• 8,082 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    Re: Love ya gfar..

    but ...damage done with the covid vaccine? You're not supposed to snort it or smoke the stuff.

    Saying in jest.. hoping to god all holy hell does not break out here. Tread carefully and perhaps consider safer topics like religion, politics, or Donna wails. I'm just not sure this one belongs here, actually I'm pretty sure it doesn't. There are many who read these posts that have lost loved ones and it's not a passing comment that will elude attention.

    I don't believe you meant any ill will and no offense meant in my comments.

  • Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • Gary Farseer
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    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • Gary Farseer
    Joined:
    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

  • JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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7/13/76 very happy you were there. I know you said you also saw the Bob Fried Memorial Boogie the year before!!! The soundcheck from the night before is actually on Youtube.. Great seats, do you remember how challenging it was to get tickets for that run??? Thanks bob t

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The first place we went to, maybe Record Factory, was all sold out, so we went to this small place called Penninsula Box office, and they had three tickets, for the three of us . Two people came in right after us and bought the last two tickets. It was tight to get tickets, and we went as soon as they went on sale.

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Good Stuff, an upgrade of the 7/12/76 Orpheum Show showed up last week from Mr. Miller for those wanting more.
Tiny Theater Dead Shows, those were the good ole days!
BTK thanks for sharing. Tell us more.

The Reel flip during The Other One on 12/12/70 from the Santa Rosa Fairgrounds pretty much ensures we won't be seeing that show released any time soon. Rough!
It's funny to think that these recordings we all collect so obsessively were basically an after thought :)

Have a Grate Day!

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I remember that there were two Dead posters in the front window, Skull & Roses. and the one with Garcia in a leather coat, the Dead at the Fillmore 1966 . Blair Jackson did a big write up on the shows in BAM magazine in July or August of 76 ,I have it laying around here somewhere with all my Dead posters and collections. I thought it was a great show and I still think that as I listen back to the tape. Winterland held about 5000 some people, it was cavernous compared to this place. I saw the Jerry Garcia band play there once. But those Dead shows were special, and this 1976 box set is very special . 1975 & 1976 fantastic years!

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Nice! 1800 capacity Dead Show sounds so amazing, shit that's like a 1000 people smaller than the Fillmore East.

I'd like to check out that BAM article, I did a couple google searches but didn't find it. I wonder if it's in This Is All A Dream We Dreamed? Hmmm.

Well, I know what I'll be listening to today.

Thanks for the inside scoop!
Good Stuff.

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Capacity, 1,800 . I was last inside there over 49 years ago. Not sure if capacity has changed in the 21st century. Lesh is more. Got an empty cup. Phil it up.

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In reply to by Strider 808808

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I don't think the capacity has changed.. they certainly didn't add on any rooms. I was last there sometime between 6 and 9 years ago. Classic venue.. hallowed walls.

I love small, quaint, intimate theatres. Yummy. Makes me want to travel back in time and set the dials to Europe, spring 1972 (and Port Chester 1970 and 1971).

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Hey man, PM me your email, I have something I think you will dig.

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In reply to by billy the kid

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Done!

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The photograph in the bulletin shows Jerry playing the Alembic experimental guitar or the “peanut”. One of two that were made. That does set the date of its first appearance two to three weeks before the March 71 date as stated in Blair Jackson’s book “Grateful Dead Gear” and a day later from what I thought was first time 2/19/71. Looking closer at the photograph, Billy’s drum placement would suggest after the 18th. Mickey was set up on the left of what was a small stage with Ned Lagin between him and Jerry. Would love to see the photographers proof sheet, or all the negatives. But it looks like five piece Grateful Dead.
I guess I should quote my old friend Pete Bogle , taper / archivist who coined the phrase “another picky Deadhead” when he introduced it as a bumper sticker in the 80s.
Ah yes, those foggy ruins of time.

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"The people up front are visibly bug eyed. They are looking flat". On to the second set... Great stuff.

It looks like Ned posted a broken link, or more accurately, the "......with" was mistakenly attached to link making it dead)

I think this is what he meant to post.. Wharf Rat w/ Pete from Rockpalast.

https://www.youtube.com/watch?v=20dic8S3cWI

Has anyone ever noticed that when Bolo disappears fire, brimstones and complete mayhem is unleashed upon the world?

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In reply to by Strider 808808

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Good Eye mate!

I didn't catch the Peanut Guitar, it's hard to determine, but you've got a good eye for that instrument Strider.

We might need some Hair forensics for this photo. I see it floating around with some different dates attributed to it. But since that's the Peanut, that would definitely help narrow the date range of the photo, and yeah looks like 5 man Dead.

The shirt and boots Jerry is wearing are featured in the famous family dog photo from February 1970 by Altman. But, who's to say he didn't wear them for a while. I've got some shirts that are at least 10 years old, possibly older.

Cool photo for sure, Stephen Gilbert has some other cool photos on GDAO of the GD from October & November 1970, this one is dated from the November '70 Capitol Run on that site. But I think the real tell would be Phil's haircut.

Phil, when did you cut your hair in 1971, was it right before the Capitol Theater run in 1971?

Yeah, the Contact Sheet would be sweet. I second a look at that. But I think you're on to something Strider, I'm thinking 2/19 or after.

Fun stuff. Makes me want to hear some 1971 Capitol Theater, and I do believe that's the point :)

VGUY: GD Newsletter came today, check spam.

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Here’s an interesting article on that seldom played custom Alembic

https://relix.com/articles/detail/jerry-garcias-pretzel-guitar-resurfac…

EDIT: perhaps there were 2 different guitars as the one in the news letter showing the capital pic looks different then this “pretzel” guitar? Wouldn’t be that unusual for them to offer him different options since Alembic was in house etc...

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November 1970 he had a ponytail. February 1971 he had the haircut.
The internet has way more about the “peanut” guitar than ever before. I believe it’s not the same as the “pretzel” guitar. Peanuts , pretzels and beer. Port Chester is where 18-20 year olds would go to drink when it was still 21 in Connecticut. Lowered drinking age in Ct in 72.
Back to the mystery guitar. I definitely remember Jerry playing a much smaller body guitar most of the February 71 run. I called Alembic in Santa Rosa about five years ago and talked with Ron Wikershams daughter who told me they still had two peanut guitars that Garcia played. I asked her if they could remember if Garcia played them in February of 1971 and she said I should have a better idea as I was at the Capitol Theater five nights during that run. Rick Turner who built the peanut says it was pre-Alembic.
So maybe the Stephen Gilbert photograph shows a completely different guitar altogether. I do remember Jerry’s homemade Guatemalan fabric cowboy shirt, 1970.
Where’s Columbo when we need him.
By the way, the German film Wings of Desire staring Peter Falk is a beautiful film.
But I digress.

It's all about the Hair.

I love archival research and yeah the internet is the place for GD info!

It's too hard to see much detail from the Feb '71 pic we're looking at, so like Wikersham's daughter was saying, you should know if it was THE peanut or not ;)

It looks kinda like peanut to me, maybe we can tell when we hear the new tapes. Are you able to pick out the peanuts sound? I remember you mentioned it having a distinct sound. There's some cool pics of Jerry playing peanut at the Manhattan Center in April '71 for sure. So we might have to put our archivist ears on and play some back to back shows from the Cap & Manhattan center.

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is that we still have to wait another month to hear 2-18-71 in all it’s Plangentized glory (the samples don’t count).
Just announce it and put it in sale when it is ready to ship.

71 comparisons and investigative work - this is the group to do it.

Record Store Day this Saturday

https://recordstoreday.com/NewsItem/9003

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The famous Brotherhood of Eternal Love show? I think yes... Interesting...

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In reply to by JimInMD

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So the photo from this Rick Turner article on the peanut guitar looks like the cap theater one in the bulletin, only from a better angle.
Interesting history about its pre-Alembic origin.
Strider, you sir are blessed with a great memory! Thanks for sharing all this groovy stuff for us!

https://rickturnerblog.com/2017/12/05/garcias-turner-peanut-guitar/

EDIT: the Gibson headstock really gives it away!

EDIT: I meant the guitar was the same in both pics

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In reply to by Oroborous

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Right.. how can you remember all this detail? You don't see too many show reviews from me because most of the memories are inconveniently erased from my mind, or worse, all I can remember are broad details and when I even contemplate writing something there's just not enough to make a point. Perhaps I need to start taking some of that jellyfish memory pill crap or something.

Sometime I really think I am pre-Alzheimer's.

It's unbelievable you remember all this stuff so many years later... you put me to shame.

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Photo on the Rick Turner Blog definitely not from the same night as the photo in the GD Bulletin. RTBlog shirt is the blue denim, sawtooth pocket, pearl snap that Jerry is wearing for 8/14/71 BCT. No way is that the same shirt in the GD Bulletin photo, which even in b/w is clearly multicolored shirt. I think the Turner photo is from the Manhattan Center shows - Jerry Garcia site has photo with that same denim shirt for 4/5.

I love the Peanut Guitar - in part cause I hadn't even heard about it until the last year, the name strikes me as freaking funny, the back story is outrageously cool, and, lest i forget, it sounds great!

Strider - love the tracks you lay down for us to follow.

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Nice OB!

That adds some color to this picture.

Based on Turner’s blog post it sure sounds like there was only one Peanut.
Based on the Photo, photographer’s labeling and Phil’s haircut we can assume it’s from the Capitol Theater circa February 1971.
Based on the photo and Strider’s eyewitness account Garcia is playing the Peanut.

I wonder if LIA etc have already discussed this?
Looks like.. Yes. Deadessays has the Rick Turner Peanut listed as 1/21/71 - 4/29/71

Shoulda figured to start there ;)

Good Stuff.

PS - 4/5/71 is a Rocker, it’s been awhile since I’ve played this one. The Peanut sounds good!

Love the raunchy grunge tone of Jerry's guitar this show. I know they are very dissimilar, but I get the same vibe from the Dec'77 shows, the (sort of) return of the Wolf. Full of anger and disdainful sustain. Rock and Roll.

Sorry to go off on a tangent. As you were..

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Yeah Jim & GOGD - the Peanut sounds damn good.

pick of the day (some day) i think ; )

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Someday being today.. I just finished it. Been a while, doc would be proud. I know (knew) every note of this of this show, but it's been so long I picked up a whole lot of new stuff. Like.. why were the harmonies for Rider so off compared to a year into the future, clearly they worked on this. Was it Phil? ..but still a kickin' version, especially the transition, so young so fresh. As mentioned earlier the tone and raw power of the performance. A great little show.

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In reply to by JimInMD

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Enjoyed 4/5/71 yesterday, it'd been a really long time.
Had to happen with all that Peanut talk.

Super fun listen. Think I need to hear the rest of the run.
Will throw that out there as a suggestion for pick of the day, pick one 4/4, 4/5, 4/6 and give it a spin.

It is like reconnecting with an old friend. Whose Yodeling in Me & Bobby McGee? I always thought it was Jerry, but now I think that's Marmaduke? Check out Bobby in China Cat, killing it! The Other One, completely slays. And the NFA > GDTRFB is like a part of my DNA, note for note, I must've heard it a million times on Skullfuck. Think I gotta go dust off 4/6 now.

Worth a revisit for sure, and it'll get you pumped for some '71 to come.

Alright, be well all and Happy Friday!

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Back cover photograph shows Jerry passing a J and is wearing the Guatemalan cowboy shirt. I saw Howard Wales and Jerry both early show and late show at the Academy of Music (January?) 1972. Talk about throwing the audience for a curveball. I enjoyed it.
As far as one or two peanut guitars , I’m only going on what Alembic founders, daughter said. No big deal.
Ability to have a sharp memory, a lifetime of working in the woods/mountains. Tons of fresh air, sleeping on the ground, avoiding white powders, pure water, simple food, meat in limited doses, backpacking, walking, climbing mountains, (still do) reading actual books not kindle, taking breaks from Ganga, going on 20 years since quitting all alcohol. (Not passing judgment, most of my friends drink) , traveling in Latin America, learning a second language (Spanish) by direct immersion talking with people, only using a translation dictionary, getting to know and making friends with people of different ethnic backgrounds, mixing it up , leaving comfort zones at times, waking up at or before dawn, (even as a teenager), as far as dates, I know my seasonal work history,(mostly trail work in Wilderness areas) Official book of the Deadheads was the first time I saw a list of Dead shows with dates, synced work, travel, Grateful Dead concerts, other bands, where I’ve lived, (almost 40 years in New Mexico) it all fits together like a puzzle.
My number of Dead shows are within 2-3 for exact count, 133 in 25 years to the best of my ability. Was I at Manhattan Center two or was it three nights in April 71, was I at Academy of Music three or four nights in March 72. I know I was at all four nights of November 1970 at the Capitol Theater. I’m certain I was at the Capitol Theater 2/18,19,20,21 and the final night, 2/24/71. By summer 1972 and beyond dates are very exact. I have most of my ticket stubs starting with December 1981.
The other way I keep my memory sharp. Have hardly watched television since leaving home in 1972.
Will have to listen to 4/5/71 today .A day late a dollar short. Oh well. As far as a venue, Manhattan Center had a twisted vibe, oversold and rundown, of course the music was at a high peak in the history of the band. Nevertheless “Aces back to back”.
Tractors you say, my uncle Harlan worked for John Deere in Des Moines.
Stairs you say, “Stairway to Heaven”!
Parking meters you say, “ watch your leaders and your parking meters”

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In reply to by Strider 808808

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Now that's some merch I could get behind.
And the boots!

That'd be sweet :)

Nice Strider! Keep em coming my man.
Thankfully you kept that brain together so you could tell us fools some stories (I jest!) :)

BTW 4/5/71 wasn't the official pick yesterday, I just got a hankering, all that Peanut talk.
Sounds like Jim & I jumped on it. But recommend the rest of you do too. Make it official BlueCrow!

So Fire it up Folks, head to the Manhattan Center circa 1971, don't get crushed by the overcrowding and have a good time!

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I was just emailing Uncle Gary about one of these shows that he sent me (2/22). This pair of shows would make a great mini box. They're on the shorter side, so they can probably fit it all on four or five discs and they play extremely well.

The set lists are no joke (Bird Song, Dark Star, China Rider, Playing in the Band, Eyes of the World). At a minimum 2/22 could use an official rendering. Hook me up bartender, hook me up.

For all you folks going to the Manhattan Center show

Listen to how happy Pigpen is!
Especially during the end of Lovelight, man he sounds so stoked.

Thinking April '71 was the peak of Pig's career.

Good Stuff!

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Added to the general vibe that night. MC was a block or two away.( Correction, 8 blocks away 9/26) I just read my comment for 4/5/71 that I wrote 9 years and 6 months ago on Dead. Net. Listening to China/Rider just now I could hear the difference from the Capitol Theater. Manhattan Center was at least twice as big. (?) I did make it from the floor to the huge balcony for the second set where there was room enough to dance. It was supposed to be a “dance marathon “. The sound of the recording in that room has a different sound from the Fillmore East or the Capitol Theater. Perhaps somewhat like Winterland. Although Winterland was longer from the back to the stage. Now the Oakland Auditorium was awesome. Another decade, another era. I still have audience tapes I made there with my Sony D-5.
Another time marker I use is foreign travel. First time out of the States was to Montreal, Quebec, Canada in late April 1970 to film the Expo 67 dome. Was making a super 8 film on geodesic domes. Or my first time to Mexico to TJ and k-49 surfing with an old friend from the east. Or the first time to southern Mexico (Chiapas) and Guatemala in January 1988. Living in the highlands of Chiapas (& selva) five winters 1992-1996 while furloughed from seasonal Forest Service. It’s those kind of times that stand out in my memory just as amazing Grateful Dead concerts do. So it goes.

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9 years 1 month
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of all the Dead eras and sound I've always had a special place in my heart for the Skull and Roses lp. and only yesterday, when GOGD commented on the 4/5 Not Fade Away > Going Down the Road, and I'm like oh yeah, those lp tracks are from this show(!), did it click that the Peanut is at the heart of that sound. The Peanut, a somewhat obscure Garcia guitar, unlike no other, that Jerry used for all of 3 months. I was listening to 4/5 today at work and Jerry's sound is so freaking early rock and roll bluesy clean and raw at the same time and I love it.

GOGD - The yodeler IS Marmaduke. After the song is finished Bob quickly says his name!!

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13 years 4 months

In reply to by bluecrow

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..and all of your creations.

Such a personal lyric.. when your children, they all start to resent you.

What mind would write this stuff.

Say what you want about 80's GD, but at the very least.. they were the worlds best Dylan Cover band for a short period of time.

Checking out 7/2/ 89.. part of the Shakedown Stream.. but I missed it and they took it away almost immediately.. now it's back.

To Lay Me Down kicking in now. Amazing stuff.

No doubt Jim. The Dylan slot. My god, some shows saw 3-4.

Recently, I have been really digging the different versions of Maggie's Farm. So many favorites. I can't pick one. Of course Desolation Row and Phil's take on Tom Thumbs Blues.
I remember being a big fan of Stuck Inside a Mobile.... During the late 80's Alpine days. Still love it.

Here is an option for tomorrow, 9/26/1980, The Warfield Theatre, second night. There is a good SBD Miller copy on Relisten/Archive.

I will be going through this entire run I hope this year. I have listened to a few and not all have SBDs and the sound quality definitely varies.

Everybody hang loose.

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8 years 10 months

In reply to by DeadVikes

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9/26/80 you say?

I've been crammed into the crowded and way oversold Manhattan Center circa '71 for a few days now, and my minds been squished. It's been a fun trip.
I think I saw some of you there.

Great stories abound on the internet, a Dance Marathon on the East Coast in the Grand Ballroom of the opera house built by Oscar Hammerstein. An attempt to show all the seated venues of the area how to party. Capacity at around 2500 people, reports of 10,000 in attendance. Not much dancing reported. And the music created imho is quintessential spring '71 Dead. (Funny, not only do you have to quantify the year, but the time of year, as by the Fall they were yet another type of Dead, love it).

If you didn't get to it, I say give the other 2 nights a spin, 4/6/71 at the very least (the band take a rare dip into the back catalog and play the oldies!) and search out the many reviews & articles written about the shows. Or at least the reviews in Taper's Compendium. Worth the trip.

But Hark!?!? What's that I hear?

A call to change gears and dive into another legendary period of the Grateful Dead.
The hallowed Warfield Theater run of 1980.
I'm already at Birdsong.
These acoustic sets from the 1980s sure make for nice morning music. La Da Da Da...

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4 years 11 months
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It would have been nice if the Dead had included, Rosemary, Mtns of the Moon , and Attics of My Life to their acoustic sets in 1980.

Absolutely!

I listened to 4-6-69 last night, it has a Baby Blue.
Now I’m wondering when the first Dylan cover was played. There’s some homework for today if any of you are bored.

I love the Dylan covers from the 80/90’s.

Well, I have to run to the beer store, which is by the record store, but 5-9-77 vinyl is out on October RSD. I’ll have to check today’s list of releases to see if I should buy some vinyl today.