• 8,077 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Okay Bob t, they had some shots of the crowd. Were you left of your 6'4 buddy in a tie dye?

Great show. The video is weird, kind of on and off. Looks more like a bootleg recording. Pretty sweet Scarlet-Fire.

Still no #35 for me. Maybe next week. In the meantime other goods my family orders are delivered by USPS and gets to us without an issue.

Okay, enough of that, back to some GOGD!

Oh and I always loved Jerry's cut off cords from this tour.

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It doesn't looks as though you did this one on the day in question - but its a great show any day of the year. Serious cowboy boot funk on Hard to Handle, an Other One-Uncle-Other One that holds your attention to the last note. And, as you say, its got a Cumberland. One of the best, I would say.

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...and so it is. Nice mix up, Dave, a worthy adventure.

I think I am going to try and cobble together a complete show from the various sources.. this is always a hassle, but usually worth the effort.

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August 9th, 1995. Driving up into the Burro Mountains south of Silver City I could scan the FM airwaves and hear the Grateful Dead on a half dozen FM radio stations everywhere from El Paso, Texas to Las Cruces and Truth or Consequences in New Mexico to Phoenix and Tucson, Arizona, just about non-stop all day. Only time that’s ever happened. That night I drank Guinness Stout and smoked strong Ganga with a friend who played both sides of the first Garcia album vinyl version on his powerful stereo system that included a Macintosh Amp and Kliptch speakers. Being inebriated certainly fit the mood.
Today would have been my brothers 72nd birthday. He was responsible for first turning me on to the Dead clear back in the fall of 1968 by way of Anthem of the Sun. He once said that heavy duty events happened in this date. 75 years ago the atomic bomb was dropped on Nagasaki, Japan. On this date in 1974 Richard Nixon resigned. I happened to be hitchhiking cross country going over the bridge from Ontario into to Upper Michigan while hearing his resignation speech.
And of course twenty five years ago the news that was less surprise but still a great shock to the many of us who love the music of the Grateful Dead.
Phil Lesh once spoke of how the music of Dark Star is always playing in the Universe and how they would tap into that force. I paraphrase his quote but you get the concept. On the subject of Dark Star, about 30 years ago I was at a gathering of long hairs on Ash Creek at the foot of Mount Graham in southeast Arizona. Some kind of barter fair or something on private land. There was a deadhead who was playing an acoustic guitar, jamming with a sitar player. I requested Dark Star and without delay they started playing the melody and formless form of that universal composition. That early spring day on the edge of the desert became filled with the beautiful music of East meets West. A transcendent American raga.
I posted on the daze? Days Between page on Jerry’s birthday but hardly anyone seems to go there. Speaking of Days Between, by far the most powerful Robert Hunter composition of the 1990s.
Time is fleeting, try and make the most of it.

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In reply to by icecrmcnkd

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Here's to Jerry!

Let it be said often and with more eloquence and poetry.

Truly remarkable how many people he touched in one lifetime.

Glad to be one of the many.

Cheers to all the others!

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In reply to by icecrmcnkd

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I have to ask.. what beans, assuming a dark and oily roast.

Just finished converting and combining the best version of each song from 8/6/71 into a single folder and have imported it into my electronic world.. in about 10 min I will start my listen to strong black coffee myself.. Ethiopia Limu Musa Aba Lulesa somewhere between full city and a French roast. (sounds like a song they came out of space with Hamza El Din sitting in.

As for beer later, I promised myself this week would begin a period of summer discipline and scaling back. All good things in all good time.

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In reply to by JimInMD

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Columbian Supremo, black and oily.
Got 25 lbs of green unroasted beans this spring.
Roasted a batch a few weeks ago. Had the roaster out on the deck in the sun when temps were in the 90’s. Really helps get the roaster really hot to achieve the black oily beans I prefer. The thing I like about Columbian Supremo is that when they are black and oily a chocolate flavor comes out. The chocolate flavor doesn’t seem to exist in beans from other parts of the world. Not that I don’t like those beans too.

Wrapping up 8-6-74%, now heading outside to do various jobs around the house.

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In reply to by Strider 808808

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8/7/82:Bluecrow great pick! Another Lil nugget that gets lost in the couch cushions so to speak....I think part of your displeasure with the Bass sound is complicated by that G&L Bass Phil was playing between the Irwin and when he started playing Modulus....not a huge fan of the Irwin, but really didn’t like the G&L. Remember first seeing/hearing the Modulus, with the Meyer Sound rig, spring 83 twice, front row in front of Phil....my jaw is still probably stuck to the floor of Broome County Arena!

STRIDER: great post as usual...I felt like I was there with you, especially cruising around the desert at night with the midnight radio playing all Dead...
Interesting to about this date, betting there’s more interesting history! Weird though, the misses has been getting freaked out lately. She keeps a journal and for a while now every time she opens it up it always opens to the week of August 10th...? I’ve asked if there’s pages stuck or what ever and she says no, no matter what it keeps opening to this page? Very weird and kinda freaky, she’s starting to get the fear! Somehow I feel you would understand this?

PLAYING IN THE SAND: great show last night. Besides a couple snoozers in the first really good show!
Looks like a cool scene too. If not for the vid I’d be down for a winter get away, but alas, I fear never more quoth the Raven...

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Yaaasss, have a mini bottle of “champagne”...perfect for a Mimosa or 2...need a little hair of the mutt after Playing in the sand last night. Started off with one of those Tall Pliney the Elders and didn’t let up. If we weren’t seasoned veterans it might of been too much too fast, but you and I have been through that, and this is not our fate...
So a toast....to the Fat Man! We miss you more than words can tell....
I used to say today was the day the music died, but as evident by how many awesome folks are still putting it out there and lighting people up as Bob would say, it truly is a testament to just how amazing the Music is, never mind the players. Been tuning in occasionally this week on Daze Between etc and who’d a thunk 25 years later there’d still be anyone, let alone the ridiculous plethora of fine musicians, and the magnitude of popularity that exists. Crazy!
So to JG, Hunter, AND the amazing gifts they bequeathed us!, my old departed Buddies favorite toast: “ here’s to swimming with bowl legged women, and swimming between their knees”
Nostrovia!

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8/9 - somehow forgot the import of the date until I saw Strider's post. in '95 I was just beginning a whole new life chapter in the southwest, one that continues to this day. 8/9/95 actually started out with some very beautiful Grateful Dead energy, that turned very spooky once we found out about Jerry's death at the end of the work day. By chance had been back in Chi-town in early July visiting family and had caught the 2 Soldier Field shows, totally unplanned, brother had extra tickets. Whole different scene/planet from what I'd experienced in Seattle that spring. Seattle was fun and very well played. Chicago was seriously heavy. But still never expected the news of his death. And yes Strider - the Days Between is an absolute masterpiece. First heard it on the GD hour that featured Landover '93 (at time didn't know that my brother was there.) Hair stood up on end, super eerie, emotionally charged from that first listen - it is always like that. It seemed like Hunter somehow was shown the future that lay before us. For me in some ways as emotionally powerful as any song he wrote. Brings me close to tears anytime I hear it, or really even think about it.

8/8 - GOGD - Alpine 82 - I was in the cheap "seats" on the lawn, but by 2nd set against rail at back of the shed. i don't "think" I was full on smoking crater but it was getting awfully close. agog as this force of nature swept past us, just drinking it in. remember Zakir throwing a drum stick at Mickey as he walked onto stage. Cippolina was just suddenly "there" and Healy had him dialed up loud, no fooling around. I had zero clue who those guys were. The Satisfaction was unreal - Phil was at 11 both in terms of sound and energy. The Brokedown that followed is my all time favorite. Left that show with Phil's bass tattooed across my brain. That show took me to a whole new level.

8/7 - Oro, so glad you enjoyed the rediscovery! I don't know much about Phil and instrument history, I figured it was more of Healy thing. At the time, 8/8 made a bigger impression, but a couple of years later I was gifted with a killer low gen of 8/7 with most 2nd set and show opener and that further opened the door as to how magical 8/7 was. i ended up calling that cassette "Sacred Alpine" and it got more play than any tape in my collection back in the day, and that's a LOT. turned a bunch of folks onto it.

8/6 - that Palladium show is crazy good, and its got a smoking Cumberland! A dub of the legendary bootleg record highlighting the 2nd set was one of my earliest tapes from a pre-hiatus show - love love love the sound from that era. in terms of sources - a wealth of riches there - the Bertrando audience is fantastic and that's where I generally head (there now in fact!) i think it was the source for the bootleg record.

The night of 8/9/95 ended up camping with a friend in a canyon up on Cedar Mesa. I remembered 2 dreams from that night. 1) Jerry playing solo acoustic guitar to about 20 of us in a small room (sort of like the Rambler Room.) He was overweight, sweating, and he was pouring himself into it, giving everything he had. 2) I was on a stage with the rest of the band (no Jerry) watching them perform. I have a clear picture of that scene to this day, I was stage left in the wings, it was dusk, outdoors, no backdrop, lighting was all soft violets and silver, Phil was closest but still a good ways distance. The stage was HUGE and there was something like 40 meters between band members, as in, nobody was close. The music was unearthly and beautiful, but what they were playing wasn't the Grateful Dead.

Love you Jerry.

Take care and stay safe everyone. Time for a cold one!

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July 9, 1995; final Grateful Dead concert.
July 5, 2015; Fare Thee Well final concert.
March 11, 2020 Bob Weir and Wolf Brothers last concert of the year.

On the edge of your city you’ll see us and then
We come with the dust and we go with the wind

Pastures of Plenty / Woody Guthrie

July 23, 1990 / Lest we forget Brent / There’s something about Chicago

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As it should be.

A lot of Love going on in the Dead world in Jerry's memory, it was real cool to see and be a part of (virtually). Hats off to Rex Foundation for the shindig.

I watched bits and pieces (mostly the interviews) on Daze Between throughout the week. I really enjoyed the bookend interviews with the photographers, starting with Rosie McGee and capping it off with Herbie Greene, Ed Perlstein, Bob Minkin, Jay Blakesberg & Susana Millman, that was really cool.

Really Enjoyed the 8/7 & 8/8 Alpine '82 shows, thanks BlueCrow! And thanks for the follow up info, it's interesting that you point out that Phil & Cippolina were LOUD there at the shows, which does correlate with why they'd be quite on the PA tapes. When it's loud on the stage, it'll tend to be quite on the PA tape and, yeah that's what we have.

I'd always favored the 8/8, but that PITB > D > S > Wheel > PITB > Morning Dew is a really great listen, and I played it a few times, it'll take you places. And Set 1 is too much! So yeah, good stuff there, Nice Pick(s)!

8/6/71 the famous Houseboat Tapes, It'd be nice to see that show get the full show treatment as it's pretty darn good throughout and I'm not hearing issues with the tape, but is that one of those things where they only got a few reels back? Curious curious.

Interesting how we had some back to back 2004 - 2005 releases, DiP V31, DiP V32 and DiP V35, great liner notes for V31 & V35. Good stuff you all!

Oh and let's not forget DaP V35, I see it's a bit of a sore subject, but I dug what I heard on my first pass.

Well, should I mention the elephant in the room?

1 Vince Show listened to since April 16, 2020

I read a review the other day about 9/7/90 after listening to Brent 7/21/90 Shakedown Stream, they're saying it's a good one. I can't remember.

Anybody got a pick?

@9/7/90...my recollection was It was generally good, perhaps a bit subdued? I specifically remember thinking it’s going to be ok....this guys not Kieth or Brent, but he’ll be ok, and more importantly you could tell the Band was going to be ok and they’d picked up right where they left off...

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In reply to by Oroborous

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You were wrong!
Just kidding... kinda. ;)
It was OK, in fact got real good for a bit, but I guess nothing is.. are you ready?
Built To Last
(Groan)

Coffee is starting to work.
OB: You saw this one?
Cold Rain opener, 14 minute Bird Song & US Blues to close Set 1.
Truckin' > Crazy Fingers > 17 Minute PITB
My interest is kinda peaked to re-listen.

Yo Vinnie!
Saw them close to two months later and had kind of the same feeling, but so much had changed in my life, I wasn't sure if it was them or me, or both. And yeah, Hornsby was there and he added a lot of color, I don't even think I knew who Vince was or his name.. some guy from the Tubes.

Ah the good ole days of no cell phones and dare I say it, no internet.
At least for me, I was late to get into this here thing called the WWW, didn't begin to crack this nut until 1992ish.

Good stuff.
Shall we go? Into the early days of Vince? It's a Monday, what the hell..

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I saw these two shows, Vince's first two... 9/8 had a really good second set. 9/7 I don't even know how to describe the feeling if that makes sense??? Brent had passed a little more than a month before... Bob t

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17 years 4 months

In reply to by The Good Ole G…

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Since no one else is bitting, shall we go, you and I through the transitive nightfall of Cleveland???
Similar thought at the time: who is this guy? The tubes? I would come to feel like it was not the best fit....though, in some ways my feelings aboutVince have mellowed. Would be ok if I never heard Way to go
Home again, but as a support musician he was good (yasss some of his sounds where lame but much of that was out of his hands).
Still think they should have taken some time off like 74-75....look how well that worked out! Either after Brent passed, or after JGs 92 health problems. I know the tour was booked in 90, but sometime, someway the should have tkjen time and regrouped, imho, which means nothing of course 😉
So 9/7/90?
That’ll give me a chance to backup the mighty Ref 3....haven’t done so in gulp, perhaps a couple years....
Many reasons, none good except my relationship with Murphy and because my UPS needs new batteries and power here often does weird things so I didn’t want to attempt huge backup (acquired a ton of stuff last couple years) without UPS etc...so streaming on the iPad while doing HD backup sounds like a plan Stan!
Just us today?

Bob T is in too!
And I agree words fail & often.

Let’s do it you all.

I’m gonna fire it up and Walk In The Sunshine, wonder why they never played that ;)

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In reply to by The Good Ole G…

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I will check it out. Thanks for the pick.
Lost power and internet for a little while here in MN. Back up and running.

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8 years 10 months

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Decent Set 1, nice energy.

Cool to hear the crowd response to Vince's first solo.

I found it interesting, they play Bird Song, possibly a nod to Brent's passing and following the song Jerry introduces Vince, coincidence? We'll never know...

Bob being the sentimental fella that he is follows that up with...
Picasso Moon.

Classic.

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I forgot until I listened that Bob sang the.. "Sailing around the world in a dirty gondola... oh to be back in the land of coca cola.." I think that was the Band lyrics..... bob t

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Bob T - glad you mentioned that, was surprised to hear him sing those lyrics as well, anybody know how often that happened? Think in’ it was kind of infrequent with the GD, although there’s mention on dead.net that he did sing them at Buckeye in 1995, and at Cleveland and New York in 1994 on the Masterpiece lyric page.

Keep learning new stuff every day!

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Digging this show so far. Sound quality is
really good from the SBD recording. Vocals are nice and clear. Yes, the Masterpiece is unique. Bird Song is a little slow. Looking forward to the second set tommorow morning.

The Dead always had a knack for moving forward.

Be well folks.

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Wow, this show is better than I remember, but reinforces my previous recall.
Yeah, BobT, I forgot about all that crowd energy (went with an aud) All the apprehension etc, melted away, they were back and here to stay...like JG let’s us know in Ramble On Rose, “this song ain’t never gonna end” with extra gusto, and the crowd loves it! These shows were definitely an affirmation, the boys were back, and we all were loving it. Lucked out again, as when we ordered our tix we had no idea these shows would be historical.
Another solid 90 show for sure.

EDIT: yeah, totally forgot about the bridge in masterpiece.

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Yeah, I dug the 9/7/90 trip. Historic man, and a turning point.

And you all (OB & Bob T) were there in the flesh!

Thanks for buying the ticket and taking the ride, then and now.

Anybody fancy a trip through 1969-12-11 Dave's 2014 Bonus Disc?

I'm reading Joel Selvin's Altamont (great so far btw) and I need some late '69 as a soundtrack.

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Firing...
Bam!

Wonder if the rest of this show is in the Vault?

I’m thinking yes.. what’s in circulation is pretty rough, ‘69 audience tape and a skeevy SBD. But definitely released some good tracks on this here bonus disc.

Time to dig in!

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13 years 4 months

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I somehow replied to a Dave's Picks comment here.. worse than a double post. So I moved it and have to fill this space. I did mention the show of the day though, so in a way they are related.

How about something short and different today? The acoustic set from 11/17/78 Loyola College. A rare gem. "It's Got A Tom Dooley" (man, that doesn't quite roll off the tongue like a Cumberland")

https://archive.org/details/gd1978-11-17.sbd.dodd.audiohead22.remaster-…

This one's for you, Brewer. Short and sweet.

If your really ambitious, you can do the full show at the Uptown later that night.

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Jim - lucky to have one of those for sure. it disappeared for awhile and lucky as all get out that I'm back at it.

Thank you for posting that link to that crazy one-off acoustic benefit at Loyola College. gonna check it out later tonight - its been awhile (right now revisiting 8/7/82 Set II again cause its that good.) don't know if you saw it but I referenced the Rambler Room back on 8/9.

Not saying its a pick of the day but today 8/12 is the anniversary of the middle show of Dead's last run at Red Rocks in 1987. What better way to finish an '87 1st set than a Bird Song > Music Never Stopped. and wow - a Terrapin on the Rocks..... And the moon rising over the Great Plain during Quinn. It was a very fine evening.

Big Boss Man show opener for 8/13.

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The Rambler Room reference didn't make it into memory, but I can't say it didn't register subconsciously and perhaps influence my pick today. I was looking for something light, short and different simply because it was starting to look like everybody left and forgot to turn out the lights.

I also forgot the anniversary of the 87 Red Rocks shows.. which is a shame because I made those shows.

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how in the glorious heck did that spontaneous and gorgeous Rambler Room set come to be??

this ain't '69 or '70. this is a hunger benefit on a Nov '78 afternoon in a "student hangout" on the north side of Chicago. and Jerry and Bob on acoustic guitars, and Phil and Mickey, and a set list that would be some crazy wish list if it weren't real. I mean - Big Boy Pete for fuks sake!! followed by Jack a Roe!! and there was a Tom Dooley?? A KC Moan?? Knockin?? Dark Hollow?? Oh Boy??!!

a gem - nothing like it. you and I, while we can .....

the Rambler today - https://www.luc.edu/conference/campusvenues/lakeshorecampus/centennialf…

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Bob - Jack a Roe?
Jerry - Jack a Roe, Sir.
Bob - Jack a Roe? to Mickey or Phil
Bob - Jack a Roe? to Phil or Mickey

Sure woulda loved to see the boys at The Great American!

Love the stronger than dirt jam, always wished they had have pulled that one out of the hat a few more times in the later days. Oh well, glad to rock it now during morning coffee sesh!

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8 years

In reply to by SweetLew

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Always welcome this great show and release OFTV. We hit this one up a couple months ago. Again, for sure.
Do you all have the remastered version they put out in 2007. If you don't, you should get it. Huge upgrade on sound quality.

Milking the Turkey!

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What a show, I put it in my top 15 Grateful Dead shows of all time. Ive been to the Great American Music Hall twice, once to see the great blues artist Otis Rush, and once to see this fantastic folk singer named Kate Wolf, I used to go see her alot. Anyways, it's a great place to see a show.

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Too expensive for me when it came out. Limited budget, beer and cigarettes where more important, which was fine because I just made a cassette copy of a friend’s CD. Got the CD years later, then the remastered version in the FTV Box, then the vinyl. The vinyl sounds great and it’s not even 180g.
I listened to the vinyl this spring when we did this show, so it’s the digital version today for the 45th anniversary.

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9 years

In reply to by icecrmcnkd

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Or,
Milkin’ The Turkey

Either way,
Hell yeah!!!!!

Sounds like something D&C should start playing, if they ever get to play together again.

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13 years 4 months

In reply to by icecrmcnkd

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I suggest we revisit that one we missed and call in a freshie tomorrow.

I am going to finish the complete show 5/15/70 with the NRPS.. I just made it through the Early Show last time.

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8/15/71 tomorrow (never knows) ? Aw Reet , it’s the stuff that can’t be beat.

down with that - I sampled both 8/15 and the previous night for sound quality on relisten.net back when 8/6 was the pick. have never listened to the whole shows as far as i remember. there are pictures of Jerry on 8/15 in a blue denim western snap shirt, double snap saw tooth pocket flap no less, an iconic '71 Jerry image. the relisten layout is so much more user friendly than the archive (which relisten draws on and still a solid resource.) i think a post by vguy first brought relisten to my attention and used it ever since.

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Listening now... just on Playing.... Actually my birthday tomorrow... gonna miss Shakedown Stream Friday's!!! be good everyone bob t