• 8,102 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • wilfredtjones
    Joined:
    OK

    OK

  • 1stshow70878
    Joined:
    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • daverock
    Joined:
    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • JimInMD
    Joined:
    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

  • Oroborous
    Joined:
    “Oh ooo, half way there,

    Oh ooo smell my underwear” 🎶

    Yep, just finishing 5/3 for the first time ever, and I still don’t have any damn time.
    So I’ve been listening, sometimes multiple times, in order, but I haven’t had time to keep track.
    Oh well, guess that would be more like actually being on tour.
    4/11 was a first time listen for me. Another great E72 outing but it felt like they let go of the stick a tad after perhaps grabbing it too tight at the Wembleys? I’m guessing back in 72 in some of these locations there wasn’t much media etc. But the bigger gigs, like the first ones at Wembley probably had a level of attention and possibly sales via that attention, that might have made them, aaa, not stressful, but, would definitely like to start right. Add to that the natural energy of itching to play etc, and yeah, can see how Wembley got the freight train and perhaps Newcastle received a more loose presentation? I definitely noticed more miscues, start offs like Jack Straw, Good Lovin, others. Now they all grooved past these brief moments, and delivered fine versions, but maybe they show a loosening that facilitated elsewhere?
    Like an unusual Truckin and jam that covered some cool ground including King Solomon’s teases/coincidences? and some free jazz like moments (think Phil might of been quoting some actual song too?).
    Another sweet suite, including a decent CAT, though I think the 4/26 is perhaps the bar? Nice to hear, especially as a change from the repetitiveness. Same with the even rarer Brokedown!
    4/14s a blur at this point, they start to expand out more I guess, in several ways…
    A nice DS, and a big pork fest ending. All good, but I find others more to my liking?

    4/16, yes, agree, always felt there was something just a little different about this one. Perhaps being such a small informal, perhaps totally away from the spotlight! A brief chance to vibe like the ole daze, perhaps?
    4/17 is just too much of a monster overall. Perhaps why I think this may be the first time I’ve done the whole show in one listen? I have the DVD, and Ive spent time with that 3rd set etc. So that was a treat to be sure! I’ll prolly go back and hit the dvd of there and Bremen after, but for now I want to go in order…
    First time Ive just listened to 4/21, though we saw the Shakedown stream. Actually hit this one a few times. Love the stop and restarts, another cool inside look.
    4/24 is another that feels a little more aaa, whatever the vibe I can’t name is, not stress, or pressure, their certainly having fun, but like Wembley, and the first non English speaking audience gig, that tenseness, yeah, that’s the ticket, tenseness, the good kind!
    I think Phil especially was emotionally invested a tad more in the German gigs, and man does he and the boys take care of bidness! There’s a reason this was the first complete show they released…
    And of course there’s a big reason they released parts of 4/26! Another freight train!
    But I had never down the whole show until now, and was rewarded with good versions obviously left off only due to space required for 2 disc chop job. So that was cool.
    4/29 I think I’ve heard the whole show at least once, I know I’ve heard the second set multiple times, though not the encores, until now! Another sick show and big DS, and a proper Caution Pork fest to close. I’ve really been enjoying the 2 Souls, Chinatowns, amazing Hurts Me Toos etc, but not so much the Good Lovin, Lovelights? Not dislike, just think that stuff doesn’t resonate the same to this old guy as it did the young one lol. Just burnout?
    All good, just really noticing the other goodness more. But the Cautions have always been a big draw for me on this tour, and this one’s a beast.
    5/3 was a first time for me, today. The whole damn show just sounds like the actual E72 album (streamed version)?
    Like the sound of it, it sounds like E72!
    The reverb etc. I’m sure having? 4 I think songs on the album from this show probably has something to do with it, but I kept chuckling about that reoccurring feeling. So many songs on this one could have been on the album. It’s a strong show, and by now you can feel the subtle morphing of band and songs into one that’s taking place over the tour.
    It would be cool to take all the versions of each song and listen to just them in order!
    None more so perhaps than He’s Gone! But that’s a task for another time, which I don’t have enough of to do this proper, let alone all that lol, but at least I’m finally getting to em all and enjoying the ride!
    ONWARD!

  • daverock
    Joined:
    Aarhus

    1stshow - I was going to jump ahead to Paris this weekend - the shows, not the city - but I think maybe I should give Aarhus another spin after reading your comments. I can remember it's good, but I'm damned if I can remember why!

  • 1stshow70878
    Joined:
    Newcastle, Tivoli, Aarhus

    Three more down, seventeen to go, lol.
    All excellent shows. It's hard to find fault in any of these mammoth first sets but Aarhus (4-16-72) hit the spot for me of the three. Had great song selection, pace, and order of the songs was more to my liking. The second sets are where the special goodies are so far in every show. I'm particularly impressed with how Keith really shines especially on Pigpen's songs. His beer barrel style just fits perfectly. Yet his jazz chops are evident too as in the Dark Stars. Donna seemed particularly "engaged" on 4-14 at Newcastle and Bob is definitely going to lose his voice by the end of the tour at this rate, lol. Aarhus had a stately smooth feel to the whole thing which I found to my liking and would put it at number two of the five I've done with 4-7 Wembley still in first place.
    Discovered I had on tapes the Stepping Out release which looks to be an odd compilation ala the road trips and I also had Hundred Year Hall on tape, which was not a complete show release BITD. Gotta look through my tapes more often! Also had burner CDs of Rockin' The Rhein which I had also completely forgotten. Has four CDs with the Academy of Music filler so likely a whole show. Can't go there, got to stay in order.
    That's the news from EU. Cheers to all

  • JimInMD
    Joined:
    Re: Giving Your Right Hand

    Dennis.. tried this, it did not work for me. Kayaking is proving tricky also (I keep going in circles), but I'm working on it. Your friend Hound Dog played with six fingers.. imagine the chord work and finger picking that could be done, a 16.67% increase in productivity. Cheating to be sure, but man he could play the blues. Interesting side note, a friend of mine's wife was born with six fingers and I think toes. So was her daughter. The had the extra digit removed shortly after birth.

    Somehow Jerry got by with 9 1/2 fingers. After burning his hand, Django Reinhardt had basically two working fingers on his right hand and he more than got by and was a big influence on Jerry, especially circa 1973.

    Thanks for pointing me towards that youtube. That black and white looks more like 1923 than 1973 until you see that Fender looking guitar. Great stuff. Convinced me to get that Natural Boogie LP, but I seem to have misplaced the PIN of your wife's card. If you'd be so kind to send me a PM. I don't want it to sell out while it's still in my cart.

    As you were.. on to the second set of 9/6/80 for my afternoon hike. Life is good.

    Edit: Looks like Hound Dog played a pair of Kawai-made Kingston S4T's, so not exactly a Fender but a similar looking headstock.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Okay Bob t, they had some shots of the crowd. Were you left of your 6'4 buddy in a tie dye?

Great show. The video is weird, kind of on and off. Looks more like a bootleg recording. Pretty sweet Scarlet-Fire.

Still no #35 for me. Maybe next week. In the meantime other goods my family orders are delivered by USPS and gets to us without an issue.

Okay, enough of that, back to some GOGD!

Oh and I always loved Jerry's cut off cords from this tour.

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It doesn't looks as though you did this one on the day in question - but its a great show any day of the year. Serious cowboy boot funk on Hard to Handle, an Other One-Uncle-Other One that holds your attention to the last note. And, as you say, its got a Cumberland. One of the best, I would say.

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In reply to by daverock

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...and so it is. Nice mix up, Dave, a worthy adventure.

I think I am going to try and cobble together a complete show from the various sources.. this is always a hassle, but usually worth the effort.

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August 9th, 1995. Driving up into the Burro Mountains south of Silver City I could scan the FM airwaves and hear the Grateful Dead on a half dozen FM radio stations everywhere from El Paso, Texas to Las Cruces and Truth or Consequences in New Mexico to Phoenix and Tucson, Arizona, just about non-stop all day. Only time that’s ever happened. That night I drank Guinness Stout and smoked strong Ganga with a friend who played both sides of the first Garcia album vinyl version on his powerful stereo system that included a Macintosh Amp and Kliptch speakers. Being inebriated certainly fit the mood.
Today would have been my brothers 72nd birthday. He was responsible for first turning me on to the Dead clear back in the fall of 1968 by way of Anthem of the Sun. He once said that heavy duty events happened in this date. 75 years ago the atomic bomb was dropped on Nagasaki, Japan. On this date in 1974 Richard Nixon resigned. I happened to be hitchhiking cross country going over the bridge from Ontario into to Upper Michigan while hearing his resignation speech.
And of course twenty five years ago the news that was less surprise but still a great shock to the many of us who love the music of the Grateful Dead.
Phil Lesh once spoke of how the music of Dark Star is always playing in the Universe and how they would tap into that force. I paraphrase his quote but you get the concept. On the subject of Dark Star, about 30 years ago I was at a gathering of long hairs on Ash Creek at the foot of Mount Graham in southeast Arizona. Some kind of barter fair or something on private land. There was a deadhead who was playing an acoustic guitar, jamming with a sitar player. I requested Dark Star and without delay they started playing the melody and formless form of that universal composition. That early spring day on the edge of the desert became filled with the beautiful music of East meets West. A transcendent American raga.
I posted on the daze? Days Between page on Jerry’s birthday but hardly anyone seems to go there. Speaking of Days Between, by far the most powerful Robert Hunter composition of the 1990s.
Time is fleeting, try and make the most of it.

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In reply to by icecrmcnkd

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Here's to Jerry!

Let it be said often and with more eloquence and poetry.

Truly remarkable how many people he touched in one lifetime.

Glad to be one of the many.

Cheers to all the others!

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I have to ask.. what beans, assuming a dark and oily roast.

Just finished converting and combining the best version of each song from 8/6/71 into a single folder and have imported it into my electronic world.. in about 10 min I will start my listen to strong black coffee myself.. Ethiopia Limu Musa Aba Lulesa somewhere between full city and a French roast. (sounds like a song they came out of space with Hamza El Din sitting in.

As for beer later, I promised myself this week would begin a period of summer discipline and scaling back. All good things in all good time.

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In reply to by JimInMD

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Columbian Supremo, black and oily.
Got 25 lbs of green unroasted beans this spring.
Roasted a batch a few weeks ago. Had the roaster out on the deck in the sun when temps were in the 90’s. Really helps get the roaster really hot to achieve the black oily beans I prefer. The thing I like about Columbian Supremo is that when they are black and oily a chocolate flavor comes out. The chocolate flavor doesn’t seem to exist in beans from other parts of the world. Not that I don’t like those beans too.

Wrapping up 8-6-74%, now heading outside to do various jobs around the house.

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In reply to by Strider 808808

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8/7/82:Bluecrow great pick! Another Lil nugget that gets lost in the couch cushions so to speak....I think part of your displeasure with the Bass sound is complicated by that G&L Bass Phil was playing between the Irwin and when he started playing Modulus....not a huge fan of the Irwin, but really didn’t like the G&L. Remember first seeing/hearing the Modulus, with the Meyer Sound rig, spring 83 twice, front row in front of Phil....my jaw is still probably stuck to the floor of Broome County Arena!

STRIDER: great post as usual...I felt like I was there with you, especially cruising around the desert at night with the midnight radio playing all Dead...
Interesting to about this date, betting there’s more interesting history! Weird though, the misses has been getting freaked out lately. She keeps a journal and for a while now every time she opens it up it always opens to the week of August 10th...? I’ve asked if there’s pages stuck or what ever and she says no, no matter what it keeps opening to this page? Very weird and kinda freaky, she’s starting to get the fear! Somehow I feel you would understand this?

PLAYING IN THE SAND: great show last night. Besides a couple snoozers in the first really good show!
Looks like a cool scene too. If not for the vid I’d be down for a winter get away, but alas, I fear never more quoth the Raven...

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In reply to by icecrmcnkd

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Yaaasss, have a mini bottle of “champagne”...perfect for a Mimosa or 2...need a little hair of the mutt after Playing in the sand last night. Started off with one of those Tall Pliney the Elders and didn’t let up. If we weren’t seasoned veterans it might of been too much too fast, but you and I have been through that, and this is not our fate...
So a toast....to the Fat Man! We miss you more than words can tell....
I used to say today was the day the music died, but as evident by how many awesome folks are still putting it out there and lighting people up as Bob would say, it truly is a testament to just how amazing the Music is, never mind the players. Been tuning in occasionally this week on Daze Between etc and who’d a thunk 25 years later there’d still be anyone, let alone the ridiculous plethora of fine musicians, and the magnitude of popularity that exists. Crazy!
So to JG, Hunter, AND the amazing gifts they bequeathed us!, my old departed Buddies favorite toast: “ here’s to swimming with bowl legged women, and swimming between their knees”
Nostrovia!

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In reply to by Oroborous

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8/9 - somehow forgot the import of the date until I saw Strider's post. in '95 I was just beginning a whole new life chapter in the southwest, one that continues to this day. 8/9/95 actually started out with some very beautiful Grateful Dead energy, that turned very spooky once we found out about Jerry's death at the end of the work day. By chance had been back in Chi-town in early July visiting family and had caught the 2 Soldier Field shows, totally unplanned, brother had extra tickets. Whole different scene/planet from what I'd experienced in Seattle that spring. Seattle was fun and very well played. Chicago was seriously heavy. But still never expected the news of his death. And yes Strider - the Days Between is an absolute masterpiece. First heard it on the GD hour that featured Landover '93 (at time didn't know that my brother was there.) Hair stood up on end, super eerie, emotionally charged from that first listen - it is always like that. It seemed like Hunter somehow was shown the future that lay before us. For me in some ways as emotionally powerful as any song he wrote. Brings me close to tears anytime I hear it, or really even think about it.

8/8 - GOGD - Alpine 82 - I was in the cheap "seats" on the lawn, but by 2nd set against rail at back of the shed. i don't "think" I was full on smoking crater but it was getting awfully close. agog as this force of nature swept past us, just drinking it in. remember Zakir throwing a drum stick at Mickey as he walked onto stage. Cippolina was just suddenly "there" and Healy had him dialed up loud, no fooling around. I had zero clue who those guys were. The Satisfaction was unreal - Phil was at 11 both in terms of sound and energy. The Brokedown that followed is my all time favorite. Left that show with Phil's bass tattooed across my brain. That show took me to a whole new level.

8/7 - Oro, so glad you enjoyed the rediscovery! I don't know much about Phil and instrument history, I figured it was more of Healy thing. At the time, 8/8 made a bigger impression, but a couple of years later I was gifted with a killer low gen of 8/7 with most 2nd set and show opener and that further opened the door as to how magical 8/7 was. i ended up calling that cassette "Sacred Alpine" and it got more play than any tape in my collection back in the day, and that's a LOT. turned a bunch of folks onto it.

8/6 - that Palladium show is crazy good, and its got a smoking Cumberland! A dub of the legendary bootleg record highlighting the 2nd set was one of my earliest tapes from a pre-hiatus show - love love love the sound from that era. in terms of sources - a wealth of riches there - the Bertrando audience is fantastic and that's where I generally head (there now in fact!) i think it was the source for the bootleg record.

The night of 8/9/95 ended up camping with a friend in a canyon up on Cedar Mesa. I remembered 2 dreams from that night. 1) Jerry playing solo acoustic guitar to about 20 of us in a small room (sort of like the Rambler Room.) He was overweight, sweating, and he was pouring himself into it, giving everything he had. 2) I was on a stage with the rest of the band (no Jerry) watching them perform. I have a clear picture of that scene to this day, I was stage left in the wings, it was dusk, outdoors, no backdrop, lighting was all soft violets and silver, Phil was closest but still a good ways distance. The stage was HUGE and there was something like 40 meters between band members, as in, nobody was close. The music was unearthly and beautiful, but what they were playing wasn't the Grateful Dead.

Love you Jerry.

Take care and stay safe everyone. Time for a cold one!

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July 9, 1995; final Grateful Dead concert.
July 5, 2015; Fare Thee Well final concert.
March 11, 2020 Bob Weir and Wolf Brothers last concert of the year.

On the edge of your city you’ll see us and then
We come with the dust and we go with the wind

Pastures of Plenty / Woody Guthrie

July 23, 1990 / Lest we forget Brent / There’s something about Chicago

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In reply to by icecrmcnkd

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As it should be.

A lot of Love going on in the Dead world in Jerry's memory, it was real cool to see and be a part of (virtually). Hats off to Rex Foundation for the shindig.

I watched bits and pieces (mostly the interviews) on Daze Between throughout the week. I really enjoyed the bookend interviews with the photographers, starting with Rosie McGee and capping it off with Herbie Greene, Ed Perlstein, Bob Minkin, Jay Blakesberg & Susana Millman, that was really cool.

Really Enjoyed the 8/7 & 8/8 Alpine '82 shows, thanks BlueCrow! And thanks for the follow up info, it's interesting that you point out that Phil & Cippolina were LOUD there at the shows, which does correlate with why they'd be quite on the PA tapes. When it's loud on the stage, it'll tend to be quite on the PA tape and, yeah that's what we have.

I'd always favored the 8/8, but that PITB > D > S > Wheel > PITB > Morning Dew is a really great listen, and I played it a few times, it'll take you places. And Set 1 is too much! So yeah, good stuff there, Nice Pick(s)!

8/6/71 the famous Houseboat Tapes, It'd be nice to see that show get the full show treatment as it's pretty darn good throughout and I'm not hearing issues with the tape, but is that one of those things where they only got a few reels back? Curious curious.

Interesting how we had some back to back 2004 - 2005 releases, DiP V31, DiP V32 and DiP V35, great liner notes for V31 & V35. Good stuff you all!

Oh and let's not forget DaP V35, I see it's a bit of a sore subject, but I dug what I heard on my first pass.

Well, should I mention the elephant in the room?

1 Vince Show listened to since April 16, 2020

I read a review the other day about 9/7/90 after listening to Brent 7/21/90 Shakedown Stream, they're saying it's a good one. I can't remember.

Anybody got a pick?

@9/7/90...my recollection was It was generally good, perhaps a bit subdued? I specifically remember thinking it’s going to be ok....this guys not Kieth or Brent, but he’ll be ok, and more importantly you could tell the Band was going to be ok and they’d picked up right where they left off...

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In reply to by Oroborous

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You were wrong!
Just kidding... kinda. ;)
It was OK, in fact got real good for a bit, but I guess nothing is.. are you ready?
Built To Last
(Groan)

Coffee is starting to work.
OB: You saw this one?
Cold Rain opener, 14 minute Bird Song & US Blues to close Set 1.
Truckin' > Crazy Fingers > 17 Minute PITB
My interest is kinda peaked to re-listen.

Yo Vinnie!
Saw them close to two months later and had kind of the same feeling, but so much had changed in my life, I wasn't sure if it was them or me, or both. And yeah, Hornsby was there and he added a lot of color, I don't even think I knew who Vince was or his name.. some guy from the Tubes.

Ah the good ole days of no cell phones and dare I say it, no internet.
At least for me, I was late to get into this here thing called the WWW, didn't begin to crack this nut until 1992ish.

Good stuff.
Shall we go? Into the early days of Vince? It's a Monday, what the hell..

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I saw these two shows, Vince's first two... 9/8 had a really good second set. 9/7 I don't even know how to describe the feeling if that makes sense??? Brent had passed a little more than a month before... Bob t

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In reply to by The Good Ole G…

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Since no one else is bitting, shall we go, you and I through the transitive nightfall of Cleveland???
Similar thought at the time: who is this guy? The tubes? I would come to feel like it was not the best fit....though, in some ways my feelings aboutVince have mellowed. Would be ok if I never heard Way to go
Home again, but as a support musician he was good (yasss some of his sounds where lame but much of that was out of his hands).
Still think they should have taken some time off like 74-75....look how well that worked out! Either after Brent passed, or after JGs 92 health problems. I know the tour was booked in 90, but sometime, someway the should have tkjen time and regrouped, imho, which means nothing of course 😉
So 9/7/90?
That’ll give me a chance to backup the mighty Ref 3....haven’t done so in gulp, perhaps a couple years....
Many reasons, none good except my relationship with Murphy and because my UPS needs new batteries and power here often does weird things so I didn’t want to attempt huge backup (acquired a ton of stuff last couple years) without UPS etc...so streaming on the iPad while doing HD backup sounds like a plan Stan!
Just us today?

Bob T is in too!
And I agree words fail & often.

Let’s do it you all.

I’m gonna fire it up and Walk In The Sunshine, wonder why they never played that ;)

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8 years 1 month

In reply to by The Good Ole G…

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I will check it out. Thanks for the pick.
Lost power and internet for a little while here in MN. Back up and running.

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8 years 11 months

In reply to by DeadVikes

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Decent Set 1, nice energy.

Cool to hear the crowd response to Vince's first solo.

I found it interesting, they play Bird Song, possibly a nod to Brent's passing and following the song Jerry introduces Vince, coincidence? We'll never know...

Bob being the sentimental fella that he is follows that up with...
Picasso Moon.

Classic.

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I forgot until I listened that Bob sang the.. "Sailing around the world in a dirty gondola... oh to be back in the land of coca cola.." I think that was the Band lyrics..... bob t

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In reply to by bob t

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Bob T - glad you mentioned that, was surprised to hear him sing those lyrics as well, anybody know how often that happened? Think in’ it was kind of infrequent with the GD, although there’s mention on dead.net that he did sing them at Buckeye in 1995, and at Cleveland and New York in 1994 on the Masterpiece lyric page.

Keep learning new stuff every day!

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In reply to by bob t

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Digging this show so far. Sound quality is
really good from the SBD recording. Vocals are nice and clear. Yes, the Masterpiece is unique. Bird Song is a little slow. Looking forward to the second set tommorow morning.

The Dead always had a knack for moving forward.

Be well folks.

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17 years 6 months

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Wow, this show is better than I remember, but reinforces my previous recall.
Yeah, BobT, I forgot about all that crowd energy (went with an aud) All the apprehension etc, melted away, they were back and here to stay...like JG let’s us know in Ramble On Rose, “this song ain’t never gonna end” with extra gusto, and the crowd loves it! These shows were definitely an affirmation, the boys were back, and we all were loving it. Lucked out again, as when we ordered our tix we had no idea these shows would be historical.
Another solid 90 show for sure.

EDIT: yeah, totally forgot about the bridge in masterpiece.

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8 years 11 months

In reply to by Oroborous

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Yeah, I dug the 9/7/90 trip. Historic man, and a turning point.

And you all (OB & Bob T) were there in the flesh!

Thanks for buying the ticket and taking the ride, then and now.

Anybody fancy a trip through 1969-12-11 Dave's 2014 Bonus Disc?

I'm reading Joel Selvin's Altamont (great so far btw) and I need some late '69 as a soundtrack.

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8 years 11 months

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Firing...
Bam!

Wonder if the rest of this show is in the Vault?

I’m thinking yes.. what’s in circulation is pretty rough, ‘69 audience tape and a skeevy SBD. But definitely released some good tracks on this here bonus disc.

Time to dig in!

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13 years 5 months

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I somehow replied to a Dave's Picks comment here.. worse than a double post. So I moved it and have to fill this space. I did mention the show of the day though, so in a way they are related.

How about something short and different today? The acoustic set from 11/17/78 Loyola College. A rare gem. "It's Got A Tom Dooley" (man, that doesn't quite roll off the tongue like a Cumberland")

https://archive.org/details/gd1978-11-17.sbd.dodd.audiohead22.remaster-…

This one's for you, Brewer. Short and sweet.

If your really ambitious, you can do the full show at the Uptown later that night.

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9 years 3 months

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Jim - lucky to have one of those for sure. it disappeared for awhile and lucky as all get out that I'm back at it.

Thank you for posting that link to that crazy one-off acoustic benefit at Loyola College. gonna check it out later tonight - its been awhile (right now revisiting 8/7/82 Set II again cause its that good.) don't know if you saw it but I referenced the Rambler Room back on 8/9.

Not saying its a pick of the day but today 8/12 is the anniversary of the middle show of Dead's last run at Red Rocks in 1987. What better way to finish an '87 1st set than a Bird Song > Music Never Stopped. and wow - a Terrapin on the Rocks..... And the moon rising over the Great Plain during Quinn. It was a very fine evening.

Big Boss Man show opener for 8/13.

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13 years 5 months

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The Rambler Room reference didn't make it into memory, but I can't say it didn't register subconsciously and perhaps influence my pick today. I was looking for something light, short and different simply because it was starting to look like everybody left and forgot to turn out the lights.

I also forgot the anniversary of the 87 Red Rocks shows.. which is a shame because I made those shows.

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9 years 3 months

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how in the glorious heck did that spontaneous and gorgeous Rambler Room set come to be??

this ain't '69 or '70. this is a hunger benefit on a Nov '78 afternoon in a "student hangout" on the north side of Chicago. and Jerry and Bob on acoustic guitars, and Phil and Mickey, and a set list that would be some crazy wish list if it weren't real. I mean - Big Boy Pete for fuks sake!! followed by Jack a Roe!! and there was a Tom Dooley?? A KC Moan?? Knockin?? Dark Hollow?? Oh Boy??!!

a gem - nothing like it. you and I, while we can .....

the Rambler today - https://www.luc.edu/conference/campusvenues/lakeshorecampus/centennialf…

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9 years 3 months

In reply to by DeadVikes

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Bob - Jack a Roe?
Jerry - Jack a Roe, Sir.
Bob - Jack a Roe? to Mickey or Phil
Bob - Jack a Roe? to Phil or Mickey

Sure woulda loved to see the boys at The Great American!

Love the stronger than dirt jam, always wished they had have pulled that one out of the hat a few more times in the later days. Oh well, glad to rock it now during morning coffee sesh!

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8 years 1 month

In reply to by SweetLew

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Always welcome this great show and release OFTV. We hit this one up a couple months ago. Again, for sure.
Do you all have the remastered version they put out in 2007. If you don't, you should get it. Huge upgrade on sound quality.

Milking the Turkey!

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5 years
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What a show, I put it in my top 15 Grateful Dead shows of all time. Ive been to the Great American Music Hall twice, once to see the great blues artist Otis Rush, and once to see this fantastic folk singer named Kate Wolf, I used to go see her alot. Anyways, it's a great place to see a show.

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9 years 2 months

In reply to by billy the kid

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Too expensive for me when it came out. Limited budget, beer and cigarettes where more important, which was fine because I just made a cassette copy of a friend’s CD. Got the CD years later, then the remastered version in the FTV Box, then the vinyl. The vinyl sounds great and it’s not even 180g.
I listened to the vinyl this spring when we did this show, so it’s the digital version today for the 45th anniversary.

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9 years 2 months

In reply to by icecrmcnkd

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Or,
Milkin’ The Turkey

Either way,
Hell yeah!!!!!

Sounds like something D&C should start playing, if they ever get to play together again.

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13 years 5 months

In reply to by icecrmcnkd

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I suggest we revisit that one we missed and call in a freshie tomorrow.

I am going to finish the complete show 5/15/70 with the NRPS.. I just made it through the Early Show last time.

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17 years 6 months
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8/15/71 tomorrow (never knows) ? Aw Reet , it’s the stuff that can’t be beat.

down with that - I sampled both 8/15 and the previous night for sound quality on relisten.net back when 8/6 was the pick. have never listened to the whole shows as far as i remember. there are pictures of Jerry on 8/15 in a blue denim western snap shirt, double snap saw tooth pocket flap no less, an iconic '71 Jerry image. the relisten layout is so much more user friendly than the archive (which relisten draws on and still a solid resource.) i think a post by vguy first brought relisten to my attention and used it ever since.

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17 years 1 month
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Listening now... just on Playing.... Actually my birthday tomorrow... gonna miss Shakedown Stream Friday's!!! be good everyone bob t