Main St tour that was in movie theaters shortly after the Exile tour, and then shelved for 30 years; eventually it was released on Blu-ray and then later on CD). Brussels is a great live show, don't misunderstand me, but Ladies and Gentlemen is from a year earlier, has almost the exact same setlist, and is played a little bit tighter and sung a little bit better). The primary difference is more Goats Head songs that don't measure up to the songs they replace from the Exile concert (which itself is the best of four shows). Beyond Doo x5 (Heartbreaker) and Dancing with Mr. D, the live Goats Head tracks don't really do much for me. Did I mention they already released this almost 10 years ago? Strike 2.

    The author of the article stated he could "imagine how much of a bummer Goats Head Soup must have felt in the moment. But for those of us who came along later, and without the generational baggage, Goats Head Soup has an incredible, melancholic beauty".
    I was a year-and-a-half-old when this record came out, and I have to disagree with him on this point. It has three great songs on it and a whole lot of missed opportunities that separate it from the previous four albums. It was so close to greatness too (Can You Hear The Music, Hide Your Love, and 100 Years Ago almost caught it) - bloody shame. By and large it does not rock, it does not transition mood easily or frequently enough, and as the author also pointed out, there are too many guest musicians (it feels very un-Stonesy). If it rocked more they could have gotten away with it; but it is primarily a morose downer, as the author implied. If I wanted melancholy I would listen to The Cure. Strike 3.

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Sweet liberty! We're venturing into the depths of 80s Dead with the complete show from 4/20/84 at the Philadelphia Civic Center and we're placing bets you'll think this one is more than fine. A strong contender for our mega 30 TRIPS AROUND THE SUN boxed set, 4/20/84 missed the cut by virtue of its setlist being a wee bit too similar to the years before and after. As DAVE'S PICKS VOLUME 35, it's found its time to shine. The first set delivers yin yang harmony between Jerry and Bobby songs, yielding driven and powerful takes on tracks like "Feel Like A Stranger," "Cold Rain And Snow," and "Brown-Eyed Women." The second set begs the question - will we ever stop peaking? - with a monumental "Scarlet>Fire," a ripping "Samson and Delilah," a "Space" that pulls shapes that know no names, and that "Morning Dew" - get.in.to.it! And because this one might have ended just a little too soon, we've packed disc 2 and 3 with knock-your-socks-off bonus material from most of the second set from the previous night, 4/19/84. Grab ahold while you can!

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.35: PHILADELPHIA CIVIC CENTER, PHILADELPHIA 4/20/84 has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out. 

*Limited to 2 per order. Very limited quantity available.

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.....that was the longest sentence i've seen in my life!

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Looking forward to this -I’ve been ordering the Dave’s Picks since the turn of the year on a one off basis -I think it’s got to be a full subscription in 2021 -to save costs?? if any ? only thing is the extra customs charges to Scotland,UK (£12+) is a bit of a pain -hopefully a full subscription works out cheaper long term than buying individually every few months :)

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These were my first three shows. So much of those three nights that I remember like yesterday, or at least no more than a few months ago. Scarlet Begonias is the song that flipped the switch for me about a year earlier. I was ecstatic to hear it that Friday night. It's more than held up on tape for all of these years. I didn't see anyone mention that some folks figured out you could climb the front wall of the building to get to the second floor to go in the (of course) unlocked windows of the balcony lobby. I think that was the second night. Saw one guy I remember inside as he ran down from the second floor celebrating his entry through the windows, after my friends and I entered the old fashioned way with tickets. Didn't seem like the greatest idea at the time. I chalked it up to impatience with the line. If they were paying customers and didn't fall onto and hurt anyone on the ground, I figured it was harmless. I was young. I didn't know how bad the gate crashing would get in the end.

One more thing about the Civic Center. It had a proscenium stage, so there wasn't room under the stage for the sound system amplifiers like in arenas where the stage is constructed with scaffolding. The PA amplifiers were stacked on either side with the LED level meters visible to the house. It was a really cool visual in addition to Candace's normal light show.

Philly was always a high energy crowd. Many great memories at Philly Dead shows. Passed by the civic center on Amtrak many times between NYC and DC in later years until it was torn down. Always made me reflect on great memories.

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And I detest a 35 min cd. So, I'm looking forward to the extra material, all good songs, even if the tracking is odd. Not a huge 80s fan, the 1984 show from 30 Trips was a good one, and I am a big fan of 7/13/84, not just the Dark Star but the Scarlet> Touch> Fire> Man Smarter is fantastic, too. Interested to check this one out. Hoping it arrives in a more timely fashion than Workingman's (still no arrival 10 days after a "shipping notice" that still has no status) and the last 2 Dave'ses. Luckily, I got Workingman's on amazon, and it arrived from them in 30 hours, for 17 bucks less. And Workingman's is one where I'll excuse the 38 min disc, since a nice sounding multitrack is included on 2 other discs. But then, the whole Angel's Share stuff makes one wish some of that space was used for interesting bits... Oh, and I just bought 99 min CDRs recently, and it's great to get full sets on a single disc that had been split before.

VGuy that was a pretty long sentence, though it was definitely a run on. Faulkner once stuffed 1,288 words in a sentence that was grammatically correct with ellipses, semi-colons, dashes, and commas aplenty. Perhaps that's why it took me years to finish Absalom, Absalom.

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They must be saving it for a box set.

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Very grateful for another 80’s show. Variety is the spice of life. Can’t wait to hear it.

Filler or no filler, I am a tiny bit concerned about the breaking up of Space...I am sure there is some reasoning behind what they did, besides adding more material, but it would’ve been nice if Dave explained it in his chat. I guess we’ll all know more when we listen to it.

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"You're like the old woman with a Virginia Ham under her arm, and she goes around cryin' cuz she's got no bread" - Tony Soprano.

I can't believe all the complaints. I, for one, am psyched about the new Dave's Picks. I could have only dreamed of having the quality of recordings offered thru the Dave's Picks series back in the day when I was attending Dead shows. I am also happy that Dave has packed these discs with bonus material nearly encompassing a complete second set from the same run of shows. I appreciate that Dave and the other producers arrange the tracks to get maximum usage out of the discs and so that no jamming from the featured show is interrupted (Space not withstanding).

Dave, please don't worry about greasing all these squeaky wheels complaining about the bonus tracks...some people are just looking for a reason to complain. There are many, many more of us thrilled with your Picks and eagerly await this newest one. Thanks much.

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to the person who said they donated their dave's picks collection to half price books, did you by chance donate them to a store in Kansas? I remember seeing a few volumes in a store there, but it was mainly a lot of road trips that they had actually. I had purchased some of them from other locations too. If you care to share when and where u donated them I am curious because I may have been the one who ended up ordering some of your donations.....

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Great quote, I love the Sopranos, but it was Junior Soprano that said the line about the old lady and the ham first. That show never gets old, I rewatch it every couple of years.

Looking at the 2nd set it seems to me the split in space was the obvious choice for best continuity. It doesn't look like any standard song had a clean break. I think most heads would opt for a split in space rather than between 2 songs. That said beauty is in the eye of the beholder. What's my preference obviously is simply mine no one else's
Those 99 minute cds are fun to play with. I've been using them for years. The best ones were from the defunct CompUSA. Of course they're really 92+ even with overburn which means they wouldn't help here. And you certainly wouldn't want to use them as a primary

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Dave/Dead.net- if you're listening, please count this as another vote/plea for future releases to put bonus tracks on a separate bonus disc (as was done with Vol
34 and the great Workingman's Dead release). I really like dropping 3 (or 4) discs in my CD player and being transported back to a show. Even just having bonus tracks at the end of the same CD as a concert (or an album) is disruptive to the experience... having bonus tracks IN THE MIDDLE of a show is terrible. I wouldn't want bonus tracks in the middle of Abbey Road... and I'd beg of you to stop putting them in the middle of otherwise transcendent concerts.

A Dead show has a structure... a beginning, a middle, an end. Please let us have them that way.

Thanks for listening. Great job on the Workingman's Dead release! Stay safe.

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This looks like a good one. Bonus tracks are always welcome but the split space is strange. So be it though. I like to think the 20 daps and the box sets I have saved up in mint condition are like an small insurance policy for my daughter when I drop dead. There are rules what you do with them when I'm gone and that they are not to be used to screw people for way more then cost so that the collection always keeps good karma rolling from deadhead to deadhead.

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MR ONES, okay but mine is not a gift I pay a considerable sum of money for my subscription and delivery, plus the added cost of import fees and their associated collection costs at near extra 50%.
It's okay to say thank you on every single GD release, but if you feel somethings not quite in order why would you want to remain silent, I'm sure Dead.net appreciates the criticism, it is better than being ignored.

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Personally, I love having the bonus songs. It also doesn't bother me the way they're sequenced here as it has to be done in a way to fit on cds. Perhaps I'm the only one old enough to remember tape trading days but back then it wasn't uncommon to get filler when there was room. You could get turned on to some really amazing stuff this way. It's also nice to see an 1984 show turn up in the series and the bonus stuff is great. Thanks so much!!!

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I would have preferred main show continuity across the 3 discs with bonus added after conclusion of main show on disc 3 ... Even if some transition into a Chuck Berry song gets split from disc 2 to disc 3 ... Many of us still do spin the actual CD's, with multi-disc changers, which means ideally you load the 3 discs and listen to the 4 20 84 show straight through, then get the 4 19 84 bonus at the end. ✌

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Reading these posts, it occurred to me that maybe it would be helpful if Deadnet. conducted a survey to find out what people are hoping for with these releases. It was mentioned on one of the other boards, by Billy the Kid, I think( apologies if I got this wrong) that it might work if we were surveyed about which year we would like for one release. But maybe a more extensive questionnaire could be devised, asking which years we would choose, our views on partial shows, shows which have less than great sound quality but feature great music...as well as what we think about fillers and how/if they should be inserted. Just a thought. As Sydney Prentice pointed out - these are really expensive if you live in Europe, so it is important that they go some way towards meeting most peoples expectations.

Snafu...ha..yes, good old 45s. I was bit younger when I used to play them ! Still got boxes of them upstairs from the 70s. I think the last one I got was the 12" Touch of Grey, which I got for Brother Esau, it not being on In The Dark.

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when this release came out I looked up the setlist for this run and have to admit the setlist for the 19th definitely got my attention so I was extremely pleased to see so much of it included here. We'll get another release from 1984 about the same time this new comet comes back around again so I'm going to enjoy this one as much as I can.

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I was a sophomore at Villanova and I went to both these shows. The Civic Center was a much better venue than the Spectrum. Great shows, both of them. Cant wait to get the CDs.

I for one am pumped for an 84 show.. The filler to me is gravy on the meat! Can't have enough of the good ol' Grateful Dead!!!❤

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I have no idea whether I'm in the majority or minority but it would be great to get the tax problems ironed out prior to the next four releases in the series.
These last three releases 32-34 have been an absolute nightmare and are still not over because I am still awaiting something back for vol 34.
Vol 32 they wanted £73 (that's an extra $91.00) and that was sorted out through the office.
Vol 33 they wanted £13 and that was a card repayment because that is how it was paid.
Vol 34 (£13) has apparently got to be paypal which is all well and good if your system is set up to receive and not just pay out as mine was, so I'm still waiting for anything...
Now Vol 35 is about to go and I'm guessing there will be yet another tax bill before I can pick it up.
Any chance you guys could get this sorted out before the subscription offer for the next four rolls around ?
Just sayin' (although prayin' is nearer the mark)
Chris

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According to Google (and who am I to doubt) Jonathan Coe’s “ The Rotters Club” has a 33 page 13955 word sentence in it! I’ll stick to the Hatfield and the North album of the same name myself. My Garcialive #14 was posted out yesterday so it will be interesting to see how long that takes to arrive.

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Dead.net has nothing to do with taxes that are imposed on goods purchased from the US and shipped all over the world. These taxes are the sole responsibility of your countries. I totally agree they seem crazy high and it would discourage me from buying goods from other countries outside of Europe.

Last year I purchased a CD from a guy in Denmark. Shipping was $25 and it took 8 weeks. It was a crapshoot and there was no tracking and one day the package showed up on my doorstep.

Be well.

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Have had the same bother as others with taxes in the UK. It only happens when the discs are sent by UPS who take it upon themselves to charge customs tax and a handling fee and if you are not home when they deliver they charge a fee for a repeat delivery attempt.

Dead.net always sort this out and I get my disc in the end tax free, so I wish they would stop using UPS as other couriers don't do this.

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they were donated to half price in clear lake texas in 2018 time has flown and will

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https://archive.org/details/gd1988-07-17.sbd.miller.87752.sbeok.flac16/…

Foolish Heart
Greatest Story Ever Told
Althea
Me and My Uncle
Big River
Candyman
Let it Grow

Box of Rain
Victim or the Crime
Crazy Fingers
Playin' in the Band
Uncle John's Band
drums
Goin' Down the Road Feelin' Bad
All Along the Watchtower
Believe it or Not
Throwin' Stones
Not Fade Away

Blackbird
Brokedown Palace

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I am surprised it's not sold out yet!

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Such great shows. I always rip my discs so I don't really care about this filler "controversy"; the more music the better, especially when it's from such fine a show as 4/19.

HOWEVER... the stream posted of those first set songs is slowww.... Why? Hopefully this isn't the same on the discs. There have been a bunch of cassette-mastered shows with this issue, which boggles the mind. Hopefully it's not on the CDs this way.

It is slow, off pitch; soundboard on the Archive has the right pitch. Hopefully this is only affecting the stream.

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Haven't listened to a lot of 84, so am looking forward to hopefully discovering a new show I like. I do wonder why it's not 7/13, but Dave does not disappoint so we know this will be good. I've listened to a hell of a lot more 90's (I guess cuz that was my era of seeing shows) than 80's, and believe it or not, some good shows in 91-93, not tons, but some, probably a lot like 84.

Love the filler, please make this a staple Dave. There has been a lot of "dead" space on this series, RT's used filler for the gaps reguraly. Anyway, looking forward to hearing this, the new Garcia 14 (with bonus disc!), and of course WMD should be here anyway. What a time to a head!

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any of yall receive bob minkins new book just jerry randomly in the mail do not recall ordering this yet its a outstanding piece of work

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Apologies if this has been posted but this show sounds great on the archive. Normally I don't like to get spoiled before a show arrives in my mailbox but I figured life is short so why not. Listening to this recording is getting me even more excited for this release.

Enjoying my Friday afternoon with this : https://archive.org/details/gd1984-04-20.sbd.miller.103432.flac16/gd84-…

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9 years 1 month
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I'm sure that there is market for spliced and diced Dead shows, but I find it distracting and am not a fan. At some point it's a compilation, not a show. If this makes me a whiner, so be it. I have seen several fans of bonus content complain about short discs, so I suspect everybody whines, sometimes. It does seem odd that Dave talks up the second set sequence, including Space - "The second set begs the question - will we ever stop peaking? - with a monumental "Scarlet>Fire," a ripping "Samson and Delilah," a "Space" that pulls shapes that know no names, and that "Morning Dew" - get.in.to.it! ", and chose to break up the flow, making it much harder to "get.in.to.it". Obviously, my disappointment at this arrangement is shared by some and scorned by others on these threads. Such is life, I think I'll survive.

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16 years 6 months

In reply to by Charlie3

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I am happy with an '84 release but then I'm happy with whatever they give me which is why I've subscribed from day 1. Do I have preferences, of course but I enjoy to a high level all the periods. As far as the Greek show ain't no doubt it was one of the highlights of the 80's and I would love a box as I managed to see all of them. From what I remember they suffer from what a lot of 80's shows do....not up to snuff for release.
As for filler keep it coming. That's what your program button is for. Me I burn it inline. In this case without moving anything as the songs of the 2nd set all segued and they picked the only logical point.
As far as selling out. It's an 80's show and for their own reasons a lot of heads won't buy it. Their loss. Add to that the bump to 22,000 and this will take a bit longer to sell out

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4 years 11 months
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38 years ago today I was down at the Ventura County Fairgrounds, as the Dead wrapped up their first visit there with another fun show. They brought back Crazy Fingers, which hadn't been played in 6 years. The Dead played some fantastic venues in the 1980s, the Greek, the Frost ,the Warfield, Ventura and others. I'm sure they also played some really cool places back East, I never made it further east then Nevada to see the Dead.

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...funny,Keith fan, you mention you worked at a video store. I grew up in a video store starting in the early 80’s. My mother had one of the very first video stores in Bergen Country, NJ. It was called “Northvale Videos”, located in the Town of Northvale, one of the smallest town in northern. NJ, it’s on the border of New York. There was a pizza parlor next door, called “Tony’s pizzeria” with slices and a soda pop for 75cents! The pizza joint had a Pac-Man arcade game & another arcade game that looked like a gigantic c Caterpillar or something, I can’t remember the name. Finally, next door to the pizzeria their was a Dunkin’ Donuts which is still up & running. My mother’s video store eventually closed when larger chains of video stores started to open up; they soon popped up all over the state and country. Stores like,” Blockbuster“, “West coast video”, “Hollywood Videos”, & in the state of NJ, There was even “Shop-Rite Videos” connected to the infamous Food Market in Nj. A lot of celebrities who live in near by Alpine Nj, came / used my mother’s video star. Eddie Murphy Joe Piscopo Dan Aykroyd Bilmuri I’ll Pacino Lorraine Bracco, also the actress who played in the shining at all so she played olive oil in the movie Popeye, Earl Ray Jones, Al Pacino‘s wife at the time who played in the national lampoons vacation the blonde who played the mother forgot her name, Julia Roberts brother, and musicians, Al Di Meola, Eric Clapton, believe it or not Stevie wonder, and many more we’ll know actors & musians. . Eddie Murphy used to give me a roll of quarters to play the arcade games & pizza & sodas , he was really nice and always smiling. He used to drive a white corvette back then, it was beautiful! Dan Aykroyd was always smiling really nice as well. I remember Joe Piscopo he was kind of stuck up it Thr. He could be really nice. It depended if he came with a girl(s) then by himself! I used to work for ‘Hollywood video then it turned to west coast video. I was the eastern district manager when I was 17 years old, lol it was a cool job while it lasted and then I began college!

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13 years 1 month
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I love variety, so I applaud the 1st, stand alone 1984 release.

Frankly, I just do not get all the filler griping. Maybe I am just used to having "Killer Filler" on a lot of tapes (though usually the first set).

More music = better. Have not done the math on the breaks, but generally speaking, virtually every 3 disc show in the D/S era has the break at D/S. Because this break in 2 minutes into Space, some are upset? Because the "continuity" of space is violated?

Come on, man. While I kind of get where this is coming from (as a completist), it's space. There is no real continuity to speak of.

Plus, we have a ton of easy to use tools at our disposal to fix this if it does bug you that much: Audacity, CD ripping, programming your CD player, actually getting up and hitting disc skip once in three hours. Tiny inconvenience, sure. But if it is that important, it can be remedied.

I for one will trade an extra hour of GD music per release for that every time! Plus 35 min discs are weak.

Wonder what the "sonething special" for 36 is? Wonder if it a 2 show/6 disc one like that Dicks from '77. Was that 30?

Anyway, YEAH! More GD music and a phat Stranger. Yummy.

guess 84 dead spooked everyone away its too much for even most quote unquote seasoned deadheads to grasp it seems personally 83 84 85 equal best years yes oh is that not allowed to say here well someone has to say it even this fat half retard yes and in the next life which is illusion will try and do better guess we are all indifferent in our own ways and thats being modest

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5 years 1 month
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Why not make (almost) everybody happy and add the bonus material on a bonus disc? (As was done on the last volume)

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17 years 4 months
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I thought this was the thread for people to discuss the new release coming out. The show itself, how its packaged, what people are looking forward to, differences between this release and past releases. Memories for those who were there, technical info about how it was recorded and how its been delivered to us. Is this not the place for those conversations?

The fact that people created an account here, found this comments section and took the time to post should suggest that they're excited about the releases in general and into the dead.

I've got them all. They don't do 4 discs with the obvious exception of the bonus. A business plan as has been discussed numerous times here over the years is a business plan. Whether the number of discs or making unlimited in stock forever. Means money

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7 years 6 months
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Damn, this Dap is so good I cant stop playing it. Even when I'm watching a movie I keep it playing in the background on low. Still waiting for WMD.

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17 years 4 months

In reply to by carlo13

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Thanks for entertaining me the last half hour, LOL......normally I dig opposing views etc, that was a fun part of being a DH, think the lobby folks in the GD movie, but this release must be some kind of record for It?
Now as much as I get turned off by the emperor has new clothes rah, rah, everything they did is ALWAYS great uncritical cheerleader BS, (and before you insult me Jerry commented that it was sometimes frustrating that “they’ll eat anything” etc) this release isn’t even out yet and the majority of posts appear to be negative, again, doesn’t bother me I find it hilarious!
I totally get folks used to their legacy technology, and Id never criticize anyone for it, so only to weigh in,, not argue etc, but to me if your paying for 240 potential minutes of music, a few inconveniences, of which there are work arounds, is reasonable to give us as many of those 240 minutes as possible...

Personally, I’m just delighted we finally get something from 84, and from the 80s in general. I just hope it’s not another scenario like Boise 83, Chicago 79, or Boulder 81where many felt there were stronger shows.....yes, that is being picky, but again, for many, critical conversation has ALWAYS been part of the scene, which I don’t think is bad, because it’s usually based on such a love and devotion of this great band and all the wonderful music they’ve given us! So not outta negativity, but love.
Like, always been a Bills fan, for good or for ill,....and was a fanatic back in the day, but that doesn’t mean we couldn’t sit in the bar and discuss what went bad, or who fucked up the last game, and nobody got all butt hurt because we were being critical, why, because they understood it was outta love for something that we held near and dear, and usually based on objective observation of some kind.
What ever happened to critical thinking in this country? It’s either full on angry hate, or snowflake cheerleader. What ever happened to free thinking in the middle? Why can’t we LOVE a show, but point out it’s weaknesses too?

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