• 8,084 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Vguy72
    Joined:
    Football....

    ....i had a 4 team $20 parlay bet going into the Saints/Bucs game. Brady cost me $240. Even when he's out of my division, he still haunts me.

  • Oroborous
    Joined:
    DV: 89 vs 90

    I think it’s that searchin’ for the sound, trying to reach the summit, the whole forward progress, coming together, versus spring 90 is like they reached the top of that path, like sitting on top the summit and smoking a fatty, 420 @ 14K as we say out here! 89 was the climb, but spring 90 was the summit, if that makes sense?
    Spring 90 is almost like too pristine, too clean? Don’t get me wrong, imho it ranks with most of the biggins, but there’s something about 89?

  • Oroborous
    Joined:
    Yaaassss, yassss, yaasss,

    I do like me sum 89...AND Cal Expo! Only made the June 90 run, and did Merch there on 96 Furthur tour, but it left a smoking crater on my mind. Some might call it a dump, but the layout was awesome for sound and good sight lines. Laid back vibe and a great lawn too, especially with GA so folks could go where they want. And yes, the beer was a amazing surprise; Anchor on tap and not east coast stadium mob priced. I had truly, finally, made it too the promised land! If only I had made it to the Frost and Greek : ( Shorline was nice, but I really dug the X! Maybe it was the x lol.
    Irvine would of been a nice place to see um, but unfortunately I only did Furthur fest there...
    So haven’t hit this yet but sounds like that’s what’s up next!

    Rock Thing, welcome aboard, so glad ya made it...as your senator from the great deadnet state of altered consciousness, I can assure you there are very few rules to guide. Generally no politics or any of that kinda heavy shit, and be polite, don’t be a douche! Remember, we all have our opinions, which is nice, but we’re all confused, which is nice, and we’re all wrong on some plain or another, which is nice!
    That’s about it, so Rock On Rock Thing!
    Oh, I’m with you about sources. I’ll take a really good Aud over many SBs, and I really like a good matrix, but I mean really good, like some of the video mixes I believe have actual, ambient mics used with appropriate time alignment etc.
    I get why the majority like SBs, and the historic technical reasons why they became en Vogue. But the tech changed so much and with the eventual gray area removed by the tapers section etc, there are some really amazing sounding Auds.
    I’ll concede that it has to be done just right, but if so I really dig a great matrix; you get the (usually) clean direct feed of the instruments etc, plus the more natural room ambience. Of course like a SB, the mix is crucial, and unfortunately in the case of the “cassette years,” is often mixed so prominently for the house. But when 2 great sources are blended just so it is really amazing how good they can sound.
    The ultimate imho is when the “Dead” did it purposefully like on many of the official releases, like some of the video mixes...EDIT: I believe that 3/15/90 show is a good example that has some really nice “liveness” ambience...
    I like Dave’s Pick 8 and 36, but 8 seems a tad too dry and 36 at times is perhaps to much, but hey, that’s just me.

    Ok, onward....8/5/89 woo, woo!
    GO BILLS!
    KCJ, where you be? I’d trash talk with ya but I don’t think we’re gonna do it, but hey, as Boomer would say
    “That’s why they play the game”

  • DeadVikes
    Joined:
    1989

    Yes, so many great shows in 89 and Cal Expo is no slouch. Lately, I have been thinking 89 might edge out 1990? It is close anyway. Really high level stuff with Jerry fully engaged. Things changed after Brent died, but there was still some great music. Fall 1990 still doesn't grab me. Not like 1991, where they seem to get the Mojo going again.

    Stay well out there people.

  • JimInMD
    Joined:
    Sweet Run

    This one's for our 89 loving Oroborous. (knowing that most in this group seem to be 80's fans)

  • Vguy72
    Joined:
    Cal Expo '89....

    ....was present and camped at all three. Awesome venue. The only time I caught them there. Very beer friendly.

  • JimInMD
    Joined:
    Rockthing

    Right on, Bring it..

    I think you are doing this exactly right. Great show, VGuy, good choice. And an excellent show to have attended. Did you catch the entire run?

    It's keeping us honest.

  • daverock
    Joined:
    Infrared Roses

    Rockthing-your post reminded me of the cd compilation called "Infrared Roses" that came out in the 90s. An album exclusively made up of drum and space segments, each track given the added status of being named individually. I was lucky enough to experience one of them-the so called "Silver Apples of the Moon" which I think came from London 11/1/90. One of the highlights of the show.

    When drums and space come out of Dark Star- I tend to think of them as being extensions of Star, rather than as separate entities.

  • rockthing
    Joined:
    gd1989-08-05 impressions Second Set

    Am I doin' this right? Sorry if I'm kinda goin' overboard. That's my thing.

    Continuing to listen to the Schoeps MK2 source.

    Hey Pocky Way: This song did not get performed enough. Just some light fun with a little cheesy keyboard sound.

    Playin': Nice and spacey jam. Sparse. Chill. Percussion taking the back seat in the mix. Jerry really challenging the others to find the trail he's blazing. Catch me if you can! Whoa, what's he hintin' at? No way! So THIS is the standalone I Know You Rider. More like a Playin' Rider. THAT really came outa nowhere. People musta been goin' nuts. Can't really hear too much reaction from the crowd, even though this is an audience pull. Up up tempo. Really flying. Headlight ¡GONG! on a northbound train. Nice. :)

    Terrapin: Are you serious? Third song into the second set is Terrapin?! Pretty solid.

    Drums/Space: At some point I really began to dislike the generic titles for drums and space. It's canon. I know. Can't fight city hall. Never gonna change four decades of precedent, but when I track my old tapes for my own personal use, I include drums and space in the song either before or after them. I like to think of them as a drum solo and free form jam into or out of a composition. I realize they rarely have much of anything to do with the tunes around them, but some of the early stuff would go out so far you had no idea what song they were playing, I kinda like to stay in that frame of mind. So, to me, this is the drum solo for Terrapin. ^^; Is there a cut, or was that just the world's shortest "drums"? Some wacky MIDI stuff to start off space. Everyone playing everyone else's instruments, virtually.

    Gotta run. Catch up with the rest of the second half later.

    EDIT:

    Sorry, Terrapin wasn't the third song. Maybe Pocky Way felt like such a throw away that subconsciously I didn't even count it. At any rate, seemed to arrive at Terrapin awfully quickly. Time flies when you're having fun? :)

  • rockthing
    Joined:
    gd1989-08-05 impressions First Set

    Hey now. Is it ok if a newcomer jumps in on this? Never need an excuse to cue up a show I've never heard. Wish I had time to do it more often. Easily lead into rabbit holes, so hafta stick with my old favorites when things are busy. Nice to have someone to share the impressions with. I apologize in advance. I am notorious among all my correspondents for writing the sequel to Ulysses in every email.

    I don't have any hard and fast policies, but generally I prefer to find a good audience pull over soundboards. There are plenty of boards I love, though, so as I say it's not a rule. Being a minor taping enthusiast informs that tendency, but often I actually like having the crowd in the mix. Sometimes the audience can be as entertaining as the band, like the dudes calling out for Casey Jones during Seastones. Hilarious. Idle chatter drives me up a wall, though.

    Introductions out of the way, please allow me to share my experience listening to this Cal Expo gig.

    First impressions:
    Wow. Bobby's vocals are really loud. This is something I often find distracting about boards. The vocal balance is way too high in the mix compared with the instruments. It's inevitable, I guess. Usually the instruments don't need to be amplified as much as the vocals. I gather that we're supposed to be listening to the same releases, but I decided to see what the other sources sounded like.

    I switched from the Miller SBD to Mattes Schoeps CMC 44 pull. I've heard some Mattes tapes I like. The Schoeps are top of the line mics and can't be faulted technically, but I often find Schoeps pulls to favor the lower frequencies in a way that seems to muffle the overall experience. In this case my first thought was, where's the band? Had to really crank it to even notice OMSN had started.

    Next it was a switch to the Casey Coniff Sennheiser 441 pull. Starts off promising. Instruments loud and clear, but then I WENT UP TO THE MOUNTAIN, wow, the vocals were blasting into the audience, too. Yes, you can hear Dan Healy, I presume, immediately pull the volume back, but Bobby's vocals are really dominating the mix.

    The Schoeps MK2 pull seems to offer a frequency balance I like best of these sources. The vocals are still really high, but they would be since everyone's taping the same show. Let it be said, however, that the focus and clarity of both this and the Coniff audience pulls are right up there with soundboards. No need to search for the show in the recording.

    Cold Rain and Snow: Poor old Jer. Love that old silvery elf voice of his and I know it won't be there in '89, but he sounds kinda tired to me at the beginning. Kick drums kinda have that slappy festival sound quality. Phil's bass sounds great. Low end is powerful, but well-defined, and his upper register runs are right there too, but not harsh. Big smile for that little hiccup/accent around 4 and a half minutes in. Love this tune. This probably won't rocket to the top of my list of favorites.

    We Can Run: As much as I love Brent's keyboard work with the Dead, I rarely get into his songwriting.

    Stagger Lee: Nothing in particular to say about this.

    Stuck Inside of Mobile: Nothing to write home about. Everyone seems to be getting a little more warmed up. The buildups for the choruses each seem to grow in intensity.

    Row Jimmy: Whoa! WTH was that atonal weirdness. That was brilliant, whatever it was. lol. Sounds like someone accidentally dropped something on The Beam. Unfortunately no one had the presence of mind or inclination to try to incorporate it into the song, or improvise off of it. It just happens and sounds like a mistake. Jimmy plods along as usual. Gonna get there? I don't know.

    Let It Grow: Oh, some of those crazy Healy vocal/etc. effects. I usually liked it when he added stuff like that, but I guess others didn't. As is often the case with this tune in the second half of the 80s and onward, we get our first taste of the band firing on all cylinders for one quick hot lap before the set break. This one doesn't get too far out during the first jam, though, before Bobby brings it back and seems to miss his own cue. lol. Nice fills from Jer and Brent in the outro. Could've stood a bit more of that, tbh.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by JimInMD

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Fun show for sure, nice representation of a solid ’84 show.
Whenever I hear a good ’84 show, I always think, hmm wonder what the rest of that tour was like.
I guess that’s the magic that kept the Dead on the road for so long.

Great Set 1 with real nice Bird Song, and like many have commented a top Jack Straw, best of the ‘80s? best after hiatus? However you want to quantify it, it get’s a lot of best talk.

The Shakedown > Samson got the 30 Days treatment in 2017.
A relative newly dusted off Smokestack Lightning with a real sweet jam after, short drums > space (is there a reel flip in here I’m missing, might have to research). Great post Drums set list Wheel > TOO > Black Peter > Lovelight. And last of 2 Revolutions for the year. First Black Peter into Lovelight? First of the infamous Amy Boards.

It was a nice return from my 1970 wormhole that I entered on 7/24 with the 9/20/70 show, went deep on that one, even ventured into the land of the PERRO session tapes, fun trip. Completely enjoyable and fascinating.

Nice Pick!

You all getting shipping notices?

What’s next?

10/21/83 you say..

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In reply to by JimInMD

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Yes, the 83 30 Trips show, let's do it.
I remember this being a good show.

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Well, I've heard it said there's something wrong in my head, now.

And the doctors can't seem to figure it out. Been on the shelf for a couple months with an odd malady - more or less constant dizzy, spacey feeling, which family and friends quickly pointed out seems par for the course for me (yeah, love you guys, too).

It feels kind of like I've had a couple of pretty strong mai tais. Not the worst feeling in the world, and I get the "buzz" without having to spend money on libations! Or a round trip ticket to Hawaii.

But, I've had to be horizontal a good bit of the time, can't really exercise, drive, etc. The best way to explain it is that I've been living inside of a 2 month long Dark Star>Seastones>Drums>Space>Feedback. With a Samba encore - Yikes!

Anyway, things have improved over the last several days, and I'm gradually returning to civilized society, although that seems to be slipping away lately out here on the west coast.

So, I'm only five dozen shows behind the rest of you. I should be able to catch up by the end of the weekend! And I nominate 9/19/2003 for a listen one of these days - a terrific post-GD show.

Cheers and good health to all.

Edit: Man, I really have been out of the loop for a bit. Neon Nikes - really??

Good to see you back in the mix Bolo. Man, good to hear things are getting better. A little Black Peter?

We will have to cut you some major slack on the past picks.

2003? You will have to help us out with that pick.

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In reply to by DeadVikes

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Or perhaps Mexicali Blues.

I think what Bolo was trying to say is Dave's Picks 36 is 04/16/78 Huntington Civic Center - Huntington, WV.

It was the Peggy-O reference that made me think of this show, and then when you see the first set ends in Scarlet>Fire. ..well, oh.. and get better Bolo from whatever ales you. Great to see you back, be good get or stay healthy.

Edit: Or it could be I am full of shit and think we are due for a '78. Either way, it's a win.

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In reply to by DeadVikes

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A Classic. And so it is.

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Bolo - it can be a bit restricting, having dizzy spells. I acquired them-with attendant feelings of nausea about 5 years ago. No one was quite sure why-possibilities included a reaction to prescription drugs, having low blood pressure and an imbalance in my ears. Nothing was decided, so I just carry on as I am. I find I am alright if I don't look down. So I don't.

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In reply to by bolo24

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Hey Bolo, glad you're feeling better and that doesn't sound fun.
And in regards to the west coast, You know the nearer your destination, The more you're slip slidin' away.

Hot tip on the 9/19/03 show... anybody got the SBD of this one out there?

It looks like that whole Dead tour was released on some limited edition Summer Getaway CDs, so I thought'd I'd check.

I've never listened to the Joan Osborne stuff, this show is sounding pretty dope and so naturally.. the SBD came to mind :) Some things never change in regard to collecting music.

Dug the 1983 yesterday and looks like some early 1973 for today, don't mind if I do.
Shipping notice received over here.
The Beach Boys mighta said and we'll have fun fun fun...

Be well all.. lmk about that 9/19/03 show if somebody got's it.

Oh! She's singing on Rueben & Cherise, gotta go bye.

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In reply to by The Good Ole G…

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I might just have them.. I need to look. I recall having a lot, perhaps of 2003 and none from 2004.. not sure why I gave up after 2003???

I will look tonight.

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In reply to by JimInMD

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Thanks Jim!

I found a bunch of the others, but not 9/19/03.

It's cool stuff!

LMK if you're looking for anything and if I have it I'm happy to work up a lil trade.

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In reply to by Dennis

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I like the way you work it.

Your guys partnership is pretty cool, nice job fellas.

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I'm afraid today's website glitches were probably my fault. As part of a rather complex NDA with my "employer," I am required to give them advance notice before I post on any website. In my compromised state of mind, I forgot to do so. I'd explain, but it's complicated. And dangerous.

In the unlikely event that anyone did a screen capture of my previous post, I strongly urge you to reboot your computer, change the locks on your door and stay away from the windows.

Also, I have the SBD of 9/19/2003 (WAV format) if you need it. Not sure how I would send that digitally - pretty big file.

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In reply to by bolo24

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....HCS -> Jam -> Bobby McGee. Yeah. I member that.

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In reply to by Vguy72

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Great sound.. It's been a while since I listened to this show. Makes me think we have much more 1973 coming our way the next few years.

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In reply to by JimInMD

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Thanks for joining me on these one Jim, GOGD, Vguy and hopefully the rest of you. Gollum, you should be a fan of this show. Oroborous, I know you love this one.

This release really changed my view of releases. This is by far the most played Dave's Picks for me. Not saying it is the best ever, just the most played. Sound quality is A++. There are zero flaws in the entire release.
The Deal just kills it, so far my favorite China-Rider. The transition is unreal and I have not heard anything come close. Of course that doesn't mean it doesn't exist. Box of Rain! So many highlights. Love the HCS. Why did they retire this song and when did they retire it? Love the WRS prelude into eyes. Did that ever happen again? And such a great finish.

Yes, Jim, I sure hope we get more 73. Dave's 16 is killer, Scooby Doo, and Dave's 32 at the Spectrum is so good. Love the variety. That He's Gone, Truckin, into the Jam- Dark Star into Sing me back home is super special!

So let's hope they have more 73 in the Vault. So many good shows.

Be well and let me know where we are going next.

No shipping notice here in MN, but that is
no surprise. I am usually 1 week behind.

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Yes, I surely do love 4/2/73 Deadvikes. I'm trying to keep up with the daily picks but have been dragging ass a bit this week. I'm still knee deep in Sunday's pick 2/11/70! I always avoided 2/11 because of the special guests. I guess I'm wary of outsiders. That's silly, of course, and it's just a great show. The whole Star-Spanish-Lovelight jam is sweet and meaty like a butt steak.

The three Spring 73 Dave's Picks are among my very favorites, too! I'd love it if we got some more 73 DaP's- maybe 8/1/73 or 9/11/73? I think those Dark Stars might be underrated because of sound quality (I dunno?).

I'm enjoying y'alls comments. Some day I'll catch up with you guys...

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In reply to by bolo24

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Sent you a PM

Thanks Bolo!

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In reply to by Gollum

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Sure do Love Spring '73

4/2/73 is solid top to bottom without a doubt. Really like when Phil still sung on Half-Step, even (especially?) when his voice is cracking (12/19/73 comes to mind as the standard to measure against), just ain't the same without that little bit of wonderful. Great great stuff here people. No complaints at all. Wave That Flag stuck out as it had me bobbin' along. And the Jam in Eyes that Jerry gets into at 14 minutes is the stuff I keep coming back for again and again and again.

No secret that PITB is an absolute favorite, possibly my #1 favorite, but def in the top 5. This one is great per usual.
But I had a flash yesterday on it's life cycle.

So you know how Dark Star had it's most epic versions from 1969-1970, IMO of course, I mean it's always great, but 1969-1970 those Stars are just universes of greatness, peak versions shall we say. It stays in the rotation, and is played great, but they're not 1969-1970 Stars. I'd say this is when Jerome was most excited about it, which makes all the difference to me.

Playing In The Band seems to have a similar life cycle in that regard and it's peak is arguably 1972-1973, again it stays in the rotation, and is played great, but they're not 1972-73 Playings (sp?). Anyhooo.. just wanted to say that cause that's what I was thinking about as I drifted through yet another magnificent PITB from '73.

Plus the coffee's kicking in and I don't really want to do the other stuff I should do today, so yeah I'm procrastinating.

And if you made it this far, congrats! You are a trouper.

That 2003 The Dead stuff was ringing my bell yesterday, those set lists had me at Born Cross-Eyed, another top 5 song for me.

What's on the haps for today?

PS - I probably wouldn't click on the RAW RAGE link below, that sounds a bit sketchy..
Spammers does anybody really go for that?

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Interesting that people gravitate towards 4-2-73. I think the three Dave's picks from spring '73 are a really nice triad. Between them you have pretty much everything they were playing at the time.

You've got 3-28-73, Dave's Picks 16, affectionately known around these parts as Scooby Doo House. Recorded by Kidd, opening with a Cumberland -> Here Comes Sunshine, all the expected 1st set goodies, and a 43-minute Dark Star into Eyes deep in the second set. This recording doesn't sound as warm to me as Dave's Picks 21 - 4-2-73 at the Garden.

On this one Rex Jackson gets the credit for recording. Which is interesting since she and Betty were more or less a team during this period weren't they? maybe this accounts for the slightly warmer sound, which is generally attributed to Betty's recordings. This show has a great 1st set China-Rider and a fantastic 17 minute Playing in the Band to close out the 1st set. Set two has a nice slinky Mississippi, and the aforementioned Sunshine -> Jam -> Bobby McGee is unique as far as i know. The jam is a little dissonant for my tastes but no biggie. I believe this is the Eyes where garcia sings "There follows his wagon behind him thats loaded with kale".

Then comes my favorite of the bunch, Dave's 32. Both Rex and Kidd get the recording credit on this one, and it seems to me to fit right in between the previous two shows sonically. most of the 1st set is typical, but still very well played and the set has a great flow to it. I really dig the chorus like effect that Bobby was using on this tour - notably on Looks Like Rain. This show just seems to go on and on and the 3rd disc is special: He's Gone -> into a nearly 40 minute Truckin-> Dark Star (sans vocals) and then a Sing Me Back Home.

Just a fantastic show. The only thing this triptych is missing is a big Other One, which hopefully we'l lget soon in another Spring '73 release. This is my absolute favorite time for the band. Pig is gone, but i think that freed them up in a sense, and you can hear it in the playing, which is adventurous. And they have a ton of new material to learn and hone. I get it that some of the 1st sets are repetitive, but I usually just hone in on Bobby or Phil, who are always playing something unexpected. Bring on more '73. I'd love some more fall shows too, which might be a bit more complicated to release becasue of the guest horn players.

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In reply to by Slow Dog Noodle

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Well put slow dog. They are all great shows.. 4/2 has a little pixie dust mixed in with the mix, so it probably gets a little extra hype for that.

With the number of unreleased '74 shows just beginning to thin out.. 73 is going to come into the foreground eventually. I bet we get a good dose of 73 over the next year.. year and a half.

Anyone get Philly yet?

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In reply to by JimInMD

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No, in fact still no shipping notice for me.

Who has a pick for us today?

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In reply to by DeadVikes

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Just an idea...

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In reply to by JimInMD

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Started 4-2-73 this morning driving into work.
Sounded mighty fine.
Sound quality of releases just keeps getting better. Time to Plangentize/Normanize 12-18-73.

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Anniversary and one of the the Dave's Picks i actually know the number of 2!!!! Looking forward to watching Egypt tonight even though I have the release!! Good weekend everyone. Bob t

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In reply to by JimInMD

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Sounds like a great idea Jim, I have been gone all day. Just catching up. Capitol Center! Let's do it.

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I've never understood why this Dark Star never gets any love. I remember in my tape trading days thinking that it ranked alongside 6/10 as the peak 73 Dark Stars. My old tape had crummy sound. I haven't heard the upgraded archive versions yet.

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It's an absolute killer of a Dark Star! Dave & Co, when you gonna release 8/1/73, 2/9/73 and 5/26/73, I aint getting any younger.

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In reply to by billy the kid

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8/1/73 sounds good to me.

What a guy, Hey Garcia!

Man these folks at Dead.net, JerryGarcia.com, etc... have been busy during this pandemic, can barely keep up and that's all I'm doing. Totally Hardcore.

Releases, Shakedown Streams, Studio Outtakes, Dead Casts, Birthday Parties, Holy Shit!
I'm impressed.

Enjoy the Day you all, looking forward to some epic Dark Star action.

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Well audience tape only on Archive...... I wonder if a Board is in the Vault.... Starting with the Playing right now in second set.... don't think I will be awake for whole show... be good all.... bob t

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In reply to by JimInMD

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Let's keep the train rolling along.
I am going to check out 11/28/80 from the 30 Trips release. Sending out the 1980 vibe in the dimming hopes of a 1980 box.

Loved the 3/14/90 revisit. Always have room for a Spring 1990 release. Black Peter!

Be well folks and everybody hang loose.

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In reply to by DeadVikes

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Ha.. listened to this 2 or 3 days ago (the day we did Worcester '83), so it should count.. ??.

Great little show.

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In reply to by JimInMD

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Jim, funny, for sure it counts. And it is a short show, finished it off before lunch. Really laid back show. Only 18 songs. Really like the Passenger, Deep Elem, LLR is good and the Deal is hot. To Lay Me Down is excellent, very well played and the Terrapin into Drums is well played. Black Peter! Sugar Mag US Blues closer.

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Well, this fall is the 40th anniversary, and we did get Warfield Acoustic last year which caused a lot of speculation about a Fall ‘80 Box.

Sign me up!

Conekid, yes, that has always been the hope for me after they started releasing the big box sets like E72, and the two Spring 1990 box sets, I thought it was only a matter of time. Here we are the 40th anniversary!

I know Glasser did not work on the June 76 Box, so I am hoping he was busy on something else??

And I have heard all the rumors, the tapes don't exist, they recorded over them after they released Dead Set and Reckoning, or For the Faithful. I think I still have my For the Faithful LP.
Anyway, I don't think that is true. Three reasons. They rereleased Dead Ahead with new bonus songs in the 2000s and expanded Dead Set and Reckoning in 2004 or 2007, can't remember the exact year, with all new bonus material from the run. So, there has to be something there.

Somebody knows around here.

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I have had him pretty occupied doing roofing repairs on my house. But it's going to rain the next several days, so he should be back in the studio cranking out 1980 gems as far as I'm concerned!

It does seem odd, the 1980 dilemma. I guess it's mostly true, but man.. they didn't even keep the single reel masters? Something must left worth releasing in the tool shed.

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That appeared out of nowhere, so hopefully some SBD reels were in the ABCD stash.

Yeah, the reels weren’t in the vault because they were in the storage shed.
Fingers crossed.....

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Conekid, that would be cool. From the lists I have read, I am not sure they received anything more the acoustic sets from October 9 and 10.
Jim, you mention I guess it is mostly true. Can you elaborate on that?

Who has a pick for today?

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Hi-Ya, chiming in on the 1980 stuff, in 2012 DL said the following:

“Recorded every show from Warfield & Radio City Music Hall to Multitrack. Unfortunately a lot of that was erased in the early 80s. Nonetheless there’s material there.”

A number of the Acoustic sets were part of the Betty Boards that were returned, I'm assuming those were two-track mixes though and not multi-track.

Not sure if there's any info about the wiping of the original tapes. If anybody has info on that story let me know.

In other news, looks like new DaP V35 might be arriving soon... fingers x'd.

And lastly 5/29 & 5/30/71 look kinda cool...

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Those were general comments.. I have no facts to back them up. I just can't believe this there is nothing left on the shelves from those tours.

Lemieux.. if you listening, check in that unlabeled banana box in the back of the room with the Blues for Allah painting. We think you missed some reels.

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Sounds like a winner to me. Cal Expo.

I am in the camp of hope for 1980. Time will tell.
Thanks for the information guys, this is better than the alternative.

GOGD, did you have a link for Dave's comments?

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To bad they erased those tapes, I'm happy to hear that some survived. I'm. happy they released the 10/9/80 and 10/10/80 acoustic sets, I was at both those shows , so that might mean they still have the electric sets for those shows. Both those shows were killer shows,electric and acoustic , so hopefully the electric sets will we the light of day and be.released.

BTK: Yeah, so I think based on Dave's comments that some of the multi-track stuff still exists, some of it got wiped. And then there's also Betty's 2 Track mixes that exist, I think those are mostly acoustic sets, at least based on what circulates.
I'm tempted to go through both runs and gather my notes on what SBDs are in circulation and which aren't, but I'm thinking that's a pretty good representation of what exists and what doesn't in the vault.

DeadVikes: Yeah, here's a link to Dave talking about this on January 17th 2012 @ 33:48ish - http://www.ustream.tv/recorded/19834305

It's a good watch and pretty informative. I stumbled on it looking into the 1970 tapes in the Vault, and it did answer my question on that as well.

Unfortunately, he states that there are virtually no shows in the Vault from July 16 through December 1970, largely because of Owsley getting busted. I guess the Dead themselves were not running tape at all during this time. Might be old news for some, but I wanted to confirm it with my own ears.

Clever Deadhead and Photographer Bob Minkin also gave us a clue to this on Page 221 of his book Live Dead with a picture of the 1970 reels in the Vault, in the picture there's a huge gap of reels between 7/16/70 - 12/27/70 :(

Dang it.

The above totally coincides with the tapes that circulate, mostly what exists in circulation from that time frame are either Fillmore East Crew SBDs (partials), FM Broadcasts, or Audience recordings.

So, mystery solved? I'd still like a nice list of what's there and not, but yeah that might be my OCD.

Since we're all getting older here, I think some time should be put towards figuring out what else exists from the Festival Express and to try and get that stuff and get it out there. I know there's more of that than what circulates.

Unfortunately, I don't see any 1970 acoustic set stuff happening for American Beauty 50th, because it doesn't sound like it exists. Happy to be wrong.

Alright, well there you have it, and that's the way it is Tuesday August 4, Two Thousand and Twenty, I'll be away on assignment and Dan Rather will be sitting in here for the next few years.