• 8,113 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Comments

sort by
Recent
Reset
  • DeadVikes
    Joined:
    April 78, March 73

    You don't have #7 OB? We need to change that, I think you would really like this show.

    I will definitely go back and listen to #37 again. I know I had it up within the last couple of months.

    I did listen to #15 from Nashville over the weekend and I don't think Bob was happy with the first set, "That's it, we quit" Good show and the sound quality is as good as #7. Nice Estimated Eyes and Wharf Rat.

    Do you have any recommendations from your recent tour of March 73?

    I mean, this is a hot period. What a tour this is. More from this tour would be welcomed.

    Slow day on the site.

  • Oroborous
    Joined:
    Recents

    Continuing on with 73:
    3/16/73
    3/19/73
    3/21/73
    3/22/73
    2/22/69
    Plus miscellaneous spins of DaP 45
    Now playing 3/27/83, followed by 2/23/70.
    Don’t have Dave’s 7, one of 5 I don’t have copies of…
    Hmmm, that’s a bold statement DV as DaP 37 blew me away.
    Perhaps because I was not expecting it to be and sound as good as it was?
    Every show I’ve heard so far from this tour is good, highly recommend 4/11 and 4/16 too!

    Agree, like DaP 13 better than DaP 42.

  • DeadVikes
    Joined:
    Dave's Picks #7 4/24/78

    Haven't listened to this show in a couple of years and wow, I think I like it even more now. A+ on sound quality and both sets deliver high energy Dead. Love the NFA, Black Peter, Around and Around and close it out with Werewolves of London. I went back and read the liner notes again and low and behold, they were written by Blair Jackson. Since I have 78 on my brain, I think I will check out Dave's 15 from 4/22 in Nashville. Of the three released from this time period 4/24 seems to be the top dog in my book. The William and Mary show is good, not great. On to Nashville.

    Hope you all have a great weekend.

  • rockthing
    Joined:
    1970-02-23

    You cats are already on to 1973. I'm still savoring the gentle respite in the oasis of Austin.

    Death don't have no mercy, but there's always time for lunch.
    Thanks for reminding me of LL. I need to see if I can get reinstated over there.

    Grateful Dead Live at The Auditorium, Austin, Tejas on 1970-02-23
    Harpur College was another of my heavy, heavy rotation tapes back in the day, along with the 2/18/71 Capitol Theater show I've already mentioned numerous times. Both were massive inspirations. For what seems in hindsight like a fairly significant period of time, if it wasn't one of those, it was Reckoning.

    I Know You Rider: Lovin' the energy and grit of this Rider. It's almost angst.

    High Time: This is a song! It's a pretty weird song, too, and after attempting it several times, myself, I must say it isn't surprising it wasn't played often. Damn, it's hard to sing. I submitted a completely deconstructed version of this for the February Dead Covers Project a few years back. I made a point of not revisiting to the original before recording, just going off memory and some notes left in an old binder of songs. I'm sure the ever-growing defenders of canon were thinking, "You ain't doin' it right if you ain't readin' it off a teleprompter." It was an "interpretation". Lol.

    Dire Wolf: What a lyric. An electric version, no less. Pretty mellow electric set, almost acoustic.

    Yellow Dog Joke… ah… well way to go for completely screwing up the joke, Bobby… actually, I'm not sure I've ever heard him make it all the way to the punch line. We should all heed Jerry's advice and "Don't encourage him." Everything was so light and positive in these days. Phil could be a bit surly, as we've already heard in this tape.

    Monkey and the Engineer: This was a standard in my old folk-rock duo. My partner played it and I just followed along. I'd have to start from scratch to figure out how to play it again. Such good stories in these tunes.

    Little Sadie: Nice. This wasn't on the Harpur College tape or Reckoning. Another dark story. I don't see how they could possibly be breaking strings playing such gentle music.

    Me and My Uncle: I don't recall hearing an acoustic version. It's a great song and works in any format. At this point everyone hadn't already heard it a million times. Imagine that!

    Black Peter: One of my favourite tunes ever. Doesn't get much darker than a song from the point of view of a death bed. Started doing this one myself occasionally a few years ago, but I always need a cheat sheet for the bridge. Nothing repeats. There are some interesting mnemonic connections between the chords and the words that help. Just have to sit down and do my homework. Ahh… yeah, Pig sittin' in nicely on the organ. This song needs a really delicate hand, but the organ adds a nice little gospel flavour. If only Pig coulda added just a touch more flair to his playing to fill in some lines before Jerry takes his solo. Pig's got the tone.

    Seasons of the Heart: Never heard this before. Great pick! Thanks.

    Uncle Johns: Have heard this one a few times. 😉

    Not Fade Away: I'm gonna call the union! The Galactic Rock'n'Roll Union! That needs to be a band name, or a song, or something! Crazy to think this tune was in their set their entire career. Some good ol' primal energy here. Jerry's "wild" tone. He must've had the amplifier turned WAY up, cause it sounds like he's not in the mix at all. His guitar is just being picked up by a vocal mic, or something. Basically, no drums, either. I can't keep track of which guitars he was playing in the early years. He seemed to play whatever was available after giving up the Starfire. Sounds kind of like a Stratocaster, The Graham Nash Strat, perhaps? Alligator did not come on the scene until later, if I recall correctly. This tone has even more of a stereotypical Stratocaster sound than Alligator, which retained very little Fender electronics by the time it gets heard on Europe '72. Anyone? Oh, cool call and response with Pig. TC has already left at this point? I need to get my timelines straight. Bobby diggin' in with some soulfully aggressive singing, rather than simply aggressive.

    Mason's Children: I can't recall ever hearing this, either. The name comes up often, but it's not on anything I've listened to regularly. Again, thanks for this pick! As you say, not exactly high-energy stuff, but some very rare pieces here. Always appreciate the chance to learn something new about this fascinating family.

  • Forensicdoceleven
    Joined:
    Chances are that the universe neither treasures nor regrets us

    Rockers!

    Lunch time. Death takes a breather. We're in the land of the living, gotta eat lunch.

    The "new, fixed" 2/17/73 was up at Lossless Legs first thing this morning. So, it sometimes pays dividends to get up early............

    So, one can get it there, or I can supply it to anybody who needs/wants..............

    The wise man does not lay up his own treasures. The more he gives to others, the more he has for his own......

    Rock on,

    Doc
    It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure......

  • DeadVikes
    Joined:
    2/17/73

    Hey Doc,

    Where is the new Miller for this show? I see a 2020 transfer from Miller on the archive as of this morning, and this one has issues.

  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

user picture

Member for

17 years 7 months
Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
user picture

Member for

17 years 1 month
Permalink

7/13/76 very happy you were there. I know you said you also saw the Bob Fried Memorial Boogie the year before!!! The soundcheck from the night before is actually on Youtube.. Great seats, do you remember how challenging it was to get tickets for that run??? Thanks bob t

user picture

Member for

5 years 1 month
Permalink

The first place we went to, maybe Record Factory, was all sold out, so we went to this small place called Penninsula Box office, and they had three tickets, for the three of us . Two people came in right after us and bought the last two tickets. It was tight to get tickets, and we went as soon as they went on sale.

user picture

Member for

9 years

In reply to by billy the kid

Permalink

Good Stuff, an upgrade of the 7/12/76 Orpheum Show showed up last week from Mr. Miller for those wanting more.
Tiny Theater Dead Shows, those were the good ole days!
BTK thanks for sharing. Tell us more.

The Reel flip during The Other One on 12/12/70 from the Santa Rosa Fairgrounds pretty much ensures we won't be seeing that show released any time soon. Rough!
It's funny to think that these recordings we all collect so obsessively were basically an after thought :)

Have a Grate Day!

user picture

Member for

5 years 1 month
Permalink

I remember that there were two Dead posters in the front window, Skull & Roses. and the one with Garcia in a leather coat, the Dead at the Fillmore 1966 . Blair Jackson did a big write up on the shows in BAM magazine in July or August of 76 ,I have it laying around here somewhere with all my Dead posters and collections. I thought it was a great show and I still think that as I listen back to the tape. Winterland held about 5000 some people, it was cavernous compared to this place. I saw the Jerry Garcia band play there once. But those Dead shows were special, and this 1976 box set is very special . 1975 & 1976 fantastic years!

Nice! 1800 capacity Dead Show sounds so amazing, shit that's like a 1000 people smaller than the Fillmore East.

I'd like to check out that BAM article, I did a couple google searches but didn't find it. I wonder if it's in This Is All A Dream We Dreamed? Hmmm.

Well, I know what I'll be listening to today.

Thanks for the inside scoop!
Good Stuff.

user picture

Member for

17 years 6 months
Permalink

Capacity, 1,800 . I was last inside there over 49 years ago. Not sure if capacity has changed in the 21st century. Lesh is more. Got an empty cup. Phil it up.

user picture

Member for

13 years 6 months

In reply to by Strider 808808

Permalink

I don't think the capacity has changed.. they certainly didn't add on any rooms. I was last there sometime between 6 and 9 years ago. Classic venue.. hallowed walls.

I love small, quaint, intimate theatres. Yummy. Makes me want to travel back in time and set the dials to Europe, spring 1972 (and Port Chester 1970 and 1971).

user picture

Member for

5 years 1 month
Permalink

Hey man, PM me your email, I have something I think you will dig.

user picture

Member for

17 years 6 months
Permalink

The photograph in the bulletin shows Jerry playing the Alembic experimental guitar or the “peanut”. One of two that were made. That does set the date of its first appearance two to three weeks before the March 71 date as stated in Blair Jackson’s book “Grateful Dead Gear” and a day later from what I thought was first time 2/19/71. Looking closer at the photograph, Billy’s drum placement would suggest after the 18th. Mickey was set up on the left of what was a small stage with Ned Lagin between him and Jerry. Would love to see the photographers proof sheet, or all the negatives. But it looks like five piece Grateful Dead.
I guess I should quote my old friend Pete Bogle , taper / archivist who coined the phrase “another picky Deadhead” when he introduced it as a bumper sticker in the 80s.
Ah yes, those foggy ruins of time.

user picture

Member for

8 years 2 months

In reply to by icecrmcnkd

Permalink

"The people up front are visibly bug eyed. They are looking flat". On to the second set... Great stuff.

It looks like Ned posted a broken link, or more accurately, the "......with" was mistakenly attached to link making it dead)

I think this is what he meant to post.. Wharf Rat w/ Pete from Rockpalast.

https://www.youtube.com/watch?v=20dic8S3cWI

Has anyone ever noticed that when Bolo disappears fire, brimstones and complete mayhem is unleashed upon the world?

user picture

Member for

9 years

In reply to by Strider 808808

Permalink

Good Eye mate!

I didn't catch the Peanut Guitar, it's hard to determine, but you've got a good eye for that instrument Strider.

We might need some Hair forensics for this photo. I see it floating around with some different dates attributed to it. But since that's the Peanut, that would definitely help narrow the date range of the photo, and yeah looks like 5 man Dead.

The shirt and boots Jerry is wearing are featured in the famous family dog photo from February 1970 by Altman. But, who's to say he didn't wear them for a while. I've got some shirts that are at least 10 years old, possibly older.

Cool photo for sure, Stephen Gilbert has some other cool photos on GDAO of the GD from October & November 1970, this one is dated from the November '70 Capitol Run on that site. But I think the real tell would be Phil's haircut.

Phil, when did you cut your hair in 1971, was it right before the Capitol Theater run in 1971?

Yeah, the Contact Sheet would be sweet. I second a look at that. But I think you're on to something Strider, I'm thinking 2/19 or after.

Fun stuff. Makes me want to hear some 1971 Capitol Theater, and I do believe that's the point :)

VGUY: GD Newsletter came today, check spam.

user picture

Member for

17 years 6 months

In reply to by DeadVikes

Permalink

Here’s an interesting article on that seldom played custom Alembic

https://relix.com/articles/detail/jerry-garcias-pretzel-guitar-resurfac…

EDIT: perhaps there were 2 different guitars as the one in the news letter showing the capital pic looks different then this “pretzel” guitar? Wouldn’t be that unusual for them to offer him different options since Alembic was in house etc...

user picture

Member for

17 years 6 months
Permalink

November 1970 he had a ponytail. February 1971 he had the haircut.
The internet has way more about the “peanut” guitar than ever before. I believe it’s not the same as the “pretzel” guitar. Peanuts , pretzels and beer. Port Chester is where 18-20 year olds would go to drink when it was still 21 in Connecticut. Lowered drinking age in Ct in 72.
Back to the mystery guitar. I definitely remember Jerry playing a much smaller body guitar most of the February 71 run. I called Alembic in Santa Rosa about five years ago and talked with Ron Wikershams daughter who told me they still had two peanut guitars that Garcia played. I asked her if they could remember if Garcia played them in February of 1971 and she said I should have a better idea as I was at the Capitol Theater five nights during that run. Rick Turner who built the peanut says it was pre-Alembic.
So maybe the Stephen Gilbert photograph shows a completely different guitar altogether. I do remember Jerry’s homemade Guatemalan fabric cowboy shirt, 1970.
Where’s Columbo when we need him.
By the way, the German film Wings of Desire staring Peter Falk is a beautiful film.
But I digress.

It's all about the Hair.

I love archival research and yeah the internet is the place for GD info!

It's too hard to see much detail from the Feb '71 pic we're looking at, so like Wikersham's daughter was saying, you should know if it was THE peanut or not ;)

It looks kinda like peanut to me, maybe we can tell when we hear the new tapes. Are you able to pick out the peanuts sound? I remember you mentioned it having a distinct sound. There's some cool pics of Jerry playing peanut at the Manhattan Center in April '71 for sure. So we might have to put our archivist ears on and play some back to back shows from the Cap & Manhattan center.

user picture

Member for

9 years 2 months

In reply to by The Good Ole G…

Permalink

is that we still have to wait another month to hear 2-18-71 in all it’s Plangentized glory (the samples don’t count).
Just announce it and put it in sale when it is ready to ship.

71 comparisons and investigative work - this is the group to do it.

Record Store Day this Saturday

https://recordstoreday.com/NewsItem/9003

user picture

Member for

13 years 6 months

In reply to by icecrmcnkd

Permalink

The famous Brotherhood of Eternal Love show? I think yes... Interesting...

user picture

Member for

17 years 6 months

In reply to by JimInMD

Permalink

So the photo from this Rick Turner article on the peanut guitar looks like the cap theater one in the bulletin, only from a better angle.
Interesting history about its pre-Alembic origin.
Strider, you sir are blessed with a great memory! Thanks for sharing all this groovy stuff for us!

https://rickturnerblog.com/2017/12/05/garcias-turner-peanut-guitar/

EDIT: the Gibson headstock really gives it away!

EDIT: I meant the guitar was the same in both pics

user picture

Member for

13 years 6 months

In reply to by Oroborous

Permalink

Right.. how can you remember all this detail? You don't see too many show reviews from me because most of the memories are inconveniently erased from my mind, or worse, all I can remember are broad details and when I even contemplate writing something there's just not enough to make a point. Perhaps I need to start taking some of that jellyfish memory pill crap or something.

Sometime I really think I am pre-Alzheimer's.

It's unbelievable you remember all this stuff so many years later... you put me to shame.

user picture

Member for

9 years 3 months
Permalink

Photo on the Rick Turner Blog definitely not from the same night as the photo in the GD Bulletin. RTBlog shirt is the blue denim, sawtooth pocket, pearl snap that Jerry is wearing for 8/14/71 BCT. No way is that the same shirt in the GD Bulletin photo, which even in b/w is clearly multicolored shirt. I think the Turner photo is from the Manhattan Center shows - Jerry Garcia site has photo with that same denim shirt for 4/5.

I love the Peanut Guitar - in part cause I hadn't even heard about it until the last year, the name strikes me as freaking funny, the back story is outrageously cool, and, lest i forget, it sounds great!

Strider - love the tracks you lay down for us to follow.

user picture

Member for

9 years

In reply to by bluecrow

Permalink

Nice OB!

That adds some color to this picture.

Based on Turner’s blog post it sure sounds like there was only one Peanut.
Based on the Photo, photographer’s labeling and Phil’s haircut we can assume it’s from the Capitol Theater circa February 1971.
Based on the photo and Strider’s eyewitness account Garcia is playing the Peanut.

I wonder if LIA etc have already discussed this?
Looks like.. Yes. Deadessays has the Rick Turner Peanut listed as 1/21/71 - 4/29/71

Shoulda figured to start there ;)

Good Stuff.

PS - 4/5/71 is a Rocker, it’s been awhile since I’ve played this one. The Peanut sounds good!

Love the raunchy grunge tone of Jerry's guitar this show. I know they are very dissimilar, but I get the same vibe from the Dec'77 shows, the (sort of) return of the Wolf. Full of anger and disdainful sustain. Rock and Roll.

Sorry to go off on a tangent. As you were..

user picture

Member for

9 years 3 months

In reply to by JimInMD

Permalink

Yeah Jim & GOGD - the Peanut sounds damn good.

pick of the day (some day) i think ; )

user picture

Member for

13 years 6 months

In reply to by bluecrow

Permalink

Someday being today.. I just finished it. Been a while, doc would be proud. I know (knew) every note of this of this show, but it's been so long I picked up a whole lot of new stuff. Like.. why were the harmonies for Rider so off compared to a year into the future, clearly they worked on this. Was it Phil? ..but still a kickin' version, especially the transition, so young so fresh. As mentioned earlier the tone and raw power of the performance. A great little show.

user picture

Member for

9 years

In reply to by JimInMD

Permalink

Enjoyed 4/5/71 yesterday, it'd been a really long time.
Had to happen with all that Peanut talk.

Super fun listen. Think I need to hear the rest of the run.
Will throw that out there as a suggestion for pick of the day, pick one 4/4, 4/5, 4/6 and give it a spin.

It is like reconnecting with an old friend. Whose Yodeling in Me & Bobby McGee? I always thought it was Jerry, but now I think that's Marmaduke? Check out Bobby in China Cat, killing it! The Other One, completely slays. And the NFA > GDTRFB is like a part of my DNA, note for note, I must've heard it a million times on Skullfuck. Think I gotta go dust off 4/6 now.

Worth a revisit for sure, and it'll get you pumped for some '71 to come.

Alright, be well all and Happy Friday!

user picture

Member for

17 years 6 months
Permalink

Back cover photograph shows Jerry passing a J and is wearing the Guatemalan cowboy shirt. I saw Howard Wales and Jerry both early show and late show at the Academy of Music (January?) 1972. Talk about throwing the audience for a curveball. I enjoyed it.
As far as one or two peanut guitars , I’m only going on what Alembic founders, daughter said. No big deal.
Ability to have a sharp memory, a lifetime of working in the woods/mountains. Tons of fresh air, sleeping on the ground, avoiding white powders, pure water, simple food, meat in limited doses, backpacking, walking, climbing mountains, (still do) reading actual books not kindle, taking breaks from Ganga, going on 20 years since quitting all alcohol. (Not passing judgment, most of my friends drink) , traveling in Latin America, learning a second language (Spanish) by direct immersion talking with people, only using a translation dictionary, getting to know and making friends with people of different ethnic backgrounds, mixing it up , leaving comfort zones at times, waking up at or before dawn, (even as a teenager), as far as dates, I know my seasonal work history,(mostly trail work in Wilderness areas) Official book of the Deadheads was the first time I saw a list of Dead shows with dates, synced work, travel, Grateful Dead concerts, other bands, where I’ve lived, (almost 40 years in New Mexico) it all fits together like a puzzle.
My number of Dead shows are within 2-3 for exact count, 133 in 25 years to the best of my ability. Was I at Manhattan Center two or was it three nights in April 71, was I at Academy of Music three or four nights in March 72. I know I was at all four nights of November 1970 at the Capitol Theater. I’m certain I was at the Capitol Theater 2/18,19,20,21 and the final night, 2/24/71. By summer 1972 and beyond dates are very exact. I have most of my ticket stubs starting with December 1981.
The other way I keep my memory sharp. Have hardly watched television since leaving home in 1972.
Will have to listen to 4/5/71 today .A day late a dollar short. Oh well. As far as a venue, Manhattan Center had a twisted vibe, oversold and rundown, of course the music was at a high peak in the history of the band. Nevertheless “Aces back to back”.
Tractors you say, my uncle Harlan worked for John Deere in Des Moines.
Stairs you say, “Stairway to Heaven”!
Parking meters you say, “ watch your leaders and your parking meters”

user picture

Member for

9 years

In reply to by Strider 808808

Permalink

Now that's some merch I could get behind.
And the boots!

That'd be sweet :)

Nice Strider! Keep em coming my man.
Thankfully you kept that brain together so you could tell us fools some stories (I jest!) :)

BTW 4/5/71 wasn't the official pick yesterday, I just got a hankering, all that Peanut talk.
Sounds like Jim & I jumped on it. But recommend the rest of you do too. Make it official BlueCrow!

So Fire it up Folks, head to the Manhattan Center circa 1971, don't get crushed by the overcrowding and have a good time!

user picture

Member for

10 years 4 months
Permalink

I was just emailing Uncle Gary about one of these shows that he sent me (2/22). This pair of shows would make a great mini box. They're on the shorter side, so they can probably fit it all on four or five discs and they play extremely well.

The set lists are no joke (Bird Song, Dark Star, China Rider, Playing in the Band, Eyes of the World). At a minimum 2/22 could use an official rendering. Hook me up bartender, hook me up.

For all you folks going to the Manhattan Center show

Listen to how happy Pigpen is!
Especially during the end of Lovelight, man he sounds so stoked.

Thinking April '71 was the peak of Pig's career.

Good Stuff!

user picture

Member for

17 years 6 months
Permalink

Added to the general vibe that night. MC was a block or two away.( Correction, 8 blocks away 9/26) I just read my comment for 4/5/71 that I wrote 9 years and 6 months ago on Dead. Net. Listening to China/Rider just now I could hear the difference from the Capitol Theater. Manhattan Center was at least twice as big. (?) I did make it from the floor to the huge balcony for the second set where there was room enough to dance. It was supposed to be a “dance marathon “. The sound of the recording in that room has a different sound from the Fillmore East or the Capitol Theater. Perhaps somewhat like Winterland. Although Winterland was longer from the back to the stage. Now the Oakland Auditorium was awesome. Another decade, another era. I still have audience tapes I made there with my Sony D-5.
Another time marker I use is foreign travel. First time out of the States was to Montreal, Quebec, Canada in late April 1970 to film the Expo 67 dome. Was making a super 8 film on geodesic domes. Or my first time to Mexico to TJ and k-49 surfing with an old friend from the east. Or the first time to southern Mexico (Chiapas) and Guatemala in January 1988. Living in the highlands of Chiapas (& selva) five winters 1992-1996 while furloughed from seasonal Forest Service. It’s those kind of times that stand out in my memory just as amazing Grateful Dead concerts do. So it goes.

user picture

Member for

9 years 3 months
Permalink

of all the Dead eras and sound I've always had a special place in my heart for the Skull and Roses lp. and only yesterday, when GOGD commented on the 4/5 Not Fade Away > Going Down the Road, and I'm like oh yeah, those lp tracks are from this show(!), did it click that the Peanut is at the heart of that sound. The Peanut, a somewhat obscure Garcia guitar, unlike no other, that Jerry used for all of 3 months. I was listening to 4/5 today at work and Jerry's sound is so freaking early rock and roll bluesy clean and raw at the same time and I love it.

GOGD - The yodeler IS Marmaduke. After the song is finished Bob quickly says his name!!

user picture

Member for

13 years 6 months

In reply to by bluecrow

Permalink

..and all of your creations.

Such a personal lyric.. when your children, they all start to resent you.

What mind would write this stuff.

Say what you want about 80's GD, but at the very least.. they were the worlds best Dylan Cover band for a short period of time.

Checking out 7/2/ 89.. part of the Shakedown Stream.. but I missed it and they took it away almost immediately.. now it's back.

To Lay Me Down kicking in now. Amazing stuff.

No doubt Jim. The Dylan slot. My god, some shows saw 3-4.

Recently, I have been really digging the different versions of Maggie's Farm. So many favorites. I can't pick one. Of course Desolation Row and Phil's take on Tom Thumbs Blues.
I remember being a big fan of Stuck Inside a Mobile.... During the late 80's Alpine days. Still love it.

user picture

Member for

8 years 2 months

In reply to by DeadVikes

Permalink

Here is an option for tomorrow, 9/26/1980, The Warfield Theatre, second night. There is a good SBD Miller copy on Relisten/Archive.

I will be going through this entire run I hope this year. I have listened to a few and not all have SBDs and the sound quality definitely varies.

Everybody hang loose.

user picture

Member for

9 years

In reply to by DeadVikes

Permalink

9/26/80 you say?

I've been crammed into the crowded and way oversold Manhattan Center circa '71 for a few days now, and my minds been squished. It's been a fun trip.
I think I saw some of you there.

Great stories abound on the internet, a Dance Marathon on the East Coast in the Grand Ballroom of the opera house built by Oscar Hammerstein. An attempt to show all the seated venues of the area how to party. Capacity at around 2500 people, reports of 10,000 in attendance. Not much dancing reported. And the music created imho is quintessential spring '71 Dead. (Funny, not only do you have to quantify the year, but the time of year, as by the Fall they were yet another type of Dead, love it).

If you didn't get to it, I say give the other 2 nights a spin, 4/6/71 at the very least (the band take a rare dip into the back catalog and play the oldies!) and search out the many reviews & articles written about the shows. Or at least the reviews in Taper's Compendium. Worth the trip.

But Hark!?!? What's that I hear?

A call to change gears and dive into another legendary period of the Grateful Dead.
The hallowed Warfield Theater run of 1980.
I'm already at Birdsong.
These acoustic sets from the 1980s sure make for nice morning music. La Da Da Da...

user picture

Member for

5 years 1 month
Permalink

It would have been nice if the Dead had included, Rosemary, Mtns of the Moon , and Attics of My Life to their acoustic sets in 1980.

Absolutely!

I listened to 4-6-69 last night, it has a Baby Blue.
Now I’m wondering when the first Dylan cover was played. There’s some homework for today if any of you are bored.

I love the Dylan covers from the 80/90’s.

Well, I have to run to the beer store, which is by the record store, but 5-9-77 vinyl is out on October RSD. I’ll have to check today’s list of releases to see if I should buy some vinyl today.