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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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The excitement is palpable. Looking forward to this evening!

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Ah Veneta!

Hadn't listened to it in awhile and hadn't watched it in a long time.

Once again it took me to far out places, future & past. You just can't beat that!

Wonderful & highly recommended review in Taper's Compendium by John Dwork, who's much more adept at describing the nuance and the magic within the music for anyone whose interested in prolonging the trip.

I will say this, and I'm not sure how many other bands you can say this about.
But in regards to the Grateful Dead:
Man, those guys sure knew how to play on Acid!

Big props to Strider on getting that little presentation off the ground, I enjoyed it immensely!
(BTW Get Dwork involved on the 50th;)

Like Babbs was saying (I could listen to him all day!):
We Have To Work With What We’ve Got, And Show Our Creativity.

And I agree, what we're going through, this is a psychedelic experience.
I think I'm tripping....

Anyhooooo, Wow!

Gonna be hard to follow that up.

I did hope we'd hear a little somethin' somethin' about what's to come in regards to releases this year.
Been hearing some talk of multi-track 1968 and 8/21/68.
If anyone can elaborate on these fine rumors, I'd indulge.

I'd be hip to go explore some '68, little primal Friday mission.
Maybe some PNW touring perhaps, keep the Oregon theme going.

And I see Slow Dog Noodle recommending 8/28/82 for our listening pleasure.

So much to choose from, whose got a pick?

Happy Friday All!

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Great stuff. Multi track Plangent! The video is cool, unreal Strider.

This release is still for sale, if you don't have it, you should grab it. It is well worth it and almost sold out.

No announcements this week. Now what?

Be well folks and enjoy!

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38 years ago today I was at Veneta, Oregon for the field trip. I was pretty beat after driving all night, we stopped and picked up some beer in the morning before heading in. Cool place, fun show, musically, I think the shows at Ventura 7/82 and Frost 10/82 were better shows, but going up to Oregon was a trip.

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Amazing how much can change in ten years. I like the video that was made in/of the audience at Veneta Dead 82. Completely different feeling at this Dead show compared to 1972 Veneta. I’ll have to listen to 82 today. And or watch the video on YouTube.
Last night was a hoot. Ken Babbs is a living legend.

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Those pranksters moved the stream from Friday night to Thursday on me.

I can still watch it though, its all good.

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I still need to do a deep dive into the recent Anthem re-release. Did we do Winterland 10/22/67 (Anthem bonus) as a pick yet? I just listened to the Cold Rain& Snow. It's a thrilling 3 minutes! I always preferred Aoxomoxoa to Anthem, but Jim sez Anthem is a favorite, hmmm. Queueing up.....

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No arguments from me.. I haven't had the chance to fin this one in yet, and I'm already attitude adjusted for just such an event.

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What a great show, this one definately is a show to play over and over again, not just a once over like some shows. What a cool time, the Dead were still living down in the Haight at 710 . Mickey Hart adds a lot to the band. Hopefully, there is some more 1967 -68 in the vault to be released.

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Indeed, what a cool time Billy. I didn't realize they were living at 710 then. The Dead commuting to local Frisco gigs from their 710 crash pad! The mind reels.

I'm really digging Pig's organ on this. So, this is only Pig playing organ? Wow! I guess I tend to associate TC with the best primal Dead organ sound, but Pig is just wailing here! For someone who hated psychedelics, he sure had a feel for psychedelic music. I thought the primal Dead sound was forged in the acid tests, where everyone dosed. But Pig never dosed, even at the acid tests, right? How did he have such a perfect feel for this music? Too many questions for tonight, Gollum. time for some zzzz's.

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Listened to it only once, half paying attention... sort of forgot about the 10/22/67 disc... perfect for a rainy Rhode Island Saturday... be good everyone. bob t

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Charlie Parker would have been a 100 today. Happy Birthday Be-bop Jazz master. Miles Davis was in the Charlie Parker Be-bop Quintet from 1944 to 1948. Also check out Jack Kerouac and Steve Allen performing “Charlie Parker”. Very beautiful
Speaking of beautiful.
I love 1967 Vintage Dead. Will re check it.
Still feeling up from Shakedown Stream. Ken Babbs is a national treasure.

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Inevitably, pig did get dosed a few times, but supposedly he was none too happy about it.
So that and osmosis, how could he not inherit that psychedelic style.
Like coming out of a show feeling like your dosed when you know you didn’t...89 Hampton was like that.
Can you imagine being immersed in a small neighborhood swelling with the sights and sounds of the culture, while the radio played some weird pop echo of it from afar of what was happening right there around you?
I don’t think the Bacon gets enough love for his groovy organ playing.

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Nice to see you mi amigo. Can’t believe you were there. That would have to be a top lifetime experience I’m sure.
So I don’t think I could see you, but I’m guessing you were next to the camera right in front of JG for the third set according to an earlier post? I’ll have to look again before I put the box back...
Been enjoying your posts, and like others, really dig the stories!

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Yes....I kicked the day off with some of his early recordings with Dizzy Gillespie. Superb book on Charlie Parker by Stanley Crouch, called, appropriately enough, "Kansas City Lightning."

It always seemed to me that the Dead only really became The Dead after Mickey Hart joined. Much as I love and still listen to what I have from 1966 and the first 9 months of 1967, they were still, to my ears The Warlocks at this stage. They seemed to explode into colour once Mickey Hart joined.

I had to do work work, not house work.
Got up early for me on a Saturday, fired up the tunes, and got the work done.
It was cloudy and rainy anyway.

Music to do work by:
10-22-67
2-26-77
7-9-89 playing now

Sun is out now, time to pause the tunes and go outside. Will get back to the tunes later when it’s beer time.

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I like where this conversation is going.
Pigpen definitely wails in '66-'67.
He's way up front in the mix, prob since he was DI'd into the PA, so you get the loud Vocals & Keyboards on these tapes, but yeah it's some heavy stuff to hear him just laying it down.

The Pranksters and the Dead were pioneering the sound machines. Was just reading about the Pranksters going to see the Beatles and freaking out. Funny stuff.

Was listening to 10/22/67 yesterday along with some '66 stuff and Pig is just shredding it up.
Gonna take on some 1966 Rare Cuts & Odds today.

Garage Dead!

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Pigpen seems to me to have arrived fully formed at the start of the Dead. Whereas the others were all at various stages of development, and continued to progress at a frightening rate, he was as is, and ever would be, right from the start.

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I like your idea of moving on to this BobT. I've neglected it also. I started it yesterday but got stuck. I had to listen to the New Potato 3 times. There's so many great Potatoes but this surely is among the best. You get the feeling it must have been one of Phil's favorite tunes to play at the time. He really digs in! Added Avalon to my Sunday line-up, but maybe someone has another pick for today, too?

RE Gollum:
EDIT: That 6/8/69 New Potato from Fillmore West '69 Bonus is a big Wow.

Love to know how much more of the 6/14/68 show is in the Vault..
Listening to the Audience tape, it's blow your mind stuff.

Avalon '69 sounds good to me.

Alligator!

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Thanks for the tip! I've never heard it. I'll check it out-

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Oops, I misspoke I was thinking of the New Potato from 6/8/69 on that bonus Disc, but yeah the 6/14/68 show is a ripper, the Caution from that show was on the Bonus disc and there's a cool portion of Audience recording out there as well.

Confusion, dread confusion..

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Two close listens to 10/22/67 was just what the doctor ordered.. They whole thing is amazing, Embryonic Dead. Funny, I just got back from an amazing road ride on my bike and it finished with New Potato Caboose blaring in my ears and I check in to see potato banter here. Nice.

I'm all in with AoxomoxoA Bonus Material. Like Bob T, Gollum (and others), I did not give these guys the proper fanfare when they arrived, not sure why....

I hear Jorge was at both these shows. I can't wait for one of his great posts documenting the events....

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No problem GOGD! The 6/8/69 Potato it is. Anyways, I don't think I've heard a bad potato. Potato Sunday!

p.s. don't be shy Jorge! We're a pretty good natured bunch here.

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Yeah Jorge, get on the New Potato Caboose and ride awhile, Great Post btw!

Gollum - Yeah, I think you'll dig the 6/8/69 Potato, I think it just might be the bestest...

And while there's no Potato on 6/14/68, the Caution is well worth a deep dive, might also be the bestest.

I really dig the original Mixes on both Anthem & Aoxomoxoa.
There's so much more going on.
I thought the story that Bob Matthews was telling about remixing with Jerry on the GOGD cast this week was illuminating.

Alrighty, Enjoy Potato Sunday You All!

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I agree, I think the original mixes are way better, hands down. I came home from a Dead show up in Oakland back in 1979, I put on Anthem of the Sun with headphones and I could hear the color purple, it was very cool. I also heard that the tapes with the original mix of Aoxomoxoa were lost for awhile, I'm glad they found them.

....6.8.69? Set list looks tasty. Going for it!
I have a second edition poster of that run. Avatar updated. Fuzzy because of the 600×600 limitations of uploads, but thats it.
.
.
edit. I recognize that date. 6.8.69 holds a special place in my heart. That was the night my dad was killed when he was t-boned by a cop responding to a call, flying down the street at 80 mph with his lights off. No suffering. I was a year old, so I have no memories of him except pictures. Mom remarried in 1972 and my step-dad was the best dad ever. Don't feel sad for me. I almost didn't add this edit, but I'm among friends here. I've avoided listening to this show for forever because I know at some point during this show is when it happened. But, at some point, one needs to stare down the demons and move on. Onward!! I will meet Forrest one day, and give him the biggest hug ever.
Last leaf fallen....

If I'm not mistaken this is possibly the Notorious LSD Overdose show that is referred to throughout GD history.
If not this night, than this run of shows.
Goldfinger & Owsley both spiked the Apple Juice unbeknownst to the other.
People got clobbered with huge doses.
Robert Hunter was a casualty.
Jerry tells a great story about it on Jerry on Jerry.
Owsleystein!
They discussed this recently on the Deadcast and I guess Hunter wrote Black Peter after this, which was news to me and puts new light on that classic tune.

Admittedly I love geeking out and getting new info on these old myths and legends.

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Well today and tomorrow, August 30 & 31, 1978 Red Rocks... 5 new song intro's, (Miracle, Stagger Lee, World to Give, Heart of Me, and Shakedown Street).... I haven't listened to either for ever, and about a 1000th less than the prior two shows, which were also at Red Rocks, July 7th and 8th.... Not recommending them for pick of the day, but has anyone spent much time visiting these two.... Going to give a listen tonight and tomorrow... Thanks Bob t

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What a story. And you've obviously come thru with flying colors. That'll be some reunion when you finally get around to that overdue hug with Forrest. Onward, brother, onward!

I’m on it BobT.
Set2 on CD-R that I burned more than 10 years ago. It’s labeled ‘slight hiss’.
I assume that I have both nights on a HD, but my computer is not turned on to check.
I had a hissy Set2 on cassette in the 90’s, but the sound quality was better on my copies of the July shows, so I usually went with those.

Crazy story Vguy, that’s great that you had a good step dad.
Maybe some future year on June 8 the Vguy Knights will win the cup,
(just not against the Red Wings).

Edit:
Yes, have 30 and 31 on a HD.

Edit2:
I like this Other One.

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In reply to by JeffSmith

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Sounds like some cosmic debris. Cool it all worked out as you say, but understandable that there might be shadows lurking. Perhaps sitting down with the show will root em out into the sunshine!
As a pharmacist I tried dating used to say “forward, never straight” !!
Go Knights eh!

Heavy shit VGuy and a great attitude. There is something to be said for being greatful for what we have.. and in life many things are just beyond our control.

Thanks for sharing man.. I will get more out of my next 6/8 listen as a result.

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Listened last night to Charlie Miller Audience tape, only audience available for this show, sort of reminds you of the first week of July 78 shows pre-box release. Second set is more enjoyable than the first, good Estimated>Other One>Eyes sequence. My favorite was the Jam>World to Give>Aiko post drums.... Hey the first of a very limited (3) World to Gives, you can hear it coming during the whole jam or space.... First Miracle to open the second set has an interesting ending... Onward...... bob t

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Well I took my own advice and listened to the New Potato from 6/8/69 Fillmore West Bonus, it's dope!
Phil's bass solo on this one will take you places.
If they were tremendously dosed as I believe they said they were, it further proves what I suspected:
Man, those guys sure knew how to play on Acid!

I'll bite on August '78 Red Rocks.
8/31/78 - PITB > Drums > Ollin Arageed has got me looking forward to journeys ahead.

VGuy thanks for sharing man, it seems to me you've found a good perspective. As you say, Onward!

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Yeah, that's right GOGD! They were just talking about this night on the recent podcast about "Black Peter"! What a co-inky that the Caboose led us to this show. I like this Potato. It's a little quieter in the middle than I expected which was nice. I need to improve my knowledge of New Potato and its development. I guess there is confusion about whether this is the Goldfinger show but from the sounds of it I think it could well be. Something just sounds a little squirrelly. It's fantastic though. The "He was a Friend of mine" is my new favorite version. I'm also a geek about the legends and myths around the Dead. Like Babbs said last week, everyone keeps adding on to and embellishing the myths, and maybe in 2000 years a Homer will write the truth. The idea of Jerry driving his car across the Golden Gate Bridge to rescue a demolished Hunter from the streets of San Francisco is a trip. I know I'll think of that the next time I visit that beautiful bridge.

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A Ho!

Yes sir, Gollum!
This is just the type of Geeking out that can keep me from doing all the other things I should be doing.

And a new Fave Version to boot, can't beat that.
The 12/12/69 Thelma version has always been my "definitive" version of "Friend Of Mine" but that might just be nostalgia from my GD Hour days, I'd have to listen side by side to see if there's a rivalry.
But will keep that in mind for a future rainy day.

Yeah, I know that "they're" saying it was that run of shows at the Fillmore West when the Freak Outs happened. But I think there's confusion on the exact day / date. D Gans and Corry Arnold discuss this show and the Wayne Ceballos appearance at some length on one of the GD Hour Episodes. I'd need to listen to that again and look over the run to get a clearer idea, but again.. that'll probably happen some other day.

I sure wish I had one of them there Photographic type memory thingys.. mine is more of the leaky foggy forgetty type. It's as if each new piece of information writes over the other latest piece of information.
But it does make for continued entertainment and freshness ;)

And alas.. 2000 years, Babbs can we get a request in for a sooner Homer?

Might be down to us, get to writing.

Liking this hissy / dolby'd out 8/31/78 show so far, it's nice and mellow.
Couple shots of whiskey and these Denver Girls start looking good...

Alright, good stuff, glad you dug the trip Gollum.

PS - Glad I'm not the only one Loving the Deadcast! Sad the Seasons over, I'm ready to binge on S2 already :)

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In reply to by The Good Ole G…

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Never said this before you all...

I like From The Heart Of Me, Sunrise & France

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I like From the Heart of Me and France. mmm, not so sure about Sunrise. Let's not forget Rain, my favorite Donna song.

The Workingman's Deadcast was great, much better than I expected. They really put some good work into it. I'm hoping they'll do one for American Beauty, too.

I love that Thelma show and bonus disc. I spent a few days in Yosemite this summer and could not stop listening to Thelma. It's perfect music for the great outdoors.

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I'll have to re-visit Rain in your honor :)
Drawing a blank on how that tune sounds.

Yeah, fingers x'd for Season 2 of the GOGD Deadcast soon.

And Thelma is a sweet one, I think it was UJB, HWAFOM, Alligator > Caution that Gans played in like '88.
Had never heard it and was just gob smacked.
Remember just wishing to know more about that tape and what else was on it.
I didn't hear about DeadBase until years later.

Bright spot.. it's been officially released and we all get to take it places and have it take us places.

See, the world could just be totally righteous and cool.

"What we're thinking about is a peaceful planet. We're not thinking about anything else. We're not thinking about any kind of power. We're not thinking about any kind of struggles. We're not thinking about revolution or war or any of that. That's not what we want."
Play The Dead!!

EDIT: Try to find some ways to ease the fright
Burn into the night

I remember now! :)

PS - Believe Sunrise is for Rex Jackson

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and of course, "we would all just like to live an uncluttered life, a simple life, a good life...."
- love that quote

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In reply to by Gollum

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Shakedown Street baby! Have not heard France in my God, at least over 20 years, but I am sure I could come up with the lyrics. Did they ever play France live? Maybe once?

Who has a pick for tomorrow? Otis? Where have you been?
Send us a good pick.

Be well folks and hang loose.

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8/30 & 8/31 Red Rocks feel like a sampler of what would become Shakedown Street
It's been a cool listen.

And I don't think they ever played France live, there is that rehearsals tape but outside of that, I think it's only the studio version.
A rarity.

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Ain't that Clementine something else?! Those lyrics are kind of hard to understand. Jerry singing about chopped olive sandwiches, lol.