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    clayv
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    Sweet liberty! We're venturing into the depths of 80s Dead with the complete show from 4/20/84 at the Philadelphia Civic Center and we're placing bets you'll think this one is more than fine. A strong contender for our mega 30 TRIPS AROUND THE SUN boxed set, 4/20/84 missed the cut by virtue of its setlist being a wee bit too similar to the years before and after. As DAVE'S PICKS VOLUME 35, it's found its time to shine. The first set delivers yin yang harmony between Jerry and Bobby songs, yielding driven and powerful takes on tracks like "Feel Like A Stranger," "Cold Rain And Snow," and "Brown-Eyed Women." The second set begs the question - will we ever stop peaking? - with a monumental "Scarlet>Fire," a ripping "Samson and Delilah," a "Space" that pulls shapes that know no names, and that "Morning Dew" - get.in.to.it! And because this one might have ended just a little too soon, we've packed disc 2 and 3 with knock-your-socks-off bonus material from most of the second set from the previous night, 4/19/84. Grab ahold while you can!

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.35: PHILADELPHIA CIVIC CENTER, PHILADELPHIA 4/20/84 has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out. 

    *Limited to 2 per order. Very limited quantity available.

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  • proudfoot
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    Now and again these things just got to be...

    said:

    "What about Gainesville?"

    That would be a good daves36

  • Dan in DE
    Joined:
    Dave's Picks 35

    I have to say that 3rd disc was trancendal. Driving to work this morning into a very thick cloud bank, and that Morning Dew came on. It seemed so relevant at the time almost made me late for work. The double Chuck Berry and the China Cat wasn't shabby either.

  • cub
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    Dolby B, C or off with Sony D-6

    I first started recording shows with a simple setup. Nakamichi 300 shotgun's and a Sony D-6 cassette. I was taught that we should record with Dolby B switched ON and play-back with it switched OFF. I made many metal masters this way and today I play them back on a home Denon cassette deck or the original Sony. They sound fine with little or no hiss. I found that using Dolby C was too much. This is what parts of disc 1 sound like to me.

  • billy the kid
    Joined:
    Grateful Dead 1972. It Hurts Me Too.

    https://m.youtube.com/watch?v=BBCGLBYlbSo. I think the Dead were at their peak in 1972 when Pig Pen was still in the band. 1970 or 1972, it's hard to say. When it comes to slide playing , Garcia is my favorite. I'm. waiting for some beer to arrive, I ordered some online from the Humble Sea Brewery in Santa Cruz , Calif, they are supposed to make some great beer. I can't wait to try it.

  • Oroborous
    Joined:
    Why they do it...

    I think it’s to ensure they get a fixed, definitive number of sales for the series. Currently at 22K, which seems to be proper as the last 2 didn’t sell out immediately, which helps those that want to go ala carte.
    But perhaps the real problems is the limited edition factor. They use FOMO to cause a panic, both with the limited addition and the bonus disc. Sure the (supposedly guaranteed copy), the bonus disc and reduced shipping are the carrot to go subscription, but I think the Road Trip and Download series were a disappointment to them. I think their worried that if they only go ala carte, sales could occasionally be so low they’d loose money...or they probably wouldn’t take chances on some shows and only go with the usual.
    I’m sure that would make many happy, but I bet there’d be enough folks turned away by a limited distribution model that the overall bottom line would suffer too much.
    As far as the “B” shows, I think their trying to cover as much ground as possible to shut those of us up who’ve complained about the lack of variety, though it does make it easier for them to control the flow of “A” shows by doling them out slower using these other shows. I think Jim has a theory about that with bigger box sets too: throw a show or 2 in the mix that might not be overwhelming on its own etc...
    Remember, their trying to make as many people happy as possible, never an easy task: sure some folks only dig say 60s early seventies for example, but what about folks who only like later eras? I think it’s a mix of what market trends are strongest, while trying to occasionally cast a wider net, dependent on what tapes are usable, and of course implementing as many of the returned ABCD stuff as they can to recoup the costs. I think there is a “taper” bias that Dave suffers from too that probably plays into it, but as he’s alluded too, I don’t think it’s just him making the final decisions. I’m guessing he’s more of an R&D guy?

    Personally, I think that for the lousy Hundo or whatever the sub costs, it’s not that big a deal, and if you don’t like a pick you can easily pass it on or sell it. To me, even 2 killers shows and bonus, with1 or 2 “lesser” (personally I think they all have something to offer but I know that’s not necessarily the majority here) is still a pretty good deal comparatively.

    I can understand folks across the pond being turned off by not only the extra tax BS, but more importantly the not knowing how much it’ll be as there seems to be less consistency with that, and shipping in general! I think the chaos, stress, and not knowing are the hardest part. This is supposed to be fun, not some stress fest about if, when, and how something not only you really dig, but paid for, is even going to show up, and if/when it does some government wanker holds it for ransom! Things have definitely changed for the worst the last few years BEFORE the vid, or Agent Orange etc...that’s just made it worse....
    So what to do about it?

    I still say they should eliminate the limited additions, and go pre-sale. That way they can run however much production an individual show requires, plus a few more for latecomers. People who want the show can get it, those that don’t can pass, and the corporation never should lose money (they just might not always make as much profit?)

    So that, plus give us other shipping options, and figure out how to fix the European tax BS!
    Just a thought....surely I’m wrong.

  • Colin Gould
    Joined:
    Subscription

    They have me as long as they keep doing it and I keep breathing. In my more lucid moments I think that the GD were a bar band they got lucky, but when I listen to the music there are a few minutes in every release that are transcendent which make the listening worthwhile so I’ll keep buying.

  • unkle sam
    Joined:
    I concur Daverock

    Never really liked the subscription thing either, why don't the powers that be tell us up front what's next and let us make an informed decision as to what we want when it comes to shows? I think the whole bonus disc thing is just a way to get folks to buy the subscription, and the limited edition thing too. So you get #3 and #4 without knowing what they will be and they can pass off shows that are not really up to par as far as a stand alone release. So for your 100 bucks you get two shows and a bonus disc that you know are good shows, then the last two can be hit or miss. Makes me think they have more par or subpar shows than top notch shows to release. Sound wise more likely than performance wise, I've always said most any dead show is better than whats on the airwaves.

  • unkle sam
    Joined:
    Right on Mr. Freak

    couldn't have said it better and you nailed what the Grateful Dead are all about. I also think that at a particular time in space that certain version on that particular day is what triggers a synapse in your brain and you akin it to euphoria? You love that feeling and you want it again and again, so that particular version on that day is the "one" to you.
    I can also relate to the times I was dosed and certain shows would play and they would stay with me and the relistening of those certain songs in that order sometimes would allow me to slip back to that moment when the light was turned on and the love for that version of that tune was implanted.
    I don't know but I've been told....
    4-7-91 GD live in Orlando
    4-8-91 see above
    4-9-91 what a great run this show was an add on after the first two sold out in 20 mins. back in the day when you waited in line to get your tickets, camped out overnite at the ticket vendor to get first in lineies. those were the days.

  • Colin Gould
    Joined:
    JIMINMD

    Yes, mine arrived at c. 11:30am on 18th August in NW England between Liverpool and Manchester. GMT is 5 hours ahead of EST at the moment so about 6:30am your time. I’ll let it sit for a couple of days before playing it.

  • daverock
    Joined:
    Why?

    Its presumably a money making ploy.. but I wonder why they can't release specific shows, individually and advertised before hand, so we know what we are being offered. Then we wouldn't be paying for ones we don't want. I get the impression, reading the posts on here, that most people would buy most releases. If they wouldn't, why manipulate them into buying what they don't want through this subscription system, with only two shows announced at the time its necessary to subscribe? I've done it since day one...but its getting a bit worn-especially with the hidden charges already alluded to.

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Sweet liberty! We're venturing into the depths of 80s Dead with the complete show from 4/20/84 at the Philadelphia Civic Center and we're placing bets you'll think this one is more than fine. A strong contender for our mega 30 TRIPS AROUND THE SUN boxed set, 4/20/84 missed the cut by virtue of its setlist being a wee bit too similar to the years before and after. As DAVE'S PICKS VOLUME 35, it's found its time to shine. The first set delivers yin yang harmony between Jerry and Bobby songs, yielding driven and powerful takes on tracks like "Feel Like A Stranger," "Cold Rain And Snow," and "Brown-Eyed Women." The second set begs the question - will we ever stop peaking? - with a monumental "Scarlet>Fire," a ripping "Samson and Delilah," a "Space" that pulls shapes that know no names, and that "Morning Dew" - get.in.to.it! And because this one might have ended just a little too soon, we've packed disc 2 and 3 with knock-your-socks-off bonus material from most of the second set from the previous night, 4/19/84. Grab ahold while you can!

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.35: PHILADELPHIA CIVIC CENTER, PHILADELPHIA 4/20/84 has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out. 

*Limited to 2 per order. Very limited quantity available.

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In reply to by daverock

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12/3/79

I have the show on as background music for an on-line training where I just have to listen.

Terrapin allllmost comes to a complete stop.

sounds a group of sloths playing

Jerry, Jerry, Jerry: much love to you; so sad you got "Horse" disease. A true tragedy.

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isn't heading Boris Johnson's house??

And Vguy, please don't stop the "jokes"... it's the little things now and a silly smile is worth a million [fill in whether you value love or money and state the denomination...]

A penguin is driving down the road and can feel something is not right with his car...he sees a repair shop and pulls in...he tells the mechanic something's wrong but I'm not sure what...the mechanic tells him "ok give me about an hour to check it out"...the penguin goes out on the street, looks around and sees an ice cream shop...he goes in and orders an extra large dish of vanilla bean ice cream and starts dipping his beak into it, enjoying the ice cream...later on he goes back to the repair shop, the mechanic looks up from what he is doing and tells the penguin "looks like you blew a seal"...the penguin shrugs, wipes his bill on his shoulder and sez "Nah, it's only ice cream..."

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mm...okay, that's pretty good-

Always loved a good joke, thanks for the laughter, it feels grateful! ... What would you rather have? a five dollar foot long or a free 8 inches?
I’m sorry, that’s the last joke I ever tell. Love them just don’t have any...lol

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?

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“It’s too damn hot for a penguin to be just walkin’ around here”

-Billy Madison

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Moses, my apologies! I forgot what your avatar was and started using it a few months back when I made my first trip through the E72 box and saw the cover for 5/18. I've changed it now, as you can see. Can't show up at prom in the same dress as someone else! How gauche.

SJButler--I would also get Charlie's Angels trading cards, even though I had never been allowed to watch the show. I eventually traded for a card that had Farah standing naked behind a bush, which was the best card anyone at our school had.

I was at a party in the B.C. times (Before Covid), and these two guys were talking about how they were sure that the original Star Wars (yes, I had trading cards of that, too) came out in 1979. After a while I calmly stated, "The original SW came out on 5/25/77." The only reason I know that is because of DaP1. The one guy kind of accepted that, but the other (who had been busy all night brashly telling everyone all the "facts" in his head) glared at me and said, "I think it came out in 1979." I demurely said, "You may think that, but you'll be wrong . . . " with a little bit of tease in my voice. I was about to tell them how I had that date memorized, but the know-it-all glared harder at me and stormed off before I could explain how I wasn't being rude but was just trying to needle him a bit. Oh, well. The other people grinned, as they had grown tired of the blowhard anyway.

p.s. Casey--How 'bout them Twins, eh? :)

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Couple days late on this but did anybody listen to TIGDH on SiriusXM a couple days ago? Dave was talking about some 8 track recordings From ‘68 that were ultimately set aside when the then state of the art 16 track machines came out. Dave went on to say that we’d be seeing these 8 track recordings “soon”. He didn’t give much more and I got the impression it would more of a one off release vs a full box set or anything. Maybe a RSD release or something but that was my take and he was off the subject within a few seconds. The date of these specific recordings was 8.21.68 but assume there are more multitrack tapes from the same effort.

Did anybody else hear the same thing?

What ever it is it would be great. I went back and loaded up the Tahoe Bowl stuff from February ‘68 (DiP 22 of I’m thinking of correctly). Smoking stuff!

Seems like there is a bunch of pending stuff (AB50, Dap 36, maybe a fall box???) so maybe what I heard was more what I wanted to hear Dave say....

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I didn't hear Dave talking about it, but maybe he was referring to the Aoxomoxoa outakes. I believe they started recording in 8 track and then 16 track came along and they started over. I would love it if they released the Aixomoxoa outakes, or any thing from 1968. I would love to see some of the tour of the Great Pacific Northwest be released. Thanks for the post GreenMtnDead , it's encouraging.

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...next Boxset , is the 5LP’s Buffalo 77’ performance on 9 sides , the 10th side is an Etching! They used the original analog tapes/ recordings which in my opinion, makes this one of the best sounding release to date on vinyl . this Vinyl release is easily included in the top 5 Primo audio records ever released by the dead & team to date. Only 7700 will be issued / released , I would Recommend every fan to buy one and even if you don’t have a turntable this just make might make you start looking for one because magical things will happen My brother and sisters! 🙏❤️💀🌹

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In reply to by Green Mtn Dead

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Green Mtn Dead - I might be wrong, but I think it was part of this show that was due to come out on vinyl with that comic-Origins. It would be good to see it released on vinyl or cd.

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Ha, ya they just beat up on my Royals pretty good. Young arms aren’t quite up to par yet, but I think this COVID shortened season will do them some good while providing some necessary experience on the big stage. Good luck to the Twins! As mentioned before I think the division is theirs for the taking!!!!

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In reply to by CaseyJanes

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Tasty

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Daverock -

You nailed it - The 8.21.68 show is coming with the Origins on vinyl if you get the Deluxe set. Would love to see that come out on CD (sorry, I'm just not a vinyl guy). I was surprised a year or two ago when the '80 Warfield acoustic sets that were originally RSD releases showed up as a general release. So maybe this vinyl release will show up on CD.

Crazy Fingers Crossed......

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A couple days ago I got to give Dave's 35 a focused and loud listen, and I really enjoyed it. The scarlet/fire has some really peaking moments. I had not heard this show before the release and I think it is right up there for me as a favorite from the 83 - 85 period. I think it's one of the better 80s releases that has come out. The filler from the night before is also excellent.

Can anyone recommend any other standout Scarlet/Fires from 84 or 85?

What about other great shows from 84, besides Augusta?

I listened to a Frost 85 show to get ready for this release and I enjoyed that one quite a bit also, Scarlet>Eyes!

Cheers Ya'll

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In reply to by estimating prof

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I believe they recorded the Pacific Northwest run on Multitrack (8 Track) in Jan/Feb 68. Didn't Lemieux mention that these 8 tracks were found in someone's attic or returned or something.. or perhaps found in a hidden pile in the vault. There is some mysterious history here that I cannot quite put my finger on. ..but if someone is talking about a release of 68 multi-tracks I got the feeling they did not release everything they had when Road Trips Vol 2 No 2 came out (2/14/68 Carousel Ballroom).

Talk of this makes my day, a new multi-track 68 release would at least in part make up for the shitstorm that 2020 has become.

Prof, agree that #35 seems by some to have become unjustly maligned. It has it's moments.

Now there’s some spam one can use.
How else would I know the difference between an axe and a maul?

https://www.dead.net/forum/log

It’s not like I’m heading to Dubai or India anytime soon, so I don’t need any escorts.
But a maul, oh man!

Edit:
Wow, that guy has everything, and he’s actively posting right now on a variety of boards.
Sounds like he knows his synthetic motor oil too.
Wonder if he could give us a review on DaP 1-35?

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In reply to by icecrmcnkd

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I'm gonna ask Dave one question:

"Do you think that you could make it with Frankenstein?"

Where is that from? Answer correctly, and you could win A NEW CAR!

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New York Dolls 1st album. It still gets played when the time is right. You may want to investigate 'A Hard Night's Day', demos for all of the first album and half of the 2nd. It has a suitably rougher sound than the official releases. Though I have many of his albums, Todd Rundgren wasn't the best choice for producing the 1st album imho.

They were quite hip in England circa 1973. Legendary appearance on the T.V show "The Old Grey Whistle Test," playing "Looking For a Kiss" and "Jet Boy"- priceless. A visibily rankled Bob Harris-the host of the show-sums them up as "mock rock".
Due to Nick Kent writing for the New Musical Express, my vision of top of the range American rock in the early 70s was formed in the image of Iggy and the Stooges, MC5, Flamin' Groovies and the Dolls. All leading to Patti Smith, Televison and The Ramones in 75-76. Which gave birth to British punk. Which wasn't as good.

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Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
💀🌹

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I wasn’t too in to that Glam Rock scene with the Dolls, but I had a couple of friends who were pretty in to Mott The Hoople, so we ventured out to see them when they came through town in ‘74 (Kansas opened - kind of a mismatch there). Mick Ralphs had left the band then, replaced by Spooky Tooth guitarist Ariel Bender (an alias, for contractual reasons), and I have to admit, not a bad show. Ian Hunter was quite the showman.

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In reply to by That Mike

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Yet another band who have accompanied me through life-great singles and albums. I wasn't actually into glam culture as such-just the records, which coincided with my mid teens. Alice Cooper were another American band from that era , the most visible in England , courtesy of "Schools Out", who seemed to have the right idea.

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In reply to by proudfoot

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Winning the 'prize' is enough! (LOL)...how about if we donate it to USPS? They can use all the help they can get...as long as it's not used to ferry Louis DeJoy back and forth to work!

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I have never been able to figure out how they decide what number of a limited edition you get. Probably because I have normally been on the wrong end of the numbering system for most limited items. I am now baffled in a good way. Decided to treat myself to a gift and ordered the Pacific Northwest box. Internet says there are less than 1500 left so I figured I better pull the trigger. Was just blessed with receiving #136 out of 15,000. I promise I won't complain about receiving high numbers anymore!

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In reply to by proudfoot

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about Scarlet > Fire from 84 and 85

6 18 83 needs to be included

6 21 84
3 28 85
7 13 84 scarlet touch fire
4 20 84
12 31 84

3 10 81

A CM Board...

Grateful Dead
Berkeley Community Theatre
Berkeley, CA
August 24, 1972

Set 1:
d1t01 - Promised Land
d1t02 - Sugaree
d1t03 - Jack Straw
d1t04 - China Cat Sunflower ->
d1t05 - I Know You Rider
d1t06 - Me And My Uncle
d1t07 - Bird Song
d1t08 - Beat It On Down The Line
d1t09 - Tennessee Jed
d1t10 - Playing In The Band
d2t01 - Casey Jones

Set 2:
d2t02 - Mississippi Half-Step Uptown Toodeloo
d2t03 - Mexicali Blues
d2t04 - Brown Eyed Women
d2t05 - Truckin'
d2t06 - Dark Star ->
d2t07 - Morning Dew
d3t01 - Sugar Magnolia
d3t02 - Ramble On Rose
d3t03 - Greatest Story Ever Told
d3t04 - Sing Me Back Home
d3t05 - One More Saturday Night
--Encore--
d3t06 - Uncle John's Band

Assuming that the lower number Boxes get put together first, they would also be on the first pallets loaded during manufacturing, and then placed somewhere in the warehouse with other pallets in front of them. Distribution then starts at the higher numbers which came off the assembly line later and the pallets sit in front of the pallets with lower numbers. They then start shipping the higher numbers and work toward the lower numbers.
Your hesitation paid off.

Of course, CD 00001 gets dropped on a spindle, and 00002 gets dropped on top of it, and it keeps going.
CD 22000, which sits at the top of the pile after manufacturing, gets put in CD holder 00001, assuming that the number gets printed right before the shrink wrap goes on.

To further complicate things, if more than one production line is running, say 4 lines for a 20000 unit release, then there are 4 ‘first-units’.

When people fill orders they just grab off of the pile, most likely with no thought of the number they are giving you.

This is pure speculation, I am not a paid attorney spokesperson.

Congrats on the low number!

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In reply to by That Mike

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Apparently the trolls are still running wild on this string and you know who you are. Don't take the bait!

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