If you’re reading this blog post in mid-July, chances are I am sunning myself on one of Kauai’s white-sand beaches, or gazing at a humuhumunukunukuapua’a through my snorkel mask, or sipping a mai tai under graceful swaying palm trees. Then again, maybe it’s pouring rain on the North Shore and we’re stuck playing Uno in the house. Anyway, it’s vacation time for the Jackson family—our first exotic one in several years—and I’m taking a breather from writing and really kicking back for a couple of weeks. The trip also coincides with my 30th wedding anniversary. If only my wife had gotten to come along! (Just kiddin’. Got the whole family with us.)
I spent part of the week before the trip loading up my teeny iPod Nano with a bunch of Hawaiian and Grateful Dead music, and it got me thinking: If I was stranded on a desert island (I’ll take a tropical island, please) and I could only bring 12 Dead CDs/shows (sorry, no iPods in this fantasy—we’re making it hard!) to last me for a couple of months until I was rescued, what would I choose?
Question: Do giant box sets count as one, or the number of discs in the box? Well, fortunately the Europe ’72 megabox isn’t out yet, so that’s off the table for this discussion. Here’s my completely heartless and arbitrary ruling: No box sets containing more than six discs—so no ’73 or ’77 Winterland or Fillmore West ’69 or giant GD studio album box sets are allowed. But, yes, a four- or even six-CD Dick’s Picks would count as one. Hey, nobody said life was “fair,” so quit your whinin’! You’re lucky you’re getting a CD player and headphones!
Now, I suppose there are many of you who could be blissfully happy spinning nothing but shows from ’72-’74 during your time on the island. That’s cool. It’s your choice. However, I’d like to have a much wider span of the Dead’s history represented in my Desert Isle Collection, as I like all eras of GD music and would want to have a greater variety of different songs and styles at my disposal. And so, my 12 picks (in chronological order):
1. Road Trips Vol 2. No 2: Carousel 2/14/68. One of the best ’68 shows, with primo versions of Anthem material, plus other bonus tracks from the Northwest tour (and another bonus disc besides).
2. Fillmore West 1969 (the 3-CD Set). Tough to pick between Live Dead, which I’ve loved forever, or this one, culled from the same shows but including much more material, all of it great. I’ve heard Live Dead so much I can always replay it in my head.
3. Dicks Picks Vol. 4: 2/13-14/70. Besides the deservedly admired “Dark Star,” this has a killer “Dancing in the Street” and a super-charged “NFA” > “Mason’s Children” > “Caution.”
4. American Beauty. Taking a studio album? Yes! Simply because it is beautiful and moving beyond compare.
5. Rotterdam 5/11/72. I could get more Europe ’72 music by bringing the excellent Stepping Out 4-CD set, but this is possibly the best show of the tour (and the longest) with my favorite of the 11 (!) Europe versions of “Dark Star” and everything else that’s important.
6. The Grateful Dead Movie Soundtrack. There are better individual shows and sets from ’73 and ’74, but this has so much good stuff, I’m happy to have it representing that era.
7. Dicks Picks Vol. 33: 10/9-10/76. Some folks don’t care for ’76. I love it. If this only had Disc Two, with “St. Stephen” > “NFA” > “St. Stephen” > “Help on the Way,” etc., it would be worth having, but all four discs are strong.
8. Cornell 5/8/77. We can all pretend that there are better ’77 shows and this has been overhyped, but why accept less than the best? (It is not, however, the best show of all time.)
9. Frost 10/10/82. This show is juiced from top to bottom, and includes one of the best pre-“drums” segments I ever saw. A classic!
10. Santa Fe 9/11/83. One of my favorite versions of “Help on the Way,” a rare second-set “Let It Grow” and “Morning Dew” are among the highlights. It helps that I was there and it’s still fresh in my mind.
11. Grateful Dead Download Series Vol. 5: Hampton 3/27/88. I never get tired of this; the late ’80s at their most exciting.
12. So Many Roads: (1965-1995). Lots of rarities and oddities; not a “Best of” by any means, but the five CDs are packed with enough great and strange stuff from all eras that it’s worth having around, and I can always ignore the stuff I don’t care for.
Well, that was hard and frustrating, and no doubt a whole bunch of “essentials” will come to mind over the next days and weeks. But enough about me. What 12 Grateful Dead CDs/shows would you bring to this remote and beautiful island? They better be good, in case we’re shipwrecked together!
Back from Kauai. It's been great reading all these suggestions and seeing how they converge and diverge. So many great shows and discs have been mentioned! Y'know, I was so busy and had so little time to get my iPod ( a new technology for me) together before the trip, I didn't actually end up bringing that much Dead. Here's what I ended up taking in my rush: The Austin '71 Road Trips, the Denver '73 Road Trips, Dicks Picks 12 ('74), Dicks Picks 14 ('73), Dicks Picks 4 ('70), Dicks Picks 28 ('73), 6/9/77 Winterland, Reckoning, Cornell '80 Road Trips, Fillmore West '69 compilation, 4/1/88 Road Trips, Crimson White & Indigo ('89), So Many Roads Discs 2 and 3. And a WHOLE BUNCH of my pretty extensive Hawaiian music collection--lots of Gabby Pahinui, Sons of Hawaii, Rev. Dennis Kamakahi and a slew of vintage Hawaiian stuff from the '20s through the '40s.
And you know what--because we were traveling with another family and had, between us, four kids ages 15, 17, 19 and 20, each of whom had their own iPods, I'd say most of the time we were listening to non-Dead and non-Hawaiian music. As a result I heard a lot of My Morning Jacket (whom I already liked but was not THAT familiar with), Of Montreal (no thank you), Dr. Dog (OK), She and Him (nice retro sound), Flight of the Conchords (love 'em!), Neon Indian (pretty cool), Flying Lotus (trippy electronic), The Harder They Come soundtrack, assorted reggae, and a slew of other acts I've now forgotten. Their choices didn't always fit my mood the way Dead and Hawaiian do (I've tested this music in Hawaii over the course of more than a dozen trips the past 30 years), but you don't want to be a complete music fascist (or do I?), so I tolerated it--most of the time. Sometimes I insisted on Hawaiian at the end of the day. Occasionally a welcome request for a '74 "Eyes" would come in from the back seat of the minivan, and for our nighttime ride from Lihue, on the southern end of the Island, back up to Haena, in the extreme north, after we all saw the new Harry Potter movie one evening, HAD to be a FW '69 "Dark Star."
And I did drink at least one mai-tai every day.