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    clayv
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    Due July 10th, WORKINGMAN’S DEAD: 50th ANNIVERSARY DELUXE EDITION will be available as a three-CD set and digital equivalents featuring the original album with newly remastered sound, plus an unreleased complete concert recorded on February 21, 1971 at the Capitol Theatre in Port Chester, NY. The show was mixed from the 16-track analog master tapes by Jeffrey Norman at Bob Weir’s Marin County TRI Studios and mastered by Grammy® Award-winning engineer, David Glasser, along with restoration and speed correction by Plangent Processes. 2/21/71 delivers a plethora of songs from both Workingman’s Dead and the band’s follow-up album, American Beauty. Some highlights include Weir’s moving vocal take on “Me and Bobby McGee,” Pigpen’s whiskey-seasoned growl on “Easy Wind” and a stellar run through “Uncle John’s Band” to close out the show.

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  • Dennis
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    You Bastards!

    Again, you have to mention new stuff. I told you I'm unemployed and living on the wife dole. But noooooo, you have to bring up the Frank Zappa's new 4 cd collection from the 70's. (his family's collection anyway, he's dead you know) So now we got Frank coming, we got new Bob Dylan coming (I better be rough and ready if the wife finds out AND that bastard better not release Bootleg Series 16 anytime soon, let me tell you!!!), the Workingman's Dead shit, sans axe thank you. (truth told if the damn wasn't 120 bucks,,, I have an axe coming in the mail and I mount it in a glass front box labeled "in case of dead break glass".

    Oh, BTW, Mr. Dylan, you FORCED me to by the mp3 single of Murder Most Foul, than you have the balls to release an album that it's on. Bastard, I would have waited for album and let the mp3 single slide. That 2 bucks could have went to my wife's heart meds. I NEVER get a break!

    Thatcher and England - I don't know shit, but I thought V for Vendetta was written during the Thatcher years when there was talk about rounding up all gays in England under her. I thought Ian Paisley just made that ugly pattern for men's ties?

  • simonrob
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    No

    The coming of Thatcher resulted in more division in the country than already existed. It was one of the main reasons that I chose to leave the country. Does that count as self-imposed exile? Whatever. When she died not so long ago there was much celebration in certain sections of society, even some street parties, and not without reason. As for Blair, the only thing that interested him was Blair. The Sex Pistols could hardly be construed as purveyors of the truth. They did capture the mood of hopelessness and rebellion that the disenfranchised youth felt at that time, largely due to the policies of Thatcher and Blair.
    As for the Irish situation, I'm not prepared to make any observations on that.
    Enough of politics, this isn't the place.

  • daverock
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    No

    Snafu -living in the North of England during the 1970s and 80s, it didn't feel like Thatcher brought back the countries self respect. The queues at the dole office, where I worked from 1981, stretched round the block when I arrived at 8.15am to start work on Monday morning. And it got worse as the decade progressed. Unemployment - poverty - homelessness - a land fit for heroin.
    I am also not sure what the Sex Pistols would have thought about being lumped in with establishment leaders like Thatcher and Blair. They were a great hot headed rock band barely out of their teens - nothing more or less.
    And to credit "Sid" with having anything to do with promoting truth is absurd. He was only drafted into the band for his image - the poor sod could barely stand up, let alone play a musical instrument. He had nothing to do with Anarchy in the UK.

  • Ziffle
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    Mickey's mix

    2/21/71 easily makes this worth the price of admission. Workingman's Dead is a masterpiece, & I'm looking forward to hearing this newly mastered version, notwithstanding the other remastered versions that others have mentioned. I'll opt for the high resolution FLAC.

    I don't know if this has been mentioned in the many prior comments (if so, sorry for the redundancy). It would have been nice to include Mickey Hart's remix, released on DVD with both stereo and 5.1 versions, dolby digital and 96/24 MLP lossless (for anyone with a compatible DVD audio player). Perhaps this could have been on a blu ray deluxe edition. Ditto for Mickey's 5.1 remix of American Beauty. Both released in 2001. Mickey's mix is a joy, and he did add back in some bits and pieces in a few places from the session tapes that didn't make it in the released version. For anyone with special interest in this recording, seek out Mickey's version. You will not be disappointed. It was released as Warner Bros (Rhino) R9 78356. American Beauty was Warner Bros. R9 74385.

  • snafu
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    Good stuff

    Workingman's Dead Dylan's new one and FZ'S new 4 CDs of the 1970 50th. We have some good stuff coming

  • snafu
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    Stoltzfus

    Best response. The pistols probably are the best representation of the state of the UK and the hopeless feeling the British people felt in late 1970's. Not just the innocent people of Northern Ireland caught between Paisley and Adams but the people of the main island being assaulted by Union thugs like Scargill and let down by their loser leaders Heath & Callaghan. I was at a party in the early 80's and met the brother of the young constable who was one of those killed by the "accidental " bombing of Harrods. He had given up and left. And while they had their own controversies leaders like Thatcher and Blair brought their countries and parties back from the abyss that the political cowards from all 3 parties more interested in staying in power than taking chances the controversial ones finally did and gave Britain back its self respect. Thank you Johnny Lydon/Rotten Sid GlennSteve and Paul for speaking the truth

  • stoltzfus
    Joined:
    glad you are still with us, too, unkle sam

    "Is this the MPLA
    Or is this the UDA
    Or is this the IRA
    I thought it was the U.K."

  • unkle sam
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    Bobby Sands

    I won't touch that bait.
    I was caught in a riptide once in the 70's, it was a terrifying ordeal and one that I would not want to repeat. My then wife and I swam and swam and swam, only to continue to be pulled out to sea, we ended up almost a mile from where we entered the ocean, I could not move I was so exhausted, I don't go into the ocean anymore, it's filthy anyway and the beach is highly overrated.
    Thanks Jim, check this one out. I still have these old posters.
    Confucius say woman who drink beer on beach gets sand in schlitz.

  • snafu
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    Bobby Sands

    That he was a murderer with blood on his hands. Who belonged to an organization that was every bit as evil as Ian Paisley. And the UDA/UFF

  • snafu
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    @ spacebrother

    I could be wrong it's happened once or twice, I don't think the live albums are part of the 50th release

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Due July 10th, WORKINGMAN’S DEAD: 50th ANNIVERSARY DELUXE EDITION will be available as a three-CD set and digital equivalents featuring the original album with newly remastered sound, plus an unreleased complete concert recorded on February 21, 1971 at the Capitol Theatre in Port Chester, NY. The show was mixed from the 16-track analog master tapes by Jeffrey Norman at Bob Weir’s Marin County TRI Studios and mastered by Grammy® Award-winning engineer, David Glasser, along with restoration and speed correction by Plangent Processes. 2/21/71 delivers a plethora of songs from both Workingman’s Dead and the band’s follow-up album, American Beauty. Some highlights include Weir’s moving vocal take on “Me and Bobby McGee,” Pigpen’s whiskey-seasoned growl on “Easy Wind” and a stellar run through “Uncle John’s Band” to close out the show.

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Happy belated Birthday Keith. Sorry man, I was dealing with a broken washing machine all day. You sure played a mean Pinball. People are still enjoying your gift. R.I.P.

Simonrob...I have just had a look, and my copy was made in the E.U.
I bought it off a seller on ebay, and I have just had a look to remind me of the details. I bought it on 13th June last year-only about a week after it had been released, I think. It cost £12.45, with £1.00 post and packing, and I bought it off a seller calling themselves "mm3478". It looks as though he is an individual rather than a shop or business. Maybe he did keep the lenticulor cover for himself for some reason. I felt a bit cheated at the time, but I didn't contact the seller to ask the whys and wherefores. Of all covers that would have benefitted from the enhanced packaging-this is one.
Bit beside the point....but I used to have an enormous poster of it on my flat wall back in the 1980s.

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In reply to by daverock

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I ordered the first album 50th anniversary discs from dead.net soon after it was advertised. At that time I didn’t realise the discs would be available elsewhere so I paid more than double the necessary price and waited some weeks after it was released for it to arrive. My copy has a slip case but it is not lenticular. As it came directly from dead.net I assume no lenticular version was produced.
EDIT: I ordered anthem and aoxo from amazon and they both arrived on their release dates with the lenticular covers. I don't remember there being two versions of these albums offered for sale when they were first available

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Anyone else bite on this?

Still haven't seen a price!

A chance to win an invitation to buy?!?!

I don't even wear sneakers!!!

I don't have a turntable or feet!

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17 years 5 months
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I don't come here for the fashion opportunities.

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16 years 7 months
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Ok I take it all back; I see now that these were designed with a zippered stash pocket in the tongue. Ingenious - that would have come in handy in the frisk line back in the daze.

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I’m sure I’m right about this( awww, who the hell am I kidding, I’m NEVER right), I did get a first day issue. The First album 50th anniversary edition had a special slipcase, but it was not lenticular. It was super metallic shiny, slick, without the lettering obfuscating the artwork. That’s why I was surprised/pleased with this new release. I love the fact that lenticular art clearly has improved over time. There seem to be at least 5 different levels of depth to it. Keep ‘em coming!! Still loving 2/21/91.

Yeah, shoes. I’m always wary when you don’t see the price upfront.

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For the first album, I also got that very nice metallic foil O-card. Yep, they are O-cards. A slipcase has one end closed, like on Dick's Picks 29 or the Grateful Dead Movie Soundtrack. O-cards have both ends open. In the great scheme of things this is trivial of course, but what isn't?

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14 years

In reply to by simonrob

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Anyone have a link to artwork (iTunes style) for
this release, especially the live stuff? Thanks.

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14 years 10 months

In reply to by cmd

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A load of bollocks.

I feel like Sam Hughes in the GD Movie.

I thought the WMD hatchet was the height of lameness. I was wrong.

GD Nike shoes?

RELEASE MUSIC, NOT THIS NIKE SHOE BULLSHIT.

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17 years 5 months
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Reiterating, but haven't you seen the STASH TONGUE? :-P

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4 years 11 months
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Alright, my copy has arrived, it looks cool.. Now, to take it for a test drive.

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7 years 3 months
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Thanks for setting me straight on slipcases/O cards. I could have sworn that since the O card “slips right over” the cd, it was a slipcase. But I am never too old to learn. I want to know who’s job it is to name these products.
I do have a rebellious streak, so I think I will refuse to call them O cards.
I remember J cards being a thing also, but I can’t remember what they were(maybe the cards inside the cassette cases??). If anyone knows, I would love to get a reminder.
I am not being sarcastic when I say I do appreciate being informed of these tidbits, but I always feel a need to “Buck the trend” as it were. You, Colin Gould, & DAVEROCK are my 3 favorite UK posters here. I love getting the perspective from across the pond. And it sucks that your wait time for merchandise is so long.
Not quite sure why I am rambling here, but it’s way past my bedtime.
Dave’s 35 should be here in less than 2 weeks. What a great year for us Dead fans!!

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Indeed, J cards are the cards that go inside cassette cases. J because they are (allegedly) in the shape of a J, albeit a square J rather than the round J of most text fonts.

O cards, J cards, slipcases - you can Google all these terms for clarification, even illustrations.

This is one of the consequences of lockdowns. One has the time to seek out all sorts of minutiae like this.

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17 years 5 months
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I was fortunate to have observed one earlier in the Spring. As I understand, it's a fairly rare occurrence to have seen one. I am glad 1. that I was able to take a short video of it and 2. that it didn't get squished by oncoming traffic, because it was strutting right across the roadway. Funny Woodcock. :-)

Have a Grateful Day everyone and good luck on the shooz! :-) :-) :-)

P.S. Do the shoes have a bell of any sort?

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17 years 3 months
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Has anyone actually received their copy of Workingman’s Dead? Mine still shows as USPS awaiting info from shipper for the past two weeks...

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7 years 3 months
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Received mine today in South Jersey. It took 2 weeks to get here. Playing the concert right now and it sounds great. Hope everyone gets their's soon.

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17 years 5 months
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There is little that I can say about the remastered studio album. My favourite studio album, this version sounds great. Whether or not it is a sonic improvement over (recent) previous versions I cannot say as I haven't made the comparison, but I cannot fault this version.

The live show also sounds excellent, largely due to the fact that it was mixed from the original 16 track tapes. The performance is also pretty damn fine with many of my favourite songs. Pigpen's organ playing immediately stands out as it is high enough in the mix, something that is not always the case. This is one of the advantages of multi-track recordings. Everyone is in fine voice as well. This is going to get a lot of listening.

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15 years
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Great comment there on hovering but ultimately not buying ... I'm in the exact same spot ... and for the same reasons ... yet somehow think resisting forever will be ... difficult. ✌

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16 years 6 months

In reply to by stoltzfus

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Don't like or care about shoes don't bother with them. Pretty simple

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16 years 6 months

In reply to by Dennis

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Guess everyone complaining about nike either doesn't know youngsters or like a lot of old people are practicing willfull ignorance. Collecting shoes is common among the sub 40 group. And to he who scoffed at the chance to buy them. That's the chance to buy them and immediately see them go up 1500 %. Now who's laughing

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14 years 10 months

In reply to by snafu

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I scoff and say, drown the GD Nikes in the pond.

I hold a lot of GD merch in contempt. SYF golfballs? Hippie, please.

Steal your mask...

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In reply to by stoltzfus

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I guess you don't give a hoot if the next generation gets on the bus. I do. The nature of my job is I work with ( or soon worked with) about 7-800 20 or 30 something's. I'm glad they picked up on John Mayer and did a deal with nike. Grow or Die

It doesn't help coming on here everyday ! Nobody has a bad word to say about it-WMDs 50th, that is. Still...

I'm less tempted to buy a pair of shoes, I must say. Showing my age-I didn't even know there was a shoe culture. Outside of fetish's, of course-high heels and all that.
But I have always hated buying shoes-my feet are different sizes and they also seem to change in size from one year to the next. So I am never sure which size to get. Its a right palaver, getting my feet measured, then taking said shoes back after I have bought them because one of them doesn't fit. As rule of thumb, I get a pair of Clarks, and they last me a year or two. Then when they have fallen apart I go and get another pair. Why I am telling you this, I know not!

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I do not understand youngsters. I am obviously a victim of the generation gap. I just cannot understand why anyone would want to collect shoes, particularly limited edition items at grossly inflated prices. Am I missing something?

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13 years 9 months

In reply to by simonrob

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I love the music but never much cared for the clothing especially tye-dye items. Although tye-dye looks good on other people, it's not a good look for me -- no offense. Having said that, I did think the sneakers/trainers could be fun, nevertheless, I hesitated and now. . .. Who knew that people had sneaker collections? Like baseball cards or comic books? Another thing that gave me pause was wondering exactly where they were manufactured? Maybe I should not care but the more I learn; the more I care about issues like that. Oh well.

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It is more than just where Nike get their shoes made, it is also about who makes them and under what circumstances.

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Had a chance to give a somewhat distracted listen to 2/21/71 over the last couple of days and that is some good stuff. The sound is excellent and the show has some great stuff - I always dig a Cold Rain and Snow to start things off, and that Wharf Rat caught my ear, but there is a lot to like and I'm looking forward to a chance to get in a less distracted listen. And just 'cause Daverock said he's wavering, let me add that the cost is really not much different than a single Dave's Pick, and the show is well worth having in all its multi-track sonic glory. As I was listening, one of the things that I kept thinking was, damn, let's get the rest of the multi-track recordings released.

As far as the issue of sneakers, modern supply chains and forced labor issues, yeah, there are some things to think about. Run a search or two on this issue and on the treatment of the Uighur population in China, but be prepared to be disturbed.

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In reply to by Charlie3

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Charlie...hell, yes ( or no), just cause I am wavering doesn't mean I would want to put anyone else off !

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I was just jokingly encouraging you to pick it up;) I didn't at all interpret your earlier post as pushing people one way or the other. I haven't listened to the WMD remaster, but the 2/21/71 show (and the lenticular cover) alone make the purchase worthwhile for me, if the rest of that run sounds this good I can only hope the rest of those shows get the box set treatment. As with the other dead releases sourced from multi-track recordings, the sound is fantastic.

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The inclusion of the full 2/21/71 show with the WMD 50th Anniversary set really has me curious as to whether we'll get another full show along with the American Beauty 50th Anniversary release. Sure would be cool if we did.

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Heck yeah. I wouldn't mind another Port Port Chester show: Feb 18 or Feb 23 would be great. 4/26/71, if they can find a way pay for Duane to appear. I guess they could just compile the leftovers from the Fillmore dates (other than the 26th) on 2 discs, since they squeezed a lot of that run on to the 4 discs for Ladies & Gentlemen. Then release 4/26 at a later time.

And then box us up the rest of the Port Chester run as a 4 show collection. I'll take the repeat songs, no questions asked. We'd still be getting a lot of kick-ass unreleased songs from that run (inventory time):

Mama Tried
Hard to Handle
Dark Star Special Edition
Candyman
Big Boss Man
St. Stephen
NFA > GDTRFB > NFA
Lovelight
Morning Dew
New Minglewood Blues

Ned guests on the 2/18, but they don't seem to have an issue releasing material with him.

The Lovelight on 2/20 runs a little long, but the last 6 or 7 minutes is fantastic (and Pigpen tells a similar story to the Refrigerator Repairman gag from Ladies & Gentlemen, so it moves along nicely).

The New Minglewood Blues is fantastic. I've always felt the two '71 versions were the best. There are only two live pre-hiatus versions officially released at the moment (both from the Fillmore East): 5/15/70 on Road Trips 3.3 and 4/29/71 on Ladies & Gentlemen. Bobby really shreds his voice on the Road Trips version, but Ladies & Gentlemen is perfect, as is the other lone '71 version from Port Chester.

Yeah, I'm okay with repeats of Ripple, Bird Song, Sugar Magnolia, Uncle John's Band, China Rider, Loser, The Othe One, etc. Their sound was distinctly different from Europe 72 barely a year later, and the audience in the mix elevates the energy. I'll take it all.

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In reply to by KeithFan2112

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If they follow the same reasoning they appeared to in selecting a show to accompany WMD, I would think they would pick a show that has a smattering of songs from American Beauty on, from any year 1970-1973. In which case, Fall 1972 might be favoured. I have just had a look at 11/17/72-one of the Dave's Picks, and that features 4 from the album-including Box of Rain. So my money would be on a show from a similar timespan featuring those songs.

Another possibility could be a show form 1970 that features both Attics and When the Morning Comes, if such a show exists. Actually, that would be a more exciting option for me, as I see things this morning.

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I'd like to get the rest of the '71 multi-track content. Daverock, I'd be totally okay with a Fall '72 show, as you suggested. There's a touch of grey area (no pun intended) as to how many years into the future is "acceptable" to represent the live companion to a 1970 studio LP (okay pun WAS intended). Any way you slice it, if we're going Fall '72, may as well make it one with Bird Song and Dark Star :D. And Box Of Rain and Brokedown Palace are a must. Will see if I can hunt down the perfect show. Sshhhhhh. I'm huntin' wabbits. Does that one translate overseas?

Uncle Gary once compiled a "live" version of American Beauty for me from different AUD and SB sources (I'm talking all of it - even Operator and Till The Morning Comes). Thanks man, I never forget!

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9/20/70, 12 songs from AB & WMD.

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A Classic in Cleveland 10/28/72. It boasts 5 American Beauty tracks, including Attics:

Box of Rain
Friend of the Devil
Sugar Magnolia
Candyman
Attics of My Life

Not too bad. And the best that can be done and still include Attics, as it was only played 2x in 1972. There IS a Dark Star, but no Bird Song to fulfill my personal agenda.

Some of the missing AB tracks are commoners like Truckin' and to some extent Brokedown Palace (you could just snarf those off of DP 11 at the Stanley (and grab Bird Song!)

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In reply to by billy the kid

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I listened to that the past few days. A perfect companion show.

With 9 19 70 as filler :)))

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