• 8,084 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Vguy72
    Joined:
    Football....

    ....i had a 4 team $20 parlay bet going into the Saints/Bucs game. Brady cost me $240. Even when he's out of my division, he still haunts me.

  • Oroborous
    Joined:
    DV: 89 vs 90

    I think it’s that searchin’ for the sound, trying to reach the summit, the whole forward progress, coming together, versus spring 90 is like they reached the top of that path, like sitting on top the summit and smoking a fatty, 420 @ 14K as we say out here! 89 was the climb, but spring 90 was the summit, if that makes sense?
    Spring 90 is almost like too pristine, too clean? Don’t get me wrong, imho it ranks with most of the biggins, but there’s something about 89?

  • Oroborous
    Joined:
    Yaaassss, yassss, yaasss,

    I do like me sum 89...AND Cal Expo! Only made the June 90 run, and did Merch there on 96 Furthur tour, but it left a smoking crater on my mind. Some might call it a dump, but the layout was awesome for sound and good sight lines. Laid back vibe and a great lawn too, especially with GA so folks could go where they want. And yes, the beer was a amazing surprise; Anchor on tap and not east coast stadium mob priced. I had truly, finally, made it too the promised land! If only I had made it to the Frost and Greek : ( Shorline was nice, but I really dug the X! Maybe it was the x lol.
    Irvine would of been a nice place to see um, but unfortunately I only did Furthur fest there...
    So haven’t hit this yet but sounds like that’s what’s up next!

    Rock Thing, welcome aboard, so glad ya made it...as your senator from the great deadnet state of altered consciousness, I can assure you there are very few rules to guide. Generally no politics or any of that kinda heavy shit, and be polite, don’t be a douche! Remember, we all have our opinions, which is nice, but we’re all confused, which is nice, and we’re all wrong on some plain or another, which is nice!
    That’s about it, so Rock On Rock Thing!
    Oh, I’m with you about sources. I’ll take a really good Aud over many SBs, and I really like a good matrix, but I mean really good, like some of the video mixes I believe have actual, ambient mics used with appropriate time alignment etc.
    I get why the majority like SBs, and the historic technical reasons why they became en Vogue. But the tech changed so much and with the eventual gray area removed by the tapers section etc, there are some really amazing sounding Auds.
    I’ll concede that it has to be done just right, but if so I really dig a great matrix; you get the (usually) clean direct feed of the instruments etc, plus the more natural room ambience. Of course like a SB, the mix is crucial, and unfortunately in the case of the “cassette years,” is often mixed so prominently for the house. But when 2 great sources are blended just so it is really amazing how good they can sound.
    The ultimate imho is when the “Dead” did it purposefully like on many of the official releases, like some of the video mixes...EDIT: I believe that 3/15/90 show is a good example that has some really nice “liveness” ambience...
    I like Dave’s Pick 8 and 36, but 8 seems a tad too dry and 36 at times is perhaps to much, but hey, that’s just me.

    Ok, onward....8/5/89 woo, woo!
    GO BILLS!
    KCJ, where you be? I’d trash talk with ya but I don’t think we’re gonna do it, but hey, as Boomer would say
    “That’s why they play the game”

  • DeadVikes
    Joined:
    1989

    Yes, so many great shows in 89 and Cal Expo is no slouch. Lately, I have been thinking 89 might edge out 1990? It is close anyway. Really high level stuff with Jerry fully engaged. Things changed after Brent died, but there was still some great music. Fall 1990 still doesn't grab me. Not like 1991, where they seem to get the Mojo going again.

    Stay well out there people.

  • JimInMD
    Joined:
    Sweet Run

    This one's for our 89 loving Oroborous. (knowing that most in this group seem to be 80's fans)

  • Vguy72
    Joined:
    Cal Expo '89....

    ....was present and camped at all three. Awesome venue. The only time I caught them there. Very beer friendly.

  • JimInMD
    Joined:
    Rockthing

    Right on, Bring it..

    I think you are doing this exactly right. Great show, VGuy, good choice. And an excellent show to have attended. Did you catch the entire run?

    It's keeping us honest.

  • daverock
    Joined:
    Infrared Roses

    Rockthing-your post reminded me of the cd compilation called "Infrared Roses" that came out in the 90s. An album exclusively made up of drum and space segments, each track given the added status of being named individually. I was lucky enough to experience one of them-the so called "Silver Apples of the Moon" which I think came from London 11/1/90. One of the highlights of the show.

    When drums and space come out of Dark Star- I tend to think of them as being extensions of Star, rather than as separate entities.

  • rockthing
    Joined:
    gd1989-08-05 impressions Second Set

    Am I doin' this right? Sorry if I'm kinda goin' overboard. That's my thing.

    Continuing to listen to the Schoeps MK2 source.

    Hey Pocky Way: This song did not get performed enough. Just some light fun with a little cheesy keyboard sound.

    Playin': Nice and spacey jam. Sparse. Chill. Percussion taking the back seat in the mix. Jerry really challenging the others to find the trail he's blazing. Catch me if you can! Whoa, what's he hintin' at? No way! So THIS is the standalone I Know You Rider. More like a Playin' Rider. THAT really came outa nowhere. People musta been goin' nuts. Can't really hear too much reaction from the crowd, even though this is an audience pull. Up up tempo. Really flying. Headlight ¡GONG! on a northbound train. Nice. :)

    Terrapin: Are you serious? Third song into the second set is Terrapin?! Pretty solid.

    Drums/Space: At some point I really began to dislike the generic titles for drums and space. It's canon. I know. Can't fight city hall. Never gonna change four decades of precedent, but when I track my old tapes for my own personal use, I include drums and space in the song either before or after them. I like to think of them as a drum solo and free form jam into or out of a composition. I realize they rarely have much of anything to do with the tunes around them, but some of the early stuff would go out so far you had no idea what song they were playing, I kinda like to stay in that frame of mind. So, to me, this is the drum solo for Terrapin. ^^; Is there a cut, or was that just the world's shortest "drums"? Some wacky MIDI stuff to start off space. Everyone playing everyone else's instruments, virtually.

    Gotta run. Catch up with the rest of the second half later.

    EDIT:

    Sorry, Terrapin wasn't the third song. Maybe Pocky Way felt like such a throw away that subconsciously I didn't even count it. At any rate, seemed to arrive at Terrapin awfully quickly. Time flies when you're having fun? :)

  • rockthing
    Joined:
    gd1989-08-05 impressions First Set

    Hey now. Is it ok if a newcomer jumps in on this? Never need an excuse to cue up a show I've never heard. Wish I had time to do it more often. Easily lead into rabbit holes, so hafta stick with my old favorites when things are busy. Nice to have someone to share the impressions with. I apologize in advance. I am notorious among all my correspondents for writing the sequel to Ulysses in every email.

    I don't have any hard and fast policies, but generally I prefer to find a good audience pull over soundboards. There are plenty of boards I love, though, so as I say it's not a rule. Being a minor taping enthusiast informs that tendency, but often I actually like having the crowd in the mix. Sometimes the audience can be as entertaining as the band, like the dudes calling out for Casey Jones during Seastones. Hilarious. Idle chatter drives me up a wall, though.

    Introductions out of the way, please allow me to share my experience listening to this Cal Expo gig.

    First impressions:
    Wow. Bobby's vocals are really loud. This is something I often find distracting about boards. The vocal balance is way too high in the mix compared with the instruments. It's inevitable, I guess. Usually the instruments don't need to be amplified as much as the vocals. I gather that we're supposed to be listening to the same releases, but I decided to see what the other sources sounded like.

    I switched from the Miller SBD to Mattes Schoeps CMC 44 pull. I've heard some Mattes tapes I like. The Schoeps are top of the line mics and can't be faulted technically, but I often find Schoeps pulls to favor the lower frequencies in a way that seems to muffle the overall experience. In this case my first thought was, where's the band? Had to really crank it to even notice OMSN had started.

    Next it was a switch to the Casey Coniff Sennheiser 441 pull. Starts off promising. Instruments loud and clear, but then I WENT UP TO THE MOUNTAIN, wow, the vocals were blasting into the audience, too. Yes, you can hear Dan Healy, I presume, immediately pull the volume back, but Bobby's vocals are really dominating the mix.

    The Schoeps MK2 pull seems to offer a frequency balance I like best of these sources. The vocals are still really high, but they would be since everyone's taping the same show. Let it be said, however, that the focus and clarity of both this and the Coniff audience pulls are right up there with soundboards. No need to search for the show in the recording.

    Cold Rain and Snow: Poor old Jer. Love that old silvery elf voice of his and I know it won't be there in '89, but he sounds kinda tired to me at the beginning. Kick drums kinda have that slappy festival sound quality. Phil's bass sounds great. Low end is powerful, but well-defined, and his upper register runs are right there too, but not harsh. Big smile for that little hiccup/accent around 4 and a half minutes in. Love this tune. This probably won't rocket to the top of my list of favorites.

    We Can Run: As much as I love Brent's keyboard work with the Dead, I rarely get into his songwriting.

    Stagger Lee: Nothing in particular to say about this.

    Stuck Inside of Mobile: Nothing to write home about. Everyone seems to be getting a little more warmed up. The buildups for the choruses each seem to grow in intensity.

    Row Jimmy: Whoa! WTH was that atonal weirdness. That was brilliant, whatever it was. lol. Sounds like someone accidentally dropped something on The Beam. Unfortunately no one had the presence of mind or inclination to try to incorporate it into the song, or improvise off of it. It just happens and sounds like a mistake. Jimmy plods along as usual. Gonna get there? I don't know.

    Let It Grow: Oh, some of those crazy Healy vocal/etc. effects. I usually liked it when he added stuff like that, but I guess others didn't. As is often the case with this tune in the second half of the 80s and onward, we get our first taste of the band firing on all cylinders for one quick hot lap before the set break. This one doesn't get too far out during the first jam, though, before Bobby brings it back and seems to miss his own cue. lol. Nice fills from Jer and Brent in the outro. Could've stood a bit more of that, tbh.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

92 you say Vguy. Definitely getting out of my comfort zone. I will check it out.

Thanks

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I hear an audience tape of the acoustic set surfaced a few weeks ago. Of course the last set has been a masterpiece of the recording universe for years.
9/19/70 was my fourth Grateful Dead concert. If no one has made a suggestion for tomorrow I highly recommend September 19, 1970 for listening pleasure and more.
I believe that most heads/longhairs were in a state of shock learning about the death of Jimi Hendrix. The Dead must have felt the need to raise the roof, to go where no man has gone before. And being in the forth row center that night it felt like being on the bridge of the Starship Enterprise. Bob Weir looked like Captain Kirk and of course Mickey Hart looked like Spock. There were more orange barrels floating around there that night than the I-40 interchange in Duke City.

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In reply to by Strider 808808

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Man 4th Row during one of the most epic Dark Star Jams ever!

That sounds fun. Can you see it when you close your eyes?

I think that would be imprinted on my brain. Talk about flashbacks ;)

The Darkness Darkness > China Cat Jam gets me every time. That's the stuff!

I'm hip to take that trip.

Like you mentioned the Audience of the Acoustic set reappeared in circulation in July this year, it's rough.. but it's all there is. A little bit more like archival research than listening pleasure, but hey we're all heads!

I did notice they mentioned the following:
B&W video footage was shot by the Fillmore East crew but it has yet to re-surface.

I'd love to see that!! FE crew where are you?!?!
Show us the Video, just like the old days, the Sunshine Makers ride again!

Woke Up to the Sound of Thunder today.
Sounds like we'll be able to do the same tomorrow ;)

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No anniversary shows... jumping ahead 2 years to Dijon France 9/18/74.... released on 30 Trips... strongest of the 3 shows in France. The first set always reminds me of 10/19/74 Winterland first set. Good weekend everyone. Bob t

Started it early, while driving into work this morning.
Bird Song was mighty fine.
No driving this weekend except for a grocery store run tomorrow.
Monday morning’s commute should then start close to Set 2.

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In reply to by icecrmcnkd

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I am digging this show Vguy! Sound quality is really good. We get a Wang Dang Doodle and a Maggie's Farm, Cumberland is great. I like the Way to Go Home. Truckin. Fun show. Thanks for turning us on to this one. And you were there!

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Good chilly morning from Rhode Island... As i make my way through the 12 show September tour, it is sort of the best of both worlds as far as sound quality. 4 of the 12 have been officially released. (9/17/72, 9/21/72, 9/24/72, 9/27/72)... and then there is today's anniversary show, 9/19/72... Only one copy on Internet Archive... and it is an audience... In one of comment sections Dave says that the board is in the vault, but is missing one reel, so there is 5 of the 6 in there... So Icecrmcnkd I'm looking forward to catching up with you on Monday with 9/21/72.. If you have a board from this show, you are my hero!!!! Be good.. Bob t

Done already... not that long of a show by 72 standards....

Nice Bob T!

Yet another reason I like hanging out with you all here.

Bob T talking about 9/19/72 made me notice I didn't have that there show. Looked at my Dead Base and it's listed as Aud Only / SBD exists. Must've been from back in the days when I only grabbed SBDs so this lil gem got overlooked (probably didn't help it's chances that there's no PITB;)

I'll have to give it a full listen, but so far it's average Audience quality for '72 (rough in general).
Bob T I wanted to be a hero, but ended up a zero, but thanks for bringing this to my attention.

But first... 9/19/70 aw yes!
I started a little yesterday, went ahead and gave the Jack Toner Audience recording of the Acoustic Set a spin before crashing, it's as remembered, a rough recording but the TLMD makes it worth it, anybody know who's playing the Piano? It's an amazing version of that song, hampered by the rough recording, but it's all we got so put your archivist hat on and give it a spin. Bonus, it's the complete set with a reel flip in NSB and stops between songs.

I believe I asked Strider about the piano player, but maybe a revisit will trigger your memory.

Today started with the last two songs of Acoustic Set and the beginning of the Electric Set from legendary taper Marty Weinberg's recording. Strider you ever meet him?

I've been reading a lot about the Fillmore East, it's cool to think about how people would actually be sitting in their assigned seats. You can hear a FE usher during Morning Dew hassling people about their tickets :)

Morning Dew opener for the set, must've been a clue on where they might go that night. It's a powerful rendition and the Weinberg Audience is much more listenable.
Fun banter before Schoolgirl (They haven't done this in years!)
CR&S, Easy Wind & Early Sugar Mags is fun too.

Alright, getting ready now for the circulating SBD portion, legendary amongst the faithful.
Gotta love this band.
Even though I've heard this show a bunch, I still get excited to take the trip!

Have a Grate Day you all.

PS - DV agreed on 5/30/92 fun show for sure, I dig that Spanish Jam. If memory serves the next night is the smoker from the run, and the first night is good too, nice PITB. First Vegas shows? How was that scene VGUY? Had to be a trip.

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Starting 9/19/70..... 9/19/72 is a rough audience, you made the proper call!!! Bob t

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You are correct sir!

I see now how I missed this one ;)

ROUGH!

BTK - Definitely the usual suspects, I do see where some people are saying it's Garcia playing Piano.

Strider listen to it and see if it triggers any memories. 4th row center, do you remember seeing Garcia playing Piano?

Love this stuff. Crazy how quite they could bring it down too during Dark Star, in NY of all places.
I should say on the SBD at least, I'll have to listen to that part on the audience tape and see if it is quite.
Great St. Stephen too, and again the Darkness > China Cat Jam is the stuff.

NFA
Awww yeah :)

EDIT: FWIW Eyewitness review on archive.org states the following in regards to 9/20/70 - I just want to try and clear something up - we watched in awe as jerry played the piano on To Lay Me Down. This was my last of many FE and Port Chester shows and most had big acoustic sets - but never had we ever seen JG tickle the ivorys. You do not forget that!

50 years later and we're still talking and wondering about it, that's Good Stuff!

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Garcia did play some piano on American Beauty. Garcia said in an interview, how the Dead recreated some of the tunes on American Beauty onstage at the Fillmore East exactly how they played them in the studio. I believe it was in that Rolling Stone book, that he mentioned that. I posted a few weeks ago, I wondered if it was Garcia playing piano on 9/20/70 on Broke down Palace, he said he always worked out new tunes on the piano.

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In reply to by billy the kid

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BTK - Yeah, I read something similar, probably same article.

Something about Box of Rain being performed just like it was on the album in regards to instrumentation.

I can't remember where I read that, or the details of what was said.

But it would appear that these are the shows where that happened if it indeed did happen, which it sounds like it did. Love all these versions of the AB material Truckin', Box, TLMD, Brokedown, Ripple good good stuff.

Said it before, but man I wish these SBDs would turn up / existed!

A good bug to have.

Bummer that our man Owsley got thrown in jail and that the band wasn't recording more from July until December.

Probably so many legendary performances that happened that we'll never know about.

I like to think about them...

1970 The Lost Shows

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The 17th a group of us went to the Fillmore. Jimi, Theresa, Dan (tipi Dan) who also went to Veneta in 72. Dave, Janet and myself.
I had bought tickets in advance. It was an amazing night to say the least.
The 17th was such a “high time” that a couple days later I rallied a couple other friends Kirk B. and Dicky Z. to join me and take the train to the city and try and buy tickets at the door. Sold out, so after a mad scene on the “Sidewalks of New York” I was able to buy two tickets on the street from Ricky, for face value, $5:50. Kirk was able to buy a John Mayall ticket for a future date and quickly pass it off as a Dead ticket and get in.
My mind was very altered before I even went inside. I remembered as I entered a deadhead saying “ let’s go melt in our seats”. Boy howdy, to say the least. And the fourth row center seats were spectacular. Crowd response was intense. St. Stephen seemed to make everyone go bananas. I don’t remember a piano but it was fifty years ago. Going to listen to the recording a little later. Sync it up to to the time frame? Pigpen was fucking awesome, lively, top of his game. I also remember the guy and the gal being introduced to each other by Pig. Where are they now. I would hope they at least got each other’s phone numbers. 1970 was in many ways my favorite year seeing the Grateful Dead and my favorite year to listen to all these light years later into the future.
The concert ended way late. So the three of us Connecticats made our way to Grand Central Station about 3am. We tried laying down on the wooden benches in Grand Central (sleep was out of the question) only to be rousted by a NYPD cop slamming his biilyclub on the bench a couple feet away“No sleeping in here!!”. Finally caught the first train out to Connect. That same morning wound up going fishing for bluefish with my father and my high school friend Tyler.
When the dust settled I was so enamored with the Grateful Dead that I started seeing them whenever I could manage it. My next Dead shows I made my way to the long night of Halloween at Stony Brook and all four nights at the Capitol Theater in November. Looking back to those times as a youth are true golden memories from the Golden Road somewhere in the Golden Eternity.

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I can't remember if I posted this or mentioned it to someone in an email, but yeah, the Dark Star from September 19th 1970 is something else. There's like a complete silence in the middle where somebody's unplugging and plugging back in probably a broken string or something and replacement guitar... and then it really heats up.

I was checking out the bonus tracks on Dick's Picks 36 from September 3rd, 1972. The Other One => Wharf Rat is so perfect. The Other One is a jam fest that never loses me (in some versions the meltdown and cacophony gets a little too much). Bobby sounds great - some of his best contributions to '72 improv jamming is right here. Somehow I don't think I've ever listened to the whole thing before in one session, undisturbed. And then right into a Wharf Rat where the tone of Jerry's Strat and Bobby's Gibson ES blend for some guitar weaving that I think even Richards would appreciate.

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My avatar is from the Fillmore East, Joshua Light Show. I believe my first bootleg from this four night run at the FE were a couple Maxell 90 minute tapes of September 20, 1970 from my old friend Jay Kerley. A several day rainy taping session in December 1981 in Glen Ellen, Califas. (Valley of the Moon) Great feedback from 9/20/70.
Listening to 9/19/70 now. Been a long time since hearing it. Dark Star from that night still gives me goosebumps. Interplay between Jerry and Bob are like waves of northern lights washing over time and space.

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Thanks for sharing the memories Strider. I love reading about these shows, here and at the archive. I can't help but wonder how the orange barrels mixed with the acoustic sets, but it sounds like everything went down just fine! I've loved the Dark Star for years but that's about it. I'm finding the audience tapes a painful listen tonight. Maybe I'll give them another shot tomorrow.

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Jambase lists Jerry Garcia on piano on To Lay Me Down for 9/19/70. Just read that after listening to Dark Star through Lovelight tonight.
Wow Jerry really tickled those ivories , even with a missing middle finger.
A friend recently asked if I knew what the Mr Spock hand salute was , I said of course “live long and prosper” or the opposite of giving the finger.
Peace out, not piece out.

....logic. That is the Vulcan 🖖 mantra.
We need more Spocks in this world.
Unfortunately, that isn't the case.

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Complete show exists. I believe. Jim must be river running. I’m ridge running.

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In reply to by Vguy72

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That’s rich.

These are the voyages of the Starship, Enterprise. Weir looking like Kirk and orange barrels.. man.

Thank You Ricky!

Great show.

Pigpen at the top of his game.

And yeah I think that’s ole Jer playing Piano on TLMD. It’s such distinctive playing I always think, who’s playing that? Just like his guitar playing, the guy knows how to capture the feeling.

Far Out!

I dug that, thanks for the sweet flashes from the show.
And for all that endured some rough audio archival digs, salute!

Whenever I dig into 1970 it takes me awhile to come back, what a trip.

Hard to beat that.

Can’t Come Down, It’s Plain To See, Can’t Come Down, Been Set Free…

9/20/70 you say.. don't mind if I do!

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Always been my favorite, killer acoustic set, Grisman and Nelson sitting in, beautiful Broke down Palace with Garcia on piano, maybe. A burning electric set, with an anthem like Attics. Thank God somebody recorded this, One of my top three Dead shows, 9/20/70, 5/2/70, & 5/15/70. If I had to pick just 3 shows to own, it would be those 3. Dave, lets have it, please.

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The 9/20/70 acoustic set quality is best from the run that we have.

Listening to TLMD I hear:
Piano - Jerry?
Guitar - Bob
Bass - Phil
Drums - Mickey or Bill
Organ - Pigpen (I think)
Pedal Steel? - ?

Bob does a great job, and I love Pig's tasty fills. Can't tell if that's a pedal steel, but I think I hear that, it doesn't sound like Jerry playing it.

You'll notice when they switch to Truckin' Jerry's back on guitar and I believe Pigpen is playing the Piano. Note the "Garlands of Neon" verse.

Fun stuff and yeah BTK I'd love it if these SBDs existed. I'd spend a whole day talking to Dave Lemieux about these tapes and what he knows about them. But from what I can gather, there's no Master Reels in the Vault from 7/16 - 12/12/70. It's probably been discussed ad infinitum but somehow.. it's still interesting :)

EDIT: Yeah, that might be Jerry playing the keys in Brokedown as well. Can't tell if there's 2 guitars or not on that, my ear or the recording or both, but I think that is Jer. Great Acoustic set for sure. Personal favorite is the 9/17/70 with the first Box.. man I wish there was a SBD of that.

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In reply to by Strider 808808

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I was river running and doing some exterior work on my house before winter shuts in.. until Friday that is.. I got speared by a 6'2" guy in a 12 foot kayak, so I am on the injured reserve for a bit. Right in the rib cage.. Don't make me laugh...

: )
9/xx/70 it is. I am a bit behind, but it looks like I have ample opportunity to catch up.

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I've heard it said that this 9/20/70 version is the one to beat.

I'll say this.. Bob's solo shreds. That dude could play. (Still can)

Jerry just lays back and lets him go and then answers with some classic Garcia.

Good Stuff.

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so this is completely new to me and I am blown away. everything about this set is astonishing, beautiful, gorgeous, otherworldly, a gift.

i had no idea that several (4?) acoustic 1970 To Lay Me Downs were out there. heck, Jerry didn't record that first solo album until July 1971. it doesn't show up in concert again until Nov. 1973! so very cool to have Jerry on piano, and his singing is so nuanced and emotive. a stunningly beautiful version.

it makes sense (to me at least) that Jerry might also play piano on Brokedown given its one of the 2 other songs Hunter composed with To Lay Me Down on that beautiful English afternoon. until checking the liner notes today i hadn't really taken in that Jerry played piano on almost all(?) of American Beauty.

Jim - glad you're tough and came out of that with only a bruised rib cage. jeez.

on that note, keep your head on a swivel, be well everyone, and happy fall equinox!

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For another anniversary show, Palais Des Sports 9/20/74 is a strong Europe 74 show... good 34 minute Truckin>Eyes of the World in set II... Show opener Cumberland.... Black Throated Wind, Row Jimmy, Scarlet, FOTD and a first set WRS>Stella... and I will see you tomorrow 9/21/72 Spectrum in all your Dick's Picks glory......bob t

My first listen ever as far as I know, and I like it.
Went with version 140664.Miller and Co.

Some of the new material seems a little shaky at times, but a grate listen.
NFA just started....

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17 years 4 months

In reply to by icecrmcnkd

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....i have never heard this show.
That changes today.
Going with this recording.
https://archive.org/details/gd1970-09-20.140664.sbd.boswell.smith.mille…
Buds+ engage!!
I'm at FOTD. Garcia is just showing off at this point. Grate version!
3rd Big RxR Blues. Nice. 4th To Lay Me Down. Even nicer.
Ha! I picked the same source as conekid. This is the way.
The boyz shined in 1970.
I would post a joke, but Jim has brused ribs, so i will refrain.

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I just did a quick preview of this show. I am going to give it a proper listen tomorrow. I think this will get me through work as it looks to be a long day.

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8 years 10 months

In reply to by Gratefulhan

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Cool that some of you are discovering this run for the first time.

It’s a legendary run of shows. The band was playing their new album’s material live for the Fillmore East. They'd just finished recording American Beauty and the band wanted to play the tunes with the same instrumentation as they'd recorded them.

For me, this is the run I really wish were in the Vault.
Apparently what SBDs we do have are from the Famously Fabulous FE crew and from what I understand the Master Reels have long been missing. So when you put together the partial fragments of SBDs and Audience Recordings you get a pretty good picture of what went down.
And what went down was epic. Ask Strider!

Anyhow, here’s a list of the SBD stuff that’s out there. If you dug 9/20 and haven’t heard this other stuff, seek it out. The 9/17 acoustic set is prob my all time favorite acoustic set, and it’s a good audience recording, wait for it… for that time.

9/17 - Audience Only - Fantastic Acoustic Set (First / Only Box of Rain before ’73) Amazing Dark Star (Do It!)
9/18 - Partial SBD (Best Sounding of 4? / Rare Operator)
9/19 - Partial SBD (Great! Dark Star Suite)
9/20 - SBD (Far Out Show, SBD is the worst of the 3 we have, but it’s pretty complete, Tape Shedding on last reel, but worth it cause the Caution is out of this world)

50 years ago today, people were wandering the streets of New York thinking OMG did I just see that? I was soooo high. That couldn’t of possibly happened. Who are those guys?!?!

Alright, glad you all turned on to this far out Fillmore East trip this weekend.
It’s good to know about these shows, they were magic.

I had listened to some of this run before, but not the whole run sequentially before. It was fun and I learned a lot along the way. Here's to learning, those that help you out along the way and the never ending quest for knowledge (especially when it comes to the GOGD).

Special shout-out to Strider and GOGD.

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GOGD, great summary for the 9/70 shows. Somebody does have a complete tape of 9/20/70, so I'm sure with all the technology available these days and great sound guys like Jeffery Norman to make it just exactly perfect, we will see a fantastic release of this show. Thank goodness that some of the acoustic shows were recorded and saved. 1969, 1970 and 1972, before Pig Pen left the group, we're the Dead at their peak, but I dig it all!

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13 years 4 months

In reply to by billy the kid

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Alright all.. who's got the next week of back to back shows containing some of the best music ever performed that we can listen to, thumb through, over-analyze and toss around personal stories we remember from being there 50+ years ago?

Preferably from 1970, preferably with missing master reels that somehow wound up in that pile of Ampex tapes that have been holding up the turntable in someone's basement since early 1971.

Anybody?
Bueller?

Someone.. things were just getting interesting.

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8 years 10 months

In reply to by JimInMD

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Jim's got the bug!

5/1/70 tapes have a pretty interesting story behind them. I believe some of the reels for this show were found under the stage at Meramec / Kirkwood College gig at 5/14/70. Disappeared, reappeared. Anyhow must of the show circulates in SBD now. Some of it is in the Vault, maybe all now. I don't think we've gone there yet.

And there's always the 6/24/70 Ken & Judy Lee audience tapes from the Capitol Theatre. Some good story time stuff there too. However, some may be tired of 1970 audience recordings after the weekend :)

5/1 sounds fun.

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13 years 4 months

In reply to by The Good Ole G…

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One of the first shows I pulled down from the Archive when I first discovered it...

Classic, and an interesting school with a great ceramics program. I'll tag this tomorrow, today is already mostly behind me.

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8 years 10 months

In reply to by JimInMD

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Yeah, it's a good one. Not quite the same as what happened the next night. But good.

I think Jerry mutters something about college kids. I gave it a spin today, but was distracted and half paying attention.

I need to check out 12/12/70 again, I know there's a nasty reel flip in The Other One, but I can't remember much else about that show. I've been working my way through the SBDs that exist after 7/16. Not much there..

Be Well!

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13 years 4 months

In reply to by The Good Ole G…

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I think he said, "Get Off My Lawn, Hippies"

Checking this out now.. I recall vividly where I was and when I listened to this last. I had just discovered Archive.org and I was hankering for something akin to Harpur College, 1970 acoustic/electric GD. My last house was had a deck literally cantilevered over the river and I had some friends over after boating and put this on. Probably 20 years ago this summer.

Yes, probably not the best of 1970, 1/2, 2/13&14, 5/15, 4/15 and 9/xx are better, but it's the full deal and the tapes are pretty much complete. A snapshot in history.

Do we even know who recorded this?

Anyway.. historical stuff. Has anyone ever seen the 5/3/68 Columbia University stuff on YouTube? It's hodgepodged together and the video seems to not match the audio in large sections but it makes you wonder what's really available and if something better can be done now???

Memories, light the corners of my mind...

Good stuff!

The 5/3/68 footage is great, the best footage of the band from '68 (brains not working, but I can't think of any other '68 film footage currently, if there is it'll come to me.. Oh Yeah 3/3/68 Haight Street, but the 5/3 stuff is pro style). Unfortunately, no audio exists from the 5/3 show.

I guess the best thing that can be done is guess what song they're playing. The Other One sync is pretty dope and I believe that's what they're playing, but correct me if I'm wrong. I think I've also seen it synced with New Potato.

The footage that exists, I believe was shot for a film titled "Columbia Revolt". This is all off the top of my head, so I could be missing bits and pieces, but yeah.

I'm gonna check out 12/12/70 today if anybody else wants to give it a spin.

Got the 1970 bug.

Came close to going to school there, some kind of electronics program? Even went on some school bus RT to check it out.....details are very fuzzy.....such a long time to be gone, but a short time to be there lol.

Been checking a couple of these out. Not a normal go to year for me, but I’m trying to broaden my horizons, lol.
And like I always say, it’s all good and there’s always something there! Just gotta poke around!
Thanks to GOGD etc for all the groovy info and saving us dilettantes time by steering us in the right directions...wait???, which side is up again???
Thanks to Strider for more tales from the Dark Star!

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Well I can say I haven't listened to this show since 1990 or so... I only have an audience copy. Looking forward to listening. First Half Step since 10/20/74, they didn't play it in June.... Also excited to hear the Dancing encore as well as Crazy Fingers and High Time... The Orpheum shows have such a different vibe to them then the June tour that wrapped up less than 2 weeks before it... bob t

Sounds good to me Bob t. Yes, the Orpheum run has a different feel to it and you would think we will get more releases from this run. We do have Dave's 18 from 7/17, which is a great release.

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4 years 11 months
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I was there, we were sitting in row c, center, but there wasn't a bad seat in the house. The Orpheum theatre only held 1,800 people, so it's a small place. I think if I could go back and see one Dead show that I had attended it would probably be this one. It was cool and definitely should be a released.