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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
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    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
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    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I am at an impasse with some of the partially released 74 shows.. I think I need to reconstruct the full shows using pieces of the official releases and supplement any missing parts from the best available source.

What were they thinking???

Edit: David Lemieux as a kid.. "Look at all these reels.. I bet we can releases dozens and dozens of songs...."

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Already on the end of set one of 9/11/74, Playing just started...23 minutes to end the first set. Then a 41minute Phil & Ned where a big chunk is with the band before going into a great Eyes of the World into Wharf Rat... (44 minutes of Eyes and Wharf Rat) .. 108 minutes of jazzy, jammed pure 74 bliss. bob t

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That long jammy section with Ned is niiiice. I wasn't even aware of it before. Good call BobT and Daverock.

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13 years 4 months

In reply to by Gollum

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and who could ask for more than another 1974.

I am not listening to the composites of these again though.. I want to rebuild the complete shows.

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some of my favorite releases back in the day were the 1974 multi-show highlight releases, and of course same goes for DiP 4 Fillmore East. Still find them solid and very enjoyable. however - i definitely would like to see full show releases of those shows barring any significant reel issues.

Bluecrow Hat Trick - continuous deep listen to all three discs in a single release. much as I can ask for nowadays.

prayers to fire affected brothers and sisters out in California, Oregon, & Washington - heartbreaking

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In reply to by Gollum

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Loading up the phone with the Dead, putting all of 1972 on now.

Do some rain dances & send some good vibes towards the west coast.

We need all the help we can get.

Be Well All

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Dark Star>Morning Dew included!!! I finished the last Alexandra Palace show (9/11/74), favorite of the 3 shows. I know this September 73 tour isn't everyone's favorite because of the horns, but I like them... Have a great weekend. Bob t

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Always enjoyed his work, in and out of the Grateful Dead, all around, the faster we go the rounder we get. Rolling Thunder, Diga Rhythm Band, New Riders of the Purple Sage, Dead and Company. Prolific musician and workingman.
Excited about upgraded Betty Cantor recording of 2/18/71. Also when American Beauty was released my old friend Jimi tripped out on the lettering on the cover. Was the first person I remember to see “American Reality”. More than we ever dreamed it would become , reality.

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In reply to by DeadVikes

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Where in the hell is Bolo? It has been a long time.

And Otis?

GOGD, did you find a complete listing of the 375 reels from ABCD?

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To my ears, perhaps the best of the fall '73 mini tour with horns. Definitely worth a listen. Might not be the most popular release if it were to ever see the light of day, but well worth the listen. I am right there with BobT, an enjoyable and noteworthy show from an enjoyable and noteworthy tour.

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In reply to by icecrmcnkd

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PITB > Terrapin > PITB sandwich
I'm in!

Funny, I was just listening to So Many Roads comp disc 1 as I hadn't heard it in forever and was putting all GD releases on my phone in case we had to split.

BTW anybody got the 9/26/90 GD rehearsals that D Gans put on the Best of the GD Hour sampler CD?
Jam Out of Terrapin > PITB
I'd like to hear that there stuff, got the Hornsby stuff from 9/28 but never heard the above.

DV: No ABCD list as far as I can tell, but there's a nice list of Betty Boards in one of the Taper's Compendiums, I'll have to look for it when I have a minute.

Alright, Be Well All.
And that TLMD outtake on So Many Roads is worth visiting the next time you get a minute.
Sublime stuff.

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just finishing up concert where Phil says "this is the quiet part folks".... bob t

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In reply to by JimInMD

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In fact, I like the whole Hornsby era.

But a Fall ‘91 Box would be cool.
Oakland?
MSG?
Boston?

Which to choose?
May have to draw straws.

I will check it out. A little MSG. Thanks Conekid. Yes, 91 certainly shines. A lot of great shows.

Oh and it is a Pearson Healy recording, even better.

Thanks for looking into that GOGD. Hope everything goes okay for you out there.

Stay well folks.

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In reply to by DeadVikes

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Agree, most of 91 decently recorded for the most part. Oft maligned, but not deservedly so. Bruce brought a lot of energy and in some ways brought Garcia back to life.

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In reply to by JimInMD

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Since the CD-R case in my living room containing 90’s shows I burned more than 10 years ago is open, I tossed in 3-30-94.
The ScarletFirePlayingDarkStar is awesome and worthy of official release.

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Nice pick. I'm not too familiar with this show. Well, it seems a couple folks on the archive claim this Dark Star is one of the greatest of all time. You never really know, do you?! I'm listening to a matrix now. The live music shutdown has given me a new appreciation for audience tapes.

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In reply to by Gollum

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...."Greatest Dark Star Ever Played."
I have no idea. Most are above average. So there you go.

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In reply to by Vguy72

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Big Fan of this show!

IMO top 5 PITB as well as Dark Star.
Well worth the Trip.

This was my goto Bike Ride show for awhile, worked every time!
It's a traveler, and it'll take you places.

Def one of my favorite 1972 shows.

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In reply to by The Good Ole G…

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Good to hear from you GOGD.

Were losing a bit of steam here.

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In reply to by DeadVikes

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Won't You Carry Meeeeeeee!

Couldn't resist.

Thanks DV, been glancing in, but there's been just a few distractions. (insert eyeroll, face palm, the scream etc)

Meant to praise 9/16/72 yesterday, (nice work Bob T!)
Definitely check out the partial SBD portion, it's one of my personal favorites for sure.

If anybody has the FLAC files of the SBD easily accessible and wants me to patch that transition between Dark Star & Brokedown send em over, I've wanted to do that for awhile, but only have the Mp3 files.

Alright, be well all, and keep it goin', this is a fun little place to visit :)

Finished my third or fourth listen of this gem. I love how some releases seem to get better with each listen and this one fits that bill. The whole show rocks, so many highlights. As others have mentioned Disc 3 is very special. The He's Gone-Truckin-Jam-Dark Star into the final three songs are just awesome.

Yes, #32,#33 and #34 are pretty sweet. Looking forward to what Dave has in store for #36. Okay, my money is going with 72 or April 78.

Stay well all.

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In reply to by DeadVikes

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Have to think it will be either 69, 72 or perhaps spring '78.

...what's on for today?

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In reply to by DeadVikes

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DV - Yeah, as far as GD releases, we're in the golden age!

FWIW I still think we'll see a Pigpen Era release for DaP V36 circa '68-'70. Most likely '69.

Alright, I know the following for certain:
I'm jonesing to find out if I'm right or wrong :)

Announced in October right? Any theories on the date of the announcement ;)

VGUY - Either is cool w me!

I don't think I listened to the Pearson Upgrade of 5/30/92 either.

Too Much Dead Bros!!!

EDIT: 10/17/82 it is, look at that set list bro!
Post Space> Throwin'> GDTRFB> Wheel> Other One> Wharf Rat> Good Lovin'. Who does that?
The GD in '82 that's who!
We can do 5/30/92 tomorrow.

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In reply to by The Good Ole G…

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Here’s what’s been released so far...

Here’s a Breakdown of Dave’s Picks
(First #) = Year:
(2nd =)Total Releases from this year/
(3rd = )How Many Releases since last pick from this year../
(4th =)Release # of last pick from this year

80: 1 / 27 / #8
69: 2 / 25 / #10
81: 1 / 15 / #20
78: 3 / 12 / #23
72: 3 / 11 / #24
71: 3 / 9 / #26
83: 1 / 8 / #27
76: 3 / 7 / #28
70: 2 / 5 / #30
79: 1 / 4 / #31
73: 4 / 3/ #32
77: 5 / 2/ #33
74: 5 / 1 / #34
84: 1 / - / #35

80 is past due, what about Gainesville? Course that’s not happen with the fourth pick...
69 is past due! Good bet except I don’t think they’ll go for fourth pick...
81, same as above..
So that leaves 72 and 78. I’m going with 78.
Of course there never seems to be enough 77...
Some day you’d think we’d get a 91, but not fourth pick...

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In reply to by The Good Ole G…

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Last year #32 was announced on 22nd October and the 2020 subscription was announced on 30th October.
My guess would be 20th October for #36.

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In reply to by Colin Gould

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CG - Damn!
That's more than a month....

This pandemic is really warping time.
I didn't realize a pandemic could be so psychedelic, but I've definitely been tripping since March.

Good Stuff and nice sleuthing. I appreciate it, even if it spiked my jones.

Jeez, lotsa drug references ;)

OB - I'ma gonna grok on that there hypiothesissss thingy there for a minute. Nice work bro.

I still call Pigpen era!

Yes, 1980 is of course extremely underrepresented, don't get me started on that. No idea what they are doing with 1980.

I think they will give us the heads up announcement the week before the seaside chat on October 20. Release date is October 30, which usually means I should have mine by November 15.

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10/31/69, if not now, when.

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Never have done this before, but on 3rd show of tour today, 9/17/72 Baltimore.... (Dicks Picks something)... started with the Boston show back on the 14th on Monday... bob t

You probably already thought of this, but it seems like 10/2/72 should get included too.

I wanna do that.
Best Part: Playing In The Band on every show!!!!

Sept '72 is some epic stuff.

Said it before, but I think '72 is my fave year.

Europe box announcement got me back into collecting the Dead after like 10 year hiatus.
After Europe box was released '72 was the first year that I collected all existing shows for.

Kinda envious there Bob T, gonna have to follow your lead one these here days.
Enjoy!

I'm listening to...
A tutorial.
Knowledge is good, but envy is not.

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In reply to by DeadVikes

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...of what year? :D

Fall '72. Interesting idea.. I've done E72 in sequence a couple times. The last time I did it.. I had to break out into a different era for a palate cleanse.

Did anyone commit to something for today?

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In reply to by JimInMD

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Jim -

VGUY and I are checking out 10/17/82 - New Miller Audience (might not be as good as the other audience.. not sure what I think yet, anyhow it just popped up)
Also mentioned 5/30/92 (possibly tomorrow though)
Bob T - Going deep with September '72 tour journey.

November what year = Doh!