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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
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    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by The Good Ole G… on Tue, 07/28/2020 - 08:36

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Fun show for sure, nice representation of a solid ’84 show.
Whenever I hear a good ’84 show, I always think, hmm wonder what the rest of that tour was like.
I guess that’s the magic that kept the Dead on the road for so long.

Great Set 1 with real nice Bird Song, and like many have commented a top Jack Straw, best of the ‘80s? best after hiatus? However you want to quantify it, it get’s a lot of best talk.

The Shakedown > Samson got the 30 Days treatment in 2017.
A relative newly dusted off Smokestack Lightning with a real sweet jam after, short drums > space (is there a reel flip in here I’m missing, might have to research). Great post Drums set list Wheel > TOO > Black Peter > Lovelight. And last of 2 Revolutions for the year. First Black Peter into Lovelight? First of the infamous Amy Boards.

It was a nice return from my 1970 wormhole that I entered on 7/24 with the 9/20/70 show, went deep on that one, even ventured into the land of the PERRO session tapes, fun trip. Completely enjoyable and fascinating.

Nice Pick!

You all getting shipping notices?

What’s next?

10/21/83 you say..

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Submitted by DeadVikes on Tue, 07/28/2020 - 09:46

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Yes, the 83 30 Trips show, let's do it.
I remember this being a good show.

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Submitted by bolo24 on Tue, 07/28/2020 - 13:24

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Well, I've heard it said there's something wrong in my head, now.

And the doctors can't seem to figure it out. Been on the shelf for a couple months with an odd malady - more or less constant dizzy, spacey feeling, which family and friends quickly pointed out seems par for the course for me (yeah, love you guys, too).

It feels kind of like I've had a couple of pretty strong mai tais. Not the worst feeling in the world, and I get the "buzz" without having to spend money on libations! Or a round trip ticket to Hawaii.

But, I've had to be horizontal a good bit of the time, can't really exercise, drive, etc. The best way to explain it is that I've been living inside of a 2 month long Dark Star>Seastones>Drums>Space>Feedback. With a Samba encore - Yikes!

Anyway, things have improved over the last several days, and I'm gradually returning to civilized society, although that seems to be slipping away lately out here on the west coast.

So, I'm only five dozen shows behind the rest of you. I should be able to catch up by the end of the weekend! And I nominate 9/19/2003 for a listen one of these days - a terrific post-GD show.

Cheers and good health to all.

Edit: Man, I really have been out of the loop for a bit. Neon Nikes - really??

Good to see you back in the mix Bolo. Man, good to hear things are getting better. A little Black Peter?

We will have to cut you some major slack on the past picks.

2003? You will have to help us out with that pick.

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Submitted by JimInMD on Tue, 07/28/2020 - 18:42

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Or perhaps Mexicali Blues.

I think what Bolo was trying to say is Dave's Picks 36 is 04/16/78 Huntington Civic Center - Huntington, WV.

It was the Peggy-O reference that made me think of this show, and then when you see the first set ends in Scarlet>Fire. ..well, oh.. and get better Bolo from whatever ales you. Great to see you back, be good get or stay healthy.

Edit: Or it could be I am full of shit and think we are due for a '78. Either way, it's a win.

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Submitted by JimInMD on Tue, 07/28/2020 - 22:50

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A Classic. And so it is.

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Submitted by daverock on Wed, 07/29/2020 - 03:32

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Bolo - it can be a bit restricting, having dizzy spells. I acquired them-with attendant feelings of nausea about 5 years ago. No one was quite sure why-possibilities included a reaction to prescription drugs, having low blood pressure and an imbalance in my ears. Nothing was decided, so I just carry on as I am. I find I am alright if I don't look down. So I don't.

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Submitted by The Good Ole G… on Wed, 07/29/2020 - 07:00

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Hey Bolo, glad you're feeling better and that doesn't sound fun.
And in regards to the west coast, You know the nearer your destination, The more you're slip slidin' away.

Hot tip on the 9/19/03 show... anybody got the SBD of this one out there?

It looks like that whole Dead tour was released on some limited edition Summer Getaway CDs, so I thought'd I'd check.

I've never listened to the Joan Osborne stuff, this show is sounding pretty dope and so naturally.. the SBD came to mind :) Some things never change in regard to collecting music.

Dug the 1983 yesterday and looks like some early 1973 for today, don't mind if I do.
Shipping notice received over here.
The Beach Boys mighta said and we'll have fun fun fun...

Be well all.. lmk about that 9/19/03 show if somebody got's it.

Oh! She's singing on Rueben & Cherise, gotta go bye.

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Submitted by JimInMD on Wed, 07/29/2020 - 10:37

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I might just have them.. I need to look. I recall having a lot, perhaps of 2003 and none from 2004.. not sure why I gave up after 2003???

I will look tonight.

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Submitted by The Good Ole G… on Wed, 07/29/2020 - 10:43

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Thanks Jim!

I found a bunch of the others, but not 9/19/03.

It's cool stuff!

LMK if you're looking for anything and if I have it I'm happy to work up a lil trade.

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Submitted by The Good Ole G… on Wed, 07/29/2020 - 12:07

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I like the way you work it.

Your guys partnership is pretty cool, nice job fellas.

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Submitted by bolo24 on Wed, 07/29/2020 - 18:16

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I'm afraid today's website glitches were probably my fault. As part of a rather complex NDA with my "employer," I am required to give them advance notice before I post on any website. In my compromised state of mind, I forgot to do so. I'd explain, but it's complicated. And dangerous.

In the unlikely event that anyone did a screen capture of my previous post, I strongly urge you to reboot your computer, change the locks on your door and stay away from the windows.

Also, I have the SBD of 9/19/2003 (WAV format) if you need it. Not sure how I would send that digitally - pretty big file.

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Submitted by Vguy72 on Wed, 07/29/2020 - 18:57

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....HCS -> Jam -> Bobby McGee. Yeah. I member that.

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Submitted by JimInMD on Wed, 07/29/2020 - 19:56

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Great sound.. It's been a while since I listened to this show. Makes me think we have much more 1973 coming our way the next few years.

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Submitted by DeadVikes on Wed, 07/29/2020 - 21:51

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Thanks for joining me on these one Jim, GOGD, Vguy and hopefully the rest of you. Gollum, you should be a fan of this show. Oroborous, I know you love this one.

This release really changed my view of releases. This is by far the most played Dave's Picks for me. Not saying it is the best ever, just the most played. Sound quality is A++. There are zero flaws in the entire release.
The Deal just kills it, so far my favorite China-Rider. The transition is unreal and I have not heard anything come close. Of course that doesn't mean it doesn't exist. Box of Rain! So many highlights. Love the HCS. Why did they retire this song and when did they retire it? Love the WRS prelude into eyes. Did that ever happen again? And such a great finish.

Yes, Jim, I sure hope we get more 73. Dave's 16 is killer, Scooby Doo, and Dave's 32 at the Spectrum is so good. Love the variety. That He's Gone, Truckin, into the Jam- Dark Star into Sing me back home is super special!

So let's hope they have more 73 in the Vault. So many good shows.

Be well and let me know where we are going next.

No shipping notice here in MN, but that is
no surprise. I am usually 1 week behind.

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Submitted by Gollum on Thu, 07/30/2020 - 00:32

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Yes, I surely do love 4/2/73 Deadvikes. I'm trying to keep up with the daily picks but have been dragging ass a bit this week. I'm still knee deep in Sunday's pick 2/11/70! I always avoided 2/11 because of the special guests. I guess I'm wary of outsiders. That's silly, of course, and it's just a great show. The whole Star-Spanish-Lovelight jam is sweet and meaty like a butt steak.

The three Spring 73 Dave's Picks are among my very favorites, too! I'd love it if we got some more 73 DaP's- maybe 8/1/73 or 9/11/73? I think those Dark Stars might be underrated because of sound quality (I dunno?).

I'm enjoying y'alls comments. Some day I'll catch up with you guys...

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Submitted by The Good Ole G… on Thu, 07/30/2020 - 08:00

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Sent you a PM

Thanks Bolo!

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Submitted by The Good Ole G… on Thu, 07/30/2020 - 08:27

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Sure do Love Spring '73

4/2/73 is solid top to bottom without a doubt. Really like when Phil still sung on Half-Step, even (especially?) when his voice is cracking (12/19/73 comes to mind as the standard to measure against), just ain't the same without that little bit of wonderful. Great great stuff here people. No complaints at all. Wave That Flag stuck out as it had me bobbin' along. And the Jam in Eyes that Jerry gets into at 14 minutes is the stuff I keep coming back for again and again and again.

No secret that PITB is an absolute favorite, possibly my #1 favorite, but def in the top 5. This one is great per usual.
But I had a flash yesterday on it's life cycle.

So you know how Dark Star had it's most epic versions from 1969-1970, IMO of course, I mean it's always great, but 1969-1970 those Stars are just universes of greatness, peak versions shall we say. It stays in the rotation, and is played great, but they're not 1969-1970 Stars. I'd say this is when Jerome was most excited about it, which makes all the difference to me.

Playing In The Band seems to have a similar life cycle in that regard and it's peak is arguably 1972-1973, again it stays in the rotation, and is played great, but they're not 1972-73 Playings (sp?). Anyhooo.. just wanted to say that cause that's what I was thinking about as I drifted through yet another magnificent PITB from '73.

Plus the coffee's kicking in and I don't really want to do the other stuff I should do today, so yeah I'm procrastinating.

And if you made it this far, congrats! You are a trouper.

That 2003 The Dead stuff was ringing my bell yesterday, those set lists had me at Born Cross-Eyed, another top 5 song for me.

What's on the haps for today?

PS - I probably wouldn't click on the RAW RAGE link below, that sounds a bit sketchy..
Spammers does anybody really go for that?

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Submitted by Slow Dog Noodle on Thu, 07/30/2020 - 09:38

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Interesting that people gravitate towards 4-2-73. I think the three Dave's picks from spring '73 are a really nice triad. Between them you have pretty much everything they were playing at the time.

You've got 3-28-73, Dave's Picks 16, affectionately known around these parts as Scooby Doo House. Recorded by Kidd, opening with a Cumberland -> Here Comes Sunshine, all the expected 1st set goodies, and a 43-minute Dark Star into Eyes deep in the second set. This recording doesn't sound as warm to me as Dave's Picks 21 - 4-2-73 at the Garden.

On this one Rex Jackson gets the credit for recording. Which is interesting since she and Betty were more or less a team during this period weren't they? maybe this accounts for the slightly warmer sound, which is generally attributed to Betty's recordings. This show has a great 1st set China-Rider and a fantastic 17 minute Playing in the Band to close out the 1st set. Set two has a nice slinky Mississippi, and the aforementioned Sunshine -> Jam -> Bobby McGee is unique as far as i know. The jam is a little dissonant for my tastes but no biggie. I believe this is the Eyes where garcia sings "There follows his wagon behind him thats loaded with kale".

Then comes my favorite of the bunch, Dave's 32. Both Rex and Kidd get the recording credit on this one, and it seems to me to fit right in between the previous two shows sonically. most of the 1st set is typical, but still very well played and the set has a great flow to it. I really dig the chorus like effect that Bobby was using on this tour - notably on Looks Like Rain. This show just seems to go on and on and the 3rd disc is special: He's Gone -> into a nearly 40 minute Truckin-> Dark Star (sans vocals) and then a Sing Me Back Home.

Just a fantastic show. The only thing this triptych is missing is a big Other One, which hopefully we'l lget soon in another Spring '73 release. This is my absolute favorite time for the band. Pig is gone, but i think that freed them up in a sense, and you can hear it in the playing, which is adventurous. And they have a ton of new material to learn and hone. I get it that some of the 1st sets are repetitive, but I usually just hone in on Bobby or Phil, who are always playing something unexpected. Bring on more '73. I'd love some more fall shows too, which might be a bit more complicated to release becasue of the guest horn players.

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Submitted by JimInMD on Thu, 07/30/2020 - 15:30

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Well put slow dog. They are all great shows.. 4/2 has a little pixie dust mixed in with the mix, so it probably gets a little extra hype for that.

With the number of unreleased '74 shows just beginning to thin out.. 73 is going to come into the foreground eventually. I bet we get a good dose of 73 over the next year.. year and a half.

Anyone get Philly yet?

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Submitted by DeadVikes on Fri, 07/31/2020 - 05:53

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No, in fact still no shipping notice for me.

Who has a pick for us today?

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Submitted by JimInMD on Fri, 07/31/2020 - 08:57

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Just an idea...

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Submitted by icecrmcnkd on Fri, 07/31/2020 - 09:06

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Started 4-2-73 this morning driving into work.
Sounded mighty fine.
Sound quality of releases just keeps getting better. Time to Plangentize/Normanize 12-18-73.

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Submitted by bob t on Fri, 07/31/2020 - 15:46

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Anniversary and one of the the Dave's Picks i actually know the number of 2!!!! Looking forward to watching Egypt tonight even though I have the release!! Good weekend everyone. Bob t

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Submitted by DeadVikes on Fri, 07/31/2020 - 16:53

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Sounds like a great idea Jim, I have been gone all day. Just catching up. Capitol Center! Let's do it.

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Submitted by Gollum on Sat, 08/01/2020 - 09:01

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I've never understood why this Dark Star never gets any love. I remember in my tape trading days thinking that it ranked alongside 6/10 as the peak 73 Dark Stars. My old tape had crummy sound. I haven't heard the upgraded archive versions yet.

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Submitted by billy the kid on Sat, 08/01/2020 - 09:39

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It's an absolute killer of a Dark Star! Dave & Co, when you gonna release 8/1/73, 2/9/73 and 5/26/73, I aint getting any younger.

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8 years 10 months

Submitted by The Good Ole G… on Sat, 08/01/2020 - 10:06

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8/1/73 sounds good to me.

What a guy, Hey Garcia!

Man these folks at Dead.net, JerryGarcia.com, etc... have been busy during this pandemic, can barely keep up and that's all I'm doing. Totally Hardcore.

Releases, Shakedown Streams, Studio Outtakes, Dead Casts, Birthday Parties, Holy Shit!
I'm impressed.

Enjoy the Day you all, looking forward to some epic Dark Star action.

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Submitted by bob t on Sun, 08/02/2020 - 19:00

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Well audience tape only on Archive...... I wonder if a Board is in the Vault.... Starting with the Playing right now in second set.... don't think I will be awake for whole show... be good all.... bob t

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Submitted by DeadVikes on Mon, 08/03/2020 - 07:58

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Let's keep the train rolling along.
I am going to check out 11/28/80 from the 30 Trips release. Sending out the 1980 vibe in the dimming hopes of a 1980 box.

Loved the 3/14/90 revisit. Always have room for a Spring 1990 release. Black Peter!

Be well folks and everybody hang loose.

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13 years 4 months

Submitted by JimInMD on Mon, 08/03/2020 - 13:18

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Ha.. listened to this 2 or 3 days ago (the day we did Worcester '83), so it should count.. ??.

Great little show.

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Submitted by DeadVikes on Mon, 08/03/2020 - 14:30

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Jim, funny, for sure it counts. And it is a short show, finished it off before lunch. Really laid back show. Only 18 songs. Really like the Passenger, Deep Elem, LLR is good and the Deal is hot. To Lay Me Down is excellent, very well played and the Terrapin into Drums is well played. Black Peter! Sugar Mag US Blues closer.

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Submitted by icecrmcnkd on Mon, 08/03/2020 - 16:10

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Well, this fall is the 40th anniversary, and we did get Warfield Acoustic last year which caused a lot of speculation about a Fall ‘80 Box.

Sign me up!

Conekid, yes, that has always been the hope for me after they started releasing the big box sets like E72, and the two Spring 1990 box sets, I thought it was only a matter of time. Here we are the 40th anniversary!

I know Glasser did not work on the June 76 Box, so I am hoping he was busy on something else??

And I have heard all the rumors, the tapes don't exist, they recorded over them after they released Dead Set and Reckoning, or For the Faithful. I think I still have my For the Faithful LP.
Anyway, I don't think that is true. Three reasons. They rereleased Dead Ahead with new bonus songs in the 2000s and expanded Dead Set and Reckoning in 2004 or 2007, can't remember the exact year, with all new bonus material from the run. So, there has to be something there.

Somebody knows around here.

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Submitted by JimInMD on Mon, 08/03/2020 - 19:35

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I have had him pretty occupied doing roofing repairs on my house. But it's going to rain the next several days, so he should be back in the studio cranking out 1980 gems as far as I'm concerned!

It does seem odd, the 1980 dilemma. I guess it's mostly true, but man.. they didn't even keep the single reel masters? Something must left worth releasing in the tool shed.

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Submitted by icecrmcnkd on Tue, 08/04/2020 - 03:46

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That appeared out of nowhere, so hopefully some SBD reels were in the ABCD stash.

Yeah, the reels weren’t in the vault because they were in the storage shed.
Fingers crossed.....

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Submitted by DeadVikes on Tue, 08/04/2020 - 05:51

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Conekid, that would be cool. From the lists I have read, I am not sure they received anything more the acoustic sets from October 9 and 10.
Jim, you mention I guess it is mostly true. Can you elaborate on that?

Who has a pick for today?

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Submitted by The Good Ole G… on Tue, 08/04/2020 - 08:10

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Hi-Ya, chiming in on the 1980 stuff, in 2012 DL said the following:

“Recorded every show from Warfield & Radio City Music Hall to Multitrack. Unfortunately a lot of that was erased in the early 80s. Nonetheless there’s material there.”

A number of the Acoustic sets were part of the Betty Boards that were returned, I'm assuming those were two-track mixes though and not multi-track.

Not sure if there's any info about the wiping of the original tapes. If anybody has info on that story let me know.

In other news, looks like new DaP V35 might be arriving soon... fingers x'd.

And lastly 5/29 & 5/30/71 look kinda cool...

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Submitted by JimInMD on Tue, 08/04/2020 - 08:21

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Those were general comments.. I have no facts to back them up. I just can't believe this there is nothing left on the shelves from those tours.

Lemieux.. if you listening, check in that unlabeled banana box in the back of the room with the Blues for Allah painting. We think you missed some reels.

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Submitted by DeadVikes on Tue, 08/04/2020 - 08:42

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Sounds like a winner to me. Cal Expo.

I am in the camp of hope for 1980. Time will tell.
Thanks for the information guys, this is better than the alternative.

GOGD, did you have a link for Dave's comments?

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Submitted by billy the kid on Tue, 08/04/2020 - 09:04

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To bad they erased those tapes, I'm happy to hear that some survived. I'm. happy they released the 10/9/80 and 10/10/80 acoustic sets, I was at both those shows , so that might mean they still have the electric sets for those shows. Both those shows were killer shows,electric and acoustic , so hopefully the electric sets will we the light of day and be.released.

BTK: Yeah, so I think based on Dave's comments that some of the multi-track stuff still exists, some of it got wiped. And then there's also Betty's 2 Track mixes that exist, I think those are mostly acoustic sets, at least based on what circulates.
I'm tempted to go through both runs and gather my notes on what SBDs are in circulation and which aren't, but I'm thinking that's a pretty good representation of what exists and what doesn't in the vault.

DeadVikes: Yeah, here's a link to Dave talking about this on January 17th 2012 @ 33:48ish - http://www.ustream.tv/recorded/19834305

It's a good watch and pretty informative. I stumbled on it looking into the 1970 tapes in the Vault, and it did answer my question on that as well.

Unfortunately, he states that there are virtually no shows in the Vault from July 16 through December 1970, largely because of Owsley getting busted. I guess the Dead themselves were not running tape at all during this time. Might be old news for some, but I wanted to confirm it with my own ears.

Clever Deadhead and Photographer Bob Minkin also gave us a clue to this on Page 221 of his book Live Dead with a picture of the 1970 reels in the Vault, in the picture there's a huge gap of reels between 7/16/70 - 12/27/70 :(

Dang it.

The above totally coincides with the tapes that circulate, mostly what exists in circulation from that time frame are either Fillmore East Crew SBDs (partials), FM Broadcasts, or Audience recordings.

So, mystery solved? I'd still like a nice list of what's there and not, but yeah that might be my OCD.

Since we're all getting older here, I think some time should be put towards figuring out what else exists from the Festival Express and to try and get that stuff and get it out there. I know there's more of that than what circulates.

Unfortunately, I don't see any 1970 acoustic set stuff happening for American Beauty 50th, because it doesn't sound like it exists. Happy to be wrong.

Alright, well there you have it, and that's the way it is Tuesday August 4, Two Thousand and Twenty, I'll be away on assignment and Dan Rather will be sitting in here for the next few years.