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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Pigpen-1/30/78

    I have never heard it Jim. Interesting.

    Okay, here is a pick, 1/30/78, Uptown Theater. Can't remember if we ever hit this one, so if we did apologies in advance.

    And go Twins. First playoff win since 2004 and first series win since 2002. A long time ago. On to Houston!

  • JimInMD
    Joined:
    It Was A Trick Question

    Not Phil, It sounded an awful lot like Pigpen, but not quite. I was thinking it was a stand in or guest or something.
    I arrived at my destination and had to turn off my truck before they said anything about who was singing.

    I guess it was Pigpen, it was just a rehearsal and I suspect he showed up or tried to practice with the band. It was very good, especially Jerry's solos. Perhaps the last thing he did with the GD which is why it sounded different?

    Has anyone else heard of this? They did say it was from January or February 73.

  • DeadVikes
    Joined:
    King Bee

    Jim, Phil?

  • JimInMD
    Joined:
    I always liked Lille

    It gets an A for overall vibe.

    I did revisit 4/7, 5/11 and 5/26. First, I always held Rotterdam in the highest regard but giving a relisten to the whole show and man, start to finish it's great. So is 5/26 but unlike Oro I have tried really hard not give this too many listens. When you finally hear that suite in the second set, in it's whole it's more like a symphony than a rock and roll show. Nothing leads, nothing follows it just flows, moody, brawling, reflective, sad and hopefull from minute to minute. 5/7 is another other big favorite. I think I like 5/3 a bit more than a few. I like to listen to 5/4 with 5/3, 5/10 with 5/11, etc. It's hard to discount the final four shows of the tour too.

    I also fit in the 85 Red Rocks show the folks at the DaP 47 thread were howling about (8/7/85). A fine little show with some memorable highlights.

    I agree with the comments on 73 v 72 also. To me, when they took off in January off, they left behind the smooth continuity of 72. They had a really good show and set structure going and the new Wake and other material they brought into the fold took some time to gain it's footing.
    The beginning of the year was rebuilding, where are going to put Let Me Sing Your Blues away and You Ain't Woman Enough for example. A little of this disjointedness continued into '74. Nonetheless, '74 was the polished version of this era and direction of the band with their new Grateful Dead Records material.

    Speaking of which.. David Gans played this passage from I think January 73 on the radio a month or two ago. It was a really good performance of King Bee I had never heard before. Supposedly, it was lifted from a practice session. Any guesses to who sang vocals? I was kinda floored by it.

  • Dennis
    Joined:
    Elbow & Without a Net

    This vinyl was part of the big box "The Story of the Grateful Dead". I almost ordered it, then checked the box and there it was. So if you already have the box,,, UB set on Without a Net.

  • DeadVikes
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    E72

    Nice work OB and Firstshow. What a feat! I am sure you both will need a break. It is quite the box. Not sure if they will ever put another box like this with a full tour.

    Go Twins. They are due. They have lost 18 straight playoff games.

  • 1stshow70878
    Joined:
    The Short Ones

    5-16-72 Lille: Lively, despite sound issues early on. Again every song played well. Energetic, these guys are durable! Classic Truckin' with Jerry going off on it. The TOO seems advanced for '72, short but completely fully developed. Some of this tour's TOOs rival Dark Stars in this regard. Best yet TOO? It's a contender. Hurts Me Too was stellar.

    5-16-72 Luxembourg: Were those first two a sound check? The treatment of Big River I could see as a regular thing but sadly no. Almost starts like the '77 intros to Jack-a-Roe, and Bob gets an interesting part not seen later. Radio broadcast maybe quickened the pace on many 1st set songs? The TOO not nearly up to the level of the other Other Ones. A short and sweet show as I'm finishing the usual NFA> GDTRFB> NFA ending now. How many kinds of radio bandwidths did Europe have back then?

    A shout out to Bluecrow who clued us in on some easy to get to petroglyphs in the front yard of his San Juan River, Utah cave up in the hills. A friend of the devil is a friend of mine. Fantastic stuff and an inspiring place for sure. I'm rejuvenated and ready to cruise through the rest of EU72.
    Cheers

  • Oroborous
    Joined:
    Good times/Bad Times

    Good, because I finished the quest on Saturday with a sit down listen to 5/26/72.
    Bad, because everything lately is a blur, so the multiple times I hit 5/24 and 5/25 are now also a blur, so I’ll try to remember some of the standouts?
    5/24: variety pack = Cold Rain and Snow, Dire Wolf, Only Black Peter, You Win Again, Rocking Pneumonia, and Lovelight. Most were good with Win Again and Hurts Me Too making the album cut!
    The second set sequence they do step it up, and I liked the shorter LL, sadly, Pigs last…
    I hadn’t heard this show before so I did hit it multiple times, though didn’t get a great listen in…
    Generally, by now, they’ve totally melded and though perhaps early on in this show you might catch a slightly passed the peak vibe, but not sure hearing it alone, out of sequence and/or casually listening you’d notice. Still mostly full on magnificent.
    Part of my problem deciphering is how much these shows do sound alike, sure their all different and have unique nuances, but after so many in a row, they all sorta roll into one…
    5/25/72: this one seemed like it took a bit to build up from good to RJ…, but certainly did!
    Of course the second set sequence was superb, and benefited from the tour unique UJB> Warf Rat> DS> Mags variety mix. Other Variety pack songs= Another awkward Promised Land, a sweet Brokedown, the aforementioned UJB and Rat, with unfortunately the last Sitting on top (another farewell to that 60s pyscho style/energy), and a sweet Sing Me Back Home! The Dark Star of course was RJ (have you ever heard a 72 DS that wasn’t lol), and a nice slightly different GDTRFB/One Mo Saturday finale. Sadly Pigs last Good Lovin, perhaps a bit abbreviated due to fatigue, and an unusual only four songs on the night…
    5/26/72: some call this the greatest Dead show ever, not sure I’d say that, but it is a beast!
    Only did one listen on this one as I’ve had it, gave it a sit down, and honestly, I’m just burned out. Both in general, which unfortunately didn’t help my tour burnout. But I’ve enjoyed every note, and this one didn’t disappoint either!
    Not so much variety, and sadly, only 3 helpings of grease, perhaps due to some being repeated at least a couple times here at the end: Promised Land, Dire Wolf, nice Cumberland, Sugaree returns after more regular play early on, same with Loser, and of course THE Dew! Another sweet Sing Me, and another OMG second set sequence that is definitely RJ! It’s all most too much, when some shows, they basically play another small set AFTER these big powerful sequences, but here they do it again, though why they had to repeat Me&My Uncle yet again I’m not sure? They just did it a year before on Skullfuck so why use up so many slots on this tour that might have made room for another, possibly THE version of something different to make it to vinyl?
    Anywho, A great show and proper fitting ending to one of the all time greatest tours! They Hit most of the usual suspects of the tour, and even managed to nail some album worthy versions, including that magnificent Dew!
    Oh, and how could I not mention the consistently hot PITBs, everyone RJ fo sho…

    Well, this was bittersweet. I’m glad I finally went for it even if the timing was poor and I didn’t feel I went as deep as I usually do when hitting a tour. But I did hit every show in order, including a few I hadn’t gotten to yet, though I did miss some of 4/7 and 4/8 which I’m going to do this week, perhaps with a couple other partial rehashes, though I really need to hear some other Dead for a much needed cleanse…
    I’ll, prolly think of more insights, but for now I’ll just comment on something I kept thinking of that DR said awhile back about post Pig Dead. After hitting all those amazing but long 73 box shows, then hitting all these amazing but long 72s,
    Pigs departure really did affect the flow and energy of those long shows. As awesome as those 73 shows are, they can sometimes be a bit monotonous, so they definitely miss not having those little Pig interludes to break things up, keep things moving, add more variety, and give an occasional energy boost. It also made me think a lot about what if Pig hadn’t checked out? By this point in their trajectory perhaps the overly long repetitive nature of LL and Good Lovin, and the old, overripe straight blues numbers, maybe needed to take a break, but think of all the sweet alternatives they were coming up with that just shown so brightly on this tour: Hurts Me Too, Mr Charlie, China Town, 2 Souls, and some old chestnuts like Lied Cheated and Big Boss Man. And who can forget the few but enjoyable Cautions, a tour highlight for me personally.
    You have to wonder what if…what if he was healthy and kept writing and growing as a writer etc?
    I think he would have had to have grown as a byproduct of just being in the band and how they kept changing etc.
    He may have transitioned from being the main focus, but there probably would have been some monumental new stuff that might even have been better, but alas we’ll never know…
    Well, hopefully we didn’t lose ole 1stshow in some unknown rural border jail lol, and he’ll fill us in on his travails.
    Until next time, keep it forward, never straight…and get yo self a shotgun and a pocketful of shells ; )

  • Elbow49
    Joined:
    Without A Net Coming To Vinyl

    I heard on the YouTube broadcast from the In Groove in Phoenix, AZ that Without A Net is coming to vinyl November 17, 2023 as a Brick n Mortar release.

  • JimInMD
    Joined:
    Hot Opener

    stMade it to the halfway point, but they started playing 10/18/74 on SiriusXM, so I hit pause. They were out of the gate with a bang. High energy opener with some Healy vocal distortion on Hey Pockey Way. Nice high energy Jack Straw too. I never made it to the Kaiser.. caught news years at the Auditorium, never the Henry J. Kaiser Convention Center.

    Man, Jerry's tone on that October 74 run, just love it.

    I'll hit the second set later this afternoon.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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7/13/76 very happy you were there. I know you said you also saw the Bob Fried Memorial Boogie the year before!!! The soundcheck from the night before is actually on Youtube.. Great seats, do you remember how challenging it was to get tickets for that run??? Thanks bob t

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The first place we went to, maybe Record Factory, was all sold out, so we went to this small place called Penninsula Box office, and they had three tickets, for the three of us . Two people came in right after us and bought the last two tickets. It was tight to get tickets, and we went as soon as they went on sale.

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Good Stuff, an upgrade of the 7/12/76 Orpheum Show showed up last week from Mr. Miller for those wanting more.
Tiny Theater Dead Shows, those were the good ole days!
BTK thanks for sharing. Tell us more.

The Reel flip during The Other One on 12/12/70 from the Santa Rosa Fairgrounds pretty much ensures we won't be seeing that show released any time soon. Rough!
It's funny to think that these recordings we all collect so obsessively were basically an after thought :)

Have a Grate Day!

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I remember that there were two Dead posters in the front window, Skull & Roses. and the one with Garcia in a leather coat, the Dead at the Fillmore 1966 . Blair Jackson did a big write up on the shows in BAM magazine in July or August of 76 ,I have it laying around here somewhere with all my Dead posters and collections. I thought it was a great show and I still think that as I listen back to the tape. Winterland held about 5000 some people, it was cavernous compared to this place. I saw the Jerry Garcia band play there once. But those Dead shows were special, and this 1976 box set is very special . 1975 & 1976 fantastic years!

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Nice! 1800 capacity Dead Show sounds so amazing, shit that's like a 1000 people smaller than the Fillmore East.

I'd like to check out that BAM article, I did a couple google searches but didn't find it. I wonder if it's in This Is All A Dream We Dreamed? Hmmm.

Well, I know what I'll be listening to today.

Thanks for the inside scoop!
Good Stuff.

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Capacity, 1,800 . I was last inside there over 49 years ago. Not sure if capacity has changed in the 21st century. Lesh is more. Got an empty cup. Phil it up.

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In reply to by Strider 808808

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I don't think the capacity has changed.. they certainly didn't add on any rooms. I was last there sometime between 6 and 9 years ago. Classic venue.. hallowed walls.

I love small, quaint, intimate theatres. Yummy. Makes me want to travel back in time and set the dials to Europe, spring 1972 (and Port Chester 1970 and 1971).

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Hey man, PM me your email, I have something I think you will dig.

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In reply to by billy the kid

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Done!

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The photograph in the bulletin shows Jerry playing the Alembic experimental guitar or the “peanut”. One of two that were made. That does set the date of its first appearance two to three weeks before the March 71 date as stated in Blair Jackson’s book “Grateful Dead Gear” and a day later from what I thought was first time 2/19/71. Looking closer at the photograph, Billy’s drum placement would suggest after the 18th. Mickey was set up on the left of what was a small stage with Ned Lagin between him and Jerry. Would love to see the photographers proof sheet, or all the negatives. But it looks like five piece Grateful Dead.
I guess I should quote my old friend Pete Bogle , taper / archivist who coined the phrase “another picky Deadhead” when he introduced it as a bumper sticker in the 80s.
Ah yes, those foggy ruins of time.

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"The people up front are visibly bug eyed. They are looking flat". On to the second set... Great stuff.

It looks like Ned posted a broken link, or more accurately, the "......with" was mistakenly attached to link making it dead)

I think this is what he meant to post.. Wharf Rat w/ Pete from Rockpalast.

https://www.youtube.com/watch?v=20dic8S3cWI

Has anyone ever noticed that when Bolo disappears fire, brimstones and complete mayhem is unleashed upon the world?

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In reply to by Strider 808808

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Good Eye mate!

I didn't catch the Peanut Guitar, it's hard to determine, but you've got a good eye for that instrument Strider.

We might need some Hair forensics for this photo. I see it floating around with some different dates attributed to it. But since that's the Peanut, that would definitely help narrow the date range of the photo, and yeah looks like 5 man Dead.

The shirt and boots Jerry is wearing are featured in the famous family dog photo from February 1970 by Altman. But, who's to say he didn't wear them for a while. I've got some shirts that are at least 10 years old, possibly older.

Cool photo for sure, Stephen Gilbert has some other cool photos on GDAO of the GD from October & November 1970, this one is dated from the November '70 Capitol Run on that site. But I think the real tell would be Phil's haircut.

Phil, when did you cut your hair in 1971, was it right before the Capitol Theater run in 1971?

Yeah, the Contact Sheet would be sweet. I second a look at that. But I think you're on to something Strider, I'm thinking 2/19 or after.

Fun stuff. Makes me want to hear some 1971 Capitol Theater, and I do believe that's the point :)

VGUY: GD Newsletter came today, check spam.

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In reply to by DeadVikes

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Here’s an interesting article on that seldom played custom Alembic

https://relix.com/articles/detail/jerry-garcias-pretzel-guitar-resurfac…

EDIT: perhaps there were 2 different guitars as the one in the news letter showing the capital pic looks different then this “pretzel” guitar? Wouldn’t be that unusual for them to offer him different options since Alembic was in house etc...

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November 1970 he had a ponytail. February 1971 he had the haircut.
The internet has way more about the “peanut” guitar than ever before. I believe it’s not the same as the “pretzel” guitar. Peanuts , pretzels and beer. Port Chester is where 18-20 year olds would go to drink when it was still 21 in Connecticut. Lowered drinking age in Ct in 72.
Back to the mystery guitar. I definitely remember Jerry playing a much smaller body guitar most of the February 71 run. I called Alembic in Santa Rosa about five years ago and talked with Ron Wikershams daughter who told me they still had two peanut guitars that Garcia played. I asked her if they could remember if Garcia played them in February of 1971 and she said I should have a better idea as I was at the Capitol Theater five nights during that run. Rick Turner who built the peanut says it was pre-Alembic.
So maybe the Stephen Gilbert photograph shows a completely different guitar altogether. I do remember Jerry’s homemade Guatemalan fabric cowboy shirt, 1970.
Where’s Columbo when we need him.
By the way, the German film Wings of Desire staring Peter Falk is a beautiful film.
But I digress.

It's all about the Hair.

I love archival research and yeah the internet is the place for GD info!

It's too hard to see much detail from the Feb '71 pic we're looking at, so like Wikersham's daughter was saying, you should know if it was THE peanut or not ;)

It looks kinda like peanut to me, maybe we can tell when we hear the new tapes. Are you able to pick out the peanuts sound? I remember you mentioned it having a distinct sound. There's some cool pics of Jerry playing peanut at the Manhattan Center in April '71 for sure. So we might have to put our archivist ears on and play some back to back shows from the Cap & Manhattan center.

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is that we still have to wait another month to hear 2-18-71 in all it’s Plangentized glory (the samples don’t count).
Just announce it and put it in sale when it is ready to ship.

71 comparisons and investigative work - this is the group to do it.

Record Store Day this Saturday

https://recordstoreday.com/NewsItem/9003

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In reply to by icecrmcnkd

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The famous Brotherhood of Eternal Love show? I think yes... Interesting...

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In reply to by JimInMD

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So the photo from this Rick Turner article on the peanut guitar looks like the cap theater one in the bulletin, only from a better angle.
Interesting history about its pre-Alembic origin.
Strider, you sir are blessed with a great memory! Thanks for sharing all this groovy stuff for us!

https://rickturnerblog.com/2017/12/05/garcias-turner-peanut-guitar/

EDIT: the Gibson headstock really gives it away!

EDIT: I meant the guitar was the same in both pics

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In reply to by Oroborous

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Right.. how can you remember all this detail? You don't see too many show reviews from me because most of the memories are inconveniently erased from my mind, or worse, all I can remember are broad details and when I even contemplate writing something there's just not enough to make a point. Perhaps I need to start taking some of that jellyfish memory pill crap or something.

Sometime I really think I am pre-Alzheimer's.

It's unbelievable you remember all this stuff so many years later... you put me to shame.

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Photo on the Rick Turner Blog definitely not from the same night as the photo in the GD Bulletin. RTBlog shirt is the blue denim, sawtooth pocket, pearl snap that Jerry is wearing for 8/14/71 BCT. No way is that the same shirt in the GD Bulletin photo, which even in b/w is clearly multicolored shirt. I think the Turner photo is from the Manhattan Center shows - Jerry Garcia site has photo with that same denim shirt for 4/5.

I love the Peanut Guitar - in part cause I hadn't even heard about it until the last year, the name strikes me as freaking funny, the back story is outrageously cool, and, lest i forget, it sounds great!

Strider - love the tracks you lay down for us to follow.

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In reply to by bluecrow

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Nice OB!

That adds some color to this picture.

Based on Turner’s blog post it sure sounds like there was only one Peanut.
Based on the Photo, photographer’s labeling and Phil’s haircut we can assume it’s from the Capitol Theater circa February 1971.
Based on the photo and Strider’s eyewitness account Garcia is playing the Peanut.

I wonder if LIA etc have already discussed this?
Looks like.. Yes. Deadessays has the Rick Turner Peanut listed as 1/21/71 - 4/29/71

Shoulda figured to start there ;)

Good Stuff.

PS - 4/5/71 is a Rocker, it’s been awhile since I’ve played this one. The Peanut sounds good!

Love the raunchy grunge tone of Jerry's guitar this show. I know they are very dissimilar, but I get the same vibe from the Dec'77 shows, the (sort of) return of the Wolf. Full of anger and disdainful sustain. Rock and Roll.

Sorry to go off on a tangent. As you were..

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In reply to by JimInMD

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Yeah Jim & GOGD - the Peanut sounds damn good.

pick of the day (some day) i think ; )

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Someday being today.. I just finished it. Been a while, doc would be proud. I know (knew) every note of this of this show, but it's been so long I picked up a whole lot of new stuff. Like.. why were the harmonies for Rider so off compared to a year into the future, clearly they worked on this. Was it Phil? ..but still a kickin' version, especially the transition, so young so fresh. As mentioned earlier the tone and raw power of the performance. A great little show.

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In reply to by JimInMD

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Enjoyed 4/5/71 yesterday, it'd been a really long time.
Had to happen with all that Peanut talk.

Super fun listen. Think I need to hear the rest of the run.
Will throw that out there as a suggestion for pick of the day, pick one 4/4, 4/5, 4/6 and give it a spin.

It is like reconnecting with an old friend. Whose Yodeling in Me & Bobby McGee? I always thought it was Jerry, but now I think that's Marmaduke? Check out Bobby in China Cat, killing it! The Other One, completely slays. And the NFA > GDTRFB is like a part of my DNA, note for note, I must've heard it a million times on Skullfuck. Think I gotta go dust off 4/6 now.

Worth a revisit for sure, and it'll get you pumped for some '71 to come.

Alright, be well all and Happy Friday!

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Back cover photograph shows Jerry passing a J and is wearing the Guatemalan cowboy shirt. I saw Howard Wales and Jerry both early show and late show at the Academy of Music (January?) 1972. Talk about throwing the audience for a curveball. I enjoyed it.
As far as one or two peanut guitars , I’m only going on what Alembic founders, daughter said. No big deal.
Ability to have a sharp memory, a lifetime of working in the woods/mountains. Tons of fresh air, sleeping on the ground, avoiding white powders, pure water, simple food, meat in limited doses, backpacking, walking, climbing mountains, (still do) reading actual books not kindle, taking breaks from Ganga, going on 20 years since quitting all alcohol. (Not passing judgment, most of my friends drink) , traveling in Latin America, learning a second language (Spanish) by direct immersion talking with people, only using a translation dictionary, getting to know and making friends with people of different ethnic backgrounds, mixing it up , leaving comfort zones at times, waking up at or before dawn, (even as a teenager), as far as dates, I know my seasonal work history,(mostly trail work in Wilderness areas) Official book of the Deadheads was the first time I saw a list of Dead shows with dates, synced work, travel, Grateful Dead concerts, other bands, where I’ve lived, (almost 40 years in New Mexico) it all fits together like a puzzle.
My number of Dead shows are within 2-3 for exact count, 133 in 25 years to the best of my ability. Was I at Manhattan Center two or was it three nights in April 71, was I at Academy of Music three or four nights in March 72. I know I was at all four nights of November 1970 at the Capitol Theater. I’m certain I was at the Capitol Theater 2/18,19,20,21 and the final night, 2/24/71. By summer 1972 and beyond dates are very exact. I have most of my ticket stubs starting with December 1981.
The other way I keep my memory sharp. Have hardly watched television since leaving home in 1972.
Will have to listen to 4/5/71 today .A day late a dollar short. Oh well. As far as a venue, Manhattan Center had a twisted vibe, oversold and rundown, of course the music was at a high peak in the history of the band. Nevertheless “Aces back to back”.
Tractors you say, my uncle Harlan worked for John Deere in Des Moines.
Stairs you say, “Stairway to Heaven”!
Parking meters you say, “ watch your leaders and your parking meters”

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In reply to by Strider 808808

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Now that's some merch I could get behind.
And the boots!

That'd be sweet :)

Nice Strider! Keep em coming my man.
Thankfully you kept that brain together so you could tell us fools some stories (I jest!) :)

BTW 4/5/71 wasn't the official pick yesterday, I just got a hankering, all that Peanut talk.
Sounds like Jim & I jumped on it. But recommend the rest of you do too. Make it official BlueCrow!

So Fire it up Folks, head to the Manhattan Center circa 1971, don't get crushed by the overcrowding and have a good time!

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I was just emailing Uncle Gary about one of these shows that he sent me (2/22). This pair of shows would make a great mini box. They're on the shorter side, so they can probably fit it all on four or five discs and they play extremely well.

The set lists are no joke (Bird Song, Dark Star, China Rider, Playing in the Band, Eyes of the World). At a minimum 2/22 could use an official rendering. Hook me up bartender, hook me up.

For all you folks going to the Manhattan Center show

Listen to how happy Pigpen is!
Especially during the end of Lovelight, man he sounds so stoked.

Thinking April '71 was the peak of Pig's career.

Good Stuff!

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Added to the general vibe that night. MC was a block or two away.( Correction, 8 blocks away 9/26) I just read my comment for 4/5/71 that I wrote 9 years and 6 months ago on Dead. Net. Listening to China/Rider just now I could hear the difference from the Capitol Theater. Manhattan Center was at least twice as big. (?) I did make it from the floor to the huge balcony for the second set where there was room enough to dance. It was supposed to be a “dance marathon “. The sound of the recording in that room has a different sound from the Fillmore East or the Capitol Theater. Perhaps somewhat like Winterland. Although Winterland was longer from the back to the stage. Now the Oakland Auditorium was awesome. Another decade, another era. I still have audience tapes I made there with my Sony D-5.
Another time marker I use is foreign travel. First time out of the States was to Montreal, Quebec, Canada in late April 1970 to film the Expo 67 dome. Was making a super 8 film on geodesic domes. Or my first time to Mexico to TJ and k-49 surfing with an old friend from the east. Or the first time to southern Mexico (Chiapas) and Guatemala in January 1988. Living in the highlands of Chiapas (& selva) five winters 1992-1996 while furloughed from seasonal Forest Service. It’s those kind of times that stand out in my memory just as amazing Grateful Dead concerts do. So it goes.

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9 years 1 month
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of all the Dead eras and sound I've always had a special place in my heart for the Skull and Roses lp. and only yesterday, when GOGD commented on the 4/5 Not Fade Away > Going Down the Road, and I'm like oh yeah, those lp tracks are from this show(!), did it click that the Peanut is at the heart of that sound. The Peanut, a somewhat obscure Garcia guitar, unlike no other, that Jerry used for all of 3 months. I was listening to 4/5 today at work and Jerry's sound is so freaking early rock and roll bluesy clean and raw at the same time and I love it.

GOGD - The yodeler IS Marmaduke. After the song is finished Bob quickly says his name!!

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13 years 4 months

In reply to by bluecrow

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..and all of your creations.

Such a personal lyric.. when your children, they all start to resent you.

What mind would write this stuff.

Say what you want about 80's GD, but at the very least.. they were the worlds best Dylan Cover band for a short period of time.

Checking out 7/2/ 89.. part of the Shakedown Stream.. but I missed it and they took it away almost immediately.. now it's back.

To Lay Me Down kicking in now. Amazing stuff.

No doubt Jim. The Dylan slot. My god, some shows saw 3-4.

Recently, I have been really digging the different versions of Maggie's Farm. So many favorites. I can't pick one. Of course Desolation Row and Phil's take on Tom Thumbs Blues.
I remember being a big fan of Stuck Inside a Mobile.... During the late 80's Alpine days. Still love it.

Here is an option for tomorrow, 9/26/1980, The Warfield Theatre, second night. There is a good SBD Miller copy on Relisten/Archive.

I will be going through this entire run I hope this year. I have listened to a few and not all have SBDs and the sound quality definitely varies.

Everybody hang loose.

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8 years 10 months

In reply to by DeadVikes

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9/26/80 you say?

I've been crammed into the crowded and way oversold Manhattan Center circa '71 for a few days now, and my minds been squished. It's been a fun trip.
I think I saw some of you there.

Great stories abound on the internet, a Dance Marathon on the East Coast in the Grand Ballroom of the opera house built by Oscar Hammerstein. An attempt to show all the seated venues of the area how to party. Capacity at around 2500 people, reports of 10,000 in attendance. Not much dancing reported. And the music created imho is quintessential spring '71 Dead. (Funny, not only do you have to quantify the year, but the time of year, as by the Fall they were yet another type of Dead, love it).

If you didn't get to it, I say give the other 2 nights a spin, 4/6/71 at the very least (the band take a rare dip into the back catalog and play the oldies!) and search out the many reviews & articles written about the shows. Or at least the reviews in Taper's Compendium. Worth the trip.

But Hark!?!? What's that I hear?

A call to change gears and dive into another legendary period of the Grateful Dead.
The hallowed Warfield Theater run of 1980.
I'm already at Birdsong.
These acoustic sets from the 1980s sure make for nice morning music. La Da Da Da...

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4 years 10 months
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It would have been nice if the Dead had included, Rosemary, Mtns of the Moon , and Attics of My Life to their acoustic sets in 1980.

Absolutely!

I listened to 4-6-69 last night, it has a Baby Blue.
Now I’m wondering when the first Dylan cover was played. There’s some homework for today if any of you are bored.

I love the Dylan covers from the 80/90’s.

Well, I have to run to the beer store, which is by the record store, but 5-9-77 vinyl is out on October RSD. I’ll have to check today’s list of releases to see if I should buy some vinyl today.