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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • stoltzfus
    Joined:
    GD84

    please Dave...there must be another SOMETHING from that year that is a candidate for release

    7/13/84: a _very_ significant day in my life. Me, my friend Mike who turned me on to the GD in 82, and another guy drove up through the Central Valley from LA during the day, and...:)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

    after that, 7/14 and 15 were let downs. Plus, my friend wanted to leave before the JBG encore. Me being the pu$$4 I was at the time, left. Wish I woulda stayed. At least he didn't want to leave before the encore on 7/13.

    Ventura was fun, but I didn't truly appreciate the shows until I heard the recordings later on.

    C'mon Dave...GD84!!!

  • Lovemygirl
    Joined:
    *Re/ Listen’n / watch’n

    ... alpine 89 🙏❤️😎💀🌹
    https://liveforlivemusic.com/news/grateful-dead-uncle-johns-band-alpine…

  • Angry Jack Straw
    Joined:
    Russia

    Someone brought up a Russian documentary earlier in the week. Have not seen it, but I did just finish The Brothers Karamazov last night. The absurdly difficult names and rambling prose made it a challenging read for me. Nevertheless, it was an outstanding book and well worth the effort. Right up there with Crime and Punishment in my top five books, although I give a slight edge to the latter.

    With our new normal and all the extra free time, my next project is to finally read Catch 22. Any thoughts from those who have read it? I bailed on Moby Dick given so much negative feedback from people.

    On a similar topic to Catch 22, M*A*S*H was also brought up. One of my all time favorite sitcoms. At least the first three seasons until Henry and Trapper left. After that, Alan Alda took on too big of a role. Was never a fan of his. He is part of the reason Henry and Trapper left.

    Regardless, Five O’clock Charlie and the Army Navy Game are superb. The unexploded bomb in the compound is one of my all time favorite sitcom scenes. Right up there with the Thanksgiving Day turkey drop from WKRP. As god as my witness . . .

  • bob t
    Joined:
    1984.. I agree with Billy re 7/13/84

    When i think of that year 7/13/84 jumps up first in my head. Big fan of the Scarlet>Touch>Fire combo!!! I also have to say for me that is an underplayed year in my rotation.... and honestly I don't know why. still raining in Rhode Island!!! bob t

  • simonrob
    Joined:
    Getting closer.

    Tracking update - 2 April: Package arrived at international carrier in the Netherlands.

    So it has made it across the pond. Next onto the customs shed, I guess.

  • fourwindsblow
    Joined:
    1984

    10/14/84
    Hartford Civic Center - Hartford, CT

    Set 1: Disc 1
    Alabama Getaway
    Greatest Story Ever Told
    Dire Wolf
    Little Red Rooster
    Dupree's Diamond Blues
    My Brother Esau
    Loser
    New Minglewood Blues
    Row Jimmy
    I Need A Miracle
    Might As Well

    Set 2: Disc 2
    China Cat Sunflower
    I Know You Rider
    Samson And Delilah
    High Time

    Filler from 10/15/84

    Set 2 Cont: Disc 3
    Estimated Prophet
    Eyes Of The World
    Drums
    China Doll
    Throwin' Stones
    Not Fade Away
    Turn On Your Love Light

    Dave played this show on the GD channel a while ago. One day this will be a Dave's picks.

  • daverock
    Joined:
    BB Boogie - Spring 72

    Hendrixfreak...can't stop with the stories? Why even try ? I don't hear anyone complaining. I also saw B.B King in 1980, and several times throughout that decade. He was the first real bluesman I saw, and it was immediately apparent how different he was from the flashy, white, guitar driven blues rock bands I had seen up to that point. Apart from the Stones, I had never seen a band with a horn section before, and the whole presentation was completely different from what I was used to. I also remember the rapport he had with the women in the audience, shouting out comments to them, and getting back as good as he gave. It also became apparent quite early on that he was infinitely better live than his 1970s studio albums suggested he was going to be. A great personality, too. I was sitting at the front, and I can still see him in my minds eye, roaring, with no musical backing at all, "I've got a mind to stop living,"...the hall was completely silent...and he followed it with a quieter.."...and go shopping instead" , and there were a few chuckles round the hall. I had never heard this before, and I was spellbound.

    Grateful Dead...who are they? Tumbling out of my speakers at this very moment, since you ask. If there is a better way to start the day than with a first set from Europe 72, and a better way to end it than with the second, I haven't found it yet. Newcastle 4/11/72 playing now. Last night the set ending Dark Star through to Saturday Night at Wembley 4/8/72. That 3rd cd of the show must be one of the best cds of live Dead I have.

  • billy the kid
    Joined:
    Ventura 1984

    I remember now, we rented a car and drove down to Ventura. Someone put a sign in the back window of the car that read Ventura or bust with a little Dead sticker on it. Sure enough, just after passing through Salinas or Santa Maria we were pulled over by the police. Bird, who was driving got out and talked to the policeman, she was a real charmer . The officer never came up and looked in the car, if he would've, we would have been in a world of trouble.

  • billy the kid
    Joined:
    JIMINMD/ smoking hot 1984 Dead

    I think when you talk 1984 Dead, you start at 7/13/84 and work back from there. I was there and it was cool, also I remember the Ventura shows being pretty good that year , if my memory serves me well.

  • JimInMD
    Joined:
    My God

    I touch my face.. like 19 times an hour. And the more I think about it... well, if I never post again it's because my nose or eye itched.

    The funny part is, I do wash my hands a lot, but my son doesn't and never will (honestly he's much better, but what can one expect from an 11 year old). The best I can say is we are all in this together. Peace and best wishes to all. This space is a salvation for many, music heals.. as does kindness and compassion.

    Does anyone on this thread like smoking hot 1984 GD? Doing a palate cleanse with Augusta. Twisted I am..

    Tomorrow is perhaps the last day of paid work I have until well, we break on through to the other side. I'm fine as is my family, so long as no one gets sick... be safe all, follow the rules and wash your hands.

    Play dead, don't panic, be careful, follow the rules and be safe...

    Well the first days are the hardest days, don't you worry anymore.

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6 years 8 months

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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17 years 5 months
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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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17 years 5 months
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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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17 years 5 months
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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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11 years 4 months

In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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17 years 5 months
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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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14 years 9 months
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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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12 years 2 months

In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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9 years

In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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8 years 6 months
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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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9 years 1 month
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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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4 years 9 months
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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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11 years 3 months

In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 11 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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4 years
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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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17 years 5 months
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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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8 years 1 month
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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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