• 8,102 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    10/18

    For me there's a certain point where both the right brain and left brain agree that it's kick ass Grateful Dead I am listening to and recording anomalies fade into a blissfull background.

    Let it be known i am a recording snob.. so it hurts by my left and right to commit to great performance vs. great recording.

    I still think so highly of this run. Warts and all, it's classic Fall '72 GD.

  • DeadVikes
    Joined:
    72 St. Louis Shows

    Appreciate the insight Jim, BC and OB.
    I have found sometimes, for whatever reason I hear differently after the first go around with the Dave's and the Box sets. Most of the time, I think damn this sounds so good, once in a while I think, this sounds a little off. Sometimes I panic and think my speakers must be blown. I need to go out and replace them.
    Of course, yes, we are lucky they recorded almost all these shows. We all know there are all kinds of different results of the shows and recordings for various reasons. I would think there is no way Norman finished mastering 10/18/72 and texted Dave and said you can't believe how good this sounds. I could be wrong.
    I totally hear what you are saying on the 71 shows OB. Some of them definitely have a different sound to them, Dick's 35, RT#1.3. Great, but different. And then I compare them to the 71 Port Chester shows which sound incredible and are some of my alll time favorites.

    Jim, sorry to hear about the issues you are having, definitely hard stuff to deal with.

    Let me offer up Charlie Miller's 100th show for tomorrow, 6/16/90. There is a newer version from the man himself from 2019 and the version from VFTV III.

  • JimInMD
    Joined:
    Great.. just great

    So I saved.. squirrelled, pinched pennies for 45 years and finally dropped the dime on my dream system I have been planning for all these years. I went completely with Fender Amps on the recommendation of some guy named Hal and now I read this.

    What are these McIntosh items of which you speak?

  • DeadVikes
    Joined:
    That is Gold Jerry

    OB- Kenny Ban??. The Fatigues episode.

  • Oroborous
    Joined:
    Calling inspector Clouseau

    Man I wish I had time….for anything lol
    I’ll try to check some more of these audio anomalies out this WE.
    Hit me with examples if ya got em.

    Ive noticed this phenomenon with other recordings, think mostly 71-72s.
    Definitely could be tape degradation and/or perhaps a little oversaturated originally, but I think there’s amp distortion going on too? They were still mostly using dirty fender power at this stage. So like any real Rock and roller by the end of the night the amps are on 11 etc and with those old tube power sections/power supplies their easy to overdrive.
    By 73 they had pretty much fully switched to big McIntosh power amps, though they were still using the Fenders for pre amps. Like your pre amp at home though, you wouldn’t be pushing the pre amp that much (let the power amp do the heavy lifting). Think overworking a small car engine versus barely stepping on a big V8.
    Could be compromised cabling somewhere. Could be dirty and/or insufficient venue power too? That’s the problem with E lic tri city though, could be a number of things. Probably a bit of all the above…

    Yep BC, glad your digging the nice February weather. These days where it’s sunny and up in the 30s, “it’s gold Jerry, gold I tell ya! I should try to check out the ole St Louie, Louie, box, another I’ve barely been introduced too.
    Hoping 🤞I might be getting a little quality time off soon.

  • bluecrow
    Joined:
    10/18/72

    The '72 shows from the not quite the Fox Box have been in and out of the disc drive several times the past few weeks. All great for sure. I know first run through that it was the 10/19 jam that really kinda floored me. Yesterday listening to 10/18 again with the sound quality question in mind. One thing that struck me was that Keith sounded muddy and almost sort of kind of out of tune. I pay a lot of attention to Keith's playing, especially the "earlier days." Something was off and my guess was it was a SBD thing, how he was miked, and not Keith. (Edit - or as Jim suggests maybe some tape degradation.) Bobby's guitar also sounded a bit fuzzed in a recording artifact kind of way, though not unpleasant in any sense. But none of that stopped me from a thoroughly enjoyable listen. There was a point during the Dark Star where I was suddenly in a zone of complete wonder - a place that reminded me of my first deep "now I understand" listen to the Rotterdam Dark Star (on my weird balance SBD many many years before the box.) A really very cool place to be inside the music. So yes, that Disc 2 is some serious magic. One thing struck me as funny is Donna's yell in the Playing Reprise. I have no issues with her singing in those early days, truly dig it. And that Donna Playing ROAR was maybe the most primal vocalization I've ever heard from her. She was feeling the "Holy Spirit" big time!! Loved her quick soft little "Thank you Thank you Thank you" after it was all said and done. Another truly epic jam sequence.
    Listening to 10/19 Disc 1 right now this morning. Keith is hard right - i think he was slightly left of center 10/18. A little lower in the mix, tone sounds better to my ear. I'd have to do a hard A / B to be sure that my thoughts are correct on that. Now on Sugaree and Keith's piano and Jerry's vocals have now moved to center of the sound stage. I think Keith sounds a little better than 10/18 but still a tiny bit muffled? Maybe its my brain, who knows.
    Thanks DV for suggesting 10/18 awhile ago. I feel like these are my first really good deep listens to the '72 shows from that box. Like you said, great stuff. I ran through '73 a week or so ago and need to revisit that. At the time I remember thinking that the '72 resonated with me more and given that '73 is generally a big fat sweet spot for me I know that my head may have been ever so slightly out of alignment.
    To echo KeithFan over on the 45 thread - I'm really really digging Dave's 45. Spectacular sound. Great playing. Boy are we some lucky Deadheads. It was 10/1 Set II that really got me first run through. The Black Peter is so freaking gorgeous. And then the "random current" of that CB or whatever for a couple seconds and its like oh my freaking goodness. I can only laugh. Really, Universe? I first heard 1/31 NOLA last year while exploring a little around the 2/6/70 Fox (personal favorite.) I remember being very pleasantly surprised to find that they played that acoustic set. I think every single acoustic set they have in the vault needs to be released. Gave 1/31 acoustic another run through Sunday morning. Woke up from a short nap late Sunday afternoon and had Sawmill chorus running through my head again and again. I"m like "What is this song? where do I know it from? Oh Yeah, Bobby sings it on 1/31!" Talk about a poor boy, talk about a poor boy, let me have a dollar bill.
    Nice Poster Oro!! Your first show! Glad that the Almanac shone a light on your post - hadn't seen it. Another beautiful day here in paradise. Always loved this time of year in the high desierto. Onward!!

  • JimInMD
    Joined:
    10/18

    I have to revisit this.. but I think I recalled thinking something similar and attributed it to someone spinning the master reel a couple times too many before they locked it away. All three nights are good, but 10/18 is probably my favorite of the bunch, it would not surprise me a bit that someone on the inside thought so too. That and the BCT shows a month and a half earlier are both special runs from a special year.

    For kicks and giggles.. check out the Morning Dew from 5/26/72 at the Lyceum from the E72 box and then listen to it from the version on Europe 72. There is static on the box set version where the original sounds crystal clear. The masters degrade especially when people with two left thumbs (like me) handle them. A lot of the early shows suffer from this, listen to 4/18/70 (the Mountain Girl returned reels) sound and frankly a lot of 69.

    Well, at least someone remembered to hit record. Didn't Sony or one of the other music houses have their entire archive burn down a decade or so ago? Image the horror if GD masters were lost in a fire.🔥🔥🔥😭

    Been gone a bit lately.. spending quality time in the hospital with my aging parents. They seem to be on the mend though, which puts me back home and in good spirits. I hope to participate more as I get back on line with work and fun.

    Thanks for keeping the train a rollin' guys.

  • DeadVikes
    Joined:
    Listen to the River 72

    Thanks for looking into it OB.
    I have noticed it on all three CDs from 10/18. I don't hear it on 10/17 or 10/19, which I think are both smoking!

  • Oroborous
    Joined:
    Yeah

    I only listened to disc 2, but yeah, now that you mention it…
    Seemed to get more noticeable near the end?

    I notice occasionally on 71-72s…some is just the actual distorting of the amps from playing loud…

  • DeadVikes
    Joined:
    10/18/72

    Hey OB, did you notice any distortion on 10/18?

    I think 10/17 and 19 sound spectacular.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Fun show for sure, nice representation of a solid ’84 show.
Whenever I hear a good ’84 show, I always think, hmm wonder what the rest of that tour was like.
I guess that’s the magic that kept the Dead on the road for so long.

Great Set 1 with real nice Bird Song, and like many have commented a top Jack Straw, best of the ‘80s? best after hiatus? However you want to quantify it, it get’s a lot of best talk.

The Shakedown > Samson got the 30 Days treatment in 2017.
A relative newly dusted off Smokestack Lightning with a real sweet jam after, short drums > space (is there a reel flip in here I’m missing, might have to research). Great post Drums set list Wheel > TOO > Black Peter > Lovelight. And last of 2 Revolutions for the year. First Black Peter into Lovelight? First of the infamous Amy Boards.

It was a nice return from my 1970 wormhole that I entered on 7/24 with the 9/20/70 show, went deep on that one, even ventured into the land of the PERRO session tapes, fun trip. Completely enjoyable and fascinating.

Nice Pick!

You all getting shipping notices?

What’s next?

10/21/83 you say..

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In reply to by JimInMD

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Yes, the 83 30 Trips show, let's do it.
I remember this being a good show.

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Well, I've heard it said there's something wrong in my head, now.

And the doctors can't seem to figure it out. Been on the shelf for a couple months with an odd malady - more or less constant dizzy, spacey feeling, which family and friends quickly pointed out seems par for the course for me (yeah, love you guys, too).

It feels kind of like I've had a couple of pretty strong mai tais. Not the worst feeling in the world, and I get the "buzz" without having to spend money on libations! Or a round trip ticket to Hawaii.

But, I've had to be horizontal a good bit of the time, can't really exercise, drive, etc. The best way to explain it is that I've been living inside of a 2 month long Dark Star>Seastones>Drums>Space>Feedback. With a Samba encore - Yikes!

Anyway, things have improved over the last several days, and I'm gradually returning to civilized society, although that seems to be slipping away lately out here on the west coast.

So, I'm only five dozen shows behind the rest of you. I should be able to catch up by the end of the weekend! And I nominate 9/19/2003 for a listen one of these days - a terrific post-GD show.

Cheers and good health to all.

Edit: Man, I really have been out of the loop for a bit. Neon Nikes - really??

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Good to see you back in the mix Bolo. Man, good to hear things are getting better. A little Black Peter?

We will have to cut you some major slack on the past picks.

2003? You will have to help us out with that pick.

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Or perhaps Mexicali Blues.

I think what Bolo was trying to say is Dave's Picks 36 is 04/16/78 Huntington Civic Center - Huntington, WV.

It was the Peggy-O reference that made me think of this show, and then when you see the first set ends in Scarlet>Fire. ..well, oh.. and get better Bolo from whatever ales you. Great to see you back, be good get or stay healthy.

Edit: Or it could be I am full of shit and think we are due for a '78. Either way, it's a win.

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In reply to by DeadVikes

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A Classic. And so it is.

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Bolo - it can be a bit restricting, having dizzy spells. I acquired them-with attendant feelings of nausea about 5 years ago. No one was quite sure why-possibilities included a reaction to prescription drugs, having low blood pressure and an imbalance in my ears. Nothing was decided, so I just carry on as I am. I find I am alright if I don't look down. So I don't.

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Hey Bolo, glad you're feeling better and that doesn't sound fun.
And in regards to the west coast, You know the nearer your destination, The more you're slip slidin' away.

Hot tip on the 9/19/03 show... anybody got the SBD of this one out there?

It looks like that whole Dead tour was released on some limited edition Summer Getaway CDs, so I thought'd I'd check.

I've never listened to the Joan Osborne stuff, this show is sounding pretty dope and so naturally.. the SBD came to mind :) Some things never change in regard to collecting music.

Dug the 1983 yesterday and looks like some early 1973 for today, don't mind if I do.
Shipping notice received over here.
The Beach Boys mighta said and we'll have fun fun fun...

Be well all.. lmk about that 9/19/03 show if somebody got's it.

Oh! She's singing on Rueben & Cherise, gotta go bye.

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I might just have them.. I need to look. I recall having a lot, perhaps of 2003 and none from 2004.. not sure why I gave up after 2003???

I will look tonight.

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In reply to by JimInMD

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Thanks Jim!

I found a bunch of the others, but not 9/19/03.

It's cool stuff!

LMK if you're looking for anything and if I have it I'm happy to work up a lil trade.

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In reply to by JimInMD

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All that is coming in the mail. (hopefully today)

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I like the way you work it.

Your guys partnership is pretty cool, nice job fellas.

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I'm afraid today's website glitches were probably my fault. As part of a rather complex NDA with my "employer," I am required to give them advance notice before I post on any website. In my compromised state of mind, I forgot to do so. I'd explain, but it's complicated. And dangerous.

In the unlikely event that anyone did a screen capture of my previous post, I strongly urge you to reboot your computer, change the locks on your door and stay away from the windows.

Also, I have the SBD of 9/19/2003 (WAV format) if you need it. Not sure how I would send that digitally - pretty big file.

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In reply to by bolo24

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....HCS -> Jam -> Bobby McGee. Yeah. I member that.

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In reply to by Vguy72

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Great sound.. It's been a while since I listened to this show. Makes me think we have much more 1973 coming our way the next few years.

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In reply to by JimInMD

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Thanks for joining me on these one Jim, GOGD, Vguy and hopefully the rest of you. Gollum, you should be a fan of this show. Oroborous, I know you love this one.

This release really changed my view of releases. This is by far the most played Dave's Picks for me. Not saying it is the best ever, just the most played. Sound quality is A++. There are zero flaws in the entire release.
The Deal just kills it, so far my favorite China-Rider. The transition is unreal and I have not heard anything come close. Of course that doesn't mean it doesn't exist. Box of Rain! So many highlights. Love the HCS. Why did they retire this song and when did they retire it? Love the WRS prelude into eyes. Did that ever happen again? And such a great finish.

Yes, Jim, I sure hope we get more 73. Dave's 16 is killer, Scooby Doo, and Dave's 32 at the Spectrum is so good. Love the variety. That He's Gone, Truckin, into the Jam- Dark Star into Sing me back home is super special!

So let's hope they have more 73 in the Vault. So many good shows.

Be well and let me know where we are going next.

No shipping notice here in MN, but that is
no surprise. I am usually 1 week behind.

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Yes, I surely do love 4/2/73 Deadvikes. I'm trying to keep up with the daily picks but have been dragging ass a bit this week. I'm still knee deep in Sunday's pick 2/11/70! I always avoided 2/11 because of the special guests. I guess I'm wary of outsiders. That's silly, of course, and it's just a great show. The whole Star-Spanish-Lovelight jam is sweet and meaty like a butt steak.

The three Spring 73 Dave's Picks are among my very favorites, too! I'd love it if we got some more 73 DaP's- maybe 8/1/73 or 9/11/73? I think those Dark Stars might be underrated because of sound quality (I dunno?).

I'm enjoying y'alls comments. Some day I'll catch up with you guys...

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In reply to by bolo24

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Sent you a PM

Thanks Bolo!

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Sure do Love Spring '73

4/2/73 is solid top to bottom without a doubt. Really like when Phil still sung on Half-Step, even (especially?) when his voice is cracking (12/19/73 comes to mind as the standard to measure against), just ain't the same without that little bit of wonderful. Great great stuff here people. No complaints at all. Wave That Flag stuck out as it had me bobbin' along. And the Jam in Eyes that Jerry gets into at 14 minutes is the stuff I keep coming back for again and again and again.

No secret that PITB is an absolute favorite, possibly my #1 favorite, but def in the top 5. This one is great per usual.
But I had a flash yesterday on it's life cycle.

So you know how Dark Star had it's most epic versions from 1969-1970, IMO of course, I mean it's always great, but 1969-1970 those Stars are just universes of greatness, peak versions shall we say. It stays in the rotation, and is played great, but they're not 1969-1970 Stars. I'd say this is when Jerome was most excited about it, which makes all the difference to me.

Playing In The Band seems to have a similar life cycle in that regard and it's peak is arguably 1972-1973, again it stays in the rotation, and is played great, but they're not 1972-73 Playings (sp?). Anyhooo.. just wanted to say that cause that's what I was thinking about as I drifted through yet another magnificent PITB from '73.

Plus the coffee's kicking in and I don't really want to do the other stuff I should do today, so yeah I'm procrastinating.

And if you made it this far, congrats! You are a trouper.

That 2003 The Dead stuff was ringing my bell yesterday, those set lists had me at Born Cross-Eyed, another top 5 song for me.

What's on the haps for today?

PS - I probably wouldn't click on the RAW RAGE link below, that sounds a bit sketchy..
Spammers does anybody really go for that?

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Interesting that people gravitate towards 4-2-73. I think the three Dave's picks from spring '73 are a really nice triad. Between them you have pretty much everything they were playing at the time.

You've got 3-28-73, Dave's Picks 16, affectionately known around these parts as Scooby Doo House. Recorded by Kidd, opening with a Cumberland -> Here Comes Sunshine, all the expected 1st set goodies, and a 43-minute Dark Star into Eyes deep in the second set. This recording doesn't sound as warm to me as Dave's Picks 21 - 4-2-73 at the Garden.

On this one Rex Jackson gets the credit for recording. Which is interesting since she and Betty were more or less a team during this period weren't they? maybe this accounts for the slightly warmer sound, which is generally attributed to Betty's recordings. This show has a great 1st set China-Rider and a fantastic 17 minute Playing in the Band to close out the 1st set. Set two has a nice slinky Mississippi, and the aforementioned Sunshine -> Jam -> Bobby McGee is unique as far as i know. The jam is a little dissonant for my tastes but no biggie. I believe this is the Eyes where garcia sings "There follows his wagon behind him thats loaded with kale".

Then comes my favorite of the bunch, Dave's 32. Both Rex and Kidd get the recording credit on this one, and it seems to me to fit right in between the previous two shows sonically. most of the 1st set is typical, but still very well played and the set has a great flow to it. I really dig the chorus like effect that Bobby was using on this tour - notably on Looks Like Rain. This show just seems to go on and on and the 3rd disc is special: He's Gone -> into a nearly 40 minute Truckin-> Dark Star (sans vocals) and then a Sing Me Back Home.

Just a fantastic show. The only thing this triptych is missing is a big Other One, which hopefully we'l lget soon in another Spring '73 release. This is my absolute favorite time for the band. Pig is gone, but i think that freed them up in a sense, and you can hear it in the playing, which is adventurous. And they have a ton of new material to learn and hone. I get it that some of the 1st sets are repetitive, but I usually just hone in on Bobby or Phil, who are always playing something unexpected. Bring on more '73. I'd love some more fall shows too, which might be a bit more complicated to release becasue of the guest horn players.

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In reply to by Slow Dog Noodle

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Well put slow dog. They are all great shows.. 4/2 has a little pixie dust mixed in with the mix, so it probably gets a little extra hype for that.

With the number of unreleased '74 shows just beginning to thin out.. 73 is going to come into the foreground eventually. I bet we get a good dose of 73 over the next year.. year and a half.

Anyone get Philly yet?

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In reply to by JimInMD

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No, in fact still no shipping notice for me.

Who has a pick for us today?

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In reply to by DeadVikes

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Just an idea...

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In reply to by JimInMD

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Started 4-2-73 this morning driving into work.
Sounded mighty fine.
Sound quality of releases just keeps getting better. Time to Plangentize/Normanize 12-18-73.

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Sounds like a great idea Jim, I have been gone all day. Just catching up. Capitol Center! Let's do it.

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I've never understood why this Dark Star never gets any love. I remember in my tape trading days thinking that it ranked alongside 6/10 as the peak 73 Dark Stars. My old tape had crummy sound. I haven't heard the upgraded archive versions yet.

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It's an absolute killer of a Dark Star! Dave & Co, when you gonna release 8/1/73, 2/9/73 and 5/26/73, I aint getting any younger.

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In reply to by billy the kid

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8/1/73 sounds good to me.

What a guy, Hey Garcia!

Man these folks at Dead.net, JerryGarcia.com, etc... have been busy during this pandemic, can barely keep up and that's all I'm doing. Totally Hardcore.

Releases, Shakedown Streams, Studio Outtakes, Dead Casts, Birthday Parties, Holy Shit!
I'm impressed.

Enjoy the Day you all, looking forward to some epic Dark Star action.

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Well audience tape only on Archive...... I wonder if a Board is in the Vault.... Starting with the Playing right now in second set.... don't think I will be awake for whole show... be good all.... bob t

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In reply to by JimInMD

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Let's keep the train rolling along.
I am going to check out 11/28/80 from the 30 Trips release. Sending out the 1980 vibe in the dimming hopes of a 1980 box.

Loved the 3/14/90 revisit. Always have room for a Spring 1990 release. Black Peter!

Be well folks and everybody hang loose.

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In reply to by DeadVikes

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Ha.. listened to this 2 or 3 days ago (the day we did Worcester '83), so it should count.. ??.

Great little show.

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In reply to by JimInMD

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Jim, funny, for sure it counts. And it is a short show, finished it off before lunch. Really laid back show. Only 18 songs. Really like the Passenger, Deep Elem, LLR is good and the Deal is hot. To Lay Me Down is excellent, very well played and the Terrapin into Drums is well played. Black Peter! Sugar Mag US Blues closer.

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Well, this fall is the 40th anniversary, and we did get Warfield Acoustic last year which caused a lot of speculation about a Fall ‘80 Box.

Sign me up!

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Conekid, yes, that has always been the hope for me after they started releasing the big box sets like E72, and the two Spring 1990 box sets, I thought it was only a matter of time. Here we are the 40th anniversary!

I know Glasser did not work on the June 76 Box, so I am hoping he was busy on something else??

And I have heard all the rumors, the tapes don't exist, they recorded over them after they released Dead Set and Reckoning, or For the Faithful. I think I still have my For the Faithful LP.
Anyway, I don't think that is true. Three reasons. They rereleased Dead Ahead with new bonus songs in the 2000s and expanded Dead Set and Reckoning in 2004 or 2007, can't remember the exact year, with all new bonus material from the run. So, there has to be something there.

Somebody knows around here.

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I have had him pretty occupied doing roofing repairs on my house. But it's going to rain the next several days, so he should be back in the studio cranking out 1980 gems as far as I'm concerned!

It does seem odd, the 1980 dilemma. I guess it's mostly true, but man.. they didn't even keep the single reel masters? Something must left worth releasing in the tool shed.

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In reply to by JimInMD

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That appeared out of nowhere, so hopefully some SBD reels were in the ABCD stash.

Yeah, the reels weren’t in the vault because they were in the storage shed.
Fingers crossed.....

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In reply to by JimInMD

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Conekid, that would be cool. From the lists I have read, I am not sure they received anything more the acoustic sets from October 9 and 10.
Jim, you mention I guess it is mostly true. Can you elaborate on that?

Who has a pick for today?

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Hi-Ya, chiming in on the 1980 stuff, in 2012 DL said the following:

“Recorded every show from Warfield & Radio City Music Hall to Multitrack. Unfortunately a lot of that was erased in the early 80s. Nonetheless there’s material there.”

A number of the Acoustic sets were part of the Betty Boards that were returned, I'm assuming those were two-track mixes though and not multi-track.

Not sure if there's any info about the wiping of the original tapes. If anybody has info on that story let me know.

In other news, looks like new DaP V35 might be arriving soon... fingers x'd.

And lastly 5/29 & 5/30/71 look kinda cool...

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In reply to by DeadVikes

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Those were general comments.. I have no facts to back them up. I just can't believe this there is nothing left on the shelves from those tours.

Lemieux.. if you listening, check in that unlabeled banana box in the back of the room with the Blues for Allah painting. We think you missed some reels.

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In reply to by JimInMD

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Sounds like a winner to me. Cal Expo.

I am in the camp of hope for 1980. Time will tell.
Thanks for the information guys, this is better than the alternative.

GOGD, did you have a link for Dave's comments?

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To bad they erased those tapes, I'm happy to hear that some survived. I'm. happy they released the 10/9/80 and 10/10/80 acoustic sets, I was at both those shows , so that might mean they still have the electric sets for those shows. Both those shows were killer shows,electric and acoustic , so hopefully the electric sets will we the light of day and be.released.

BTK: Yeah, so I think based on Dave's comments that some of the multi-track stuff still exists, some of it got wiped. And then there's also Betty's 2 Track mixes that exist, I think those are mostly acoustic sets, at least based on what circulates.
I'm tempted to go through both runs and gather my notes on what SBDs are in circulation and which aren't, but I'm thinking that's a pretty good representation of what exists and what doesn't in the vault.

DeadVikes: Yeah, here's a link to Dave talking about this on January 17th 2012 @ 33:48ish - http://www.ustream.tv/recorded/19834305

It's a good watch and pretty informative. I stumbled on it looking into the 1970 tapes in the Vault, and it did answer my question on that as well.

Unfortunately, he states that there are virtually no shows in the Vault from July 16 through December 1970, largely because of Owsley getting busted. I guess the Dead themselves were not running tape at all during this time. Might be old news for some, but I wanted to confirm it with my own ears.

Clever Deadhead and Photographer Bob Minkin also gave us a clue to this on Page 221 of his book Live Dead with a picture of the 1970 reels in the Vault, in the picture there's a huge gap of reels between 7/16/70 - 12/27/70 :(

Dang it.

The above totally coincides with the tapes that circulate, mostly what exists in circulation from that time frame are either Fillmore East Crew SBDs (partials), FM Broadcasts, or Audience recordings.

So, mystery solved? I'd still like a nice list of what's there and not, but yeah that might be my OCD.

Since we're all getting older here, I think some time should be put towards figuring out what else exists from the Festival Express and to try and get that stuff and get it out there. I know there's more of that than what circulates.

Unfortunately, I don't see any 1970 acoustic set stuff happening for American Beauty 50th, because it doesn't sound like it exists. Happy to be wrong.

Alright, well there you have it, and that's the way it is Tuesday August 4, Two Thousand and Twenty, I'll be away on assignment and Dan Rather will be sitting in here for the next few years.