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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • Charlie3
    Joined:
    Better Call Saul

    Also a fantastic show, also a story of Jimmy's evolution into Saul, step by step choice by choice. I would argue that as Saul has progressed Jimmy has become more true to his own inner self, but I am a season behind - I watch things on disc. And yes, Jim, that is a great scene with Ken getting duped in the bar by "Viktor" and "Giselle". Did you remember that Ken was in Breaking Bad? He was the obnoxious dude on his bluetooth in line in front of Walt at the bank, and later when Walt encountered him at the gas station, I think driving a BMW with a "KENWINS" license plate, Walt makes a few adjustments and sets his car on fire. Also, that bar scene turned me on to The Supreme Beings of Leisure, their tune Golddigger was playing in the background in the bar at some point as a I recall. Catchy tune and once I saw the band name I was intrigued. Who wouldn't like being a Supreme Being of Leisure, right? Different but sort of smooth and cool stuff. But I digress...

  • JimInMD
    Joined:
    Re:

    What Charlie said. Amazing recap, good job.

    I was working late one night channel surfing just to have some ambient noise and I happened to dial into the beginning of the very first episode. That's all it took, I was hooked and watched it whenever I could until it ended. I recently got (almost) caught up on Better Call Saul and am just starting the new season, I enjoy it too.. not quite as dark and more whimsical. Educational too, for example, never make a bet or initiate a financial commitment to someone you have never met while getting drunk at bar. Just sayin'

    I somewhat recently discovered Silicon Valley, which recently ended.. but that's quite funny and makes for good binge watching. If you like dark humor, Barry is good.. if you don't mind mocking mega rich televangelists, the Righteous Gemstones is out there and really funny. I recently got into Narcos Mexico on Netflix. If you were around that year Mexican weed suddenly got really, really good.. it does a great job of telling explaining how that came to be and who was responsible. I am just getting to the El Chapo part in season 2. Tunnels.. crafty smuggler.. they just found a big one and $30M in drugs yesterday, bet chapo is rolling over in his 8X10 prison cell thinking about it.

    That's all I got. Oh.. and man, that June 76 box is a great way to soften the stay at home blues.

  • Charlie3
    Joined:
    Breaking Bad

    The story is at it's core a tale of Walt's evolution. The cancer and need to make money to leave for his family was not the plot, but a triggering event to allow the plot to proceed, i.e to start Walt on his evolution from downtrodden schmuck to a man recognized far and wide for his genius as a chemist and awe inspiring power.

    At the start of the story we see Walt treated as a schmuck by his brother in law at his 50th birthday party, with Hank mocking his perception of the weight of the gun and giving a sense of his perception of Walt as somehow lesser than. We see his wife Skylar feeling like she is giving Walt a great birthday gift as she absent-mindedly gives him a handjob as she tracks her ebay auction. We learn that Walt's chemistry genius was instrumental in the formation of an immensely profitable company, but that Walt does not seem to get credit or reward for this, having left the company early after it's founding due to personal issues with the other founding members. In short, Walt appears to be a schmuck and treated as such by those around him. As the story progresses we see Walt make innumerable moral choices as the story progresses - killing in self defense, killing in defense of Jesse, not intervening to save Jane...the list goes on and each decision has moral consequences. In his actions to provide financial security for his family, Walt discovers his true self and begins to be true to himself, often without regard for the consequences to others.

    We see this evolution start early on when Walt deals with Tuco. We see it when Walt begins to take pride in his product instead of just seeing it as a means to an end. We see it when Walt spots the tweakers buying everything for a cook at a single store - inside the store Walt offers tips about spreading out the purchases and then we see him reach a realization of some sort and he confronts the tweakers in the parking lot and threatens them and informs them that they are on his territory. We see Walt gain the recognition as a genius chemist that he always felt was his due, but which had previously eluded him. We see that this credit is so important to Walt that when Hank believes that Gale was Heisenberg Walt can not help but suggest to Hank that Gale was a mere lab tech, not the chemist responsible for the production of the blue meth, even though it puts Walt at greater risk of discovery. We see Walt become Walt. We see it when he tells Skylar "I am the one who knocks." He knows he has done evil things as evidenced when he tells Jesse "All the people we've killed - Gale and the rest? If you believe there's a hell- I don't know if you're into that, but we're - we're already pretty much going there, right? But I'm not going to lie down until I get there", but he is clear that he will continue to be true to himself. Ultimately Walt returns to New Mexico and rescues Jesse due to his anger that someone else is manufacturing his product.

    This whole show is a brilliant morality tale with the evolution of Walt serving as the vehicle, each step of the story placing Walt in a position where he is forced to make ever more significant moral choices. And each step of the way Walt becomes more Walt. His evolution is the story.

  • Deadheadbrewer
    Joined:
    Breaking Bad

    My wife and I were constantly told to watch it, so we finally started it a few years ago, but were surprised to see that there are 62 episodes. We thought, "Sounds like a great concept for fifteen hours of t.v.," but we couldn't imagine being interested past that. We were enthralled by it for . . . about fifteen episodes or so, and then the initial plot is kind of played out. We watched a few more, but [spoiler alert!!] once Walt's cancer was gone and he had $1M, we weren't sure why we would keep watching.

    Should we be going back and trying to get through the forty episodes we didn't watch?

    Buffy the Vampire Slayer--so good. After that try Veronica Mars and Firefly, if you haven't already seen those.

  • Slow Dog Noodle
    Joined:
    ALVARHANSO

    If you want to get a great telling of the Russian Revolution check out Trotsky's: History of the Russian Revolution.

    It's a tome, but gives an insider's view (obviously) about what went down, written by the man himself. It doesn't get into a lot (if any?) of his personal history; an autobiography about being murdered with an ice axe in Mexico City would be a tough feat to pull off. But if you're into the politics and the feeling of being in Russia around 1917 you cant beat it.

  • RobbZ
    Joined:
    The Closing of Winterland 12/31/78 (The Blues Brothers)

    Very interesting, had no idea this footage existed...below is the full set of "The Blues Brothers" opening this epic NYE celebration. Every once in a while you can even the "Steal your face logo" hidden behind the band.

    I believe the tour was quite short, basically going right from SNL Skit, to a nine-night run at Universal Amphitheater, CA opening for Steve Martin (remember the Let's Get Small album?) then back to SNL later in the year for another skit, then off to the Closing of Winterland show!! Akroyd and Belushi must have had a ton of confidence in their new band to step up to open for the Dead, and The New Riders.....

    --"With the help of pianist-arranger Paul Shaffer, Belushi and Aykroyd started assembling a collection of studio talents to form their own band. These included SNL band members saxophonist "Blue" Lou Marini and trombonist-saxophonist Tom Malone, who had previously played in Blood, Sweat & Tears. At Shaffer's suggestion guitarist Steve Cropper and bassist Donald "Duck" Dunn, the powerhouse combo from Booker T and the M.G.'s and subsequently almost every hit out of Memphis' Stax Records during the 1960s, were signed as well. Belushi wanted a powerful trumpet player and a hot blues guitarist, so Juilliard-trained trumpeter Alan Rubin was brought in, as was guitarist Matt "Guitar" Murphy, who had performed with many blues legends."

    There is some really good shit here....Matt "Guitar" Murphy just killing it....and don't forget, "They're on a mission from God"...........Enjoy

    https://www.youtube.com/watch?v=YTpiL_Leg-Q&t=511s

  • alvarhanso
    Joined:
    Saul vs Walt

    For me, I choose Saul over BBad because I was about to give up on BBad when the episode Better Call Saul happened. Bob Odenkirk burst onto the show and added a comedic element that was absent and made the show far too dark. And I like dark shows. Walt and Jesse both annoy me, Walt because he always chooses the wrong choice, Jesse because his character is annoying for 5 seasons. But Saul and Mike and Gus Fring really shook the whole show up for me. And Better Call Saul has been extremely surprising as it goes along, this season, his ride with Nacho to see Lalo turned the entire premise upside down, because events brought Saul down, not his inner character.

    The Wire, I think, is the greatest show ever made. I loved season 2, season 5 was my least favorite. I felt that went a little far, especially McNulty. Somehow Better Call Saul and The Wire have combined for 0 Emmys. Some of the greatest acting and writing on the small screen. Also, the black comedy of The Wire is just gold. Like the scene where Jimmy and Bunk survey a murder scene, and the only word they say throughout the scene is variations of "Fuck". Nice to see love for The Wire here, and really anywhere.

    Last 5 watched: Trotsky a Netflix docuseries in Russian that was very enlightening and now I wanna read a bio of him to get an idea of how true it was. Amazing life.

    Undone an amazing animated series on Amazon featuring Bob Odenkirk as a time traveling dead father who may or may not be a figment of his schizophrenic daughter's imagination. Very trippy, and makes you think.

    Jacob from the TNT Bible Stories DVD collection, they came on 25 years ago, starring big actors, this one was okay. Matthew Modine as Jacob, Sean Bean as My Brother Esau.

    Abraham also from that series, starring Richard Harris and Barbara Hershey, Richard Harris overacts a bit, but he always did a little bit. Ben Kingsley as Moses is on the horizon once the wife and I watch Joseph which features Kingsley as Pharoah.

    Kidding first season, Jim Carr's Showtime show where he plays a Mr Rogers type of character with pent up rage issues and is unraveling following the death of one of his twin sons. Catherine Keener, Frank Langella, and Judy Greer co-star. This was really funny and very different.

  • dessi831
    Joined:
    Roy Buchanan

    LEDED, thanks for indirectly turning me on to Roy. Just downloaded his 20th Century Masters: The Millennium Collection and it's blowing me back.

  • sheik yerbones
    Joined:
    sitting on the bus

    Hi stiilwaters
    you stand in the bus, but to sit you do need Dpicks33, or DPicks20;
    DPicks is a gem from early 73.Friendly.

  • sheik yerbones
    Joined:
    difficult to go a day but with a bag of Blues...

    it seems like in the movie with bill Murray just another day like the one before...
    I am surprised nobody mention my favourite one "True detectives" .
    Today searching in the bag of blues with:
    Peter Green -Hot food powder
    Best of Johnny Winter
    Sessions for Robert J Eric Clapton
    Michael Bloomfield If you love these blues play'em as you please
    john Mayall jazz blues fusion
    this morning I check the Dark star from wembley (E72) highly recommanded.
    my box is flying over the pound & I am still optimistic for the end of the week.
    Take care and stay safe.

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6 years 8 months

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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17 years 5 months
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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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17 years 5 months
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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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17 years 5 months
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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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11 years 4 months

In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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17 years 5 months
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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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14 years 9 months
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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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12 years 2 months

In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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9 years

In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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8 years 6 months
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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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14 years
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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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9 years 1 month
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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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4 years 9 months
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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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11 years 3 months

In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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13 years 11 months
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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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4 years
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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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