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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
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    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

  • JimInMD
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    4/19 - Why take one when two will do?

    I can't say no to that. A pivotal moment in the life of Jim.

    The drive home (including the arduous task of finding the car) was perhaps scarier than that moment when they derailed into discord and mayhem shortly after drums. The driver, the older brother of the friend I went with, was totally straight and a taper. The two of us had never seen the dead before and we both indulged - two each. Making it through space intact was the first challenge.. then we had to live through it again on the drive home. I was given very strict instructions which I followed as if my life depended on it, "He cannot know." So we hop in the car, he takes out his newly recorded master and fast forwards to that very moment it all began.

    "Quoth the Raven Nevermore. ....It was a dark and stormy night.... Wasn't it?" and the laughing and the sounds of nitrous.

    Listening to this again for the first time in a while, that laugh at the beginning of space that sounds remarkably like the laugh repeated over and over again on a loop cycle during the excellent Space from Dave's Picks 40, Deer Creek 6/18/90. It's the same laugh whether recreated or brought back to life from this recording? Not sure.

    Looking back on this 40 years later, I have to think maybe Larry wasn't as straight as he was purported to be. How could he not have known we were holding on for dear life on that fateful drive home? Perhaps he fast forwarded to that space because he knew and approved? A test? Questions that will likely remain unanswered.

    If you haven't heard this check it out, there's a brand spanking new Miller on the archive that reeks of an upgrade. On a similar note, Lemieux has been playing stuff from this tour this year. I recall him referring to it as "a most excellent tour", perhaps foreshadowing things to come?

    To me, the sound is better than some of the 82 that's found it's way to CD.. When the sweet chords of the Wheel finally broke through the madness that came before it.. I realized things were going to be ok after all. And they were. But the half hour before that and the half hour drive home took some time to make sense out of. Thankfully the Wheel and Stella Blue were there to provide support and ground us after our travels.

    I'd like to think we both passed the test. ahh.. well, onward.

    Edit: Two additional comments.. the discord probably started with Feel Like a Stranger, also that Brokedown Palace was sweet. 81 and 82 have some really nice versions of these songs, Jerry's voice was in good shape during this period. a real highlight.

  • daverock
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    Tupelo

    I can't honestly say I remember the Pigpen version - despite having the cd of 4/18/70. But that John Lee Hooker record is unforgettable. Nick Cave and the Bad Seeds cut a thunderous record based on this theme, and with that title, in the mid 80's.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Thanks for the great information about the vault, your information always is well thought out and reliable. I would love a list of shows that are in the vault, it looks like you would too. I posted a couple of weeks ago that I wish Dead.net would print out such a list so that we could see it. They could print out one list a month for one year (list of the month). I think that people would really look forward to that list each month, I know I would. If people want to remain surprised about what's in the vault , then they don't have to look at the list. Again, thanks for all the great information you put out, your postings are always so interesting and positive.

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In reply to by The Good Ole G…

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I wonder what the Alfred College stuff would sound like if they cleaned it up. That's a decent full show with an acoustic set. I always liked that one, but it's an East coast college with a terrific emphasis in art and ceramics of all kinds.. so to me it has good karma.

https://archive.org/details/gd1970-05-01.sbd.miller.95683.sbeok.flac16

There's other spring 1970 stuff as many have mentioned somewhat recently.

Agree with Billy.. right on.

Thanks!

Wasn't sure if I was shouting into the wind, so your positive feedback is much appreciated :)

As for The List, yes, yes, yes!
I'd love that and I'd even help do it ;)
I saw you mention that earlier and think it's a great idea.

I've been fascinated with the story of the tapes since I got my first one.
As it was handed to me, I asked "For Free?" and the response was "Yeah man, never sell them that's against the rules."

This strange occurrence in the middle of the decade of greed, blew my 15 year old brain wide open.

I've been fascinated ever since:
1. Where do these recordings come from?
2. How many are there?
3. How can I get the best copies of them all?

Those three questions & my curiosity about the answers continues to inspire me to this very day.

What A Long Strange Trip It's Been!

EDIT: JimInMD, agreed! Funny you mentioned 5/1/70 that was another one of Bob Minkin's cleverly chosen photographs, the master reels of that show appeared on the same page. Collector Heads are really really pretty neat.

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I'm really enjoying this 8-4-89 Cal Expo show. Great choice. 89 was so consistently good. Built to last is one of my favorites. Long 1st set. Pre-Drums Eyes and a Crazy Fingers!?

Definitely release worthy.

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In reply to by Slow Dog Noodle

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Thanks for posting that link. I watched the whole thing and my dreams are dashed. Well shit, why did they erase the tapes!

It was interesting that later someone asked what show some of the songs came from on Dead Set and Dave said, great question, we don't know. And they made major edits to some of the songs.

I guess it is time for me to move on from that. I am bummed, because those full shows would have been a huge treat in Multi Track.

I am sure glad the vault is filled with other treasures.
Be well all!

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In reply to by icecrmcnkd

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ICECRMCNKD - haha no doubt!

DeadVikes - Sorry about dashing those dreams, and yeah that's a fact filled interview, lotsa stuff to process.
If it makes you feel any better some of my dreams were dashed as well, 1970 is such an epic year, I'd always hoped there was more hiding somewhere, but after watching that, I'm not so sure.

David Lemieux you must see the Festival Express tapes safely delivered to the Vault, this is our most desperate hour. Help me Vault@Dead.net, you're my only hope.
Droid noises in the background.
You must learn the ways of the Force if you're to come with me to the Vault.

All this 1980's talk is making me want to listen to some of that stuff, might have to try and pick one of the existing full SBD shows for a revisit, 10/30 & 10/31, I'm looking at you.

DaP 35 has arrived.

I got some listening to do, I'm way behind. Too much research and not enough music is making me a very dull boy.

You must do what you feel is right. Learn about the force.

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GOGD,

Sounds like a good idea. 10/30 tomorrow?

My #35 still not in system. I thought I would have it by this weekend, but it now looking like mid August. Interested in what you all think of the release?

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In reply to by DeadVikes

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Maybe it is a penalty for publishing Dave's Email.

No soup for you!

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Weird, that post reminds me of something I was thinking... but with an element of danger.

And the site is laggy.. it’s out of date on my computer but up to speed on my phone. Trippy shit!

What about a twofer? 10/30/80 Wednesday & 10/31/80 Thursday?
Just an idea. Jim you gotta do both tomorrow ;)

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In reply to by The Good Ole G…

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10/31 is on YouTube.. most if it is on Dead Ahead too.. with comedy from Franken and Davis and a wonderful cameo from Dr. Henry Kissinger.

True story.. once upon a time I used to spend a good bit of each week on an airplane getting from here to there and back again (or not) for work. In my peak I flew so much it was almost an auto upgrade to first class. One Monday morning.. I was on the early flight from National Airport / DC to LaGuardia / NY and was seated next to Dr. Kissinger. I felt like asking him if he was making a bootleg recording of our conversation.. Anyway.. that was a trip. Probably circa 2005 to 2010. He was ancient even back then but still pretty sharp. I just googled him to see if he was still alive, he is.. @ 97 years old. We had a brief conversation and I seem to recall he was not particularly into small talk. So we had coffee together and read the paper on our 50 minute flight.

Dammit Henry, give me that tape!!

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In reply to by The Good Ole G…

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Yes, sounds like a great idea. 10/30/80 tomorrow and 10/31/80 on Thursday.

Oh and they recorded both nights on video for Dead Ahead. Is that still in the Vault. I would think so since they added the bonus footage when they released the DVD.

Classic Jim, you and Henry Kissinger! Good stuff.

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Thanks GOGD for that Lemieux link. That was a nice blast from the past. That was before the two Spring 77 boxes and the Cornell Betty boards were still missing. I remember back then I didn't care much about Cornell or 77 shows in general. That's all changed now. I've seen the 1977 light!

Jim and Kissinger! That's nutty. Maybe that's the closest a Deadhead ever got to Kissinger? Nutty.

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In reply to by Gollum

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....no. I literally ran into Tim Burton. Drinks were spilled. Clothes were stained.
Incredible director and filmmaker and I have been known to be a big fan. Unless I'm not in the mood.
Epilogue....He patted me on the shoulder and continued on.

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In reply to by Gollum

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Spent some time with 10/30/80 today. So, I listened to the SBD, the first option on Relisten. The vocals are somewhat muddled, especially Jerry's. Not a Miller transfer. And I will of course admit I am not a pro when it comes to the archive. I mostly stick to the official releases, as I am sure like most of you, I had probably too many rough sounding tapes growing up. And no, I don't listen to them anymore. Why would I, I have over 200 shows from the Vault. Spent way more than I should have on some of them, but that is okay.

Interested in what you all think of 10/30/80 and if there is a better version, please let me know.

10/31/80 on tap for tomorrow. What is the best version on the archive?

We are still thriving Jim.

Be well folks.

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Happy anniversary 8/6/74... Love the Uncle John's Band from this show....... Another China Doll that never was...... be good everyone.. bob t

Hi Ya,

DeadVikes, for 10/30/80 I think this is the best source in circulation (there's only 4 currently) -
https://archive.org/details/gd1980-10-30.139599.sbd.bershaw.flac16

10/31/80 is a different story, but this source that appeared in 2018 is pretty cool as it has all the skits and interviews etc and I think it's the most balanced, not 100% on that -
https://archive.org/details/gd1980-10-31.140416.sbd.bershaw.flac16

Like Jim was saying a lot of this show was released on Dead Ahead, I think the majority of Set 2, which is burned into my brain from the VHS tape which we played like once a week BITD.. but yeah I dug this recording yesterday.

Some dated "humor" but.. as a historical document, pretty much complete.

And what a classic show, not sure if it's just because we listened to it so many times, but they feel like definitive 1980s versions of Don't Ease, Lost > Saint, Franklin's, Fire On The Mountain all in there natural setting.. The best stuff got selected for the movie, but it's fun to hear it all together as it happened.

I did expect this FOTM to transition into GSET ala Dead Set, props to Betty she created that transition with razor blades and tape.. Wow!

Alright, I did 10/31/80 yesterday, gonna try and do 10/30 today.

Also got DaP V35.. it's sounding good, hope you all get it in time for the weekend.

Be Well All!

EDIT: BOB T you had to mention 8/6/74.. Doh! 5 songs released = 1 hour 8 minutes of need to revisit Dead.
Damn, they've released soooo much stuff at this point, just watching that 2012 interview with DL kinda put it in perspective. As far as Dead music goes, this is the best time ever to collect the Grateful Dead!

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... got me howling at the moon! Thanks, GOGD for the link to the show with all of the skits and stuff! Makes for a pretty fun listen!

Still waiting on Dave's 35...

Peace

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In reply to by Thats_Otis

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OTIS: Glad you're digging it!

Started listening yesterday and I'm actually just finishing Set 3 now.

It's a long show, but yeah I dug the extra context of the skits and what not, takes you back.
Ahhh Nostalgia.

Enjoy!

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In reply to by The Good Ole G…

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Kicks ass. Of course would love the full shows, but the music is outstanding on 31.

GOGD, yes, that was the source I checked out yesterday. 10/31 appears to be the same deal. Love the bonus tracks on Dead Ahead.

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Shakedown Stream tomorrow is 7-21-90.
I was there.

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I was at all 3 also.... I have great pictures from the next night!!! Looking forward to tonight's show.... Birdsong is 16 minutes!!! bob t

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Looking forward to the last Shakedown Stream. Conekid and Bob t, you guys were there. That is great. Maybe we will see you all in the crowd.

Who has a pick for today?

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I blocked out the time to enjoy it.

I think we can pick BobT and Cone Kid out from the crowd.. BobT is the guy hanging on the sharp-wired fence getting stern looks from Bobby. Cone Kid is the one walking lost and aimlessly through the crowd with the rainbow colored ice cream cone that seemingly never melts..

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Best tickets I ever got from mail order was this run. I was in grad school in Illinois, we got 5th row, 3rd row and 10th row for the 3 days right in front of Bob. I feel bad for the person behind us because my friend i went with was 6' 4"!!! bob t

10/30/80 awesome, have never listened to any of these complete shows. Great for working, nice long shows too, must of been awesome to have been there! Looking forward to 10/31 today, and of course SS this evening. Oh, and don’t forget the Meyer Sound webinar about their history with the dead going all the way back to the wall of sound before there was a Meyers sound! It really is a great time to be a DH.

Upon re-listening to these Radio City shows from 10/30 & 10/31 they are definitely a couple of high-profile gigs that the GD really lived up too.

Having known bits and pieces of these two shows from essentially the beginning of my tape collecting days, I've always wanted to listen to them in their entirety as an experience.

I remember collecting both runs from the Warfield & Radio City and being bummed that there weren't complete SBD sources available, sound quality varied tremendously between shows and tapes and that it was a real pain in the ass trying to determine what existed and what didn't and the best versions etc.

Not sure if I sat down and listened to them after I got all the shows as I was burnt out by that time. But this latest re-listen was really cool.

I'd read an article with Betty recently about the editing process of Dead Set and that planted the seed to go back and check it out, so I started with the remaster of that album. Props to Betty, she really could pick the best takes on songs the band played during a run. The Dark Star from Live Dead is a great example. It's always Betar with Betty! Dead Set was in heavy rotation in my early collecting days, it was the best sound quality & closest thing to current live Dead we could get BITD, so we played that album, and Dead Ahead VHS tape ALL THE TIME in high school. And I love those versions of these songs.

I followed up Dead Set with the full recording including sketches of 10/31 on Wednesday and then 10/30 yesterday. I decided to Watch set 3, the first half released as bonus material on Dead Ahead remaster and the 2nd part available on YouTube (thanks JimInMD & DeadVikes for the reminder). Man if you haven't checked it out, DO! You gotta see Drums with Billy Cobham to get the full effect, it's awesome, Kreutzmann is freaking out.

Really enjoyed that whole trip and these are some really solid shows, 3 full sets each night and the last two nights of this legendary tour of historic halls never to be repeated again. It might not be the Dead at their best, but it's the best Dead we have, so dig it. 10/30/80 On The Road Again is the definitive version and Jerry's call and response gets me every time.

Listening to the opening of 10/31 you can imagine the tension as the band deals with technical difficulties when they hit the stage and are filming a live TV Simulcast (A first at the time?, rare for sure). I mean this is 40 years ago, I know what happened and I was still feeling nervous for them as Phil's gear squawks and squeaked. And what happens? Epic versions of Heaven Help The Fool & Sage & Spirit (last time for each?) that's the magic right there! That's the stuff I love.

Highly recommend a couple of supplemental videos, the famous Press Conference for these shows (I guess it's you and me bub, I mean Bob), and Bob & Jerry's appearance on GMA, they're both a real treat and they really set the shows up in the proper context.

Alright, lots of good stuff here. Thanks for tripping with me, this has been on my to do list for awhile, and I really enjoyed it.

Who here saw these shows? Stories?

OB: Thanks for the Meyer Sound webinar tip, looking forward to checking that out.

As for pick today, take your pick! Catch up on 10/30 & 10/31 if you haven't already, Listen to DaP V35 if you have it already, or there's the DiP V31 stuff BobT pointed out, which is epic. And we got the final Shakedown Stream tonight of 7/21/90. Wowee.

Happy Friday All!

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My 3rd and 4th shows. Like a fool I didn’t go on the 23rd because I had a job. Which I missed that day anyway and had to call in ‘sick’ from a pay phone at a rest area on I-57 north of Kankakee.

On the 21st I was just outside the gate when the music started. They had pulled closed tall chain link gates because people were trying to sneak in. So we were standing there, with legit tickets, waiting to get in. Finally got in and had to squeeze in on the lawn.
Traffic was a disaster that day, complete traffic jam on I-80. I know someone who, along with hundreds of other cars, just parked on the shoulder of I-80 and ran to the venue. I think that the closure of I-80 that day, along with other problems, is why it had to be Soldier Field from then on.

Jim, your description of me is accurate, except that was 7-17-89, where I drank beer all day in the hot sun, but wasn’t old enough to buy beer inside. Didn’t eat enough food, had some paper, lost my friends, didn’t drink enough water, then about lost it when Jerry played a few notes of Close Encounters Theme during Space. But everything came back together during Gimme Some Lovin.
Awesome initiation and learning experience for me, being by myself at my 2nd show and having too much too fast. Memories......

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In reply to by icecrmcnkd

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Lmao, you brought back many memories! Most are funny now but at the time....yeah, sometimes the hard way is the only way to learn! So Remember kids what fat Freddy says: getting drunk THEN stoned is like pissing in the wind! 3/13/81 anyone! Lol.
Especially enjoyed the “cause I had a job“ and the calling in sick from a pay phone!
Missed a few top shelf shows because of some BS job, like 7/19/89, 4/9/89, and had to do the pay phone thing several times. Forget what the trick was but there was a way to have the call go through normal without the boss knowing it was LD. Of course the hard part was getting up at the right time and finding a quiet pay phone to call in at just the right time!

Oh, and big thanks to GOGD for that awesome 2012 Dave video! Between that and his wish list from back then it’s interesting what’s been released and of course what hasn’t been but might...

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8 years

In reply to by icecrmcnkd

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Nice seats Bob t. I will keep my eyes out for you and the crew.

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9 years

In reply to by Oroborous

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Put in 4x the amount of money so that the message to add more coins doesn’t come on during the call.

Yeah, got up too late that day, and my friends didn’t have to work so they were in no rush. Almost missed calling in sick before my shift started because I forgot that I was in central time zone and was an hour behind my job. Luckily the pay phone at the rest area wasn’t being used when I got there.

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13 years 4 months

In reply to by icecrmcnkd

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and I thought I had slacker employees.

These guys have it down to exactly how many quarters, nickels and dimes to add to the pay phone for a truly convincing flu.

This is really good stuff, hilarious. I wish I was hanging you guys back then. I would have taken notes and gone much further in life than I did... (not that I am complaining)

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9 years 1 month

In reply to by icecrmcnkd

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testing, testing - Radio High Desert here. hello Dear Friends and Fellow Travelers - hope you and your loved ones are all well. a little late - this is the anniversary of a favorite and super sweet show - Alpine 8/7/82, formally released as Dicks Picks 32. Yep, I was there, so was my youngest brother. A beautiful evening in southern Wisconsin. this and the next night, 8/8/82, with John Cippolina and Zakir Hussain mysteriously showing up on stage in America's Dairyland, were foundational, life changing. Super solid '82 1st set. Music > Sugaree > Music opener. No idea how crazy rare that was at the time. Roses / CC Rider / more Roses a-Rambling. before the show my dear brother, all of 12(?) at the time, had said he wanted to hear On The Road Again. I said "No Way, not happening." Wrong (again) - No hay way? Si, hay way! One of a handful of electric versions! Always love Althea. And a Let It Grow out in low rolling Midwest farmland??!!
But its the 2nd set, of course, that takes this to the level of "Sacred Alpine". Laying it down now - this China > Rider is flat out one of the greatest versions post hiatus. at times Jerry sounds like he's finger picking during the jam, it builds and builds and builds, and just when you think they're settling into that first verse of Rider, he and Brent go long and pull out that little pre-hiatus breakdown and it is flat out - stone - cold - gorgeous. classic great Rider, Phil and Jerry crushing it on northbound train. swinging early funky Women Smarter. Ship of Fools (always). Excellent Playing, with a sweet long jam into drums. Again, laying it down - the Wheel that emerges from the waves of Space rolling over the those dark hills and sleeping cows is without question one of the most beautiful live versions I've heard. Into a exquisite Playing reprise. And then (of course) Morning Dew. Monster version. Yep - just another Saturday Night out there in the rolling pastureland. Shook the hand with Uncle Sam. it was beautiful. A few words of caution, this had a classic Latvala caveat emptor. this is an early 80s Healy board, Phil was way higher in the shed mix then the SBD, sigh, c'est la vie, oh well. Still so very lucky to have this, like all the audience tapes and releases. Best to everybody in these difficult times. With love.

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13 years 4 months

In reply to by bluecrow

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Double Post = Double Vision.
Or.. second that emotion?

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9 years 1 month

In reply to by JimInMD

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Jim - today's anniversary show as tomorrow's pick - yes. with 8/8/82 on its proper day for extra credit. for the record - 8/8 Satisfaction > Brokedown sent me over the moon. as if I wasn't already headed there.

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In reply to by bluecrow

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And so it is.

I need to either find this CD and re-rip it or go to the archive.

I had a hard drive failure years ago.. but not to worry, I had TWO backup 650 gig Western Digital external drives.. Same model bought the same day. (shows how long ago this was, I think I am up to 8 TB's of GD/JGB/Jerry shows by now.. perhaps a little less there is other band filler that squeezes in). These things were big and seriously heavy.. they were the largest external drives you could get at the time that were plug and play...

So I plug them in and .. both backup drives failed. Apparently there was a known circuit board flaw.. by known, I mean known to everyone else but me years after I bought them, or more accurately after my work purchased them for me to backup my shit.

I re-ripped most, but not all, this one somehow fell through the cracks.. so I have motivation to find and re-rip and I have all morning to put it together. Been meaning to do this for years.....

My first show was 4/19/82.. so 82 works.

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9 years 1 month

In reply to by JimInMD

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4/19/82 - ravens are brothers and sisters and much loved ....

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13 years 4 months

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We are working in unison to drive DeadheadBrewer crazy (or at the very least to convert Mrs. Brewer to a head and future frequent poster).

Two shows a day, at a minimum. :D What could possibly go wrong?

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17 years 4 months

In reply to by JimInMD

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Bluecorn: sweet! I’ve been thinking about that one lately and how it should be taken for a spin, and after your awesome summation how could I not! Right On, really enjoyed that!

DONE DEAL: dooood, that’s too f-Ed up and scary to even discuss! That’s like a Deadhead horror movie.

7/21/90: thanks for bringing that, worts and all! New shows always good. Summer 90 still good but always felt like there was a heaviness? Slight return after cruising the galaxy the what? 3, 4 previous tours? But a subtle shift....Big Jer bringing the fire though!
Really going to miss the next few weeks and kinda bummed about Thursday switch...it was our date night through this madness, the one in our 11...well, hopefully they’ll keep er rolling one way or another...ssshhhh,I think I’m converting the misses?

Have it going now finally. Tough day.
Anyway Brent's last three shows. Had I will take you home from Spring 90 on earlier.

Nice to see a new selection Blue Crow. I do have Dick's 32, so it is on the burner.

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9 years

In reply to by DeadVikes

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It’s 8/27 so I suspect that they will be doing a Venetta anniversary.

Hopefully subsequent streams return to Friday.

Enjoyed last night. Didn’t see myself because I was crammed on the lawn. But did see BobT, he was the guy up front wearing a tie dye and having a good time.
The video seemed a little grainy, but then I paused the stream and restarted, and the video quality improved. I’ve noticed in previous streams that if the audio and video aren’t synced a pause and restart fixes the problem.

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9 years 1 month

In reply to by DeadVikes

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but the 8/7 china > rider jam has that same great bluegrass-driven feel, and 8/8 has an excellent Brown Eyed Women - that song is sort of my Cumberland.
as someone who can't even keep up with one a day, both Alpine 82 shows in one day is of course not entirely serious. really just wanted to get 8/7 on everybody's radar. sort of fell through the cracks in the DiP series, seldom mentioned, got some real sound issues - in particular not nearly enough Phil - but a stellar show. China>Rider, Wheel, Morning Dew all favorites of mine. And 8/8 was all kinds of fun and excellent in its own way.
on another 8/7 anniversary note - Jerry Band played an excellent jammed out show in Seattle in '93. same brother was with me. that show was notable for debut of Lightning Bolt guitar - first Dead shows with Lightning Bolt were in Eugene later that month. personally, I loved the tone of Lightning Bolt.
have a great Saturday everybody.

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8 years 10 months

In reply to by bluecrow

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8/8/82 Set 2 long time favorite!

Always been a big admirer of these 2 shows, with the 2nd night Set 2 ranking up there as an all time fave BITD, would just sit and imagine being there.. BLUECROW you lucky dog you, where was your mind at during The Other One?
It's a smoker!

Nice Pick, looking forward to this..

BTW: There's a little Cumberland flavor in Mama Tried towards the end ;)

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