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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Today's Pick

    Been locked out of posting for the last four days. Nurse!

    So, it is working again. Was it something I said?

    How about about 6/13/80, from Seattle taped by our own Nitecat. Full disclosure I have never heard this show but it is getting rave reviews elsewhere. I believe he is Wiseman.

    Oh and 7/4/90 was a good show. Vocals a little funky Bob t was there. You saw a lot of good shows that summer Bob. Great Scarlet Fire.

    4/19/82- I hit this one not too long ago per a Jim pick. Great show and that Raven space had my dog hiding under the couch and my wife coming downstairs wondering what the hell I was listening to. Just Raven space!

  • JimInMD
    Joined:
    Re: Love ya gfar..

    but ...damage done with the covid vaccine? You're not supposed to snort it or smoke the stuff.

    Saying in jest.. hoping to god all holy hell does not break out here. Tread carefully and perhaps consider safer topics like religion, politics, or Donna wails. I'm just not sure this one belongs here, actually I'm pretty sure it doesn't. There are many who read these posts that have lost loved ones and it's not a passing comment that will elude attention.

    I don't believe you meant any ill will and no offense meant in my comments.

  • Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • Gary Farseer
    Joined:
    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • Gary Farseer
    Joined:
    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

  • JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I am at an impasse with some of the partially released 74 shows.. I think I need to reconstruct the full shows using pieces of the official releases and supplement any missing parts from the best available source.

What were they thinking???

Edit: David Lemieux as a kid.. "Look at all these reels.. I bet we can releases dozens and dozens of songs...."

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Already on the end of set one of 9/11/74, Playing just started...23 minutes to end the first set. Then a 41minute Phil & Ned where a big chunk is with the band before going into a great Eyes of the World into Wharf Rat... (44 minutes of Eyes and Wharf Rat) .. 108 minutes of jazzy, jammed pure 74 bliss. bob t

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That long jammy section with Ned is niiiice. I wasn't even aware of it before. Good call BobT and Daverock.

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and who could ask for more than another 1974.

I am not listening to the composites of these again though.. I want to rebuild the complete shows.

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some of my favorite releases back in the day were the 1974 multi-show highlight releases, and of course same goes for DiP 4 Fillmore East. Still find them solid and very enjoyable. however - i definitely would like to see full show releases of those shows barring any significant reel issues.

Bluecrow Hat Trick - continuous deep listen to all three discs in a single release. much as I can ask for nowadays.

prayers to fire affected brothers and sisters out in California, Oregon, & Washington - heartbreaking

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Loading up the phone with the Dead, putting all of 1972 on now.

Do some rain dances & send some good vibes towards the west coast.

We need all the help we can get.

Be Well All

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Dark Star>Morning Dew included!!! I finished the last Alexandra Palace show (9/11/74), favorite of the 3 shows. I know this September 73 tour isn't everyone's favorite because of the horns, but I like them... Have a great weekend. Bob t

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Always enjoyed his work, in and out of the Grateful Dead, all around, the faster we go the rounder we get. Rolling Thunder, Diga Rhythm Band, New Riders of the Purple Sage, Dead and Company. Prolific musician and workingman.
Excited about upgraded Betty Cantor recording of 2/18/71. Also when American Beauty was released my old friend Jimi tripped out on the lettering on the cover. Was the first person I remember to see “American Reality”. More than we ever dreamed it would become , reality.

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Where in the hell is Bolo? It has been a long time.

And Otis?

GOGD, did you find a complete listing of the 375 reels from ABCD?

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To my ears, perhaps the best of the fall '73 mini tour with horns. Definitely worth a listen. Might not be the most popular release if it were to ever see the light of day, but well worth the listen. I am right there with BobT, an enjoyable and noteworthy show from an enjoyable and noteworthy tour.

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PITB > Terrapin > PITB sandwich
I'm in!

Funny, I was just listening to So Many Roads comp disc 1 as I hadn't heard it in forever and was putting all GD releases on my phone in case we had to split.

BTW anybody got the 9/26/90 GD rehearsals that D Gans put on the Best of the GD Hour sampler CD?
Jam Out of Terrapin > PITB
I'd like to hear that there stuff, got the Hornsby stuff from 9/28 but never heard the above.

DV: No ABCD list as far as I can tell, but there's a nice list of Betty Boards in one of the Taper's Compendiums, I'll have to look for it when I have a minute.

Alright, Be Well All.
And that TLMD outtake on So Many Roads is worth visiting the next time you get a minute.
Sublime stuff.

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just finishing up concert where Phil says "this is the quiet part folks".... bob t

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In fact, I like the whole Hornsby era.

But a Fall ‘91 Box would be cool.
Oakland?
MSG?
Boston?

Which to choose?
May have to draw straws.

I will check it out. A little MSG. Thanks Conekid. Yes, 91 certainly shines. A lot of great shows.

Oh and it is a Pearson Healy recording, even better.

Thanks for looking into that GOGD. Hope everything goes okay for you out there.

Stay well folks.

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Agree, most of 91 decently recorded for the most part. Oft maligned, but not deservedly so. Bruce brought a lot of energy and in some ways brought Garcia back to life.

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Since the CD-R case in my living room containing 90’s shows I burned more than 10 years ago is open, I tossed in 3-30-94.
The ScarletFirePlayingDarkStar is awesome and worthy of official release.

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Nice pick. I'm not too familiar with this show. Well, it seems a couple folks on the archive claim this Dark Star is one of the greatest of all time. You never really know, do you?! I'm listening to a matrix now. The live music shutdown has given me a new appreciation for audience tapes.

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...."Greatest Dark Star Ever Played."
I have no idea. Most are above average. So there you go.

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In reply to by Vguy72

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Big Fan of this show!

IMO top 5 PITB as well as Dark Star.
Well worth the Trip.

This was my goto Bike Ride show for awhile, worked every time!
It's a traveler, and it'll take you places.

Def one of my favorite 1972 shows.

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Good to hear from you GOGD.

Were losing a bit of steam here.

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In reply to by DeadVikes

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Won't You Carry Meeeeeeee!

Couldn't resist.

Thanks DV, been glancing in, but there's been just a few distractions. (insert eyeroll, face palm, the scream etc)

Meant to praise 9/16/72 yesterday, (nice work Bob T!)
Definitely check out the partial SBD portion, it's one of my personal favorites for sure.

If anybody has the FLAC files of the SBD easily accessible and wants me to patch that transition between Dark Star & Brokedown send em over, I've wanted to do that for awhile, but only have the Mp3 files.

Alright, be well all, and keep it goin', this is a fun little place to visit :)

Finished my third or fourth listen of this gem. I love how some releases seem to get better with each listen and this one fits that bill. The whole show rocks, so many highlights. As others have mentioned Disc 3 is very special. The He's Gone-Truckin-Jam-Dark Star into the final three songs are just awesome.

Yes, #32,#33 and #34 are pretty sweet. Looking forward to what Dave has in store for #36. Okay, my money is going with 72 or April 78.

Stay well all.

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Have to think it will be either 69, 72 or perhaps spring '78.

...what's on for today?

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DV - Yeah, as far as GD releases, we're in the golden age!

FWIW I still think we'll see a Pigpen Era release for DaP V36 circa '68-'70. Most likely '69.

Alright, I know the following for certain:
I'm jonesing to find out if I'm right or wrong :)

Announced in October right? Any theories on the date of the announcement ;)

VGUY - Either is cool w me!

I don't think I listened to the Pearson Upgrade of 5/30/92 either.

Too Much Dead Bros!!!

EDIT: 10/17/82 it is, look at that set list bro!
Post Space> Throwin'> GDTRFB> Wheel> Other One> Wharf Rat> Good Lovin'. Who does that?
The GD in '82 that's who!
We can do 5/30/92 tomorrow.

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In reply to by The Good Ole G…

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Here’s what’s been released so far...

Here’s a Breakdown of Dave’s Picks
(First #) = Year:
(2nd =)Total Releases from this year/
(3rd = )How Many Releases since last pick from this year../
(4th =)Release # of last pick from this year

80: 1 / 27 / #8
69: 2 / 25 / #10
81: 1 / 15 / #20
78: 3 / 12 / #23
72: 3 / 11 / #24
71: 3 / 9 / #26
83: 1 / 8 / #27
76: 3 / 7 / #28
70: 2 / 5 / #30
79: 1 / 4 / #31
73: 4 / 3/ #32
77: 5 / 2/ #33
74: 5 / 1 / #34
84: 1 / - / #35

80 is past due, what about Gainesville? Course that’s not happen with the fourth pick...
69 is past due! Good bet except I don’t think they’ll go for fourth pick...
81, same as above..
So that leaves 72 and 78. I’m going with 78.
Of course there never seems to be enough 77...
Some day you’d think we’d get a 91, but not fourth pick...

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Last year #32 was announced on 22nd October and the 2020 subscription was announced on 30th October.
My guess would be 20th October for #36.

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CG - Damn!
That's more than a month....

This pandemic is really warping time.
I didn't realize a pandemic could be so psychedelic, but I've definitely been tripping since March.

Good Stuff and nice sleuthing. I appreciate it, even if it spiked my jones.

Jeez, lotsa drug references ;)

OB - I'ma gonna grok on that there hypiothesissss thingy there for a minute. Nice work bro.

I still call Pigpen era!

Yes, 1980 is of course extremely underrepresented, don't get me started on that. No idea what they are doing with 1980.

I think they will give us the heads up announcement the week before the seaside chat on October 20. Release date is October 30, which usually means I should have mine by November 15.

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10/31/69, if not now, when.

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Never have done this before, but on 3rd show of tour today, 9/17/72 Baltimore.... (Dicks Picks something)... started with the Boston show back on the 14th on Monday... bob t

You probably already thought of this, but it seems like 10/2/72 should get included too.

I wanna do that.
Best Part: Playing In The Band on every show!!!!

Sept '72 is some epic stuff.

Said it before, but I think '72 is my fave year.

Europe box announcement got me back into collecting the Dead after like 10 year hiatus.
After Europe box was released '72 was the first year that I collected all existing shows for.

Kinda envious there Bob T, gonna have to follow your lead one these here days.
Enjoy!

I'm listening to...
A tutorial.
Knowledge is good, but envy is not.

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...of what year? :D

Fall '72. Interesting idea.. I've done E72 in sequence a couple times. The last time I did it.. I had to break out into a different era for a palate cleanse.

Did anyone commit to something for today?

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In reply to by JimInMD

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Jim -

VGUY and I are checking out 10/17/82 - New Miller Audience (might not be as good as the other audience.. not sure what I think yet, anyhow it just popped up)
Also mentioned 5/30/92 (possibly tomorrow though)
Bob T - Going deep with September '72 tour journey.

November what year = Doh!